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Moogfest Artist Spotlight: Flying Lotus

Steven Ellison may be one of the most inventive musicians of the past decade. Since he burst onto the electronic scene as Flying Lotus in 2006 he’s been bending and breaking listener’s preconceived notions of the genre by seamlessly blending hip-hop with free-form jazz, pop and electronica. Ellison released his first album 1983 in 2006 and within the year was signed to Warp Records. From there FlyLo’s popularity seemed to explode, he began producing most of Cartoon Network’s Adult Swim bumper music, collaborated with Radiohead’s Thom Yorke and released a handful of mindblowingly complex yet accessible albums.

Ellison is the great nephew of Alice and John Coltrane and has in a similar fashion served as the figurehead for his own genre. His great-uncle helped pioneer and popularize free-jazz while Ellison has served as the gatekeeper for downtempo beat music, crafting seemingly endless soundscapes that ride on stuttering grooves and skittering percussion. But his talents don’t just lie within the studio, after the release of his most recent effort Until The Quiet Comes, Ellison debuted an immersive, layered 3D show that blends scenes from 2001: A Space Oddysey with interactive visual patterns.

I was lucky enough to catch Flying Lotus at Bonnaroo in 2012 and his set was an effortless blend of contemporary DJ stylings, remixing beloved classic hip-hop and dance tracks while implementing his own fan-favorite originals. However, his less “party oriented” shows tend to involve much more of his own heady beats, showcasing the brilliant production on display within his work. Chest-rattling bass and mind-bending visuals make for a visceral viewing experience that absolutely can’t be missed.

Flying Lotus will perform at The Orangel Peel on Wednesday, April 24 at 12:00 am.

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Moogfest Artist Spotlight: RiFF RAFF

Moogfest Artist Spotlight: RiFF RAFF

What is it about Horst Christian Simco that makes the public so drawn to him? 

Is it his love of branding? His innovative non-capitalization of the letter i? Perhaps its his rich history with the Greensboro police department? Or maybe it’s just because he committed a soft form of animal abuse by dying his husky blue while simply declaring “RAP GAME BLUES CLUES.”

Whatever it is about Simco (aka RiFF RaFF, aka MTV RiFF RaFF, aka JODi HiGHROLLER) that launched him to public figure status, he is an undeniably an entertainer (of sorts). 

The now pop-culture icon had humble beginnings as a reality TV star. Simco had made attempts to appear on P. Diddy’s “Making the Band,” to no avail but eventually earned a short-lived spot on MTV’s “From G’s to Gents,” which in turn convinced the young rapper to reserve an everlasting spot on his neck to MTV. (See “love of branding” image in the first paragraph)

JODi’s musical style ranges from characteristically over produced early 2000’s rap to sloppy school yard free style. With odd meter and minimalist refrains sometimes it’s hard to tell whether or not the man is playing some kind of big trick on America–Especially with so many tongue and check artists out there now a days (ie LIL B). 

Ultimately it matters not the source of Raff’s uniqueness—it’s got to be somewhat genuine to dedicate that much ink. HiGHROLLER’s performance in Asheville is something I am personally greatly looking forward too and will without a doubt be a great ole Versace time. 

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Moogfest Artist Spotlight: Dan Deacon

Heading into the end of the night on Friday of Hopscotch 2012, I wasn’t sure I could last much longer. Non-stop concerts and drinking since 8 o’clock the night before had left me drained; yet I stumbled my way into the Pour House and up to the front amongst a crowd of particularly sweaty individuals to witness what I had been told would be the show of the festival: Dan Deacon. It wasn’t more than a few moments into his set that I felt the energy surge back through me, the cacophony of dual drums and glitch beats swaying my body back into movement.

It’s been about a year and a half since that show, and I would still be hard-pressed to think of a show that I have enjoyed more than that one and it’s why, when Dan Deacon was announced as part of this year’s Moogfest line-up, I instantly penciled in my first must-see show. Getting a chance to see him, and subsequently YACHT, is something I would recommend to any friend; thus, I say to you: plan to spend 11 pm to 1:30 am at the New Earth Main Room on Thursday, April 24 for what will surely be a fantastic show.  

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Pre-Phuzz Artist Highlight: Judy Barnes

I’ll be honest; prior to the Phuzz Phest lineup announcement I knew nothing about Judy Barnes. I’m still unsure of her musical background, but I have come to accept the fact that it doesn’t matter. The songs that Phuzz Phest put up of Judy Barnes from soundcloud captivated me like no music has recently. Barnes is able to blend beautiful piano melodies with jaw dropping vocals to create a sound of her own. Being a native a Winston-Salem, I feel like Barnes will be one of the best up and coming local acts to go see. Barnes will be playing at Krankies on April 6th at 9:00 pm; and even though I have to make the trek back to Raleigh that night, she is making a strong case on why I should stick around in Winston just a little longer. 

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Pre-Phuzz Artist Highlight: The Sweets

Phuzz Phest is a stellar festival for not only seeing North Carolina artists, but also getting a taste for the local Winston-Salem music scene. With attendees coming from all around the area and the state, Phuzz Phest is a great opportunity for some of these bands to perform.

The Sweets, a four-piece local group, are one of those bands with such an opportunity. Their blend of lo-fi psychedelic garage pop has been a real pleasure to listen to so far online, and I’m looking forward to seeing how their live act holds up.

The Sweets were formed in December of 2012 by Zach and Justin, two brothers from the home of Phuzz Phest, Winston-Salem. With the aid of two more members, Danner and another Justin, they’ve released a few EPs and a couple of split cassettes, and are currently working on releasing their first 7” record on their label, Bleeding Gold Records.

The Sweets will be performing at Krankie’s at 7PM on Sunday, April 6th.

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Pre-Phuzz Artist Highlight: Diarrhea Planet

I’ve told a lot of people about Nashville’s Diarrhea Planet. Most people shudder at the name, assuming they’re a shock-value powerviolence band. Others simply don’t want to pay any mind to a band not willing to take themselves seriously.

Take a chance on them, however, and you’ll find an act that takes their live show very seriously. The six-piece brings a kind of energy like no other, creating a sound and spirit frequently likened to Andrew W.K. if he was a bit sloppier. These guys have shared bills with the likes of Titus Andronicus and played Jay-Z’s Made In America Festival. They have an uncanny ability to unite a crowd in drunken unison in their anthemic hit “Ghost with a Boner.” They also have four guitarists.

Diarrhea Planet headline The Garage Sunday night at 11:40. You’re probably going to want to read up on some lyrics if you’re going to sing along, though.

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Pre-Phuzz Artist Highlight: The Tills

“Yeah, we love strokin’ it.”

After coming up to the band after their set at King’s Barcade for Zack Mexico’s Album Release Show to tell them I really liked the song with the upstroke part, that’s the comment I received. Essentially, this band is a bunch of bastards that make some great, sunny 60’s tunes.

What sets them apart from the pack is their ability to execute. Lead singer Harry Harrison has an impeccable belt and this real loose way of strumming chords (probably due to all that masturbation) that pairs well with lead guitarist’ Jesse Meyers deliberate style. Tom and Josh keep the feeling loose but the groove tight on the rhythm side of things. I saw The Tills again at Nice Price Books with Jenny Besetzt, and even though that band now has a machine of a drummer (the dude from The Bronzed Chorus), I remember thinking they held their own when it came to drummer awesomeness.

If you like Harlem, or the amazing new Harlem-derivative Las Rosas, this band will be very appealing. Catch ‘em 9pm Friday at Krankies Coffee during Phuzz Phest.

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Pre-Phuzz Artist Highlight: Brain F≠

Pre-Phuzz Artist Highlight: Brain F≠

Charlotte’s Brain F≠’s first impression is usually, “How am I supposed to say that out loud?” The answer to that question, oddly, is Brain Flannel. However, upon listening to their release Empty Set, you won’t care about putting the punk band’s name into words as their white-knuckle riffs take hold. They bring the spirit of a poppy garage rock song, then get it into enough bar brawls until it’s a punk’d up mess that knows how to have fun. If you’re looking to spice up your Phuzz Phest schedule with a something to get the blood flowing during the middle of your weekend, look no further. Brain F≠ will take the stage on Saturday, April 5 at 9PM at Krankie’s Coffee. You should probably be ready to get rowdy.

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Pre-Phuzz Artist Highlight: No Age

After seeing No Age last September at The Pinhook, it was a no-brainer to add them to my list of artists to see at this Phuzz Phest. Seeing them with Spider Bags that night was an awesome experience and I’m really looking forward to the chance to see them again. It was, by far, one of the loudest shows I’ve ever been to, and I’m by no means offering that up as a complaint. The two-piece experimental punk group out of Los Angeles and signed to Sub Pop Records is known for their impressive gritty live performances. With An Object, their fourth full-length album exhibits a clear ability to improve and they have received rave reviews for the raw force behind it.  To experience their incredible live show, be sure to check them out on Saturday night, April 5 at 11 PM at Krankie’s. 

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Pre-Phuzz Artist Highlight: Jessica Lea Mayfield

After making some changes to her look and modifying her music a little bit, Jessica Lea Mayfield is definitely on my chart of must-see artists for this year’s Phuzz Phest. From growing up listening to her hypnotizing acoustic sets to hearing her equally as talented brother cover her songs, the lyrics of Jessica’s songs are always something that have seemed to captivate and keep my ears perked. On top of the lyrics, Jessica’s soft and sweet vocals are able to contribute even further to her fairy-like presence. Now, I’m not one to say if her current look/sound is here to stay, but I know for a fact that it has not changed my outlook and appreciation for her artistic talents. Be it in acoustic version or soft rock form, I’ll be eager to get the front row of any Jessica Lea Mayfield show that is in the North Carolina area.