Band/Artist Profile Music News and Interviews

“Ouroboros” by Suave Punk Song Review

Suave Punk is a great representation of modern indie roots. Suave Punk is Justin Kim, a fella who decided to sit down in his bedroom with a borrowed guitar, amp, and laptop and make some mystic music.

Since 2018 he has released an array of singles and an EP. Suave Punk’s discography is filled with heavy guitar riffs, relaxed vocals, and elements of shoegaze, grungegaze, and dream pop.

His most popular single, “Heat Death” caught my ears in 2021, and since I have been keeping up with his releases.

This new single “Ouroboros” did not disappoint; however, didn’t necessarily provide any new elements to his musical arsenal. I love seeing growth through releases, and although there wasn’t much experimentation in this track it’s clear his musical confidence is blossoming.

I really appreciated his lyrics in this track. He has a great voice and a great tone for the genre pocket he is fitting into. In his past work he really veils over the vocals with heavy strings and drumming, but I’m glad to see more of his lovely voice poke through here.

“I’m an ouroboros
No matter which way I go
I’m always trying again”

This theme of incessant self judgement fits excellently with the musical beats. The backdrop is repetitive, active, and grows throughout the track. This track is unified, succinct, and bold.

“You’re not safe from what you’re building
You’re not safe from what you do”

This track is definitely one of my favorites from Suave Punk. It provides a glimpse into the mind of Justin Kim, who up until this release has been allusive and understated.

It is great to hear more confidence in his voice, sound, and themes– I am looking forward to the releases to come. I’ll be waiting for a full album, till then, keep rocking Suave Punk.

Music News and Interviews

“Bull Believer” by Wednesday Song Review

It is always a good day when Wednesday releases.

Wednesday is an indie rock band from our very own Asheville, North Carolina. Wednesday is made of Karly Hartzman lead vocalist and guitar, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and pedal steel player Xandy Chelmis.

It feels incorrect to put this band in the box of “indie rock”; they have tapped into noise rock, psychobilly and in there latest album, country. “Mowing the Leaves Instead of Piling ’em Up” is a 9 track cover album that was released March 11 of this year.

I could write an entire review of this extraordinary album. It features covers ranging from “She’s Actin’ Single (I’m Drinking Double)” by Gary Stewart, to “Perfect” by Smashing Pumpkins. Each track taking on a new life through Wednesday.

Their discography truly never disappoints. They bring so much presence with each and every release.

The New Single

The first thing I noticed about this track is that it is a hearty 8 minutes and 30 seconds. I adore a long track. I especially love a long track with good placement, and although this is not in the context of an album, “Bull Believer” arrives with the announcement that Wednesday has signed to record label Dead Oceans.

Dead Oceans has released many influential artists including Mitski, Phoebe Bridgers, and Toro y Moi.

Musically, this song is weighty. One aspect I really respect and admire about Wednesday is the authenticity of Karly Hartzman’s vocals and lyrics. They have no intention of altering their sound for the eyes of the public. Especially in this track, the vocals are stripped and raw.

Stylistically, the vocal bring such rigidity and dominance. The conclusion of this track has an almost wail-like quality. Karly Hertzman is not only providing a voice that is powerful and real into the indie rock world, but begins to break down the expectations of female voices in the music industry. Wednesday captures beauty through sheer musical power.

I want to take a moment to appreciate the lyrics of this track. I adore Wednesday’s metaphorical nature. Their previous releases have had a level of elusiveness to them, and this track is no exception:

“Comfort fools us into faith
Then fate pulls us away again
A corpse with a spirit
Got out of my bed today”

With each release Wednesday takes another step towards a stronger and stronger sound. Their musical prowess and experimentalism astounds me. They has achieved such a unique presence in their music. I look forward to new music to come under Dead Oceans; I sincerely hope this new label encourages more of what is happening in “Bull Believer”.

Blog Music News and Interviews

New Singles by Mr Jukes and Barney Artist

This is an absolutely remarkable collaboration between British artists Mr Jukes and Barney Artist. The two releases a series of 4 singles between May. 25 and Aug. 25. 2022.

Mr Jukes is the passion project of Jack Steadman, lead vocalist of Bombay Bicycle Club. In his solo work is a bender of genres– tapping into jazz, funk, soul and rhythms and blues influences.

I have been a big fan of Jack Steadman for quite some time. It is exhilarating to see him thrive in his solo work year after year.

His 2017 album, “God First” has some of my favorite tracks of all time including “Grant Green” and “Tears”, but frankly every track on that album is phenomenal.

Barney Artist was just introduced to me through the album, “The Locket”, a prior collaboration with Mr Jukes in 2021. His music has such a vibrant energy.

The pure musical talent between these two artists are simply meant to combine.

“The Locket” Album Cover Art

The New Singles

“93”, this single released May. 25. This track is such a great taste of what these two artists can do together. I honestly think this track is a little revered of a sound for them.

The back tracks are characteristically layered and rich– however the lyricism is a bit repetitive. I would have loved to hear a touch more of the verses.

This song has such a sweet sound. The happy keys and brass in the background complement Barney Artist’s voice beautifully. Mr Jukes has integrated many jazz influences into his past music. The hint of brass in this track brings a energetic jazzy sound to the whole track.

“Air To Your Hidden Lung”, this single related July. 8. The message of this track is that the current state of the music industry is ephemeral.

Barney Artist provides a sharp commentary on other’s artist’s motivations for creating music. The act of making music simply for the love of making music is fading– over shadowed by the drive for fame and money.

“Eternal”, this single was released Aug.5. You can hear how much energy these artists have in this track.

Barney Artist’s lyricism in this track is strong. This track out of the four is perhaps the most hip-hop influenced. It hast fast paced verses and a smooth chorus.

“Run Away”, this track is my favorite of the four. It released Aug. 25, and provided a great conclusion to this set of singles.

It’s unclear whether or not they will be releasing more songs in this set, but they have created a song composition of four with these tracks.

Mr Jukes and Barney Artist have formed such a rich sound together. Especially in “Run Away”, their two voices are paired perfectly. Barney Artist provides such a sharp, powerful tone. Mr Jukes brings such a gentle, smooth sound into the track.


Mr Jukes and Barney Artist are a powerful fusion mixing multiple genres, sounds, and influences into one.

I envy all the folks in the Brighton area that get to see these two live. I will be awaiting the opportunity to see them in concert.

If you would like to hear more of them, I recommend giving “The Locket” a listen. I’m looking forward to all these two will create in the future.

Music News and Interviews

Similar Kind “Commercial Break” EP Review

Similar Kind is an indie pop band out of Norwalk, Connecticut that just release EP “Commerical Break” Aug 26, 2022.

I had previously discovered them during a Hot Flash Heat Wave concert, Similar Kind was an absolutely stellar opening act. Lead singer, Julia Breen, has so much power in their vocals that is prevalent in every track.

Their energy is intoxicatingly positive. Their discography is filled to the brim with upbeat, energized tracks.

My mood immediately improved upon seeing a new release on their page; their sound is always a mood booster.

New Tracks

In this release there is 4 new tracks, all of them are leaning into a more funk-inspired sound. Their bassist, Nate Porter, deserves much praise in these new releases.

The first track, “Game Show” is absolutely noteworthy. They have great production quality in this one, and it’s clear they are gaining more confidence in their individual talents. The member’s individual sounds are combining beautifully.

“Leonard St.” is the second new track on this EP. Once again, the bassist is shining in this track. I really adore this song. It has much more intense, almost grungy approach compared to their previous work. My only gripe with this track is halfway through the track the vocals are muffed stylistically– Julia Breen has such sharp vocals; I think it is a detriment to hinder them.

Up next is “Waiting”. This track is certainly the most pop influenced on the EP. If you want a good song to dance or tap your foot to, this is the one. It has more repetitiveness compared to the others. I appreciate their efforts in appeasing to multiple genres.

“Thanks for Listening!” is the final track on the ep, which as the title implies, is a musical send off. I don’t have too much to say here, other than I hope Similar Kind is not going to be gone for long.

Conclusion and Tour Dates

I’m looking forward to the next opportunity to see Similar Kind in concert. Their sound live is really electric.

They are currently touring with Post Sex Nachos and will be performing at Cat’s Cradle in Carrboro next Thursday, Sep 1. They will also be stopping in Atlanta and Nashville.

I’m excited for all that Similar Kind will be releasing in the near future; this EP is just an inkling of all they will accomplish.

Miscellaneous Music News and Interviews

How the Pandemic Influenced Concert Culture

The post-COVID experience has changed drastically whether it’s our preference for working from home or doing classes over Zoom. It’s no doubt that concert culture has adapted as well.

The attendance of concerts, the fashion, the concept of camping out hours or days before shows. 

I’ve heard a common ideology going around these days, that people aren’t working because they want to but because they want money to buy concert tickets. 


Attending smaller shows that average $20 a ticket seems simple for people who have survived quarantine buying hundreds of new clothes or supplies for new hobbies from boredom. 

Now there’s less time being bored, so the next best alternative for a fun 3-hour experience is going to a concert.

The class of 2023 to the class of 2026 especially has lost so much of the ‘supposed’ best time of our lives with college and high school years of freedom being obliterated.

Because of this everyone is seeking that missed experience by going to concerts. Celebrating our favorite artists with fellow fans our age.


Not only has concert fever increased but the whole culture behind it has changed.

In the past, you wouldn’t typically dress up as if you were going to the MET Gala when getting ready for concerts. However, these days fans go all out by recreating outfits the artist has worn in the past or matching the vibe of the tour. 

I love this new change because it makes going to a concert this event. Of course, it’s not mandatory but gives people another thing to look forward to doing to get into concert mode. 

I know it makes me hype at least.

What I love about the new fashion culture of concerts the most is that you can dress to the nines and wear the most outrageous outfits that you possibly could not wear on a school campus or at work or in your daily life.

It gives you the chance to step outside of your comfort zone while having people dressed as cool as you surrounding you.

Not only is it the outfits, but the hairstyles and makeup looks that people are dedicated to doing just for themselves are what I enjoy the most.

Of course, sometimes concertgoers want to dress their best in the rare chance the artist sees them, but for the most part, they dress in a way they are the most confident version of themselves – for themselves.

Camping Out

Unfortunately, there is a negative aspect to this adapted concert culture, I fear. In the past, people would show up maybe one hour early to a concert before doors opened.

These days, especially when it comes to general admission venues or venues with pits, fans line up eight plus hours in advance just to be at the barricades. Just to be that close to the artists on the stage. 

Not only is this dangerous for the health of the fans but is honestly unreasonable too.

The extremeness only increases as the popularity of the artist increases.

Someone I met at the Wallows concert told me they had been in line for over eight hours just so they could get interactions with the band members. 

Another person stood in line for over 15 hours for a Harry Styles show. Another person was in line for a whopping 21 hours for Olivia Rodrigo.

One extreme situation I read about was that people started camping out at 11 pm the day before a Harry Styles concert that was starting at 7 pm. Full on setting up camping tents and everything.

The list goes on and on, with people waiting 8-9 hours for indie artists like Role Model, Clairo, Wallows, etc., and people waiting 15+ hours for more famous artists like Dua Lipa or The Weeknd.

The max I’ve waited in a line was 2 hours, and I’ve gotten barricade for almost every concert I’ve been to. Of course, all those concerts were at The Ritz in Raleigh so it wasn’t difficult to do so. 

Over quarantine and Post-COVID many artists that we could refer to as “small” have doubled or even tripled in their monthly listeners and this along with the passion of fans has increased the intensity of concert culture.

It’s fascinating how music consumption and concert culture was so drastically influenced by quarantine and the pandemic. 

Regardless of how you want to take part in concert culture, I definitely recommend going to a live show at least once. It’s a life-changing experience.

Music News and Interviews

Hojean “You Aint Gotta” Song Review

We’re back with another song from Hojean.

As he gets ready to head for 88rising’s ‘Head in the Clouds’ music festival, he seems to have released another song that fans will get to see performed live for the first time.

Right from the start, you can tell this song has heavy 90s hip-hop and soul inspiration. It’s no lie that Hojean is highly versatile in his music and keeps the melodies and style unique with each new release.

The song starts off with a staccato beat and his smooth vocals.

All of his songs are easy to vibe with and because of the simple lyrics of this song, his voice and music production gets more emphasis.

The gist of the song is him saying he doesn’t need much from a relationship and singing “Slow, slow down |  You think you know what I want? | Well, baby I don’t really need it |  Hope you know it now (ah-ah ah-ah) |  Wow, oh wow |  I don’t need what you flaunt |  ‘Cause baby all I really wanna do is love you now” 

The title of the song comes from the chorus where he is essentially saying “you ain’t gotta write me a song” meaning the girl he’s with doesn’t have to do anything extra or surprising for him to be in love.

His vocals really shine in the third verse of the song. As the tempo increases, his singing matches the pace but maintains this lightness that carries you through. He sings in spoken word – not necessarily rap – yet maintains that cadence from the previous verses.

“Don’t you know I’ll take it easy, can’t, believe me, |  I can be there when you need me, they been sleeping on us | And I can’t keep up | Ain’t afraid of getting deeper for once |  And I promise you’re the one that I want |  Get together ’cause you know what I’m on |  And you ain’t even gotta write a song”

This verse highlights Hojean’s vocals as the melody crescendos and his pitch gets higher and higher. 

It’s a track that showcases Hojean’s voice while his previous tracks involve more lyricism or instrumentals. 

If you want a good reason to vibe or feel in the mood to vibe, this song is perfect just for that.

Hojean teased that he’ll be releasing his first EP soon, so we’ll get to see what else is in store from him.

Check out the music video:

Music News and Interviews

Niki – “High School in Jarkarta” Song Review

We’ve heard a handful of (teen) breakup and traditional pop songs about being heartbroken but never from an international perspective.

Niki is an Indonesian singer-songwriter that is now part of 88rising, however, she grew up in Indonesia before she moved to the States to study music and pursue her now-career.

Hearing about her high school experience in Indonesia and seeing how it compares to the ups and downs of American high school was unique. I personally haven’t heard many songs where American artists have incorporated their culturally unique upbringings into music. 

Throughout the song, Niki tells the story about her friends and the chaos that took place on the walls of her high school along with her emotional journey being in a relationship during that time.

The lyrics feel significant when she writes “High school in Jakarta, sorta modern Sparta | Had no chance against the teenage suburban armadas |  We were a sonata, thanks to tight-lipped fathers |  Yeah, livin’ under that was hard, but I loved you harder |  High school in Jakarta, an elaborate saga |  I still hate you for makin’ me wish I came out smarter | You love-hate your mother, so do I | Could’ve ended different, then again |  We went to high school in Jakarta” 

Just that chorus itself holds so much meaning. The way she describes her suburban life and how she had to be hush-hush about her relationship but it was all worth it even though her parents were strict.

There’s one verse that sounds straight out of Niki’s high school diary at times. “Natasha’s movin’ to New York (New York) |  Probably sometime in August (ah) |  And I’m spendin’ the summer in Singapore (ah) |  I’m so sad I can’t tell you sh*t anymore | I made friends with Abby this year (this is how I met your mom) (oh, my God) |  We’re movin’ in March or so |  And although you bring me to tears | I’m glad that we gave it a go” 

It all sounds like typical high school where you think the person you’re crushing on or with will be your forever and want to tell them everything that’s going on in your life. 

The song honestly feels like one big letter to this guy who Niki leaves unnamed – of course. She thinks back on her their relationship ended because of his mom and wonders how he’s doing now that they’re both older.

What I love is that though she grew up in a different country, it’s interesting to hear how similar the high school experience really is.

Melodically it’s very mellow and upbeat. Like all of Niki’s songs, it’s are light and simple.

Her lyricism is what makes the song pop with the storytelling and her ability to make words rhyme even if they have different spellings. 

If you’ve never heard Niki’s music before I definitely recommend giving it a listen.

Check out the music video here!

Music News and Interviews

Songs That Have a Hold on Me – “Babydoll” by Dominic Fike

I listened to “Babydoll” on a constant loop every single morning Tuesdays and Thursdays during the five-minute walk to my class at 8 in the morning. 

Does that sound like a healthy thing to do? Probably not but like the title states, this song had a death grip on me. 

It has about 104 million streams and that’s a huge number to wrap my mind around. The song itself is barely even two minutes long, with a duration of 1:40. It’s the shortness and sweetness of this song that makes it so consumable.

What I love about Dominic Fike as an artist is his ability to play an instrument. He’s a multi-instrumental artist who plays the guitar, drums, bass, and of course vocals for all his songs. It’s noticeable in all his songs and it’s quite impressive.

Another thing I love about this song is how abruptly it ends. Almost like he recorded this song the second the idea came to mind and released it as soon as he finished composing his ideas. 

The track starts with an electric guitar intro which is later accompanied by drums and Fike’s vocals. 

At its core, “Babydoll” is technically a love song. However, the lyrics give a lot of depth about Dominic’s background and his parents. His upbringing and childhood are such an interesting story to read about and he doesn’t hesitate to be vulnerable about his in any of his songs. 

With the line “Find me on Miami concrete |  Lookin’ for somebody different |  ‘Cause my daddy was a pimp |  My mama had her issues but I miss her anyway.” 

He actually released this EP while he was dropping his mom off at jail. He also wrote most of the EP while he was on house arrest. It’s crazy to imagine how differently his life could have gone if his album/EP hadn’t blown up.  

My favorite aspect of this song is the pacing. The lyrics are fast and in tune with the rapid tempo. It’s not necessarily rap or hip hop but it’s not fully alternative either. He combines various genres in all his songs and that’s what I love about his music. 

The chorus of the song is a lot slower and provides a contrast to the rest of the song. “I can’t move on, baby doll |  Waitin’ on calls, flippin’ through stations |  I’m outclassed and it’s outrageous |  And I’ll take it all, baby doll |  Whatever’s been weighin’ you down” 

This isn’t necessarily my favorite song by Dominic Fike, but at this point, I’ve listened to so much of his music that it’s hard to choose just one track.

The instrumentals of this song are really what got me hooked. I could listen to Dominic Fike just playing the guitar for hours and it’s my mission to listen to Dominic Fike play this song live. 

Music News and Interviews

Steve Lacy “Bad Habit” Song Review

Now that “Bad Habit” is gaining popularity, I thought it was the best time to write about it. It was released early this month and has already racked up 64 million streams.

It’s no lie Steve Lacy is one of the most talented artists of this generation. He has already worked with a handful of well-known musicians in collaborations and songwriting such as Kali Uchis and Kendrick Lamar.  

To me, this song feels like waking up on a Sunday morning and going to the farmer’s market. The song has lightness with Steve’s vocals and guitar while keeping it upbeat and vibe-y at the same time. 

The premise of the song is simple, having a bad habit of biting your tongue and holding in your thoughts.

Like Steve sings in earlier verses “I bite my tongue, it’s a bad habit |  Kinda mad that I didn’t take a stab at it |  Thought you were too good for me, my dear |  Never gave me time of day, my dear | It’s okay, things happen for |  Reasons that I think are sure, yeah”

It’s a track about not saying what’s on your mind and regretting it. A situation many of us go through constantly.  The relatability of this song along with the catchy melody seals the deal for me. Love an old-fashioned right place, wrong time situation.

It’s the perfect song to listen to without needing to put your full attention into it. A song that’s easy to jam out to.

The chord progression of the chorus as Steve sings “I wish I knew, I wish I knew you wanted me” over and over again gives the song a mellow vibe. The first verse starts off with this verse and lets the song slip into your mind. 

I find Steve’s falsetto to create an unexpected edge to the song as well. It happens towards the middle of the song when he sings “Say to me (please just say to me) |  If this could wind up | I wish you wouldn’t play with me | I wanna know (oh no)”  Right before getting back into the melody that we’ve been introduced to. 

After listening to this song I realized I’ve heard a lot of Steve Lacy’s music unknowingly. His sophomore album “Gemini Rights” was released in mid-July and it features a variety of different genres including jazz, rock, hip hop, and R&B. There’s something in it for everyone no matter what genre you prefer.

If you haven’t already, make sure to listen to “Bad Habit”. It’ll make your day a hundred times better!

Check out the music video for “Bad Habit”:

Miscellaneous Music News and Interviews

Thoughts on Lollapalooza Live Stream

I mentioned in my “Best Way to Consume Music” post that I wanted to go to Lollapalooza this year. 

It was racking my brain for weeks whether I wanted to spend money on going to Chicago and experience the adrenaline of large crowds, being squished in a mosh pit and standing at the barricade for hours to see my favorite artists perform, or sit in the comfort of my living room and watch those same performances on my TV.

Personally, after seeing how large the crowds got there I think I made the right choice. There is always next year if I want to go experience the rush in real life.

Anyway, I thought I could share my thoughts on the live stream for those who didn’t have access to Hulu or didn’t watch it.

To give more background about the live-streaming, there were two channels: Channel 1 and Channel 2. Each channel was streaming from around 2:00 pm ET to 11:00 pm ET.

In hindsight, being able to swap back and forth between channels to tune in to performances was much more simple compared to having to traverse Grant Park to see different artists in person. This way I could just turn off the TV or watch a different channel if I didn’t want to tune into an artist I didn’t enjoy. 


These are the artist I tuned into and the days.

Thursday (7/28)

  • Still Woozy

Saturday (7/30)

  • Big Sean
  • Wallows
  • Tomorrow By Together
  • Willow
  • J. Cole

Sunday (7/31)

  • Djo
  • Måneskin
  • Beach Bunny
  • j-hope
  • Denzel Curry

Another thing to note, Lollapalooza has 1-day, 2-day, 3-day, and 4-day pass options if you attend in person, so it’s up to the festival attendees which days they want to go to the festival based on the lineups for that day. 

This was one thing I appreciated about Lollapalooza was, of course, the free live stream on Hulu, as well as the ability to choose which days you wanted to attend the festival whether it was on live stream or in person.

Here is a thought I had about Lollapalooza in general, especially after seeing someone of these artists perform in-person and through live-stream as well. I honestly think it takes a lot of talent to pull off performing on stages as big as the ones on Lollapalooza.

The performers kept a huge crowd entertained whether they were closer to the stage or farther back. They were able to get the whole crowd hype about the music. It was impressive to see their stage presence as well as the lights used for the evening performances.

The only downside of streaming is that due to the huge lineup, not all performances were shown. Unfortunately, I  wasn’t able to tune into Dominic Fike, Dua Lipa, Glass Animals, COIN, or Claire Rosinkranz’s performances because their stages didn’t have coverage. 

Regardless, as I’ve mentioned before, the way you want to consume music is all a preference and of course, preferences can change over time. Whether you want to attend Lollapalooza in person or stream it as I did, I’m glad the options are available both ways.

Enjoy music in the way you want to and experience your life how you want to.