Categories
Miscellaneous

This Charming CHASS

I googled something once

The value of the humanities can be described in a multitude of ways, one in which I’ve adopted is the notion that engaging with culture, communities and the arts, interrogating their forms, can help us better interrogate our own lives in this same manner as the classics and the acclaimed.

So I was crying over the death of Socrates studying for my ancient Mediterranean history class and something stood out to me.

excerpt from socrate's death about his charming guard

“this charming man”, this charming man you say…

Acclaimed artistry, The Smiths. As I grow up I move from listening to them in nostalgia for my mother’s taste and her adolescent soundscape and now nuzzle my way into the songs.

It’s quite odd to grow with a song, to fit yourself, your narrative and snapshots slot into anothers lyrics, someone else’s life.

Well isn’t this the point of the arts, to find ones own universal truth and experiences as a mortal reflected back to them.

I think in this way it’s when I began hypothesizing The Smith’s discography adapts these narratives I find myself further encountering through courses like Classical Mythology which highlight to me themes such as the Greek god Dionysus having parallels with Jesus as the twice born god, paralles between Gilgamesh and the Egyptians and flooding stories and creation stories and ways we fill the time but in the end its all the same.

So basically I googled (which is synonymous with asking a language learning model to guzzle natural resources at unaccounted for rates), “This Charming Man”.

I mean this feels like the equivalent of needing help, knowing 911 and calling them to discuss community resources and options for your particular situation–as its a coagulate of resources– and instead you get a cop at your door.

AI response analyzing this charming man by the smiths

So in a way I was glad to see this as I was worried I was drawing an obvious parallel, and then you read the lyrics.

lyrics from this charming man
Who knows so much about these things? If you said Socrates, its up for debate have fun.

I think its beautiful, the A. plot is yes of course, he cannot afford the love of this man embellished in life’s class memento moris; leather a nod to our agricultural past and the industrialization of our relations with the land and its occupants and of course our own mortality.

He would go out tonight but he has nothing to wear!! I get it!!

But B.

B plot..?

Well if we are to assume The Smiths are maybe well read, maybe are interested in catchy tunes–Whats a hook? What can someone say over and over and over with you, fit themselves in, relate to your situation.

The B. expands it to the larger ephemeral subjectivity of our lives, and as we age and we keep developing these complicated, intricate, stitched together relationships with the world and what it does to us, we find new meaning in those words.

Words echoed by archives of lives already lived.

Words uttered by Socrates on his deathbed about his guard who would not project the animosity of another group unto someone marginalized.

Words read and lectured on for X amount of years– I’m not googling it just trust me bro.

Words sprinkled throughout peoples engagement with the literature or anything it spurred beyond it.

And I think that’s beautiful and just an example of something a chatbot could never imagine, unprompted.

I urge you, ask your friends, your neighbor, the tutor center, the library the questions you plug to the bot, or at least think about doing it for it was Socrates who was interested in questioning our implicit lines of logic.

These microchoices of resources add up and when the water’s murky and the energy bills continue to climb, you might have to just read a book under candle light and think little silly thoughts about the characters and you, hopefully with a friend too.

Or analyze a song and post it to the web!

It pays to be media literate, to your soul, the eternal beat.

We are the archives and the algorithm,

act compassionately and creatively, xo.

“How charming the man is. Ever since I have been in prison he has always been coming to see me, and at times he would talk to me, and was as good as could be to me, and now see how generously he sorrows for me.” from Socrates
Categories
Concert Review Festival Coverage

WKNC x Hopscotch ’25

Categories
Festival Coverage

Raleigh Homegrown: A Review of Hopscotch 2025

The 15th year of Raleigh’s homegrown Hopscotch celebrates a diversity of music experiences and cherishes Raleigh’s flair. It featured day parties, discussion panels and genres covering metal to country and events involving the city’s businesses such as galleries, restaurants and shops. 

Frank Meadows, Day Party Coordinator and Co-Head of Dear Life Records spoke about the festival’s origins and impact.

“Hopscotch is named in reference to Raleigh’s grid structure and the ability to navigate between venues and sets…You can see a lot of everything if you’re willing to jump in and catch 10 minutes and then head over to other stuff,” Meadows said. 

“The format is conducive to exploration and putting a lot of different organizations, bands and music performers in the same pool.” 

Part of Meadow’s job also includes working with local organizations in hopes of increasing the accessibility and local representation in Raleigh. “We put the pieces together for hosting free and public events that highlight what people are doing in Raleigh on a day to day basis,” Meadows said.

For example, Black + White Coffee Roasters hosts ‘Roadkill Angels Day Party’, showing bands like bedrumor, Foxie Kills, Lily Flower. Experimental pop group Entrez Vous joined Kit Mckay, Featherpocket, and Kenny Wavinson at Wolfe & Porter’s “Indie Twang” Hopscotch Day Party. This world building and pockets of parties is a main component to Hopscotch’s charm.

If you follow the sound, Hopscotch is the perfect venue to taste a little bit of everything and find a new interest. Meadows elaborated on how Raleigh’s layout specifically supports this kind of festival. “One of the cool things about it is that you get to be out in Raleigh on a really lively weekend and can take a break and get a drink somewhere nice,” Meadows said.

This emulsification of various scenes lends to a vibrant weekend in downtown Raleigh, spanning into venues down the ways and even in the post and upcoming days as the community engages in kickoff parties Wednesday and more music Sunday, invigorated by a beat carried through the streets. 

Meera Mehta, senior in Business Administration with a concentration in IT and marketing, says “I think it brings together a sub genre of people that would have never met under the same context, other than Hopscotch”. 

This lively weekend and its disposition was something I had Michael Whittington, Senior in Statistics speak on, to which he said “I would like to see the percentage of hopscotch goers that are above the age of 30 years old.”  

This trend analysis was elaborated on by NC State graduate in International Relations, Avery Pardue in regards to cultural and consumption based content saying “I would like to see a 30% increase in IPAs. I would like to see a 30% decrease in man buns and skinny jeans”.

This playground for fashion, culture, community and musical artistry lends to all sorts of people and works to support Raleigh as a community and cultural hub as discussed by Neptunes founder, on his discussion panel and film screening of local film ‘The Great Cover Up’ about King’s Cover Band show series. 

The documentary and discussion panel highlight how events, continual experience creating and the annotation of that culture through the documentary was purely sourced through community. This emphasis on supporting creativity and a positive feedback loop of structural support in communities such as Raleigh is the running throughline of what Raleigh aims to do in its next stages of development as we see industry and politics evolve. 

This throughline runs central to Hopscotch’s mission, which aims to integrate independent musicians and connect them with different artists and opportunities. Meadows expands,  “All genres, from hip-hop to rock and roll to jazz to punk to metal to experimental and beyond. If there’s a common denominator, I’d say almost-if-not everyone releases music on a non-major label…”Public Enemy was the headliner of the first Hopscotch, which represents a very concerted effort to include underground and independent music”. 

Catch you there.

Categories
Music News and Interviews

Continuing Sound: Highlights from WKNC’s Interview with Shinyhunt

Copenhagen’s Shinyhunt, interviewed by eviedall for WKNC

Shiny hunt band photo

On making music as a couple

Frederik

“we started making music together because we make it in our home and listening to each other’s songs, we started adding stuff to each other’s songs, and then ‘Joyland Grow in Me’ became a really explorative record for us, because we didn’t know what sound we wanted to explore further, then we found it on that record. ‘Sea Salt Ice Cream’ is kind of like an an extension of what sound resonated the most between us from that record.”

Signe

“it has been another kind of language to have with each other, a way of getting to know each other and finding a deeper way of communicating with each other.”

Categories
Festival Coverage

Hopscotch Coverage in Photos

Hop

Scotch

Coverage

2025

Photos by eviedall.

Built To Spill
Wombo
Categories
Miscellaneous

eXperimental pOp

Good Bad Happy Sad and found sound

"Experimental pop," "tape music," "wire recording," "electroacoustic music," "composers use recording rechnology and audio signal processing to maanipulate the tibres of acoustic sounds in the creation of pieces of music," written over a white and pink background.

The band Good Bad Happy Sad resembles a trance trip state in which sound merges behind found and curated, meshing conversations and tunes and timelines pulling on simultaneous explorations of different genre associated sounds.

Categories
Miscellaneous

Understanding Martin Beck

“… for hours, days, or weeks at a time”

sedative sounds

Martin Beck’s exhibit at the Aldrich Contemporary Art Museum reinvigorates an old story and pokes at sound as a medium we move through and with, often without recognition.

Informed by the “environments” records in the 1970s, which aided in synchronizing work, sleep and relaxation, Beck works to understand our industrialized soundscape as it relates to neuroscience, behavior, our internal worlds, and of course: capitalism.

His title ‘for hours, days, or weeks at a time’ is reminiscent of the infinite lull, hum, and buzz we find ourselves engrossed in a hyper produced world, whether self-selected or accidental background noise.

The exhibition uses sound, drawing, video and installation to curate a lively yet sterile environment, controlling the chaos we find ourselves drenched in our day to day worlds.

Categories
Music News and Interviews

gaze, race and rock

“[I]t’s what happened to your fore parents and other people. And that’s what makes the blues.”

John Lee Hooker

Last year I went to Pond’s concert in Asheville, the day after in a town over we told a barista and he asked if they are ‘like shoegaze’; I said yeah thinking ‘shoegaze’ was the band Slowdive.

A year later I’ve delved into shoegaze and most notably grunge gaze, a la Wisp opening at Slowdive, interviewing New York’s Glimmer, reddit acclaimed shoegaze No Joy and listening to California’s Midrift, Arizona’s Glixen and Connecticut’s Ovlov.

These genre evolutions from Rock, with its roots respectively in Blues, Country and Folk, reflect conversations between industrialization and balance with nature and distortions organic and synthetic as well as personal and collective struggles.

Categories
Non-Music News

Camp, horror and DIY

Horror’s linkage to experimentation is bonded through the bending of expectations and possibilities, fear of the unknown underpinning both of these ideas .

Community collaboration and vision execution lends well to playing with aesthetics and genre bleeding, such is the case with Opal 99, a local film production working in the ecosystem of vision creation and execution.

Categories
Band/Artist Profile

Neggy Gemmy come to Charlotte

I buried you under the stairs with your cool art you couldn’t fit on

Limerence Girl Summer

Love lost, droning on, disillusioned and whiny. Neggy Gemmy (Negative Gemini) synchronizes seduction, synthetic dreams and grainy whines.

Building momentum through disintegration, synths and drums, she echoes, copes and coils around a departure in ‘You Weren’t There Anymore’ but plays with a release in ‘You Never Knew.”

Her collaborations with George Clanton and TV Girl further build this world of beautiful fever dreams.

Her “Bad Baby” EP works around reverb-heavy dream pop and Americana of Mazzy Star mixed with grime of Tove Lo, experimentation of Grimes, bounces like Charli XCX, themes of MARINA, and grunge gaze of bands like Glixen, Sweet93 and Wisp.

Brooklyn-brewed and southern-created, Baton Rouge, Virginia, Houston, Louisville and Kentucky to New York and California, she blends these inspirations and experiences into her eclectic dreamscape.

Inspired by John Maus, Part Time and Ariel Pink, Neggy plays with these experimental auditory collages, layering and imagining an atmosphere, executed in her music videos playing with tropes like cheerleaders and love triangles.