New Album Review

What’s New in Afterhours? June 2024

Summer semester has started, which means less DJs and more music from the automation playing. Which means it is now as good a time as any to talk about the music that plays on it and is new and good! Here’s albums that got put on the rotation recently that you can hear in the Afterhours block on WKNC right now.

New Album Review

The Lemon Twigs Put the Power Back in Pop with “A Dream Is All We Know” 

Album Review: “A Dream Is All We Know” by The Lemon Twigs

Bodhi Says, “Check It Out:” “Church Bells,” “If You and I Are Not Wise,” “How Can I Love Her More?” and “Rock On (Over and Over)”

Helmed by Hicksville, Long Island brothers Michael and Brian D’Addario, The Lemon Twigs pull saccharine 60s pop melodies off the shelf, dust them off, charge them with potent 70s jukebox chords and release their somehow nostalgic yet fresh rock upon the masses.

In layman’s terms, Power Pop.

With four albums under their belt, the band introduced a fifth into their canon in May of 2024, the jangly and jubilant “A Dream Is All We Know.”

However, don’t let the numbers get to you; the album is easily one of their cleanest releases to date, leaning further into more Brian Wilson-esque charms rather than the Badfinger-adjacent, guitar-driven rock of their earlier albums.

More pop than rock, “A Dream Is All We Know” takes the impermanent, liminal unreality of day-to-day life and embraces the dream we all know with open arms.

The sonic scenery is hazy and ephemeral, with the listless possibility of a summer day spent by the record player, the dust from the stacks filtering through the sunlight; Tom Petty, NRBQ, Todd Rundgren, Big Star and Cheap Trick make heavy rotation that day.

“A Dream Is All We Know” is falling asleep with the window open, a little sunburnt and a little sweaty, letting the cool breeze brush your sun-kissed shoulders as the sheets pool around your feet while a Wings song plays from the next room.

Tune in and Take the Day off – Bodhi

Blog New Album Review

Album Review: “Tidal Memory Exo” by Iglooghost

Iglooghost is an artist that I’ve paid attention to for a long time.

His debut album, “Neō Wax Bloom,” came out in 2017 and was one of the very first EDM albums I listened to that wasn’t, like, from a video game OST. However, I didn’t really pay as much attention for his next solo album, “Lei Line Eon.” As far as I can tell, it wasn’t received nearly as well as “Neō Wax Bloom,” so I figured that I wasn’t missing much by having it on the backburner of my listening backlog.

This one I found out about from someone posting a link to the YouTube premiere, and I decided to listen to it because I saw a friend say it was really good. In my personal opinion: Iglooghost is back.

New Album Review

“For the Rest of Your Life” by twikipedia

For the Rest of Your Life” is the fourth full-length album of the Brazilian experimental artist, twikipedia. The album was released on May 10, 2024.

twikipedia originated with the SoundCloud hyperpop movement during the COVID-19 pandemic. Their sound is a combination of lush and pretty trap and frenetic digicore. Through this brash combination, the artist creates worlds of childlike whimsy in the process.

On this album, twikipedia captures this same fast-paced yet sugary sweet feeling yet again. However, this time, the nineteen year old achieves this in a completely different medium: indie rock.

Combining influences of lofi shoegaze, slacker rock, and noise pop, the sound is extremely well rounded. The project also has near-perfect pacing, without sacrificing a feeling of homegrown moodiness. You are never left a second without a crushing riff, an awesome drum fill, or an soft electronic piano note.

“For the Rest of Your Life” feels like the wonder child of Parannoul’s “To See the Next Part of the Dream,” with its youthful energy, and Jane Remover’s “Frailty,” with its careful, deliberate electronica and DIY aesthetic.

Top Tracks

There are so many incredible songs on this album. Here are my top three:

“Room For One”

This song starts off with acoustic guitar that makes me sway back and forth. The first time listening to this album, I had the impression that the album would have a soft, indie folk feel to it. And when the electric guitar came in, that thought was immediately shattered and I was blown away. This song is an incredible example of how smart twikipedia is with their songwriting.

“Figure Me Out”

Starting with a twangy midwest emo riff, this track makes itself into a stupidly simple yet satisfying track. The crunchy guitar here is beautifully supplanted with cutesy xylophone and synth loops. With its slacker rock vocal style and lofi mix, this feels like a 2012 indie rock song was Frankenstein’s monster-ed into a beautiful post-modern collage of sound.

“Dry Your Eyes”

This song creates a momentum like no other; starting with a juicy riff, and grows with the rhythmic drums and vocal highs points. This song also finds ways to sprinkle pretty piano melodies in the mix. The track climaxes in this giant explosion of noise, and the beautifully shouted lyric, “If anything, I’d even make you cry.” This line, ironically, immediately brought me to tears when I listened to it for the first time.


twikipedia’s extreme transition from electronic music to indie rock has been a success, filling a niche that many have been waiting for. “For the Rest of Your Life” is an incredibly solid indie rock record, and is perfect for anyone who wants a fresh taste of rock.

New Album Review

New Album Review: “Death Is Little More” by Boundaries

“Death is Little More” by Boundaries, their third album, contains 33 straight minutes of pure insanity. With themes surrounding death, grief and rage, Boundaries delivered an unforgettable record.

Boundaries are a highly underrated band and I believe they will become big players in the scene. Frontman Matthew MacDougal’s harsh vocals will leave your skin crawling, yet constantly wanting more.If you want to hear some of the heaviest breakdowns of 2024, look into this 5-piece band from Connecticut. They are one to keep on your radar.

The album itself flows together smoothly from start to finish, adding to the experience of my first listen. Add unforgettable riffs, melodic elements, and a ferocious percussion, and you have “Death is Little More.” With featured vocals on the album from Marcus Vik (Invent Animate), Lochie Keogh (Alpha Wolf) and Matt Honeycutt (Kublai Khan TX), you know you are getting an AOTY contender.

My top-three tracks on the album are “Turning Hate Into Rage,” “Scars On A Soul” and “Blood Soaked Salvation (feat. Matt Honeycutt)”.

Upon first listen, the opening track, “Turning Hate Into Rage” immediately hooked me into the album. Opening with one of the heaviest tracks on the album was no mistake. It introduces the main theme that surrounds the album as a whole: rage.

The albums single, “Scars On A Soul” was top-tier. This song sounds like top-tier early 2000s metalcore with chaotic hardcore inspired breakdowns. Lyrically, it has to be my favorite. 

“Blood Soaked Salvation,” features the vocalist Matt Honeycutt of the metal-core/death-core band, Kublai Khan TX. I was thrilled to hear how MacDougal and Honeycutt sound together on a track, and they did not disappoint. You can clearly hear the Kublai Khan TX influences, and mix that with Boundaries, you have an instant hit. Oh, and have I mentioned heavy breakdowns? This song takes the crown for that.

This album was a chaotic experience from start to finish, in the best way. I personally thought it would be difficult for them to top their previous album, “Burying Brightness.” Even with a shorter run-time, Boundaries did not disappoint. I will for sure be seeing them on this album’s tour cycle. They will be performing at Local 506 in Chapel Hill on June 2

New Album Review

Vorga’s “Beyond the Palest Star” Album Peek

Hello, all glorious death metalheads and sci-fi geeks. Today marks the advent of demise, loneliness and destruction in the outer spheres of the universe as I take a dive into Vorga’s “Beyond the Palest Star”. 

This album was released March 29, 2024 on ______. This album is Vorga’s second full length release. Their first, “Striving Towards Oblivion” was released two years ago to much acclaim, but the recent sound-byte reviews of “Beyond the Palest Star” puts it above their first release (as seen on their Bandcamp). 

Vorga hails from Germany, and the members include Atlas (Rhythm Guitar), Спейса (Lead Guitar, Bass + Vocals) and Hymir (Drums).

“Beyond the Palest Star”

In our trip to the outer edges, we find ourselves immediately lost in the beauty of cascading drums and guitars. They bleed into our ears and confuse the listener. The shock and bite of delirium is welcome. (When is it not?). 

Voideath”, the first track on the album, is a long ambling journey itself. The track reaches and climbs through speakers to bring out the intense misery of loneliness in space. Again, it’s welcome, because that feeling is what we search for among the stars. Спейса’s vocals grind in their heavy, throaty way to wind through the stars searching, ever searching. 

In “The Sophist”, which is my favorite track on this release, the journey ambles onward. Through a maze of asteroids we are begged to think and think about impending doom. The song is a little bit slower as it undulates with time and rhythm. Metal is the only sound heard in the emptiness of space, as it should be. 

Vorga decimates all listeners with this niche and growing genre of space bending metal. Evil and doom protrude to the corners, edges of everything, so why not explore space with the knowing feeling of emptiness and be happy you expected it.

New Album Review

LYSOL’s “Down the Street” EP

More epic garage punk descended from the heavens and blessed our ears with LYSOL’s newest release, “Down the Street”. LYSOL hails from the outer reaches of the United States in the infamous punk breeding ground of Seattle, WA. 

This short, four-track EP, was released on March 24, 2024 and has a total run time of about five minutes. LYSOL seems to be most known for their live performances as noted on the EP page on Bandcamp. The members include: Anthony Gaviria, Xtine Lundberg, Chad Ringo Bucklew, and Noah Earl Fowler. It’s a compact band playing short, heavy and fast. 

In “Down the Street”, I’ve found “Grease Paint” to be my favorite hitting track so far. With the off-beat rhymes and in-the-mud lyrics, the undeniable punk nature screams out for attention, but dashes from the limelight and will “put my grease paint on\ act like it’s all ok” (lyrics from “Grease Paint”).

In “15MG”, it’s way more rock based guitar like Wipers, but again in typical punk fashion the song is too damn short. I want more. More! 

Also, we can’t forget the epic drums and explosive introduction to tis EP from “Sonic Thrill“. The band knows want we want. Maybe they want it too, a sonic thrill. Something that will get them going. Some noise that will start up our blood. Activate our desire to rage and change and bump the body next to us a little too hard.

I cannot wait to see more from LYSOL. That’s how I feel about most young bands these days. I don’t ever want anyone to stop making music. I want to see the scenes grow and evolve. The next new hit genre is probably already here in our ears, but I cannot wait to be a part of the masses when it comes to fruition and the spotlight. LYSOL will be one of the bands up there or at least orchestrating the whole damn show. 

New Album Review

Julia Holter’s “Something in the Room She Moves” Singles

Julia Holter’s new singles are part of her new release which came out March 22, 2024. The new tracks are part of a project Holter is working on about human bodies’ ability to transform and be corporeal (as mentioned on her Bandcamp page). 

This is Holter’s sixth full-length album. I began listening to her majestic sounds a little over a year ago looking for strange, ethereal compositions. I fell in love with her album “Tragedy” for the song “Goddess Eyes”. 

The singles released for “Something in the Room She Moves” have an aura of gold and beauty that have been slowly reaching a climax thanks to the direction of her career. The three songs include “Evening Mood”, “Spinning” and “Sun Girl”. 

In “Evening Mood”, we get to experience creeping beauty, skirting the shadows as the sun sets for the day. Moments of bliss and relaxation permeate the track, leaving the listener in a state of placid peace. 

Spinning” is my favorite release from the singles. An electric little start to the song winds us up for an unveiling of magnetic and addicting grace. The world swirls around in confusing spirals as we get to experience Holter’s delicious composition. 

I’m not the biggest fan of “Sun Girl”. Specifically the first half of the song is a bit too long winded and doesn’t keep me engaged like the lengthy “Spinning” or “Evening Mood”. The second half, after the cacophonous odd noises, is enticing. It’s the strange addicting music that Holter is able to create so well (but only for half of the song). I’m sure many folks will love the whole track, but the first bit wasn’t for me. 

I am excited to listen to the full album when I get the chance. These tracks were awesome teasers and make me want to dive back into the rest of Julia Holter’s discography. 

Local Music New Album Review

Moldy Pear Records’ Food Drive Compilation

Welcome all ye foodies and music enjoyers. Today’s special presentation of things to feast on includes helping out folks that don’t have the capability to get the amount of food they need in their lives.

A fundraiser by Moldy Pear Records (located in Hickory, NC) is taking the initiative to raise money for Feeding America by donating ALL profits from their skramz, punk and indie compilation to this organization. 

Feeding America fights for more legislature and policies regarding food insecurity programs, adds to food banks and meal programs, and is trying to root out the cause for food insecurity in America. They are big proponents of stopping food waste in homes and the food industry by teaching and becoming a collector of food going uneaten and unsold. 

If you didn’t know already, food waste in America is an atrocious issue leading to large amounts of food in landfills (the US government estimates food as taking up 24% of landfill space in their Methane Emissions Reduction Program). Hopefully, programs like Feeding America or Food Not Bombs can help people begin to understand the issue with food consumption in the US (and in the world). 

Of course we’re here to review a little music, but the most important part of this article is to get some of this stuff into the light. I love food and there’s a lot that needs to be done in the world with the way we have decided to consume. 

“Creamy Peanut Butter” by Obscured Wingtip Memoir

This song is so damn painful to listen to. I love that it is the opening doom for this compilation album, and then everything else is much kinder and warmer afterwards. The head thumping chaos fuels me to smile as I get to enjoy this pain as loud as I can tolerate. 

“Table Salt” by Sickle Eater

This reminds me of My Bloody Valentine being mixed with a little post punk. It’s a nice shoegaze feel but still independent in its blood and sound. 

“Condensed Tomato Soup” by Girl Goes to Greenland

I love the slow build in this track. It’s a really calm and simple luxury that gets heavier and deeper as we approach the middle section of the song. The raspy crying vocals grasp for air. It’s a neat song with tons of heart in it. 

“Granulated Sugar” by Snail Trails

This feels like a classic mix of country and punk and the beat of pop-punk. It’s a great little track with the skramz screams and emotion just trying to escape the vocalist. Thank you Snail Trails for this beauty. 

Notable mention to “Hamburger Helper” by Sometimelastyear

Another painful track. It kills me a little more every time I listen to it. I can’t put the horror into words, but it’s definitely worth a listen. 

There’s tons of interesting music on this compilation. I find it very noble to try and raise money this way. If you’re inclined to help donate to Feeding America and potentially discover some new tracks and bands from Hickory, NC, then drop some money to donate for this album. 

Music Education New Album Review

Faye Webster’s “Underdressed at the Symphony,” Is A Quintessential Breakup Album

Relationships are often marked by the music shared with people. There are songs I can’t listen to without remembering certain points in time, points in relationships, or points in states of mind, whether it brings pain or pleasure. 

The worst breakup of my life left me turning to the grounding capacity of music. Japanese Breakfast’s new album “Jubilee,” had just come out, and I spent all my free time wallowing and projecting onto the song “Kokomo, IN.” 

To this day, I can’t listen to that song, or a myriad of others without thinking about that specific person and stretch of time. I think of “Kokomo, IN,” as a capsule holding all of my emotions towards that relationship. They’re placed there for me to return to whenever I want, or to discard with appreciation for how it helped me process a difficult moment. 

It was empowering for me to mark the song as a memorial for my relationship. I never considered that it must be even more empowering to create your own album as a form of remembrance, and Faye Webster’s new album feels just like that. 

With her smooth voice and beautiful accompaniments, Atlanta based singer-songwriter Faye Webster quickly became a household name for indie music lovers. While I knew her new album would be good, I didn’t expect it to resonate so hard with my past experiences. 

Her highly anticipated new project “Underdressed at the Symphony,” is full of nostalgia and lost love. The album is lush and graceful, featuring Webster’s recognizable crooning and lengthy jam sequences. It is, unmistakably, a breakup album.