Local Music New Album Review

Moldy Pear Records’ Food Drive Compilation

Welcome all ye foodies and music enjoyers. Today’s special presentation of things to feast on includes helping out folks that don’t have the capability to get the amount of food they need in their lives.

A fundraiser by Moldy Pear Records (located in Hickory, NC) is taking the initiative to raise money for Feeding America by donating ALL profits from their skramz, punk and indie compilation to this organization. 

Feeding America fights for more legislature and policies regarding food insecurity programs, adds to food banks and meal programs, and is trying to root out the cause for food insecurity in America. They are big proponents of stopping food waste in homes and the food industry by teaching and becoming a collector of food going uneaten and unsold. 

If you didn’t know already, food waste in America is an atrocious issue leading to large amounts of food in landfills (the US government estimates food as taking up 24% of landfill space in their Methane Emissions Reduction Program). Hopefully, programs like Feeding America or Food Not Bombs can help people begin to understand the issue with food consumption in the US (and in the world). 

Of course we’re here to review a little music, but the most important part of this article is to get some of this stuff into the light. I love food and there’s a lot that needs to be done in the world with the way we have decided to consume. 

“Creamy Peanut Butter” by Obscured Wingtip Memoir

This song is so damn painful to listen to. I love that it is the opening doom for this compilation album, and then everything else is much kinder and warmer afterwards. The head thumping chaos fuels me to smile as I get to enjoy this pain as loud as I can tolerate. 

“Table Salt” by Sickle Eater

This reminds me of My Bloody Valentine being mixed with a little post punk. It’s a nice shoegaze feel but still independent in its blood and sound. 

“Condensed Tomato Soup” by Girl Goes to Greenland

I love the slow build in this track. It’s a really calm and simple luxury that gets heavier and deeper as we approach the middle section of the song. The raspy crying vocals grasp for air. It’s a neat song with tons of heart in it. 

“Granulated Sugar” by Snail Trails

This feels like a classic mix of country and punk and the beat of pop-punk. It’s a great little track with the skramz screams and emotion just trying to escape the vocalist. Thank you Snail Trails for this beauty. 

Notable mention to “Hamburger Helper” by Sometimelastyear

Another painful track. It kills me a little more every time I listen to it. I can’t put the horror into words, but it’s definitely worth a listen. 

There’s tons of interesting music on this compilation. I find it very noble to try and raise money this way. If you’re inclined to help donate to Feeding America and potentially discover some new tracks and bands from Hickory, NC, then drop some money to donate for this album. 

Music Education New Album Review

Faye Webster’s “Underdressed at the Symphony,” Is A Quintessential Breakup Album

Relationships are often marked by the music shared with people. There are songs I can’t listen to without remembering certain points in time, points in relationships, or points in states of mind, whether it brings pain or pleasure. 

The worst breakup of my life left me turning to the grounding capacity of music. Japanese Breakfast’s new album “Jubilee,” had just come out, and I spent all my free time wallowing and projecting onto the song “Kokomo, IN.” 

To this day, I can’t listen to that song, or a myriad of others without thinking about that specific person and stretch of time. I think of “Kokomo, IN,” as a capsule holding all of my emotions towards that relationship. They’re placed there for me to return to whenever I want, or to discard with appreciation for how it helped me process a difficult moment. 

It was empowering for me to mark the song as a memorial for my relationship. I never considered that it must be even more empowering to create your own album as a form of remembrance, and Faye Webster’s new album feels just like that. 

With her smooth voice and beautiful accompaniments, Atlanta based singer-songwriter Faye Webster quickly became a household name for indie music lovers. While I knew her new album would be good, I didn’t expect it to resonate so hard with my past experiences. 

Her highly anticipated new project “Underdressed at the Symphony,” is full of nostalgia and lost love. The album is lush and graceful, featuring Webster’s recognizable crooning and lengthy jam sequences. It is, unmistakably, a breakup album.

New Album Review

A “Deadly Struggle” by Public Acid

Public Acid’s newest contribution to NC’s hardcore music scene is “Deadly Struggle”. The album was released on February 23, 2024 and has a runtime of fourteen minutes. It has eight tracks; all of them leave you with a desire for a shower after listening. 

Public Acid has a few other releases. Most notably is “Condemnation”, an EP released about two years ago, which is just as harsh and thrash-y as “Deadly Struggle”. 

To find an album that still makes my skin crawl AND creates a putrid stench of hatred is no easy feat. The more I flounder around in the metal and hardcore scenes, the more unimpressed I become with guttural howls of pain and rage. Public Acid definitely doesn’t re-invent the metal scream or do anything too crazy and new, but “Deadly Struggle” is a pleasantly-sleek, head-whipping release. 

Beauty of Horror

My favorite three tracks, “Slow Bleed”, “Ignorance” and “Hang the Leaders” are like Death cradling the dying. They’re a beautiful look at the horrible pains of everyday life. Since beginning my hardcore music fascination, I’ve been able to unlock appreciation for nasty sounds and disgusting imagery. 

I can see the beauty that lies in more horrific actions and deeds. That’s because beauty isn’t the same kind of serene natural picture we are always told about. There’s beauty in fear, there’s beauty in blood, there’s beauty in death. 

“Deadly Struggle” isn’t glorifying violence (and neither am I, though it sure looks like it). Public Acid captures the nature of corrupt social practices and the fascination with a blood fueled world. They capture and make it beautiful through their destructive music. If you read my other blogs, you can see I’m pretty easily impressed by most musicians and bands I listen to. 

To some (and maybe even to me sometimes) Public Acid might be just another one of those hardcore punk bands that sound like every other one, but I get a sense that their ability to capture despair, disgust and destruction will help them prevail the onslaught of current day music industry practices.

New Album Review

Creepy Clowns Crawl out of the Dark in “Spell Piercings”

Last year I wrote a short article about Gonemage, Garry Brents’ crypto-death and nu-metal project that he is lovingly devoted to. I absolutely love this person’s work, and thankfully he’s released a new album, “Spell Piercings”. 

“Spell Piercings” was released February 23, 2024, and has a total playtime of thirty-eight minutes and forty-eight seconds. It is the twelfth release by Brents under the Gonemage moniker. He has other projects like Memorrhage and Cara Neir

Onto the album… “Spell Piercings”

To start us off and put us in the optimal headspace for this strange album, we must acknowledge the story and theme set up by Gonemage on their Bandcamp page:

“It’s 1999. Somebody someone from nondescript suburbia opens a dusty, old toy box tucked away in a crawlspace underneath a bedroom closet. Out comes a purple clown doll, animated with clacking footsteps, smiling, and singing indecipherable words. Stone, ice, and chains suddenly emerge out of purple smoke emitting from the doll, warping all surroundings into a dungeon. All nearby inhabitants become subject to the clown’s morbid sense of amusement and games of magic and mischief”

From Gonemage’s Bandcamp

Brents must have a deep appreciation of the inner-machinations of creepy clown dolls. I don’t love clowns, but I’m also not terrified of them either. This, though, is horrific. I applaud Brents’ fun creepy theme as it definitely helped me assimilate parts of myself with the sound. 


The first song on the album is a rollercoaster. It’s a long descending staircase into a musty basement that is just a portal to another equally horrific dimension of terror and surrounding fear. Claustrophobia sets in. The walls are touching you, scraping you and you’re stuck with nowhere to go but further down into this album’s abyss.

Bouncing Scroll

I really loved the first bits of this track up until the chorus. Then it kinda drags me along, unwillingly, into more drawn out mediocre vocals. The instruments are epic though. I do love the variation and complexity Brents continues to use in all of his projects. 


Another track on this album I found to be close to perfect for my ears. The first and the last minute are amazing. Absolute terror and fear crawl through the closed pores on my skin. The goosebumps are spreading like a plague. But that minute in the middle of the track is numbing, and not the good numbing. The “boring, what am I doing here listening to this too many thoughts in my head” numbing. 

Sliced in Chamber

The main issue I keep finding with this release is the variability within the tracks themselves to keep me focused and loving the entirety of the song. I do like this track, but it gets old the more you listen to it. That might be my decreasing fascination with songs that tell stories or have a narrative. The tink tink tink sounds in the last twenty seconds are gold.


As one of my favorite tracks on this release, there are still a few shortcomings. At first I didn’t love the movie sound byte used in this track, but the more I listen to it, the more it grows on me. Foreboding music throughout and an amazing set of lyrics represented as “(indecipherable words and sounds from the clown doll)” (From Bandcamp). This is a long heavy track which keeps me entertained. 

Tattered Cloak

Addicting guitar rhythms and interesting vocals still don’t help me adore this song. I cannot pinpoint the exact reasons “Tattered Cloak” doesn’t do it for me, but it doesn’t completely repulse me either. 

Cave of Trials

The introduction is full of whiny vocals and that just completely ruined my chances of loving this song. It does have fun, campy lyrics sung in a strange manner:

“Soda pop soda pop wonder drug

Soda pop soda pop fresh syrup

Soda pop soda pop wonder drug

Amoeba amoeba soup

Slime jelly”

From Gonemage’s Bandcamp
Spell Piercings

The longest track on this album would have had to a ton to make up for the shortcomings and perceived time wasted in some of the other tracks, and it absolutely does. I adore this song. It’s got the abominable clown doll creeping through my skull at this moment. At seven minutes long, I never expected to be sucked into a track like this, especially on the last song of the album. I find this track to be a step up from everything on “Celestial Innovation” too (which is easily my favorite release under the Gonemage projects).

Leaving the Clown’s Grip

Alright, this album has tons of good and beautiful innovations in it. Brents is a phenomenal collaborator with his fellow Texas musician community to create his work (you can see collaborators for “Spell Piercings” on the Bandcamp page). There are a few things I didn’t love in this album too, but I think this release shows how much fun Brents is having creating music. I can’t wait to see and hear more music that Garry Brents releases in the future, and while this album won’t be getting tons of replay ability for me, it still should be fun to revisit every now and again.

New Album Review

Album Review: “II” By Theatre’s Kiss

This week, I’ve been playing the role of “consumptive wretch” as my COVID-wrecked immune system struggles to prevail over a particularly virulent cold. I’d probably be doing better if I could remember to keep drinking water.

Somewhere between all the langushing malaise, pneumatic wheezing and bodily agony, I managed to catch the latest drop by post-punk artist Theatre’s Kiss — one of my top artists of 2023, I might add — and I’ve dragged myself from my sickbed to talk about it.


II,” released March 1, is the long-awaited sequel to the 2022 album “Leidensmelodien” (which I reviewed last year).

The mind behind Theatre’s Kiss, a mysterious corpse-painted individual known as “Fassse Lua,” explained to back in 2023 that “II” is part of what will become the “Solitude Chapter” of Theatre’s Kiss.

Cover for “II” by Theatre’s Kiss

The artist’s prior releases, “Self-Titled” and “Leidensmelodien,” are two halves of the “Grief” chapter. Apparently, the “Solitude Chapter” will be centered around two albums and one EP.

If Fassse Lua’s plans remain the same, then “II” is the project’s EP.

Consisting of three short tracks, “II” explores themes of addiction and dependence through the artist’s characteristic black metal-esque take on post-punk.

The EP

The first track on the EP, “Marie,” seems to capture the crux of the “Solitude Chapter.”

Opening with a sample from a newscast about drug use, the song is surprisingly upbeat. By Theatre’s Kiss standards, that is.

Based on the lyrics, “Marie” is about a young girl’s struggle with drug addiction. What’s particularly interesting about the song is how it serves as an introduction for the “Solitude Chapter” as a whole, reading as an opening narration to an unraveling story.

Photo by Raluca Enea on Unsplash

Wrenching, plaintive vocals and cold arrangements of guitar, bass and drums transport the listener into an arctic landscape.

There’s subtle drama in the growling voice that drops in to state “haunted by demons she lost her way/ chasing a high to numb the pain” and in the delicate staccato of a string instrument that emerges like a floating blossom from a bleak, dense fog.

drogomanicus” presents a narrative more abstract, with lyrics like:

Fragments of joy

Shattered on the floor

Enveloped by cravings relentless scream

“drogomanicus” by Theatre’s Kiss

While it’s clear that the song’s references to “cravings relentless” signal to the addiction of “Marie,” I’m not wholly sure what “drogomanicus” is meant to signify.

From some quick Googling, I’ve found that “Drogo” is a masculine name of German origin. (Which makes sense, since Theatre’s Kiss is based in Germany). The name means “To bear” or “To carry.”

Thus, one could speculate that “drogomanicus” is about bearing the burden of emotional turmoil wrought by addiction.

Thematic speculation aside, the song’s plain beautiful. The artist’s talent for instrumentation truly shines through in this ethereal, somber arrangement. I listen to this song and consider bittersweetness. I imagine fragments of sunlight punching through stormclouds.

Photo by Intricate Explorer on Unsplash

Imprisoned,” the EP’s final track, is where things get dicey.

While “Marie” opens with clear references to a girl (presumably Marie) and “drogomanicus” is devoid of pronouns, “Imprisoned” refers directly to a male figure.

The song is harder-hitting than its two counterparts, with strong guitar and bass almost drowning out the vocalist. There’s clearly more emotional punch here, and the lyrical subtext has my queer English major brain on fire.

In “Imprisoned,” an unnamed male figure finds himself “bound by the grip of faith” and confined by “the fear of damnation,” leading him to “[suppress] his essence” and “[deny]” his gender.

Photo by Polina Kuzovkova on Unsplash

It doesn’t take a lot of hoop-jumping to piece together a queer narrative from that. But aside from the song’s lyrics and the very vague information provided by, there’s nothing yet available to contextualize that “Imprisoned” is meant to signify.

Is it a trans narrative? Are “Marie” and the unnamed man the same person? Will we ever find out?

Hopefully the continuation of the “Solitude Chapter” will shine some light upon this.

Final Thoughts

My only gripe with this release is how aggravatingly short it is.

I’m crossing my fingers that it won’t take another year for the chapter’s next two albums to come out. You can guarantee I’ll be hopping on here to wax poetic about them when they do.

Local Music New Album Review

Fresh Cold Cream from Carrboro

Surfacing form the deep depths of Carrboro, NC is Cold Cream with their newest addition to the music world, “Cold Cream II”. As a psych-punk band, these folks have all the sounds you could desire: catchy vocals and beats; screaming; grounded, realistic lyrics.

In terms of members, Cold Cream claims “exes of Pipe, Superchunk, Bat Fangs, Flesh Wounds, Spider Bags, and Entez Vous” to be a part of this band (as stated on their Bandcamp bio). The band has Clark Blomquist (drums, synth), Laura King (bass), Ron Liberti (guitar) and Mara Thomas (vocals).

Cold Cream II

Cold Cream released the album on February 1, 2024, and it features eight tracks with a run time of about thirteen minutes. FCC warning: there are curse words and foul language in a few of the tracks on this album.

Cactus Wife

Alrighty I picked three songs to dive into a little bit. “Cactus Wife” has the most classic punk and indie rock vibe to it. It’s a pleasant reminder of other NC bands like Archers of Loaf that have been ruling and inspiring artists for over thirty years. “Decorate the World” also a similar upbeat punk rhythm to it if you enjoyed this track.


Here, we are able to find the most psychedelic inspired track on this album. The wavy reverbed vocals sink in like teeth into an ice-cream bar. It’s not pleasant for some, but I love it. The heavy drums have a rainy pitter-patter meant to keep your feet movin’.


A lovely title has to have a lovely sound, right? This track slams and thrashes the most (in comparison to the other tunes on this album).

Last Bite

As I’ve been writing these articles and posts for the last few months about NC music, I keep finding more hope and new bands to latch onto. I grew up being jealous of other states with exemplary music scenes like Philly or Seattle. Now I am beginning to find bands and sounds that have existed for some time, but finally want to unearth themselves to my ears.

I’m excited for the young bands coming onto the scene too. A few that I’ve written about like Babe Haven and smattering of other hardcore bands, are slowly getting pushed into the limelight because of their amazing talents.

Cold Cream is a another one of these bands (comprised of music veterans) that should be able to foster the growth of more unique NC sounds to come.

New Album Review

New Releases of 2024 I’ve Been Keeping Tabs On

evilgiane’s #HEAVENSGATE VOL. 1

The cover of evilgiane's mixtape #HEAVENSGATE VOL.1

Evilgiane, member of the Surf Gang Collective, has been on my radar since about 2021, when I took note of his excellent collaborations with an underground rapper which resides in North Carolina, BBY GOYARD. In the years since then, he’s become kind of a juggernaut in the underground rap music scene, having collaborations with more mainstream artists like Earl Sweatshirt, PinkPantheress, Kendrick Lamar, and Baby Keem. This 2024 release keeps us acutely aware that despite the fame, he’s still got his ear tuned towards the new breakthrough artists of the scene, just like the years before.

The mixtape is full of choice collaborations with on-the-cusp artists like Nettspend, Harto Falión, Bear1Boss, Rx Papi, xaviersobased and Woesum, to name a few. The picks here prove he’s still primarily a voice for the lesser-known talent that can utilize his refined production skills to make memorable and revisitable tracks all throughout the tape, albeit with some misses here and there.

All in all, this mixtape is quite well made and definitely deserves a listen if you’re an underground rap aficionado. 7/10

karl koyomi and 999 Heartake Sabileye’s Daune Sounds

The cover of karl koyomi and 999 Heartake Sabileye's Daune Sounds

999 Heartake Sabileye’s production on this mixtape is absolutely fantastic, and their involvement in this project is what keyed me into listening to this. I learned of them while making my HexD set for part of a 3-hour HexD marathon with DMC Woodstock and chalcopyrite, but to hear they’ve taken to producing was a welcome surprise. The production here is absolutely fantastic, and you can tell by honing their craft on avant-garde genres like HexD and Mashup, they’ve got their finger on the pulse of what makes abstract hip-hop click.

The rapping from karl koyomi is nothing to scoff at either, yet I can’t help but feel it kind of takes a backseat to the interesting experimentation 999 Heartake Sabileye performs all throughout this EP. It’s a bit disappointing to me that a collaboration like this is limited only to 5 tracks, being a little under 15 minutes worth of music (a complaint they address at the end of the EP), but it ultimately means that this ep will not overstay its welcome by any stretch of the imagination.

I really recommend this EP to anyone who wants some abstract hip-hop that won’t be anything like that which you’re used to. 8/10

ericdoa’s DOA

The cover of ericdoa's album DOA

This album was probably the one i felt the most conflicted on. When I think ericdoa, I feel his brand over the last few years has been heavily hyperpop-tinged trap that straddles the line between guilty pleasure and genuine passion. However, this energy wasdrained from this new project, leaving a moreso corporate-friendly pop-rap project that will definitely get streams, but feels less confident, in a ways. It’s not as artistically authentic as his prior releases, and reeks of label involvement in my opinion, or that’s what i thought at first.

As the project goes on, I see glimpses of the production that ericdoa initially captivated me with in the years prior, but they are sparse and few and far between. I’m not entirely opposed to hyperpop artists switching genres, like as Jane Remover, Frost Children and glaive have done before, it’s just that I’ll be more likely to compare the differing projects with each other. If they don’t compare favorably, that’s just how it is, I guess.

I’m sorry to say that bar the few flashes of brilliance this record contains, most of it is painfully dull compared to his earlier work. 4/10

DJ Fives

New Album Review

NC Track Round-Up

By: DJ French aka Phillip Fries

Bi-weekly brief write-ups on new music I find searching the “North Carolina” tag on Bandcamp.


Song: “Sweet White Pine”

By: Jodi Jones

From: Carrboro, NC

In her recent EP titled “Balladeer,” Jodi Jones channels the rich heritage of folk-singers in Pennsylvanian Appalachia. In her words, “Sweet White Pine is a song I’ve written about the legend of the White Woman of Murphy’s Bar, Susan Hilbish, whose tragic death at her own hand haunts the village of Shamokin to this day.” The track features beautiful vocals over a simple folk guitar melody. Jones’s interpretation of the tall tale encompasses a range of emotions to unveil a sinister ending.

Ep Link:


Song: “Nail Biter”

By: Cor de Lux

From: Kill Devil Hills, NC

The track starts with a fuzzy rattle of what sounds like a spray paint can & segways into a monotonous buildup of bass, drums, and a sprinkle of keys. Said instruments meld with fuzzy electric guitar and angsty lyrics- softly delivered. Nail Biter is Cor de Lux’s first single after the release of their 2023 album, titled “Media”.

Song link:


Song: “The Prom You Never Had”

By: Austin Tighe

From: Charlotte, NC

The track starts with a silly flute riff and lofi chillhop drums but quickly evolves into an effervescent dream/bedroom pop track. Vocals are reminiscent of Jerry Paper. Sound likely inspired by artists like Paper & Mild High Club, with a smooth vaporwave-esque twist. Pretty guitar, bass & synth melodies.

Miscellaneous New Album Review

What’s New in Afterhours?: Feb 2024

It’s been a while since the last one of these, hasn’t it? Tragically, the start of 2024’s been pretty dry for new electronic releases, but here at WKNC, we push through to find only the best. Here’s a few that have been added to rotation in the past month!

Spencer Hodo – “deafness”

Genre: IDM

Tracks Added: “follaiseach,” “altwithdrawdeemedW.A.M.I.O.A,” “utqiagvik rockstar”

Yeah, this album is IDM, but Spencer Hodo plays around with what that means. Most notably is the amount of ambient techno influence on it – tracks like “follaiseach” lean hard into that territory, while still keeping some more straight-up IDM tracks, like “absorball.”

Regardless of what genre it is, “deafness” feels mechanical, with just enough ominousness to make an album that deserves its cover art. It’s a strong album, and good for those who like their electronic music on the more technical side.

Shygirl – “Club Shy”

Genre: House, pop

Tracks Added: “thicc,” “f@k€,” “4eva,” “mute”

Shygirl isn’t reinventing music in this EP, but it’s a solid 15 minutes of club-ready bangers. It’s house-y, fun, and most importantly danceable, and while a little more straightforward than some of her previous music, it’s a worthy addition to Shygirl’s discography.

“Thicc” is my personal favorite track, and exemplifies a lot of what I think is best about this release. It’s perfect to put on at just about any party, unless you go to really weird parties where you stand in complete silence or something.

cluli – “CLUECORE!”

Genre: Hyperflip

Tracks Added: “tf we gon do in our thinking chair,” “i was never book smart im clue smart,” “they besties”

Yes, we added a song that samples both Jay Eazy and the line “sticking out your gyatt for the rizzler.” But also, consider: it is, in fact, good.

Cluli brings their own take on the popular-if-you-are-a-very-specific-type-of-person microgenre of hyperflip here, leaning more into the “brostep-indebted extreme production bangers” side of things rather than the “meme sample-heavy” side, though it still brings plenty of the silliness. The result is a potential new classic, and a new artist to look forward to new releases from.


New music is always awesome, and these are no exception. Watch out for them playing on WKNC!

Concert Preview New Album Review

DBB 20: Saphron’s Album “Ecce Homo”

Welcome all ye listeners to the weird and strange and the normal and the everything else under the umbrella of all music. There’s this little thing WKNC does every year to raise money. Maybe you’ve heard of it, maybe not. WKNC’s Double Barrel Benefit is in its twentieth year of existence and there are many amazing bands and artists coming out to King’s on February 16th and 17th to help us raise money to keep doing what we’re doing (all things music).

This year’s Friday headliner, Saphron, is the main objective of this article. While I don’t have much info about the members of the band, I’ve been sinking further and further into the depths of their sounds. 

Saphron is an emo punk band from the wondrous city of Raleigh, NC (we love a good ol’ local band). The members include Zoe Hardee (Composition, Production, Vocals, Guitar, Synthesizer), Ian Waddill (Production, Arrangement, Bass Guitar, Backing Vocals) and Ari Moore (Sound Engineering, Arrangement, Drums, Backing Vocals). All of these credits are for their most recently released album, “Ecce Homo”, which was given unto us on October 14, 2022.

Saphron’s sounds swirl in my head. The moving lyrics and lead vocals of Zoe Hardee jolt me and console me all at once. Little whispers telling me to feel something explode into screaming fits. This band’s unique noises continue to pop in my ears at the most random times of day. Saphron tends to the fields of addicting noise that I can’t quit. 

Ecce Homo

I, as per usual in my album reviews, will stick to highlighting my favorite tracks on this release. Please excuse my abundant adoration of Saphron’s sounds. They’re quite bewitching to me, and I still can’t figure out why.

Pity Stunts

Bass beats and drum thumps echo through the empty rooms in my head. This track fills silence better than any conversation. It’s a cry for love and why we have to give everything we can to smother that feeling. I keep trying to figure out what music scenes I belong to. This song reminds me no one cares, just dance.


This song is my favorite on the album. I keep going into the addictiveness of this music. I can’t stop alluding to it. How does a band do this to my head? What else am I supposed to say to get you all to listen to this? There’s probably some weird formulation of words that make everyone’s head scream at them to listen to a writer, but I don’t have those words at my disposal. Just listen to the song. 

Perfect Love

Both this song and the previous perfectly blend all the band’s talents to create a smoky atmosphere of beauty and pain. There are more explosions off in the distance as the world burns. How am I supposed to care when there’s only my floating consciousness trying to exist when this song plays?


With a synth opening that’s about as addictive as any sweet candy, this song is the reason I can’t stop returning to Saphron’s music. Hardee’s intoxicating vocals are like a stab to the gut. You don’t really want to be hurt, but the pain is freeing in some odd f***** up way. 

Conclusions of a Sort:

I can’t sum up a band. There’s never any real expectation to, but I feel like it helps people who skim articles or even myself come to a final conclusion about sounds produced in the world. Saphron’s music doesn’t need a summary because it’s here in the world to stay and exist in the moments we want to listen. “Ecce Homo” is a great first full length release for this band (obviously an understatement from my point of view) and as this band continues to age, experience life through music and create more heavenly sounds, I will be here listening to anything they can give us. 

Saphron will be headlining WKNC’s Double Barrel Benefit on Friday, February 16th. Be there to support this band but also the other wondrous local musicians offering their talents to our ears.