Categories
Miscellaneous Music Education

What makes Indie music Indie?

Before you get the wrong idea reading this blog, I want to preface that I most definitely don’t think there will be a definite answer at the end of this post. I got the idea of writing this based on the concept of indie music and just how vast and diverse it is as a phenomenon.

As indie music has become increasingly popular, I wanted to research what has attracted a large following to this type of music. What makes it stand out from traditional music genres that are easy to pinpoint such as pop, hip hop, R&B, and jazz. 

Historically, what we call indie or indie-rock music now emerged from an era in the late 1970s in the United Kingdom when post-punk, new wave, and alternative music was being released by UK record labels to go against the manufactured mainstream music at the time.

You might have heard of the band The Smiths who first came on the indie scene in the 1980s and now exemplify not only what indie music is on a musical basis, but on a cultural basis as well.

Starting off, Indie is not necessarily a genre although it has sort of developed into one just recently. Indie is short for independent and indie artists are just artists that self-produce their music and are not signed under a major label.

This ‘indie’ title starts getting harder to define once these indie artists and indie bands become famous enough to be signed under a major label. If they are signed by a label such as Capitol Records, the artists themselves are not ‘indie’ or independent anymore yet they still have that indie sound to them.

An example of a major label would be something like Universal Music Group (UMG) or Sony BMG that of course have subsidiaries of their own like Atlanta Records and Columbia Records, to which these more famous artists belong. 

What stands out in a lot of work done by indie artists is their usage of a variety of instruments in their music and most of the time indie music is instrument heavy. If you look at more of the rock and alternative side of indie music the most prevalent instruments are the electric guitar, acoustic guitar, and drums. These instruments together create this “indie sound’ that has caused a ‘genre’ around this aspect to develop. 

Of course, as I mentioned, indie is not really a genre in itself because the music could be new wave, jazz or punk, or pop too. However, a common theme I find about indie music is the strong sense of individuality you can experience in the work made by the artists. They strive to focus on a single emotion or experience instead of a full narrative.

Often when you listen to music by an indie band there is a distinct piece or component of their composition or lyrics that immediately lets you know it’s by band XYZ or by artist XYZ. Having control of their own music is what allows indie artists to put their identities into their music and take full creative control over what they produce compared to the more controlled music released by mainstream artists and record labels.

What started as a term to define independent artists has culminated not into a genre but a culture of its own. Music that actively rivals mainstream music and is best consumed in its raw form of instrumentals and chords. 

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Weekly Charts

Underground Charts 5/31

#ArtistRecordLabel
1FLY ANAKINFrankLex
2HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
3LITTLE SIMZSometimes I Might Be IntrovertAGE 101
4DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
5EVIDENCEUnlearning Vol. 1Rhymesayers
6ILLISMFamily Over EverythingThe CRWN
7LAVA LA RUE“For You” [Single]Marathon Artists
8MILAN RINGI’m Feeling HopefulAstral People/PIAS
9REDVEILlearn 2 swimSelf-Released
10ROBERT GLASPERBlack Radio IIILoma Vista/Concord
Categories
Weekly Charts

Top Charts 5/31

#ArtistRecordLabel
1ASTRAGALPure CashmereThe Nothing Song
2BIG ORANGE“Love’s Not Enough” [Single]Self-Released
3POST ANIMALLove GibberishSelf-Released
4SEA POWEREverything Was ForeverGolden Chariot
5SUNFLOWER BEANHeadful Of SugarMom+Pop
6DEAD RITUALSPrisonersHideout
7GIRLPOOLForgivenessAnti-
8GUERILLA TOSSFamously AliveSub Pop
9PUPThe Unraveling Of PupTheBandRise/BMG
10RAAVI“Lazy Susan” [Single]Self-Released
11SOCCER MOMMY“Shotgun” [Single]Loma Vista/Concord
12SOUND OF CERES“Arm Of Golden Flame” [Single]Joyful Noise
13PARK HYE JINBefore I DieNinja Tune
14BRAINSTORYRipeBig Crown
15COMMONA Beautiful Revolution Pt. 1 & 2Loma Vista/Concord
16ELUJAY“1080p” [Single]OneTime!
17HATERSincereFire
18IDK“Taco” [Single]Warner
19ILLISMFamily Over EverythingThe CRWN
20KHI INFINITETake What You NeedArtist Partner Group
21KIPP STONEFaygo BabySelf-Released
22KWAMZAYMotherland! [EP]Corner Store Art House
23LANCEDAYUNGIN“Slide” [Single]Trap Illustrated/Playbook
24NOSO1O“Fallin’ Out” [Single]Self-Released
25PAPERCUTSPast Life RegressionSlumberland
26REDVEILlearn 2 swimSelf-Released
27SEEYOUSOONVIDÉSelf-Released
28SHA MONEY XLChain On The Bike, Vol. 2TeamWork
29SHADTAOSecret City
30SILAS SHORTDrawing [EP]Stones Throw

Top Adds

#ArtistRecordLabel
1VEROUnsoothing InteriorPNKSLM
2GIRLPOOLForgivenessAnti-
3PUPThe Unraveling Of PupTheBandRise/BMG
4POST ANIMALLove GibberishSelf-Released
5TOPSEmpty Seats [EP]Musique TOPS
6CURLS, THESmothered & CoveredTruth Zone
7SKY FERREIRA“Don’t Forget” [Single]UMG
8BAKERS EDDYLove Boredom BicyclesIvy League
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Weekly Charts

Afterhours Charts (5/31)

#ArtistRecordLabel
1HVOBTOODifferent/PIAS
2FLUMEPalacesFuture Classic
3POLICAMadnessMemphis Industries
4CONFIDENCE MANTILTHeavenly/PIAS
5HAAIBaby, We’re AscendingMute
6KY VOSSThe AfterPlay Alone
7PVA“Untethered” [Single]Ninja Tune
8ALICE GLASSPREY//IVEating Glass
9GABE GURNSEY“Push” [Single]Phantasy Sound
10FLOATING POINTS“Grammar” [Single]Ninja Tune

Afterhours Adds

#ArtistRecordLabel
1HVOBTOODifferent/PIAS
2FLUMEPalacesFuture Classic
3POLICAMadnessMemphis Industries
4CONFIDENCE MANTILTHeavenly/PIAS
5HAAIBaby, We’re AscendingMute
6GABE GURNSEY“Push” [Single]Phantasy Sound
7PVA“Untethered” [Single]Ninja Tune
8FINNEverything Is AlrightB REAL
9JESSE MAC CORMACKSOLOSecret City
Categories
Music News and Interviews

Conan Gray “Yours”: Song Review

Conan Gray’s latest single titled “Yours” was released just last week and I could not write about this song sooner. Between his previous single released this year titled “Memories” and this new song, it’s evident how Conan’s songwriting and music production skills have matured in contrast to his older work. 

Not only his appearance is maturing as he is finding his personal style in fashion but it seems as though he has finally found his personal style in music as well.

What I love about music in general as a musician is the ability to hear distinct instruments in a song and be able to pick them out or the ability to hear a song and be able to tell which artist is playing that instrument based on the style of chords and composition.

The aspect of Conan’s music I have enjoyed time and time again is his piano playing and that is really the highlight of this single. The song starts with a soft piano intro that is joined by Conan’s soft vocals and the feeling of longing is something that is easily identifiable. Conan is not one to flex his vocals in his music, but this song does a wonderful job of encompassing his talent as a strong vocalist. It’s another track that undoubtedly highlights his passion as a singer-songwriter.

The song is a ballad about unrequited love for a friend. About never fully belonging with his friend in a way that he wants to even though he has put his entire self into that relationship. There is almost this running theme that has become part of Conan Gray’s identity as a musician, that he’s been hurt time and time again and honestly just wants to feel the degree of love that he has been a witness to his entire life. 

What makes “Yours” stand out from Conan’s typical Indie-Pop style of music is the melancholic and simple instrumentation behind the song. There are no embellishments or anything flashy besides a continuous piano melody and drums, that are introduced in the bridge.

The catchy pre-chorus “Oh, all I really wanted was that look in your eyes | Like you already know that I’m the love of your life | Like you already know you’re nеver saying goodbye” builds up this feeling and is almost reminiscent of a tune that from a musical. This catchy aspect of the song ties in well with the repetitive chorus and is quick to get stuck in your head.

It’s a pre-chorus that pulls you into this angsty chorus of Conan addressing this conflicting issue “But I’m not yours | I’m not yours, I’m not yours| I want more | I want more, but I’m not yours | And I can’t change your mind” This chorus of this song is what pushes this theme of unrequited love. That no matter what he does he won’t ever be able to convince his friend.  The way he says the line “And I can’t change your mind” is so satisfying and cuts so perfectly. 

Finally, the entire song snowballs into the bridge where he lays out his feelings and his truth in the lines and swells to embrace this perpetual ache.

In contrast to most songs where the bridge is used to connect the verses to the chorus, Conan makes the creative choice to end the song on the bridge. Allowing the listener to sit there and recollect. He sings “ I should’ve known that it was dumb love | Fifteen dozen roses | All the things that I’ve done | For you not to notice | Can’t believe I chose you | Over all my best friends | What the f*ck did I do | In the end? | Just not be yours”. Ending the song off on its climax forces the audience to feel this rise of emotion that Conan experiences himself.

Like most of Conan Gray’s music, this song is a perfect song to listen to while walking in the rain or whenever you feel down about your own misfortunes in life. What Conan has done a good job of coining is his relatability and the skill of capturing a feeling that a lot of people experience but aren’t able to identify. 

Yours is the second single that has been released for Conan Gray’s upcoming sophomore album “Superache” out on June 24th.

You can check out the “Yours” music video on Youtube.

Categories
Classic Album Review

“Drive My Car” Soundtrack Appreciation

“Drive My Car” has an outstanding list of accolades that would blow most films (besides “Parasite”) out of the water. Most of the achievements of the film are focused on acting, cinematography and best foreign film, but not nearly enough give love and credit to the composition of music that flows so beautifully with the pictures on the screen. 

The director, Ryusuke Hamaguchi, and screenplay writer, Takamas Oe, adapted this film from a collection of short stories by Haruki Murakami. The collection, in my opinion, features some of Murakami’s best works, so I was naturally excited to see this film introduced to the world. 

Eiko Ishibashi, the composer of this film and independent musician, has a prolific career collaborating with different artists to make “acclaimed singer-songwriter albums to film scores for film and television to improvised music settings” according to her website.  

In this film, Ishibashi conjures emotions with simple, soft sounds. One of the benefits of movies with softer soundtracks is how unaware the audience is that music (in combination with cinematography) feeds into their emotional attachment to a scene. 

The track, “Drive My Car”, has light pianos and strings to allow viewers to take in the scenery and picturesque beauty of the film rather than watch an awkward silence encompass two people talking to each other. The soundtrack itself has sounds from the movie recorded in it, so the film is inescapably part of the soundtrack.

One note about the OST is that almost every song’s name is a different version of the original. By that I mean each song is a variation of its predecessor, which I think is a neat way to make a soundtrack. Each song is noticeably different, but every variation still holds true to their original. 

One more track that I hold dear is “We’ll live through the long, long days and through the long nights (SAAB 900)”. I consider this track the ode to the gorgeous car, the SAAB 900:

Red 1983 SAAB 900 GL on a street with shrubbery behind it.
Photo by Niels de Wit of a 1983 SAAB 900 GL. Creative Commons license.

The song has the heartbeat of a car, and makes me feel like I am driving with smells of old leather and sunbaked seatbelts. I love how Ishibashi made this car into a song. Usually, I don’t care for cars, but the combination of the film and music made me fall in love with this machine. 

If you haven’t seen this film or heard the music, make sure to check it out if you feel inspired to. 

Keep eatin’

-DJ chef

Categories
Miscellaneous

“SLC Punk!” – A Movie Review

The rage, terror, and joy of punk rockers is hard to appropriately capture on film. I have seen directors place punk into a nice neat box of hardcore drug users, nihilism and fighting, but that’s not punk.

“SLC Punk!”, directed by James Merendino, explores hardcore punk rockers’ reasons to live and rebel. I do not think this film encapsulates all of the punk genre, but it does get a clearer representation of punk compared to a mainstream music film. 

This movie stars Matthew Lillard as Stevo, Michael A. Goorjian as Bob and Annabeth Gish as Trish. A few other notable actors are Jason Siegel, James Duval and Summer Phoenix. 

PLOT RUNDOWN

Stevo and Bob are reformed nerds who turned to the punk music scene when they felt outcast by their classmates. They live in Salt Lake City, Utah, which is a funny setting for a punk film. Exploring the fictional punk scene in Salt Lake City (SLC), we are taken on a journey of pent up emotions. 

Stevo is pushed by his parents to attend Harvard Law School after graduating from Utah University. Bob, on the other hand, is growing more accustomed to life in SLC as he falls in love with a mystical being, Trish. 

I love the way Merendino is able to show Stevo becoming more aware that being a punk in SLC isn’t something to do for life. Stevo’s dad at the beginning of the film tells him to “buy in” to society and law, but don’t sell out. This comment is a catalyst for Stevo’s change throughout the film. 

By the end of the film, Stevo changes, Bob changes, even punk changes. The characters are full of life throughout the film, but as we explore their motives and backgrounds they become more realistic and loveable. The way I perceived this vision of punk changed how I appreciate music in general. I see more artists as expressive, and I am able to enjoy more voices in music. 

MUSIC

Okay, the music in this film is great. It doesn’t dive as deep as it could in terms of hardcore punk, but it grasps the roots of punk rock firmly. 

The movie opens with “Sex and Violence” by The Exploited, which is a fun way to open any film. I think this track (even though it is a bit repetitive) can keep my blood pumping even harder. It also prepares viewers well for the blood, sex, and stories that follow. 

Also, in the intro are the opening credits where they put actors’ names onto the album art of tracks they used in the film. I thought it was a cool way to appreciate the art and love for the albums as they flashed across the screen. 

A few more key tracks in the movie are “Amoeba” by The Adolescents, “Gasoline Rain” by Moondogg and a classic, “Kill the Poor” by Dead Kennedys. 

The Adolescents bring a hard, riotous edge to one of the fight scenes, while “Gasoline Rain” slows the film down a bit during an emotional scene. I find both tracks are used perfectly in the score. They tie into the characters’ emotions well and are able to make the scenes feel bigger than the film. 

“Kill the Poor” by Dead Kennedys is great core punk music. I just wish this wasn’t saved for the end credit scenes of this movie. It could have been used for a cool rowdy scene in the desolate SLC, but unfortunately got chopped up to be put with the credits. 

COSTUMES

I don’t think I could write about this film without talking about the costumes. There are so many wonderful flavors of people that are represented. 

Stevo’s striking blue hair is sick. At one point he has a massive blue mohawk that grabs your eyes from every other thing happening on the screen. Everyone’s clothes are really well adapted for the SLC weather and punk shows.

Check out this clip that shows off their costumes well [Content Warning: violence and cursing]:

Clip off YouTube from “SLC Punk!”. YouTube video posted by cybluvshatchets2012.

I love how all of the “gangs” of Salt Lake City all have a semblance of a uniform. The mods in the suits and coats, the punk rockers in their rough style and the rednecks looking like stereotypical rednecks all come together to create a strange, vibrant scene. Everything meshes together to create a lifelike city atmosphere, and I could almost attribute that solely to the costumes. 

WRAP UP

While I love watching this film, there are a few issues with it. Mainly, I think it does not talk about sexuality and punk well. It will have lines that hint at the topic, but I think it’s a big part of punk culture that gets glossed over and not explored. 

More issues include how the movie ended and what it poses as a solution for punk rockers. I won’t go into much detail about it because it spoils it a bit, but I feel as if it gave up too much of its core values and did not set up a bright future for all of the characters (not that they have to have bright futures). 

Overall, I highly recommend watching this even if you aren’t remotely into punk as it explores art and music in an exciting way. 

Keep eatin’

DJ chef

Categories
Band/Artist Profile

AAPI Artist Spotlight – Rina Sawayama

Next up in my AAPI Artist Spotlight series I would like to introduce Rina Sawayama. 

You might have heard of Rina’s song “XS” on TikTok.

Rina Sawayama is a 31-year-old British-Japanese artist that dabbles in various sub-genres of pop music and different genres altogether. She has coined the nickname of being a pop chameleon because of how she can incorporate and seamlessly create music that is indie-pop, electric pop, R&B, dance-pop, rock, and alternative.

She started her music career how most artists do– uploading songs onto the Internet. Rina would upload song covers onto MySpace and eventually formed a small band with local kids and used her high school’s tech equipment to produce songs. From that, she maintained her passion for music and started making music and touring till she was recognized for her talent.

What I find refreshing about Rina’s music is that she finds ways to highlight issues in society and tie that in with her Japanese culture into her music. She is an advocate for a variety of social justice issues such as sexism and uses Pop music, which often is stereotyped and often called department store music, to empower her and breakthrough those stigmas as a female pop artist.

Her debut album titled “SAWAYAMA” as well as her first EP “RINA” both showcases her persona as an artist. A Japanese woman who doesn’t hesitate to call people out and write about her past traumas and experiences while gift-wrapping it into earworm music that is digestible for her audience. She brings in a lot of influence from the 90s and early 2000s Pop scene in all her music and combines it with this R&B style voice. Similar to this ideology she has developed, the artists she was inspired by like Britney or NSYNC made pop music that lots of teens felt embarrassed to enjoy and now are considered to be iconic. 

One of her most popular songs “XS” is about consumerism and capitalism and the phrase ‘XS’ is supposed to represent the excess spending and product manufacturing that highlights how as consumers we always want more and are never satisfied with what we are able to attain.

The mature topic of capitalism and over saturation of the market is balanced with a fun dance-pop track inspired by Britany Spears’ music, as shown through the lyrics:

“Gimme just a little bit (more), little bit of (excess) | Oh, me, oh, my | I don’t wanna hear “No, no” | Only want a ‘Yes, yes” have you dancing around in your room while making you reconsider the role you play in our capitalistic society.”

There is a pattern throughout her music where she writes lyrics that are deep and thought-provoking about our society while keeping this light pop danceability to it that makes her so unique. Time and time again she highlights that oftentimes while her lyrics carry such strong meanings since she is a woman making pop music she isn’t taken as seriously and the upbeat electric pop and R&B style overpower people from looking into her lyrics.

Along with social issues such as climate change or toxic masculinity, Rina also touches on how her experiences being Japanese in Cambridge, her pansexuality, and the feeling of otherness that she has had to navigate through her entire life.

Another song I want to highlight is “Tokyo Love Hotel”. In this song, she discusses the guilt she feels of using Japanese symbolism in her songs as well as calling out people for having this odd obsession with Japanese culture to that point where Japanese people can’t showcase their authentic culture cause it’s not what has been idolized in the West.

 Her lyrics “And oh there’s nothing that I could say | That hasn’t already been said | You got that neon lights, golden guy | Falling for a stereotype| Has it all gone to your head?” bring forth this idea that whoever was into her wasn’t for her true self but of this idea of what a Japanese woman is meant to be like based off of stereotypes. 

There is so much more to her music than what I can capture in this short post and I highly recommend checking out her music even if you are not a fan of the Pop genre. Rina writes lyrics that are genuinely an important part of her experiences and might resonate with a lot of people if given the chance.

In most cases, the mental image of Rina’s music people have when they first see her is quite different from what her music is at the core. Her bold and eclectic makeup looks and appearance almost make you feel that her music is electronic dance music  (EDM) or alternative rock but in reality, she is a Pop artist and it’s a genre she has mastered. 

Check out her discography on Spotify.

Categories
Music News and Interviews

mxmtoon “Mona Lisa” Song Review

This song has been on my mind ever since I first listened to it.

Oftentimes, when I listen to a song for the first time, I focus on the instrumentation of it, like the harmony and melody or how the instruments work together. But when I listen to Mona Lisa by mxmtoon, an up-and-coming indie-pop artist, the lyrics had my full attention. 

In “Mona Lisa”, mxmtoon writes about how she often takes the place of Shakespeare by creating characters in a narrative instead of living as the main character in her life. As a songwriter, she often hides behind her lyrics and in this song, she highlights how she doesn’t want to just be another story but wants to feel like she is the central aspect of her own story instead of being just the author.

What really hit close to home for me while I was listening to this song was the environment I listened to it in. It was a rainy day and I was walking back from class alone observing everyone around me. The lyrics felt so relatable at that moment because it felt like I could apply them to my life at that very moment. I am a writer too and similarly, I often feel like I spent too much living through my characters instead of trying to make an impact in my own community.

The lyrics “I’m so tired of being a book on the shelf | Tired of stories for somebody else | Think that I’m ready to start a new chapter | I’ve been looking for some way |to turn it around | Looking for someone to give me the crown | I wanna feel like I finally matter | I wanna be a Mona Lisa, ah-ah | The kind of girl that you can dream of, ah-ah” resonated with me.

In a world where we are constantly feeling like other people are living better lives than we are due to all the exposure we get to people’s handcrafted posts on social media, this song really encompasses that feeling of wanting to be an inspiration for someone.

The lines “Who could change my point of view? | The way that Van Gogh uses yellow or the self in Frida Kahlo | I could be that for you” drive home this point.

mxmtoon writes that she wants to be a muse and be known for having a specific purpose in life and she compares that to how yellow is such a distinct feature in Van Gogh’s paintings. The entire premise of the song centers around Mona Lisa who was the muse, a woman, behind the painting of the famous Mona Lisa painting done by DaVinci.

I just love the relatability of this song and especially when you realize that everyone has the same thoughts or feelings and you aren’t alone in feeling a particular way.

In contrast to the rather sad lyrics, the song itself is very upbeat and starts off with a strong ukulele intro that launches the listener of the song into a dream world. It makes you feel like you are inside someone’s daydream. The guitar chord combined with mxmtoon’s wispy dreamlike voice in the chorus really hooks you into the majestic environment that the song creates. In addition to this fantastical world that the song puts you in, the music video has a similar enchantment to it that makes you feel like you are in the fantasy mxmtoon has created of being a muse for an artist.

Sometimes we all have this feeling that there might not be anyone we truly inspire or play a huge role in their lives but, maybe we just might be the Mona Lisa to someone out there after all.

Be sure to check out the music video for “Mona Lisa”.

Categories
Blog

AAPI Artist Spotlight – Dhruv

 

Continuing on with my series of highlighting various AAPI artists, I would like to introduce the next artist, Dhruv.

You might have seen his name if you happen to use TikTok. His song “Double Take” was released in 2019 and was used in over 2.8M videos racking up over 280M views. It was the catalyst for the launch of his career as a musician. 

Dhruv Sharma, known as dhruv, is a 22-year-old Indian-Singaporean R&B artist. He grew up listening to Bollywood music, because of his dad who would sing at family events, and Western artists as well like the Beatles and Amy Winehouse. Growing up he and his sister would make up melodies and songs on the piano and guitar they had in their house. He wrote a lot of music that he uploaded to Soundcloud while he was in Singapore and even gained a small following.

While music was still something he dabbled in during his free time, he was actually a student at Yale studying Data Science and Statistics when he released the song Double Take. Once he released this song, much earlier than his song ever blew up on the internet, he realized that music was something he wanted to formally pursue as a career.

“Double Take” if you don’t know is a dreamy track about falling in love with your best friend. About that moment where you have to do a double take cause you see your friend in a different way than you used to before.

He released two other songs titled “Moonlight”, which I wrote about in this post, and “Vulnerable”.

What I personally enjoy about his music is how light and magical he makes his songs sound. Of course, not everyone is into that type of vibe when listening to music, but it is something that Dhruv has perfected. Each song in his EP “Rapunzel” has this airiness to it but still manages to capture a distinct feeling or emotion pertaining to various aspects of being in love or falling in love.

The Singaporean artist is a self-proclaimed introvert and writing music was a way of how he shared his thoughts and feelings as an observer. Expressing himself through his music was an outlet for all the opinions and thoughts he had brewing in his mind that he was never able to share out loud. He felt alienated growing up as one of the only queer kids in his conservative community and all of that is reflected through the songs in “Rapunzel”, whether it’s about his experience of falling in love with his best friend, overcoming heartbreak, or showing his true self to someone and being vulnerable.

His work puts you right in his shoes. The soft acoustic chords or his guitar or his melodious voice feel like a warm hug and easily raise your spirits.

His music is his coming-of-age story. Not only about romantic love but about self-love too.

A story where he is finally the main character and has control of his own narratives. 

Check out Dhruv’s discography on Spotify!