Categories
Playlists

Music and Wellness

Thursday, Nov. 3 was a university-wide wellness day.

The wellness day has brought further attention to the importance of mental health resources and the overarching mental health crisis.

If you or someone you know is in mental distress, the university counseling center can be reached on campus at 2815 Cates Avenue, directly across from Witherspoon Student Center, or through their website.

The counseling center helped me find the support I needed in the beginning of my college career. College can be daunting and overwhelming at times– reaching out helps guide us to support needed. Support from peers. Support from parents or guardians. Support from professors and mentors. Support from the University. Support is vital to both our mental wellbeing and general success.

Above all, it is important to look after ourselves by doing the things we truly enjoy. Whether that be something as simple as getting a coffee or singing; doing the things that bring life meaning is simply refreshing.

I spent much of my wellness day listening to music.

As many, many individuals can relate, music has been such a source of support and love in my life.

To share some of this passion and wellbeing, I have selected a handful of songs that have brought me a lot of wellness. I hope you all enjoy, take care of yourselves.

Song Selections

Spud Infinity by Big Thief

Wonder by Lomelda

Spiral by Pinegrove

Elm by Clever Girl

Tin Man by America

Categories
New Album Review

“Waiting to Spill” by The Backseat Lovers Album Review

It’s been three years since The Backseat Lovers freshman album, “When We Were Young”. In many ways, their first album was a compilation of songs rather than a complete, cohesive album. Each song was very good in its own right, but there wasn’t much flow between the tracks.

Their sophomore album released today after three years and three singles of waiting. “Waiting to Spill” is a complete project that flows consistently throughout, blending classic indie-rock with a variety of new sounds.

The quartet that makes up The Backseat Lovers includes Joshua Harmon on rhythm guitar and lead vocals, Jonas Swanson on lead guitar and vocals, KJ Ward on bass guitar and Juice Welch on drums and backup vocals.

NC State students got the chance to see the Backseat Lovers live for free last year at Wolfstock 2022, which was an awesome experience. Even though they were playing for a crowd of a lot of people who didn’t know them, they put on an excellent performance.

A Bottle of Wine

“Waiting to Spill” centers itself around the challenges of facing time head-on and the desire to live in the past. I greatly appreciated that this theme is on display throughout the entirety of the ten-song record, shown in various lenses.

As The Backseat Lovers thematically focus on growing up and developing in their songs, their sound also develops into new grounds on this record. Staying rooted in indie-rock, The Backseat Lovers grows into areas such as country on “Snowbank Blues” or more piano-based songs on “Words I Used” and “Follow the Sound”.

Each member of The Backseat Lovers allow each other to shine in their performances. When one member pulls back, another one fills in the spotlight immediately. At moments where all four take the spotlight together, they create a truly incredible sound. The explosion of the soundscape at the end of the album in “Know Your Name” is extremely satisfying to listen to after 40 minutes of highs and lows.

I am somewhat split on the ending of this album. On one hand, I think “Know Your Name” would have been a very conclusive finisher that would have ended the album with a satisfying bang. On the other hand, “Viciously Lonely” ties the album together thematically in a very conclusive way.

While I probably won’t go back to the first or last track very much, I think they do help make the album feel more full and cohesive. It is a difficult task to find the perfect balance to create album cohesion and songs with a lot of replay value.

Conclusion

“Waiting to Spill” is an excellent record. While not as catchy as it’s predecessor, “Waiting to Spill” has a cohesion and depth that “When We Were Friends” never truly reached.

The Backseat Lovers has also grown in talent over these past three years, putting on an impressive display on all fronts. They incorporate a more complex vocal and instrumental performance to highlight the complexity they are attempting to reach.

The Backseat Lovers is currently touring across the United States and will start their European leg of the tour in 2023.

I greatly enjoyed this album and look forward to whatever work The Backseat Lovers ends up doing next.

Categories
Band/Artist Profile

Four Fantastic Woman Led Bands

This goes without saying, but there are an unfathomable amount of talent within the music industry.

These four bands in particular have brought me a newfound appreciation for the skill, creativity and diversity of women voices in the indie rock world.

Although this is just scratching the surface, these selections have been frequenting my queue time and time again. Ranging from punk, pop, emo and psychedelic, these bands exemplify some of the upcoming voices in the indie world. I hope you enjoy.

Warehouse

Colorful blocky patter on navy background
“super low” album cover art by Warehouse

Warehouse is an Atlanta based indie rock and punk band.

What sets this band apart of all others is the richness and power of Elaine Edenfield lead vocals. Stripped and rugged, her androgynist voice taps into grudge influences while holding an identity entirely of its own.

Warehouse notes Pylon, another phenomenal female led punk band from Georgia, as being one of their most prominent influences. Warehouse embodies the experimental essence of Pylon in a renewed timeliness.

With talented strings to match, this band hits hard. Below are some of my favorite tracks by Warehouse:

Super Low“, “Oscillator” and “Succession.”

Lime Garden

Blurry dark figure walking in red light
“Bitter” cover art by Lime Garden

This pop rock quartet from Brighton is energetic, explorative and simply spectacular. Lime Garden is made of drummer Annabel Whittle, guitarist Leila Deeley, guitarist Chloe Howard and bassist Tippi Morgan.

These four ladies each bring a different musical background to the table, together forming a sound greater than its individual parts. This variety of musical background brought a lot of challenges for the band, but ultimately resulted in a richer, layered sound in their releases.

This band utilizes synthesizers beautifully, highlighting only the best parts of their sound without drowning out the pure instruments. Below are some of my favorites:

Bitter” and “Sick & Tired.”

Sweet Pill

Image is a painting of a person's face, painted red, gripped by two hands, painted light blue.
Sweet Pill, “Where the Heart Is” album art

Sweet Pill is an alternative emo band from Philadelphia. Lead singer, Zayna Youssef has quickly become one of my favorite voices after their newest release, “Where the Heart Is” earlier this year.

Dynamic and powerful, Zayna provides a refreshing voice to the musical world. Listening to this band is simply stress relieving.

Lyrically they are aggressive and confident. Lyrics that are carried beautifully through Zayna’s vocals. She has so much emotion and strength within her voice– the classic angst of emo bands is replaced with unapologetically bold passion through her performance.

With strong bass and drums to match, Sweet Pill provides a striking performance for our listening pleasure:

Blood,” “Where the Heart Is” and “Cut.”

Goat Girl

Colorful landscape with lots of little creatures and monsters
“On All Fours” album cover art by Goat Girl

This quartet from London provides a mix of psychedelic, pop and rock elements in their genre bending discography.

Members, Lottie Cream, L.E.D, Holly Hole and Rosy Bones, combine their passion for music and social activism to produce songs that highlight society flaws and shortcomings. In their 2021 album, “On All Fours”, is an exploration into some of these societial themes.

Goat Girl creates music that is both deeply meaningful and contagiously energetic.

In their earlier releases they have a more angsty and heavy lyricism and musical style that is matured in there newest album. This dichotomy is really refreshing in their overall discography. Here are some of my picks:

Creep,” “Mighty Despair” and “Pest.”

Categories
Weekly Charts

Chainsaw Charts 11/1

#ArtistRecordLabel
1CABAL“Exsaguination” [Single]Nuclear Blast
2CABALExit Wound [EP]Nuclear Blast
3THE CONVALESCENCE“79 years” [Single]Blood Blast
4BOUNDARIESBurying Brightness3DOT
5SLIPKNOTThe End, So FarRoadrunner
6HAMMERHEDD“Tunnel” [Single]Self-Released
7BLACKBRAIDBlackbraid ISelf-Released
8AITTALA“Collateral Damage” [Single]Exitus Stratagem
9STORMRULERSacred Rites & Black MagickNapalm
10GAEREAMirageSeason of Mist

Chainsaw Adds

#ArtistRecordLabel
1LAMB OF GODOmensEpic
2ALIENATÖR“Blood Red Blood” [Single]Self-Released
Categories
Weekly Charts

Underground Charts 11/1

#ArtistRecordLabel
1TOMMY RICHMANAlligatorBoom
2JEAN DAWSONCHAOS NOWHandwritten
3MAVILaughing so had it hurtsSelf-Released
4KWAMZAYMountain [EP]Off-Center
5ERNESTO BIRMINGHAMat Catalyst [EP]Self-Released
6SMINOLuv 4 RentZero Fatigue
7DIZUltra.VioletSelf-Released
8PERRY MAYSUNPainting Naked [EP]Self-Released
9REDVEILlearn 2 swimSelf-Released
10AVIADBelieve [EP]Self-Released

Underground Adds

#ArtistRecordLabel
1MIKEDisco!10k
2GAO THE ARSONISTOur bones are artifactsGood Problem
3OVERPADEAge of AquariusGORECORPS & Once upon a time
4KENNY MASONPUP PACK [EP]2022
5PERRY MAYSUNPainting Naked [EP]Self-Released
Categories
Weekly Charts

Afterhours Charts 11/1

#ArtistRecordLabel
1ARCAKICK iiXL
2MAGDALENA BAYMercurial World DeluxeLuminelle
3CLUB ANGEL6AM [EP]Astral People/PIAS
4COFFINTEXTS8700 [EP]Club Qu
5DIVINO NINOLast Spa On EarthWinspear
6NAKED FLAMESMiracle in TransitDismiss Yourself
7PENDANTHarpSaddle Creek
8KY VOSSThe AfterPlay Alone
9MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
10SHYGIRLNymphBecause

Afterhours Adds

#ArtistRecordLabel
1DEATH’S DYNAMIC SHROUDDarklifeSelf-Released
2ZOUJMetal [EP]City Slang
Categories
DJ Highlights

DJ Profiles: President Shrimpo

DJ Name: President Shrimpo

Show Name: Fireside Chats

Show Description: Do you like rock and roll? Do you enjoy eating raw onions like apples? Would you vote for President Shrimpo for four nonconsecutive presidential terms? If you said yes to any of these questions you should listen to Fireside Chats with President Shrimpo! Fireside Chats is the preeminent place to find music on this hemisphere of the Earth, so listen or you’ll feel a great sense of emptiness in your life!

I know the music you grew up listening to is a big part of the music you gravitate towards… What other influences are present in your sets?

So much of my taste in music definitely comes from my parents, but I’ve been really fortunate to have a lot of friends who also loved music a lot. And so like, I have a friend who was like, super into Oingo Boingo and that got me into a new wave phase and that definitely has influenced me. I’m also watching video essays about music which has helped me broaden my horizons and pick out stuff that I don’t think I would have ever found just by, you know, listening to the music my parents do.

What is the story behind your DJ name and show name?

Okay, so there’s layers to the story. Over the pandemic, I really fixated on American, presidential, and political history. I liked the idea of theming myself around that. I also find silly little critters like shrimp and worms and stuff funny. There was a live stream series that this guy Zach Hadel did, called the very positive stream, where he would draw things and take suggestions. One of the things that he drew was the assassination of President Shrimpo Jones. And that was just such a silly thing to me that I sort of thought of that while I was coming up with my DJ name, so I pretty directly lifted that. And then Fireside Chats is a reference to FDR and his Fireside Chats because it was like, you know, that’s sort of like the most famous thing a president has ever done on the radio. And so I thought, I should have my own Fireside Chats.

What is your favorite aspect of being a DJ?

I love the sense of community that we have here that I like and like the friendships that I’ve built with other DJs. I love being around people who care about music in the same way that I do, even if it’s not the same music. That’s just something that’s very special to me. For example, young iowa has a metal show and I don’t personally like metal but I love hanging out with young iowa during his set, Feedback, just because he loves that kind of music in the same way that I love my own music. So that’s something that’s very special to me. I also love being able to share my music with complete strangers. I have a number of people who regularly call into my set. I don’t know them… I might know some of their names but they’re essentially strangers to me. But we are able to talk about something that we both really love and that’s very special to me.

Do you have a favorite phone call you’ve ever gotten?

Okay, so I have this guy who regularly calls into my set. Before I even knew his name, I always knew that it was him calling me because he would always tell me what he was doing while he was listening to my set. He would call in and say I’m doing the dishes or I’m out in my garage or whatever. Most recently, he called in and told me after we were done talking about the music, he said, I’m gonna go back to cooking my beans now, and I just thought that was a really funny moment.

How has your show evolved over time?

I would say, like, on a technical level, my show has changed because the first semester or so of me being a DJ I would always script everything I would say beforehand. I also didn’t have a good system of structuring how many songs I would put between air breaks. But I ended up doing a joint set with my friend young iowa and he does his shows very differently from how I did mine. He improvises everything he says and has a very strict pattern of blocks of three songs in between air breaks. I tried that and found that it really worked for me and I was able to have more structure to my sets and also gave me more room to improvise more and talk more naturally on air. I also changed the sort of music I play. Early on, I just wanted to exclusively play punk and post punk. But over time I have mellowed out and have been more receptive to playing more pop stuff. I think in the beginning I had some misconceptions about what was acceptable to play on college radio, and so I think my intentions of what I want to play changed over time. 

Do you have any guilty pleasure music?

I definitely have some stuff that I would not play on air, but mostly because it’s, like, more popular. Like I love Nirvana and I really enjoy The Beatles and Arctic Monkeys. But like, none of that stuff would fit in with my show and I might also get some flack for playing that on a college radio station because those aren’t like… deep cuts.  I also love really goofy old country music. I play some of that on air but that’s mostly self indulgence.

Any messages for the constituents of your nation?

My 2024 campaign trail is in full swing. I’m going to keep fighting hard to institute a shrimp backed currency. Additionally, in my second term I’m going to mandate free ponies for everybody. If I’m re-elected to a second term things are going to get way better.

Categories
Band/Artist Profile

Obscure Artists: Douglas Für

Douglas Für, based out of Pittsburgh, Pennsylvania, presents one of the most compellingly raw and unhinged folk-punk sounds in the genre.

A former member of anarchist folk punk band Ramshackle Glory, Für is no stranger to neurotic rhythms and irreverent lyrics. With a solo career spanning between July of 2015 and August of 2016, Für plumbs the depths of his psyche to produce a curio collection of sounds across three solo albums.

Discography

Für’s three albums, the dried up rivers will be the mass graves of tomorrow, Curses and Spells of Protection and Death Has 1000 Ears illustrate a strange sort of continuity in his independent work.

The jagged, lilting melodies of his first album carry into the energy of his second, where the only marked difference in sound is the album’s elevated production quality.

However, where the dried up rivers will be the mass graves of tomorrow functions well as a standalone project, Für’s last two albums are directly connected.

Both share the songs “Curses” and “Sugar on Your Teeth,” though with distinctly different sounds. Curses and Spells of Protection presents a slower, almost sluggish narrative. 

In “Curses,” Für’s rust-tinged vocals seem to snag upon the edges of the accompaniment, an assortment of string instruments whose melodies seem to churn as the song progresses.

Conversely, “Sugar on Your Teeth” is frantic, maddened and markedly discordant. 

While the lyrics to “Curses” and “Sugar on Your Teeth” are the same in Death Has 1000 Ears, the delivery is completely different.

With a cleaner, clearer production quality, the album lacks the rugged edge of its predecessors. The tone is strongly jovial throughout with tinges of theatricism, a strong incovation of classic barroom ballads.

“Curses” is virtually unrecognizable between the two albums, with Death Has 1000 Ears presenting the song with a faster tempo and more lyrical delivery.

The same can be said of “Sugar on Your Teeth,” which presents a far tamer iteration of its original source material. 

Cover for the album the dried up rivers will be the mass graves of tomorrow

Bad on Purpose

All the same, the entirety of Für’s work embodies a uniquely savage sound.

And by all technicalities, the music is bad. The vocals are coarse, the instruments often sharp or wailing. With the exception of Death Has 1000 Ears, the production quality is starkly lo-fi.

But therein lies what makes Für’s music so compelling. The self-made feel of Für’s work perfectly captures the core of the folk punk movement. His experimentation with the energy of classic folk sounds and the roughness of punk gives way to a strange, beautiful offspring.

His chaotic, discordant sounds express the basest of human sensations: rage, grief, passion and despair. He captures ultimate catharsis in what can only be accurately labeled as purposeful cacophony.

Douglas Für’s music is but a means of expression channeled through folk punk, a movement solidified in unyielding self-expression and imbued with a long history of tumult and resilience.

For fans of AJJ, or those who simply enjoy “bad” music, I cannot recommend Douglas Für enough. 

Recommended Songs: 

  • “Dead Twin,” “Sugar on Your Teeth” and “Shallow Cut” from Death Has 1000 Ears 
  • “the phantom wants to know” and “the phantom speaks” from Curses and Spells of Protection (ultimate favorites)
  • “cold steel” and “o’ nothing” from  the dried up rivers will be the mass graves of tomorrow
Categories
Non-Music News

New Podcast Highlight: “WKNC’s Brain Trust”

Each new year at WKNC invites a new arrival of content.

This year, student and content creator, Lucas Marsh, joined the team and has created a new podcast– “WKNC’s Brain Trust”– a podcast that focuses on having introspective and thought provoking discussions with guests from across NC state.

To welcome his new project, I set up an interview with Lucas. Together we explored some of his motivations for creating the podcast and the knowledge he has gained along the way.

Below are some of the highlights from our discussion.

To start off, what is your name, year,  major and where are you from? 

My name is Lucas Marsh. I’m a freshman of class 2026, and I’m majoring in aerospace engineering and I’m from Long Island, New York.

What roles do you fulfill at WKNC? How long have you been involved with WKNC?

I’m a content creator at WKNC. I started not exactly at the beginning of the semester, but the first few weeks. I technically started as a content creator October 10th. 

What motivated you to join WKNC? What inspired you to be a content creator?

I have some broadcasting experience because I did a broadcasting class my senior year in high school. I really enjoyed it. I would do the morning announcements and do other projects in the class like that.

Originally I was like, “Oh, I’ll try to be a DJ”, but to put it simply, I don’t have the music taste that they’re looking for, but I wanted to be involved in WKNC even though I couldn’t be a DJ. So I asked them, “What else can I do?”

I was looking at all the other options I don’t know, like Blogs, interviews and videos; that doesn’t really seem too exciting to me, but the podcasts… that sounds like a lot of fun. So I applied and they hired me.

What inspired you to create “WKNC’s Brain Trust”? 

My inspiration for this podcast came from a conversation I had with my roommate about nostalgia. It was like eleven thirty at night, and  we sat and had a long conversation, and at the end of it I was like, “Wow, we’re capable of intellectual discussion”. And since I had the opportunity to be a content creator I thought that is exactly how it’s done, but recorded. 

I’m not the most serious person, which is why at first I was kind of shocked that we had such a solid conversation on something that deep. I wanted to do it again, but record it this time.

So for the first episode I had that same discussion with my roommate since it went so smoothly before. We talked about nostalgia, what it is, how it makes you feel, how it affects us, how we feel it differently and where it comes from.

How would you describe the energy of your podcast?

The tone is light hearted, but introspective. It isn’t super serious. I’ll put it like this, it’s not as serious as a documentary, but it’s not as joking as a cartoon.

What are you most excited about for your podcast?

I’m excited about all of it. In general I’m a very positive person, so I’m looking forward to getting more episodes up, and really just seeing my logo and my podcast on a website. I’m looking forward to seeing the products of my own work.

As someone who created, developed and is producing podcasts, what advice would you give to other students or individuals interested in podcast creation?

I’m still relatively new at it, but I would say, if your heart’s not in it, your head’s not in it. Fancy way to word that, but if you don’t really enjoy it it’s not going to work. 

It’s a lot of fun. So if you enjoy it, go ahead and try it… if you enjoy what you are making it is okay if others don’t like it.

What advice would you give NC State Students interested in joining WKNC?

Go to the interest meeting. I didn’t know I could do podcasts, interviews,  videos or blogs. I didn’t know I could do any of that, I thought it was just a radio station. 

It also helps experience in recording software, specifically adobe addition. If you can find access to that– give yourself a little crash course on it.

To round out our discussion, how has WKNC benefited your college experience?

It’s definitely made it more enjoyable. This is something else for me to do on campus. It’s a new group of people to meet and a new group of people to work with. It allows me to connect with my peers and have a fun time doing it– all while producing an episode and making content. 

Concluding Thoughts

There is something so magical and energizing about starting a new project. Lucas’s enthusiastic and confident demeanor fit this energy perfectly, there is no doubt he will be a fantastic podcast host. 

To give “WKNC’s Brain Trust”, you can find it on Transistor (or any platform you listen to Podcasts).

It was great to interview Lucas, I am looking forward to all he will create in the near future.

Categories
Concert Preview Music News and Interviews

Upcoming Local Concerts

MICHELLE – Oct.31

Opener: Nickname Jos

Where: Motorco Music Hall, Durham

When: 8pm Monday, Oct.31

Price: $18/$24

MICHELLE Tickets

It is a shame Halloween fell on a Monday this year, but MICHELLE is here to excite the Monday nightlife and welcome November

MICHELLE is a R&B group from New York City. Their discography is filled to the brim with upbeat tracks and rich harmonies. This vocal-led group is extremely dynamic in rhythm, tone and musical composition. Each member has so much vocal control and range, allowing the group to create some stunning vocal lines. They will put on a fantastic show.

Superorganism – Nov. 3

Opener: Blood Cultures

Where: Motorco Music Hall, Durham

When: 8pm Thursday, Nov. 3

Price: $22/$25

Superorganism Tickets

Superorganism is a psychedelic indie pop band from London. I would also like to highlight their opener, Blood Cultures, an anoynoymus experimental indie pop project from Brooklyn. Both of these bands have such a unique aura.

To add to the excitement of this performance, Superorganism released their album, “World Wide Pop” this year and just released a remix album, “World Wide Pop- Reeeemix!” Oct.28. These two bands will certainly bring lots of new sounds to the stage.

Oso Oso – Nov.6

Opener: M.A.G.S and Anxious

Where: Motorco Music Hall, Durham

When: 8pm Sunday, Nov.6

Price: $19/$23

OSO OSO Tickets

Oso Oso is an alternative emo band from Long Beach, New York. Oso Oso has such a well versed discography, ranging from heavy rock to light alternative tracks. The openers M.A.G.S. and Anxious will complement his wide range of music wonderfully.

Opener, M.A.G.S is an indie garage rock and pop project from Buffalo, New York. Anxious is an dreamo band from Connecticut. This trio of artists have a wide variety of sounds, yet remain unified in their melancholy tone.

Sorry – Nov.12

Opener: N/A

Where: Local 506, Chapel Hill

When: 9pm Saturday, Nov.12

Price: $13/$15

Sorry Tickets

Sorry taps into an astral of genres to create there unique sound– ranging from bubblegrunge, punk, indie rock, and psychedelic. Hailing from London, this duo brings with them a weighty discography.

Their newest album, “Anywhere by Here” released Oct. 7. In my opinion, it contains some of their best work.

The freshness of their album will certainly contribute to an extremely energized show.

Omar Apollo – Nov. 20

Opener: N/A

Where: The Ritz, Raleigh

When: 7:45pm Sunday, Nov.20

Price: $50

Omar Apollo Tickets

Last, but certainly not least, R&B artist Omar Apollo. He released his fourth full album, “Ivory” earlier this year. Although I think it was less successful compared to his previous work– it is clear his energy is ecstatic throughout this tour.

If this show reflects “Ivory”, it will have an excellent variety of high and low energy tracks. Each track in his discography is rich– he just has such a great voice.

Omar Apollo keeps achieving more with each and every release, this performance will be rich in talent, stage presence and musical variety.