Categories
Classic Album Review

Biting into “Orange” by Fishmans

A fresh citrus fruit has an addicting taste, not unlike the sound of Fishmans’ lead singer in their album “Orange.” Fishmans uses the keyboard among Shinji Sato’s vocals, bass and guitar to create a beautiful dreamy reggae sound that brings in the clouds to block the oppressive sunlight of reality.

Their fourth studio album, “Orange”, is my favorite to return to. It has all of the reggae sounds like steel drums and beats that I love, which is combined with Shinji Sato’s iconic vocals. “Orange” was released in 1994 under Media Remoras.

For Fishmans, they had much trouble with the comings and goings of band members, producers and record companies. On the album, Shinji Sato does the vocals and plays acoustic guitar with Yuzuru Kashiwabara (bass, chorus), Kin-Ichi Motegi (drums, percussion, chorus) and Hakase-Sun (keyboards, chorus). A guest electric guitarist, Sugar Yoshinaga, also appears in various tracks throughout the album. 

Peeling Open “Orange”

“Kibun” basically starts off the album, and it does so with a pop, reggae and electric fervor. The vocal repetitions bring constant joy to my ears. Shinji’s voice and lyrics are elegant as they bounce up and down smooth as butter. 

In “My Life”, simple lyricism brings simple and pure joy. Fishmans creates a pop tune that exudes exuberance. The keyboard steps us into life and beauty with the beginning of the track and sweeps us into a journey filled with the sound of people living.

“My Life” music video by Fishmans. YouTube video posted by ponycanyon.

As one of my favorite songs of all time, “Melody” stands out on this album. It jumps right into the action of music and all the joy it brings. Epic percussion backs up an electric guitar that shreds perfect little rhythms. 

The track flows and pierces me quickly. I’d be surprised to hear from anyone that this song didn’t even make them tap their toes to the beat. 

A slower track on a fast paced album tends to stand out or drift into the background. I think “Kaerimichi” found its place by blending in the rushed and jumpy first half of “Orange” with the other dreamier half of the album. 

One Last Bite

After diving back into this album to write about it, I already cannot stop myself from listening to it again and again. Fishmans’ sound is intoxicating to my ears. If the last song I ever got to listen to in my life was a Fishmans track, my ears and soul could be at rest with that. 

“Orange” is so fresh even at 28 years of age. If you’ve never taken the time to listen to Fishmans at all, or if you’ve only listened to their later albums, I cannot encourage you enough to peel open “Orange” and taste its addictive sweetness.

Categories
Music News and Interviews

Hojean “You Aint Gotta” Song Review

We’re back with another song from Hojean.

As he gets ready to head for 88rising’s ‘Head in the Clouds’ music festival, he seems to have released another song that fans will get to see performed live for the first time.

Right from the start, you can tell this song has heavy 90s hip-hop and soul inspiration. It’s no lie that Hojean is highly versatile in his music and keeps the melodies and style unique with each new release.

The song starts off with a staccato beat and his smooth vocals.

All of his songs are easy to vibe with and because of the simple lyrics of this song, his voice and music production gets more emphasis.

The gist of the song is him saying he doesn’t need much from a relationship and singing “Slow, slow down |  You think you know what I want? | Well, baby I don’t really need it |  Hope you know it now (ah-ah ah-ah) |  Wow, oh wow |  I don’t need what you flaunt |  ‘Cause baby all I really wanna do is love you now” 

The title of the song comes from the chorus where he is essentially saying “you ain’t gotta write me a song” meaning the girl he’s with doesn’t have to do anything extra or surprising for him to be in love.

His vocals really shine in the third verse of the song. As the tempo increases, his singing matches the pace but maintains this lightness that carries you through. He sings in spoken word – not necessarily rap – yet maintains that cadence from the previous verses.

“Don’t you know I’ll take it easy, can’t, believe me, |  I can be there when you need me, they been sleeping on us | And I can’t keep up | Ain’t afraid of getting deeper for once |  And I promise you’re the one that I want |  Get together ’cause you know what I’m on |  And you ain’t even gotta write a song”

This verse highlights Hojean’s vocals as the melody crescendos and his pitch gets higher and higher. 

It’s a track that showcases Hojean’s voice while his previous tracks involve more lyricism or instrumentals. 

If you want a good reason to vibe or feel in the mood to vibe, this song is perfect just for that.

Hojean teased that he’ll be releasing his first EP soon, so we’ll get to see what else is in store from him.

Check out the music video:

Categories
Weekly Charts

Top Charts 8/23

#ArtistRecordLabel
1SKY FERREIRA“Don’t Forget” [Single]UMG
2FRANCIS OF DELIRIUMThe Funhouse [EP]Dalliance
3GHOSTKEEPERMultidimensional CultureVictory Pool
4MARBLEThe Shadow In MeSelf-Released
5POST ANIMALLove GibberishSelf-Released
6BLACK MIDIHellfireRough Trade
7HORSE JUMPER OF LOVENatural PartRun For Cover
8MAMALARKY“Mythical Bonds” [Single]Fire Talk
9PUPThe Unraveling Of PupTheBandRise/BMG
10CURLS, THESmothered & CoveredTruth Zone
11SHIVAS, THE“Doom Revolver” [Single]Suicide Squeeze
12WHEEL WORKERS, THEHarborSinkhole Texas
13BLYND BIRDSSongs To Sink Yachts ToSelf-Released
14GIRLPOOLForgivenessAnti-
15MOMMAHousehold NamePolyvinyl
16ACTION BRONSONCocodrillo TurboLoma Vista/Concord
17AESOP ROCK AND BLOCKHEADGarbologyRhymesayers
18BAKERS EDDYLove Boredom BicyclesIvy League
19BREANNAEpiphanySelf-Released
20CADENCE WEAPONParallel WorldMNRK
21CIV“Heaven On Earth” [Single]Self-Released
22COMMONA Beautiful Revolution Pt. 1 & 2Loma Vista/Concord
23DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
24DINO SMOKESThe IgnorantVSR
25DIZUltra.VioletSelf-Released
26FKA TWIGSCAPRISONGSYoung/Atlantic
27FLY ANAKINFrankLex
28IDK“Taco” [Single]Warner
29INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
30JPEGMAFIALP!EQT

Daytime Adds

#ArtistRecordLabel
1BLACK MIDIHellfireRough Trade
2MAMALARKY“Mythical Bonds” [Single]Fire Talk
3MARBLEThe Shadow In MeSelf-Released
4SKY FERREIRA“Don’t Forget” [Single]UMG
5GHOSTKEEPERMultidimensional CultureVictory Pool
6HORSE JUMPER OF LOVENatural PartRun For Cover
7MOMMAHousehold NamePolyvinyl
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9
10
Categories
Weekly Charts

Afterhours Charts 8/23

#ArtistRecordLabel
1I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
2NAKED FLAMESMiracle in TransitDismiss Yourself
3AIRFLOWAIRFLOW [EP]Hype Pretension
4HVOBTOODifferent/PIAS
5KUEDOInfinite WindowBrainfeeder
62004“To You?” [Single]3260508 DK
7WHATEVER THE WEATHERWhatever The WeatherGhostly International
8MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
9PJ DUBS 04VARIOUS ARTISTSelf-Released
10FLOATING POINTS“Grammar” [Single]Ninja Tune
Categories
Weekly Charts

Underground Charts 8/23

#ArtistRecordLabel
1070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
2THEY HATE CHANGEFinally, NewJagjaguwar/Secretly Group
3ACTION BRONSONCocodrillo TurboLoma Vista/Concord
4JPEGMAFIALP!EQT
5DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
6QUELLE CHRISDEATHFAMEMello
7DIZUltra.VioletSelf-Released
8REDVEILlearn 2 swimSelf-Released
9ROBERT GLASPERBlack Radio IIILoma Vista/Concord
10FLY ANAKINFrankLex

Underground Adds

#ArtistRecordLabel
1RICO NASTYLas RuinasSugar Trap
2MIKE“get rich quick scheme” [Single]10k
3KHAKIKID“Shlumped Up” [Single]Self-Released
4MASTER HOLY“What do you want?” [Single]Self-Released
5YOUNG WABO“Bradley Beal” [Single]New College
Categories
Weekly Charts

Chainsaw Charts 8/23

#ArtistRecordLabel
1PLAGUE YEARSAll Will Suffer [EP]MNRK Heavy
2VOLCANDRABorder World [EP]Prosthetic
3ITHACAThey Fear UsHassle
4HALO EFFECT, THEDays Of The LostNuclear Blast
5PHOBOPHILIC“Survive In Obscurity” [Single]Blood Harvest
6SCARS OF ATROPHYNations Divide [EP]Self-Released
7SERPENT CHURCHQuake of Our EchosSelf-Released
8IMMORTAL GUARDIAN“Echoes” [Single]M-Theory
9CHAMBERCarved In Stone [EP]Pure Noise
10GUILLOTINE ADBorn To FallM-Theory

Chainsaw Adds

ArtistRecordLabel
1THE GOD AWFUL TRUTHThe God Awful Truth/Under The Pier Split [EP]Darktrail
2UNDER THE PIERThe God Awful Truth/Under The Pier Split [EP]Darktrail
3ALGEBRA“Kleptomaniac” [Single]Unspeakable Axe
4MISCREANCE“Incubo” [Single]Unspeakable Axe
Categories
Miscellaneous Music Education

How Does Eastern Music Differ from Western Music?

Although in the modern day, Eastern culture has had a lot of influences on Western music and Western culture has had a lot of influence on Eastern music I wanted to a brief break down of the unique differences between the two.

The main difference even an untrained ear can pinpoint is the instruments used.

For example in Eastern music, the most common traditional instruments in many cultures are lutes. The Middle East has a lute called the Oud. India uses the Sitar. China has a lute called the pipa. The list goes on. 

Essentially they have instruments that create these entrancing tunes as well as more complex melodies in general. There are many overlapping rhythms and are at the forefront of traditional Eastern music. They use 7-tone and 5-tone systems that rely more on the manipulation of melodies instead of using set chords.

On the other hand, the West has more instruments that are found in orchestras such as string instruments, guitars, woodwind instruments, and percussion instruments such as saxophones and flutes, and bagpipes. 

Western music in general puts harmonies at the forefront. They have more complex harmonies and have something called a 12-tone equal temperament. In simple terms, the series of eight notes are organized equally instead of in an odd fashion.

One way to put it is, that Western music is oriented around written music. It can be written down and repeated in an orderly structure. Eastern music is oriented around oral music. It can’t necessarily be captured in notes and is more dynamic and improvisation.

While you can categorize Western music, at its core, Eastern music is not necessarily a genre or category. 

As you move from one country to another, their entire way of composing and creating music is different. The instruments they use change based on culture and the way they arrange their rhythms and melodies vary as well.

Don’t want to get too historical here, but because the West has this shared ‘European’ culture it’s easy to say that most Western music sounds similar.

This can’t be said about Eastern music because of how diverse each continent and subcontinent is. South African music is far different from North Eastern Asian music. 

That’s one of the most fascinating things I love about music. 

How each culture has its own music and how music can tell so much about the country’s culture and history.

If you hadn’t had the chance to listen to some Eastern music, I truly recommend it. 

Even what we consider ‘pop’ music sounds far different in Japan or Lebanon or Bollywood.

Categories
Classic Album Review

A Lil’ Love for Broadcast’s “Work and Non Work”

If you’re looking for a compilation of tunes to mix with the rain, then Broadcast’s “Work and Non Work” is the perfect selection for you. Released on June 9, 1997 under Warp Records, this is the first LP Broadcast released in their career.

Broadcast is made up of Trish Keenan, the vocalist, Roj Stevens, the keyboardist, James Cargill, the bassist, Tim Felton, the guitarist and Steve Perkins, the drummer. Keenan passed away in 2011, but Broadcast’s numerous recordings are still being released posthumously. 

To Work or Not to Work

To start out, “The Book Lovers” teleports you into a dusty and musty infinite row of books. Covers and spines all cracked and dry from years without love and attention. Keenan’s wispy vocals fade in and out above the perfect synthesis of strings and keys that escalate into a comforting presence.

As a book lover myself, this track is one of my all time favorites. I love the ethereal and calm presence it exudes into my ears. When the song feels just about over, the beat returns to take us away into the night and ends the song perfectly. 

In “Living Room”, Stevens’ keys mix again with the guitar of Cargill, which creates electric trills of beauty. Before we even approach Keenan’s beautiful vocals in this track, the instrumentals all take over the beginning section.

I find this track to be almost danceable and relaxing enough to be perfect for a rainy evening. 

The last song I want to explore is “We’ve Got Time”. This spacey and timeless track is infused with the essence of a UFO. It flies around and around bringing mystery and sleek beauty to the indietronica genre.

Keenan’s vocals are especially lovely, and make the dreamy tunes spring to life through hope, futurism and wonder. 

Fading out of the Job

This entire compilation is wonderful. The tracks I didn’t mention above deserve the same amount of love. There really isn’t anything on the LP that I won’t be able to enjoy.

For me, Broadcast is a band that constantly blows me away with their techniques and synchronicity with each other. 

I can tell the whole band loved music and exploring the depths of their emotions together, and it is really unfortunate that Keenan has already passed away. I am just happy that we get to explore Broadcast’s music at all.

Categories
Music News and Interviews

Niki – “High School in Jarkarta” Song Review

We’ve heard a handful of (teen) breakup and traditional pop songs about being heartbroken but never from an international perspective.

Niki is an Indonesian singer-songwriter that is now part of 88rising, however, she grew up in Indonesia before she moved to the States to study music and pursue her now-career.

Hearing about her high school experience in Indonesia and seeing how it compares to the ups and downs of American high school was unique. I personally haven’t heard many songs where American artists have incorporated their culturally unique upbringings into music. 

Throughout the song, Niki tells the story about her friends and the chaos that took place on the walls of her high school along with her emotional journey being in a relationship during that time.

The lyrics feel significant when she writes “High school in Jakarta, sorta modern Sparta | Had no chance against the teenage suburban armadas |  We were a sonata, thanks to tight-lipped fathers |  Yeah, livin’ under that was hard, but I loved you harder |  High school in Jakarta, an elaborate saga |  I still hate you for makin’ me wish I came out smarter | You love-hate your mother, so do I | Could’ve ended different, then again |  We went to high school in Jakarta” 

Just that chorus itself holds so much meaning. The way she describes her suburban life and how she had to be hush-hush about her relationship but it was all worth it even though her parents were strict.

There’s one verse that sounds straight out of Niki’s high school diary at times. “Natasha’s movin’ to New York (New York) |  Probably sometime in August (ah) |  And I’m spendin’ the summer in Singapore (ah) |  I’m so sad I can’t tell you sh*t anymore | I made friends with Abby this year (this is how I met your mom) (oh, my God) |  We’re movin’ in March or so |  And although you bring me to tears | I’m glad that we gave it a go” 

It all sounds like typical high school where you think the person you’re crushing on or with will be your forever and want to tell them everything that’s going on in your life. 

The song honestly feels like one big letter to this guy who Niki leaves unnamed – of course. She thinks back on her their relationship ended because of his mom and wonders how he’s doing now that they’re both older.

What I love is that though she grew up in a different country, it’s interesting to hear how similar the high school experience really is.

Melodically it’s very mellow and upbeat. Like all of Niki’s songs, it’s are light and simple.

Her lyricism is what makes the song pop with the storytelling and her ability to make words rhyme even if they have different spellings. 

If you’ve never heard Niki’s music before I definitely recommend giving it a listen.

Check out the music video here!

Categories
Weekly Charts

Underground Charts 8/16

#ArtistRecordLabel
1DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
2FLY ANAKINFrankLex
3JPEGMAFIALP!EQT
4070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
5ROBERT GLASPERBlack Radio IIILoma Vista/Concord
6ACTION BRONSONCocodrillo TurboLoma Vista/Concord
7LITTLE SIMZSometimes I Might Be IntrovertAGE 101
8MILAN RINGI’m Feeling HopefulAstral People/PIAS
9DIZUltra.VioletSelf-Released
10MCKINLEY DIXONFor My Mama And Anyone Who Look Like HerSelf-Released