Categories
Weekly Charts

Afterhours Charts 8/30

#ArtistRecordLabel
1MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
2SEGA BODEGARomeoSupernature
3BARRY CAN’T SWIMMore Content [EP]Ninja Tune
4CAKES DA KILLA“Sip Of My Sip” feat. Svendeep [Single]Young Art
5FLOATING POINTS“Grammar” [Single]Ninja Tune
6KY VOSSThe AfterPlay Alone
7MAGDALENA BAYMercurial WorldLuminelle
8TRIMTONECrossed Signals Vol. 14 [EP]Salted
9WHATEVER THE WEATHERWhatever The WeatherGhostly International
10CLUB ANGEL“Pop Them Threat!” [Single]Astral People/PIAS
Categories
Weekly Charts

Top Charts 8/30

#ArtistRecordLabel
1FRANCIS OF DELIRIUMThe Funhouse [EP]Dalliance
2BAKERS EDDYLove Boredom BicyclesIvy League
3BLYND BIRDSSongs To Sink Yachts ToSelf-Released
4CADENCE WEAPONParallel WorldMNRK
5CONWAY THE MACHINEGod Don’t Make MistakesShady/Interscope
6KNXWLEDGEMeek, Vol. 5Stones Throw
7MOMMAHousehold NamePolyvinyl
8CURLS, THESmothered & CoveredTruth Zone
9SHIVAS, THE“Doom Revolver” [Single]Suicide Squeeze
10WHEEL WORKERS, THEHarborSinkhole Texas
11PARK HYE JINBefore I DieNinja Tune
12ACTION BRONSONCocodrillo TurboLoma Vista/Concord
13ADE HAKIMAn Introverts paradiseBronx Academy of Home
14AYE CUEDream MachineAconic Media
15BOBBY BLAZEHighs & LowsElite Empire Worldwide
16BRAINSTORYRipeBig Crown
17BREANNAEpiphanySelf-Released
18CAKES DA KILLA“Sip Of My Sip” feat. Svendeep [Single]Young Art
19CARRTOONSHOMEGROWNWichita
20CIV“Heaven On Earth” [Single]Self-Released
21DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
22DINO SMOKESThe IgnorantVSR
23DIZUltra.VioletSelf-Released
24FKA TWIGSCAPRISONGSYoung/Atlantic
25GHOSTKEEPERMultidimensional CultureVictory Pool
26GIRLPOOLForgivenessAnti-
27HAVIAH MIGHTYStock ExchangeSelf-Released
28HORSE JUMPER OF LOVENatural PartRun For Cover
29IDK“Taco” [Single]Warner
30INJURY RESERVEBy The Time I Get To PhoenixSelf-Released

Daytime Adds

ArtistRecordLabel
1PRETTY SICK“Human Condition” [Single]Dirty Hit
2TEEN SUICIDEhoneybeeRun For Cover
3MEDIUM, THEFor HorsesStill The Best/YK
4LIFENorth East Coastal TownThe Liquid Label
5YOUNG GUVGuv IVRun For Cover
Categories
Weekly Charts

Chainsaw Charts 8/30

#ArtistRecordLabel
1THE GOD AWFUL TRUTHThe God Awful Truth/Under The Pier Split [EP]Darktrail
2PLAGUE YEARSAll Will Suffer [EP]MNRK Heavy
3CHAMBERCarved In Stone [EP]Pure Noise
4LORNA SHORE“Cursed To Die” [Single]Century Media
5ALGEBRA“Kleptomaniac” [Single]Unspeakable Axe
6MISCREANCE“Incubo” [Single]Unspeakable Axe
7NECROFIERProphecies of Eternal DarknessSeasons of Mist
8UNDER THE PIERThe God Awful Truth/Under The Pier Split [EP]Darktrail
9PHOBOPHILIC“Survive In Obscurity” [Single]Blood Harvest
10HALO EFFECT, THE“Feel What I Believe” [Single]Nuclear Blast
Categories
Weekly Charts

Underground Charts 8/30

#ArtistRecordLabel
1070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
2ACTION BRONSONCocodrillo TurboLoma Vista/Concord
3ADE HAKIMAn Introverts paradiseBronx Academy of Home
4JPEGMAFIALP!EQT
5DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
6KWAMZAYMountain [EP]Off-Center
7DIZUltra.VioletSelf-Released
8REDVEILlearn 2 swimSelf-Released
9ROBERT GLASPERBlack Radio IIILoma Vista/Concord
10YOUNG WABOMirage [EP]New College

Underground Adds

#ArtistRecordLabel
1KWAMZAYMountain [EP]Off-Center
2YOUNG WABOMirage [EP]New College
3KWAME ADEPrayer [EP]Off-Center
4MASTER HOLYNostalgia [EP]Self-Released
5REDVEILlearn 2 swimSelf-Released
6RICO NASTYLas RuinasSugar Trap
Categories
Concert Preview

Preview: Red Hot Chili Peppers with the Strokes and Thundercat at Bank of America Stadium

Off their latest release, “Unlimited Love”, rock funk legend Red Hot Chili Peppers announced a global tour across North America and Europe. Touring with other legends such as the Strokes and Thundercat, they are offering a promising tour across the Atlantic.

The Strokes and Thundercat are the musicians opening for them in Charlotte. I credit the Strokes with introducing me to “good” music and have been itching to see them for years. Them opening for Red Hot Chili Peppers seemed like the perfect opportunity. I would get to see them live and delve deeper into Thundercat’s and the Chili Pepper’s discographies.

Red Hot Chili Peppers

Red Hot Chili Peppers, “Unlimited Love” album art

“Unlimited Love” is the first Chili Peppers album in 6 years. After 35 years of making music, they still capture the simple pleasures their music has always been about. This classic sound is what has made them so legendary, able to fill any given stadium anywhere in the world.

As the headliner of the show at the Bank of America Stadium in Charlotte, fans can expect a mix of classics and deep cuts as well as a dabble of songs off their new album. Following this will be an encore of “Give It Away” and “Under the Bridge” which have been encore staples of the Chili Peppers for years.

The Strokes

Fans of the Strokes, known for their garage rock sound, will not be disappointed by their setlist at the show. The Strokes have one of the most consistent discography’s ever and they will be putting that on full blast before the Chili Peppers come on.

Fans can expect to hear songs from every release besides “Angles” and “Comedown Machine”. I am personally most excited to hear “Reptilia”, “Juicebox”, “The Adults are Talking” and “Hard to Explain” live. Each of their albums provides something new with the same instantly recognizable sound they are known for.

Thundercat

Known for his mastery over the bass and his spacey funk sound, Thundercat will kick off the show with a quick seven song setlist before the Strokes come on. Fans can expect him to finish off with “Funny Thing” followed by “Them Changes”. Other songs such as “Dragonball Durag” and “How Sway” will be performed.

Setlist information provided by setlist.fm.

Enjoy the show,

-Hüttemeister

Categories
Band/Artist Profile Blog

Artist of the Week: Andy Shauf

Andy Shauf is a Canadian indie folk musician that has become of my favorites this past year.

The first aspect that gravitated me towards his music was his ability to story-tell.

He is able to capture scenes, personalities, and characters throughout his entire discography– some of which that reappear time and time again.

With each new release I find myself invested on what story he will tell next, what will happen to these characters this time?

Discography Highlights

One of my favorite albums is his 2016 release, “The Party”, which as the title implies, describes one night at a party. It explores the array of heartbreak that can take place in one moment.

Andy Shauf, “The Party” cover art

There are many tracks I simply adored in this particular album, but “Early to the Party” and “To You” were ones that really struck me.

Both take on a really mellow, relaxed tone but describe very awkward social situations many of us face at one time or another in our lives:

“Early to the party / You’re the first one there / Overdressed and under prepared / Standing in the kitchen / Stressing out the host / Pulling teeth ’til anyone arrives.”

Andy has a magnificent way of putting us into multiple characters’ perspectives which I hadn’t seen before in such quantity in other artists.

Due to his array of characters and personas, each of his albums sound and feel very distinct. His 2020 album release, “The Neon Skyline”, describes the nightlife of a group of friends and provides a very upbeat, charming sound to his discography.

My top track on this release was certainly “Thirteen Hours”, which implements some excellent woodwinds and percussion. I had the opportunity to see Andy Shauf in concert last February at Cat’s Cradle, and hearing “Thirteen Hours” live really amplifed my love for this track.

Andy Shauf, “The Neon Skyline” cover art

“Who’s Judy?”

While on the subject, Andy Shauf was fantastic live. It was by far the chillest concert I have ever been to.

In between songs Andy would ask for questions from the crowd– perhaps the most intriguing question that arose was, “Who’s Judy?”.

The character Judy is very apparent all across his works and is often portrayed as a love interest as seen in tracks, “Where are you Judy”, “Jaywalker”, “Judy”, “The Moon”, “Jeremy’s Wedding”, and many others.

In response to this question, Andy simply stated, “Me”, then proceeded to the next song.

In his most recent album, “Wilds”, he takes a more personal approach to his storytelling. Most of the tracks are from his perspective and revolve around Judy.

His simple response at the concert greatly shaped the way I approached “Wilds” and brought a new depth to his lyrics. This album was no longer about a struggling romantic relationship, but an internalized struggle centered around loss.

Conclusion

Andy Shauf provides such a unique form of storytelling to the musical world. He has established such a gentle tone and sound. I’m looking forward to his more recent explorations into a darker tone within his 2022 singles, “Satan” and “Jacob Rose”.

His music has given me a lot of joy these past few months. His music has been a great example of the variety of sound within indie folk.

I’m looking to discovering more artists like Andy in the near future. I hope you all enjoy.

Categories
Playlists

Five Songs for the End of Summer

School has finally started back up and with that, summer is coming to an end. Over summer break, there were songs that really stuck with me. Songs that are perfect for riding around with the windows down or jamming out with friends. With fall less than a month away, I wanted to share these highlights of my summer with you to enjoy before sweater season.

Tek It” by Cafuné

At the beginning of summer, Cafuné’s second song off their 2021 album “Running” went viral. It became the song of the beginning of summer. The catchy, lighthearted instrumental perfectly riffs off of singer Sedona Schat’s vocals. While the summer breeze is still blowing, this song is perfect for riding with the windows down.

“I Don’t Wanna Fight Anymore” by Similar Kind

Ever since I discovered Similar Kind after they opened for Hot Flash Heat Wave in April, this song has been on repeat. As the days have become hotter, this song has only gotten more plays. The fun, indie-pop instrumental and sound in contrast to the melancholic lyrics seem designed to be listened to on a warm summer evening.

“Easy On Your Own?” by Alvvays

Another great song for a warm summer evening, “Easy On Your Own?” is Alvvay’s second single for their upcoming album “Blue Rev”. With Alvvay’s classic dream-like indie sound and reflective vocals, this song gives the listener space for introspection during this transitional time between summer and fall.

“TVI” by Surf Curse

“TVI” is the second single released for surf punk band Surf Curse’s upcoming album. With this single coming out at the end of July, it marked the beginning of the end of summer. This is a song about trying to stay out of trouble, the perfect motivation for getting back into your normal school or work schedule before the leaves change color.

“NBTSA” by Joyce Manor

During the last week of summer, I saw Joyce Manor at the National in Richmond, VA. Awaiting the concert, I had this song on blast non-stop in the prior weeks. This short burst of energetic instrumental and vocals exude the feeling of change on the horizon with the chorus being simply five repetitions of “And I may never be the same again.” Being the first song I’ve moshed to since before the pandemic, this song has a special place in my heart.

Happy jamming,

-Hüttemeister

Categories
Music News and Interviews

Similar Kind “Commercial Break” EP Review

Similar Kind is an indie pop band out of Norwalk, Connecticut that just release EP “Commerical Break” Aug 26, 2022.

I had previously discovered them during a Hot Flash Heat Wave concert, Similar Kind was an absolutely stellar opening act. Lead singer, Julia Breen, has so much power in their vocals that is prevalent in every track.

Their energy is intoxicatingly positive. Their discography is filled to the brim with upbeat, energized tracks.

My mood immediately improved upon seeing a new release on their page; their sound is always a mood booster.

New Tracks

In this release there is 4 new tracks, all of them are leaning into a more funk-inspired sound. Their bassist, Nate Porter, deserves much praise in these new releases.

The first track, “Game Show” is absolutely noteworthy. They have great production quality in this one, and it’s clear they are gaining more confidence in their individual talents. The member’s individual sounds are combining beautifully.

“Leonard St.” is the second new track on this EP. Once again, the bassist is shining in this track. I really adore this song. It has much more intense, almost grungy approach compared to their previous work. My only gripe with this track is halfway through the track the vocals are muffed stylistically– Julia Breen has such sharp vocals; I think it is a detriment to hinder them.

Up next is “Waiting”. This track is certainly the most pop influenced on the EP. If you want a good song to dance or tap your foot to, this is the one. It has more repetitiveness compared to the others. I appreciate their efforts in appeasing to multiple genres.

“Thanks for Listening!” is the final track on the ep, which as the title implies, is a musical send off. I don’t have too much to say here, other than I hope Similar Kind is not going to be gone for long.

Conclusion and Tour Dates

I’m looking forward to the next opportunity to see Similar Kind in concert. Their sound live is really electric.

They are currently touring with Post Sex Nachos and will be performing at Cat’s Cradle in Carrboro next Thursday, Sep 1. They will also be stopping in Atlanta and Nashville.

I’m excited for all that Similar Kind will be releasing in the near future; this EP is just an inkling of all they will accomplish.

Categories
New Album Review

“Shadowglow” by flipturn

flipturn is an Indie rock band from Fernandina Beach, Florida who just released their debut album “Shadowglow” this past Friday.

I didn’t know what to expect from this debut; flipturn has had a lot of success through their previous singles and EPs,  but what tone would they bring to their first full album? I wasn’t surprised by the moodiness they brought into this album. I was happy to hear their sound really mature throughout this release. 

Each song was clearly crafted with a lot of intention and the overall composition of the album was really appealing to me. It has a great mix of high and low energy tracks, but all meld together under a cohesive theme– reflection, contentment and moving forward.

Song Breakdowns

“The Fall” – This is an ideal opening track– it holds a cinematic energy while introducing some of the sounds and themes we will expect to hear throughout the album. Flipturn has such a contagious excitement here which bleeds into the tracks that follow.

“Playground” – This track is what I expected the whole album to sound like, just a solid indie pop rock sound– to be anticipated from flipturn. I was glad to see them diverge from this in the tracks that follow.

“Whales” – This one is definitely one of my favorites on the album, it’s such a great exploration of musical texture that hasn’t really been seen in flipturn’s previous releases. 

“Sad Disco” – I honestly was not expecting much from this track solely based on the name, but I was pleasantly surprised. It has a very fun energy that contrasts great with the moody vocals. My only gripe with this track is that a lot of artists seem to fall into the sad lyrics but happy song trope– I feel like flipturn could have used their newfound confidence for something a little more expressive.

“Brooklyn Baby” – There are multiple tracks on this album where flipturn is stepping away from its guitar-based-indie-rock-sound and moving towards a more layered, textured sound. This track is an excellent example of the new exploratory sound flipturn is aiming to create in this album. Every component in this track is unified– vocals, keys, bass, guitar– they are all working together beautifully here.

“Halfway” – I adored this track on my first listen, although it doesn’t take many musical risks, it has such a genuine sound. This track is probably the most vocal dominant; with longing lyrics similar in tone to their most popular track “August”. flipturn seems to have a lot of love stories that didn’t work out, “Still smell your lips, I still taste your hair / And I did not love you, and I’m well aware”. This song is unapologetically loveless and I love it.

“In Consideration” – This track, although not the most notable, greatly ties together many of the themes explored in the first half of the album: expectations versus reality. flipturn has released many  tracks that reflect on past memories and loves, and this song perfectly encapsulates the guilt that comes from not appreciating what is around you in the moment. This track takes the first step in moving forward from regret which all starts with reflection, “I’ve got more love than / I could have asked for / I never meant to say / That I needed more”. 

“Goddamn” – What an excellent placement within “Shadowglow”. It is such a refreshing release of anger that was much needed in this album. It opens with the explosive chorus, “Goddamn my poisoned mind / Goddamn the Internet / Sometimes I wish that, love was harder to find / But it’s cheap like cigarettes, and I’m running out of breath”. This song does a great job of maintaining the loveless tone from In Consideration and Halfway but begins to pick up the album’s energy. This track has a striking message encapsulated in striking music: the lack of authenticity within modern relationships and with ourselves is perhaps contributed to the growing reliance on social media. Discovering and expressing genuine feelings may be the pathway to contentment.

“Hollow” – This is one that I don’t think was needed in this album. I do appreciate the use of percussion in this track, and there is great compression and expansion in sound; but overall this track feels less deliberate.

“Burn” – In the opening of this song I had to check to make sure I was still listening to flipturn. Its electro-esque background is definitely a new exploration for flipturn but I am so glad they made this musical choice. The synthetic backdrop of this track juxtaposes with Dillon Basse’s wholesome vocals beautifully.

“Weepy Woman” – This is definitely one of my favorites on this album. The transition from Burn into Weepy Woman is so strong. I love some good bass and I love the bass line in this track. Not to mention, the high energy is simply intoxicating. The lyrics are a nice break from the repetitiveness seen in some of the prior tracks. Once again, flipturn is seen integrating a more textured sound as seen in Burn and Whales while maintaining their familiar indie rock tone.

“Take Care” – I am torn with this one, I definitely don’t think they needed this track in this album but I’m happy to see them take a bigger step into pop and electronic genres. It wasn’t quite bold enough to stand out within their other tracks, but provides a great moment of reflection within “Shadowglow.”

“Space Cowboy” – This one really roped me into the album. They released this track prior to the album, and what an excellent choice that was. This song really set the stage for “Shadowglow” without being the star of the show. It opens with a pretty standard flipturn sound but really opens up at the end into something much bolder. This track really demonstrates this newfound confidence flipturn is portraying throughout the entire album– maintaining their indie rock roots but taking strong leaps into other sounds.

“Orbit” – I really appreciate considerate album composition. I think it is important to include moments of pause and reflection within a longer album, and this final track does just that. It isn’t flashy. It’s a pleasant send off for the listeners.

Conclusion

I was pleasantly surprised by the variety of sounds in “Shadowglow”, after listening to this album all the way through I almost immediately bought myself a ticket to see them live. The variety of themes they tapped on in this album mirrored there variety of sounds beautifully. It is clear to me that flipturn is gaining more and more confidence with every release, and I cannot wait to see them perform these tracks live.

Stay tuned for a concert review in the near future.

Categories
Miscellaneous Music News and Interviews

How the Pandemic Influenced Concert Culture

The post-COVID experience has changed drastically whether it’s our preference for working from home or doing classes over Zoom. It’s no doubt that concert culture has adapted as well.

The attendance of concerts, the fashion, the concept of camping out hours or days before shows. 

I’ve heard a common ideology going around these days, that people aren’t working because they want to but because they want money to buy concert tickets. 

Attendance

Attending smaller shows that average $20 a ticket seems simple for people who have survived quarantine buying hundreds of new clothes or supplies for new hobbies from boredom. 

Now there’s less time being bored, so the next best alternative for a fun 3-hour experience is going to a concert.

The class of 2023 to the class of 2026 especially has lost so much of the ‘supposed’ best time of our lives with college and high school years of freedom being obliterated.

Because of this everyone is seeking that missed experience by going to concerts. Celebrating our favorite artists with fellow fans our age.

Fashion

Not only has concert fever increased but the whole culture behind it has changed.

In the past, you wouldn’t typically dress up as if you were going to the MET Gala when getting ready for concerts. However, these days fans go all out by recreating outfits the artist has worn in the past or matching the vibe of the tour. 

I love this new change because it makes going to a concert this event. Of course, it’s not mandatory but gives people another thing to look forward to doing to get into concert mode. 

I know it makes me hype at least.

What I love about the new fashion culture of concerts the most is that you can dress to the nines and wear the most outrageous outfits that you possibly could not wear on a school campus or at work or in your daily life.

It gives you the chance to step outside of your comfort zone while having people dressed as cool as you surrounding you.

Not only is it the outfits, but the hairstyles and makeup looks that people are dedicated to doing just for themselves are what I enjoy the most.

Of course, sometimes concertgoers want to dress their best in the rare chance the artist sees them, but for the most part, they dress in a way they are the most confident version of themselves – for themselves.

Camping Out

Unfortunately, there is a negative aspect to this adapted concert culture, I fear. In the past, people would show up maybe one hour early to a concert before doors opened.

These days, especially when it comes to general admission venues or venues with pits, fans line up eight plus hours in advance just to be at the barricades. Just to be that close to the artists on the stage. 

Not only is this dangerous for the health of the fans but is honestly unreasonable too.

The extremeness only increases as the popularity of the artist increases.

Someone I met at the Wallows concert told me they had been in line for over eight hours just so they could get interactions with the band members. 

Another person stood in line for over 15 hours for a Harry Styles show. Another person was in line for a whopping 21 hours for Olivia Rodrigo.

One extreme situation I read about was that people started camping out at 11 pm the day before a Harry Styles concert that was starting at 7 pm. Full on setting up camping tents and everything.

The list goes on and on, with people waiting 8-9 hours for indie artists like Role Model, Clairo, Wallows, etc., and people waiting 15+ hours for more famous artists like Dua Lipa or The Weeknd.

The max I’ve waited in a line was 2 hours, and I’ve gotten barricade for almost every concert I’ve been to. Of course, all those concerts were at The Ritz in Raleigh so it wasn’t difficult to do so. 

Over quarantine and Post-COVID many artists that we could refer to as “small” have doubled or even tripled in their monthly listeners and this along with the passion of fans has increased the intensity of concert culture.

It’s fascinating how music consumption and concert culture was so drastically influenced by quarantine and the pandemic. 

Regardless of how you want to take part in concert culture, I definitely recommend going to a live show at least once. It’s a life-changing experience.