Categories
Weekly Charts

Afterhours Charts 9/6

#ArtistRecordLabel
1HVOBTOODifferent/PIAS
2ROSS FROM FRIENDSTreadBrainfeeder
3TENNYSONRotCounter
4I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
5KY VOSSThe AfterPlay Alone
6CONFIDENCE MANTILTHeavenly/PIAS
7TDJTDJ123Disques Durs
8HARD FEELINGSHARD FEELINGSDomino
9DUTCHICAN SOUL“Love Talk” [Single]Salted
10LOGIC1000“Can’t Stop Thinking About” [Single]Because

Afterhours Adds

#ArtistRecordLabel
1ANDERS ILAR, JOHN HMarax [EP]Pinesky
2RGB22222 [EP]Raund Haus
3FORBIDDEN CREMEit’s very hard for me, but i’m learningSelf-Released
4KAEL ALDENSaturated HighsShorthand
Categories
Weekly Charts

Underground Charts 9/6

#ArtistRecordLabel
1KENNY MASONPUP PACK [EP]2022
2ADE HAKIMAn Introverts paradiseBronx Academy of Home
3DIZUltra.VioletSelf-Released
4070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
5ACTION BRONSONCocodrillo TurboLoma Vista/Concord
6DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
7FLY ANAKINFrankLex
8MIKEDiscoSelf-Released
9YOUNG WABOMirage [EP]New College
10AKAI SOLOBody Feeling [EP]Backwoodz

Underground Adds

#ArtistRecordLabel
1SCUBADIVERGodspeed ToSelf-Released
2KENNY MASONPUP PACK [EP]2022
3SHY HIGHGoodbye Delicious [EP]Self-Released
4AKAI SOLOBody Feeling [EP]Backwoodz
5ACTION BRONSONCocodrillo TurboLoma Vista/Concord
6KWAMZAYMotherland! [EP]Corner Store Art House
7KWAME ADEPrayer [EP]Off-Center
8YOUNG WABOMirage [EP]New College
Categories
Weekly Charts

Chainsaw Charts 9/6

#ArtistRecordLabel
1ORTHODOXLearning To DissolveCentury Media
2GOD AWFUL TRUTH, THEThe God Awful Truth/Under The Pier Split [EP]Darktrail
3UNDER THE PIERThe God Awful Truth/Under The Pier Split [EP]Darktrail
4ALGEBRA“Kleptomaniac” [Single]Unspeakable Axe
5MISCREANCE“Incubo” [Single]Unspeakable Axe
6PHOBOPHILIC“Survive In Obscurity” [Single]Blood Harvest
7FRAGMENTUM“Quirigua Successors” [Single]Zoorka
8SUBLATIONThe Path to BedlamSelf-Released
9ROTOrganicTo Live A Lie
10SCARS OF ATROPHYNations Divide [EP]Self-Released

Heavy Adds

#ArtistRecordLabel
1SILURIANEnd of Ordovicia [EP]Ordovician
2THORNHILLHeroineUNFD
3LANGUISH“Comply or Die” [Single]Prosthetic
4BLACKBRAIDBlackbraid ISelf-Released
5VENTED“The End Game” [Single]Self-Released
Categories
New Album Review

“Icarus” by Cryalot EP Review

Kero Kero Bonito‘s Sarah Midori Perry released her first solo project, “Icarus”. According to an interview with DIY, Perry created her solo project, titled Cryalot in 2018 as an outlet to express herself in a space separate from KKB.

Cryalot was used for DJ sets until this year when Perry, along with producer Jennifer Walton, began releasing singles for the EP in June.

Flying Into the Sun

This EP leans heavily into an electronic pop sound that is reminiscent of KKB’s 2018 album, “Time ‘n’ Place”. This EP does stretches the boundaries of electronic pop, stepping into areas like spoken word and metal.

Five tracks in length, this EP is solely focused on the Greek myth of Icarus. Usually viewed as a cautionary tale, to Perry, Icarus is about the “beauty of human beings pushing themselves to become something more.”

Perry’s sweet voice mixed with the brutal beats from Walton make this EP truly memorable. Both Perry and Walton are firing on all cylinders to create a sound that complements both of their talents extremely well.

Falling Into the Tracks

Starting off the EP, “Touch the Sun” is a great introduction. The song uses perspective to tell the flight of Icarus from his perspective with a bassy, rythmic beat behind it. I felt this was a great starting track because each song following it seems to build on the sound used in this song.

“Let me touch the sun, wanna have it all / I don’t care if I fall, I accepted it all”

Cryalot, “Touch the Sun” post-chorus lyric

The following track “Hurt Me” is about the fall of Icarus, still in the perspective of Icarus. This song has the same appeal as the first song to me but I still enjoyed it. While listening to this track, I couldn’t help but picture Pieter Bruegel’s “Landscape with the Fall of Icarus“.

Cryalot, “Hell Is Here” single art

“Hell Is Here”, the third track, is the heaviest on the EP. This was probably the song I will continue to go back to in the future. Perry experiments with metal-inspired vocals in the chorus which really worked for me.

Following “Hell Is Here”, “Labyrinth” is much calmer. Starting with a calm piano and stepping away from the heavy bass-beats, it puts Perry’s voice in the spotlight. The chorus to this song is super catchy, and utilizes glitchy sounds very well.

Finishing the EP, “See You Again”, is more of a spoken-word song than anything. The production carries this song, but in my opinion it ran on a bit too long for me to want to come back to it.

Conclusion

“Icarus” was a really enjoyable listen. Tracks like “Hell Is Here” and “Labyrinth” will definitely be on repeat in the coming weeks. This EP very effectively tells the story of Icarus from a different perspective, one that I had never considered.

My only problem with this EP is I think some of the songs run a bit too long for my liking. “Hell Is Here” perfectly utilizes it’s length and does not have any fluff which makes it very easy to come back to.

I look forward to future work from Cryalot. This short EP is a very promising start to this project and I can’t wait to see what Perry does next with the project.

Categories
New Album Review

“Flood Format” by Bird’s Eye Batang – Album Review

If you’ve never heard of Bird’s Eye Batang, then you may be familiar with the South Korean artist’s other moniker, Mid-Air Thief, who’s 2018 album “Crumbling” has been getting more and more attention as of late. If you aren’t familiar with either of them, then get ready for a folktronica sound you’ve never heard before.

“Flood Format,” which released earlier this year, is far less folk- and far more -tronica, but still sits within the outskirts of the genre. It doesn’t reach the deeply organic and transcendent breadths of “Crumbling,” but it succeeds in exploring darker, more alien territory, with a signature maximalist sound.

The first track, “Slippery Smile”, has these jubilant, joyous and bouncy chimes that remind me of the vibrant buildups you’d hear in a Stevie Wonder song. It then slips into something more fluid and abstract as it transitions to the second track, where the melodies are still bright, but harsher. It leads into sections of experimental noise before circling back around to the lead melody.

The third track, “Spin and Stone”, feels mysterious and curious, and as it starts to pick up it, feels like you’re being swept into an entirely different world. The picture below is the closest image I can find that looks like how this song feels.

Two streams merging into one in the middle of the woods. Pebbles cover the ground, and lush greenery and moss surround tree trunks. Sunlight pokes through, illuminating the mostly shadowed woods.
Imagine you’re a tiny little woodland elf going out here to gather pebbles. That’s what the song feels like. Photo courtesy of Toburke, under Creative Commons.

“Ripplippling” is a sort of chillwave track with its wide, filtering synths and echoing bells, but with far more texture and character than most chillwave I’ve come across. On its own, “Ripplippling” is the most digestible track on this album.

Unfortunately it’s cut a bit short by an interlude, which showcases some brilliant sound design and noises that are most likely from a bird. This is the worst track on the album for me but it’s less than a minute long.

The album then transitions to its darkest portion. “Brux Batang” features discordant sounds layered over a techno beat before suddenly enveloping the listener in a suffocating symphony of dying machines, noise being stretched and warped around you, a complete storm, pulled and worn like taffy, ending in a crumpled heap.

“The Wider The Wheel” feels like a rush, a need to escape, hurrying past all these sights and sounds, not able to fully process any of them, letting them penetrate your conscious before promptly leaving. You escape. You are faced with an enormous empty void.

And the final song, with a light samba swing, is a much needed breath of comfortable relief.

“Flood Format” is a journey. Bird Eye Batang continues the legacy of one of the most intricate musicians working today, and hopefully now people will shut up and stop comparing him to Grizzly Bear.

I give Bird Eye Batang’s “Flood Format” ★ ★ ★ ★ ☆. Great Album.

– Spencer Grattan

Categories
Blog Music News and Interviews

New Singles by Mr Jukes and Barney Artist

This is an absolutely remarkable collaboration between British artists Mr Jukes and Barney Artist. The two releases a series of 4 singles between May. 25 and Aug. 25. 2022.

Mr Jukes is the passion project of Jack Steadman, lead vocalist of Bombay Bicycle Club. In his solo work is a bender of genres– tapping into jazz, funk, soul and rhythms and blues influences.

I have been a big fan of Jack Steadman for quite some time. It is exhilarating to see him thrive in his solo work year after year.

His 2017 album, “God First” has some of my favorite tracks of all time including “Grant Green” and “Tears”, but frankly every track on that album is phenomenal.

Barney Artist was just introduced to me through the album, “The Locket”, a prior collaboration with Mr Jukes in 2021. His music has such a vibrant energy.

The pure musical talent between these two artists are simply meant to combine.

“The Locket” Album Cover Art

The New Singles

“93”, this single released May. 25. This track is such a great taste of what these two artists can do together. I honestly think this track is a little revered of a sound for them.

The back tracks are characteristically layered and rich– however the lyricism is a bit repetitive. I would have loved to hear a touch more of the verses.

This song has such a sweet sound. The happy keys and brass in the background complement Barney Artist’s voice beautifully. Mr Jukes has integrated many jazz influences into his past music. The hint of brass in this track brings a energetic jazzy sound to the whole track.

“Air To Your Hidden Lung”, this single related July. 8. The message of this track is that the current state of the music industry is ephemeral.

Barney Artist provides a sharp commentary on other’s artist’s motivations for creating music. The act of making music simply for the love of making music is fading– over shadowed by the drive for fame and money.

“Eternal”, this single was released Aug.5. You can hear how much energy these artists have in this track.

Barney Artist’s lyricism in this track is strong. This track out of the four is perhaps the most hip-hop influenced. It hast fast paced verses and a smooth chorus.

“Run Away”, this track is my favorite of the four. It released Aug. 25, and provided a great conclusion to this set of singles.

It’s unclear whether or not they will be releasing more songs in this set, but they have created a song composition of four with these tracks.

Mr Jukes and Barney Artist have formed such a rich sound together. Especially in “Run Away”, their two voices are paired perfectly. Barney Artist provides such a sharp, powerful tone. Mr Jukes brings such a gentle, smooth sound into the track.

Conclusion

Mr Jukes and Barney Artist are a powerful fusion mixing multiple genres, sounds, and influences into one.

I envy all the folks in the Brighton area that get to see these two live. I will be awaiting the opportunity to see them in concert.

If you would like to hear more of them, I recommend giving “The Locket” a listen. I’m looking forward to all these two will create in the future.

Categories
Band/Artist Profile

Profile of the Week: Jerry, at the Beach

Self-proclaimed “fastest band in the world”, Jerry, at the Beach is a ball of fire blasting you away with every track. High-energy and raucous, singer Josh Russell and drummer Ethan Flynn create a sound that can only be thought of as “surf emo.”

I discovered these guys at the beginning of the summer and I have not stopped listening to them since. Upon each listen, I find something new that keeps bringing me back. Within their discography, there are consistent themes of youth, death and love captured with as much angst as you can expect from an emo band.

Jerry currently has two albums: “Jagerbomb” released in January 2021 and “Ketamine” released in June 2022. They also have an EP titled “Jerry, at the Beach” released in 2020 available on their Bandcamp.

Cranberry Run and Before

Their self-titled EP is a very different sound than anything released since. Much slower and more melancholic, this release is clearly a very personal piece of art, coming with a 32-page booklet. The laid-back instrumentals and vocals with jazz influence are reflective of a sad summer night.

“I sail / I sail everyday into the dawn”

Jerry, at the Beach, “Jerry, at the Beach” lyric

While different in sound, their following release, “Jagerbomb” maintains many of the reflective themes expressed in their eponymous EP. This album is a whiplash of tracks that mix slow and fast pacing, building slowly before crashing back down in an explosion of sound.

And crash this album does, with constant allusions to cars, violence, and death. The two-track lineup “I Am Not Responsible” into “Cranberry Run” highlight the uniqueness of the LP.

The Basement Floor

Their latest release, “Ketamine”, builds perfectly on the sound created in “Jagerbomb” with the intensity turned up to 11. In this LP, Jerry, at the Beach isn’t only a ball of fire, they are the sun.

“One look at the basement floor / Tells you everything you need / To know / Don’t go”

Jerry, at the Beach, “I’m Hurting” lyric

Starting off explosively, “I’m Hurting” has been stuck in my head for at least three months. The song perfectly sets the tone for the rest of the album with allusions to unreturned love, youth and pain. The second track, “I Love You”, slows the tempo before exploding into “Ketamine”, the titular track.

Each song on this 40-minute album provides something new while maintaining the sound that makes listening to Jerry so enjoyable. This album is a great starting point for Jerry, at the Beach and perfect for a listen while it’s still summer. Each song flows directly into the next, inviting you to continue listening until it’s done.

Beyond the Year 2022

The powerful sound created by Josh and Ethan over the past three years is very inspiring. Heartfelt and emotional, I am excited to see what Jerry, at the Beach does next.

On their Spotify page, they say, “Jerry, at the Beach has lots of music coming out throughout the year 2022. Beyond the year 2022 they will also have lots more music coming out.”

I hope that they continue building on their sound, increasing the intensity to 12 on their next project and continuing their legacy as “the fastest band in the world”.

Categories
Concert Preview

Eight September Shows in the Triangle

The Triangle has a lot to look forward to this September: from Hopscotch Music Festival to the weather hopefully getting cooler. In my opinion, the end of the summer is best celebrated with attending a show and getting out into your community. Here are eight shows you won’t want to miss in the Triangle this month.

  1. Friday, Sep 2 @ 9:00 PM: Sk the Novelist Album Release Show @ The Pour House
  1. Saturday, Sep 3 & 4 @ 7:00 PM: Mipso @ Cat’s Cradle
  1. Saturday, Sep 3 @ 7:00 PM: Oliver Tree @ The Ritz
  1. Sunday, Sep 4 @ 8:00 PM: Interpol @ The Ritz
  1. Thursday, Sep 8 @ 1:00 PM: WKNC Hopscotch Day Party w/ Max Gowan, Kenny Wavinson, & Tiger Beach @ DH Hill Library
  1. Tuesday, Sep 13 @ 8:00PM: Haley Heynderickx w/ Illegal Son @ The Pinhook
  1. Thursday, Sep 22 @ 9:00PM: Wednesday w/ Truth Club @ Motorco
  1. Sunday, Sep 25 @ 9:00 PM: Pie Face Girls w/ Dream Boat & Head Kicker @ The Pour House

Grab a friend, a partner, a family member or a classmate and schedule a night to see a show. Whether it’s your favorite band/artist, one you’re only vaguely familiar with or one you’ve never even heard of before: get out there, try something new (or revisit something familiar). Some of my favorite memories have been at shows, and I hope to be able to attend at least one in September.

Categories
Festival Coverage

Hopscotch Day Parties 2022

Hopscotch Music Festival, Raleigh’s very own music festival since 2010, is once again taking place this year. With an amazing lineup including stars like Courtney Barnett, Perfume Genius and Black Country, New Road, this three-day festival will be sure to impress once again. 

Although spending money on a three-day festival may be out of reach for many people, Hopscotch has a wonderful (and free) component to their festival: day parties. There are over 37 day parties scheduled from Thursday, September 8 through Sunday, September 11. The venues that these parties take place at are scattered throughout Raleigh at venues including (but not limited to) Boxcar Bar + Arcade, Ruby Deluxe, The Pour House, The Night Rider, Schoolkids Records and more. For the full schedule, see Hopscotch’s website.

The best part is, WKNC along with NC State University Libraries are hosting their very own Hopscotch day party at the Hillsborough Street entrance of DH Hill Library from 1 PM to 3 PM on Thursday, September 8. Kenny Wavinson, Max Gowan and Tiger Beach will be performing. Kenny Wavinson will be on at 1 PM, Max Gowan will be on at 2 PM and Tiger Beach will be on at 3 PM. 

Day parties are an amazing opportunity to discover new music, meet new people, and create community with your neighbors in the beautiful Oak City. Support your local businesses, artists and radio stations by attending a Hopscotch day party (or 10).

We hope to see you there.

Categories
Miscellaneous

Exploration of Themes in “House of the Dragon”

“Game of Thrones” Sundays have officially returned. After the massive let-down that ended the HBO pop-culture phenomenon, fans have been awaiting a return to the world of Westeros. “House of the Dragon” promises the return.

Set 200 years before the events of “Game of Thrones”, “House of the Dragon” takes a dive into Westeros with House Targaryen at the height of their power. From the first episode alone, “House of the Dragon” will explore themes of succession, sexism and classism.

Fantasy as a genre allows for the exploration of themes in a way that is not possible through regular media. Fantastical settings and events allow the creators of these stories to explore themes hyperbolically. “House of the Dragon” uses the Westeros to give perspective and insight into real-world problems that viewers may deal with.

A Prologue

The first episode of the show focuses heavily on succession to the Iron Throne. From the first scene, all three major themes are put on display. In a scene that takes place 15 years before the following scenes in the episode, King Jaehaerys I Targaryen elects a council of mostly male lords to decide who will be his successor to the Throne. The two primary candidates are his two grandchildren, cousins Rhaenys Targaryen, eldest living descendant to the Throne, and Viserys I Targaryen, eldest living male descendant to the throne.

In this scene, while Rhaenys is the eldest, giving her precedent to the Throne. However, Viserys is elected to inherit the throne by the council of over a thousand lords of Westeros. This biting undercut to the succession of the Throne made by this council sets the tone for the rest of the episode and surely for the rest of the series.

A Battle on Two Fronts

We are brought many years into the rule of King Viserys later in the episode. His wife, Aemma Targaryen, is about to give birth to their second child. The king is certain the child will be male. To celebrate, he holds a jousting tournament to celebrate the coming birth of his male heir. As the bouts begin, Aemma begins to give birth.

During a brutal interweaving of scenes, we watch Viserys’ brother, Daemon Targaryen, use his royal status to cheat his way to the final bout of the joust while Aemma struggles in labor. In the final bout, Daemon is beaten by a man who was otherwise unknown before this tournament, Ser Criston Cole. Criston’s defeat of Prince Daemon is a satisfying scene, highlighting that the only thing separating Daemon from anyone else is his rank.

In this world, much like our own, a man’s choice has the power to override a woman’s. This is put into horrifying effect in a scene at the end of this inter-splicing sequence. King Viserys chooses to sacrifice his wife in order to save his male heir, unbeknownst to her. Their son lives for mere hours before dying anyways, leaving Viserys with only his eldest daughter, Rhaenyra Targaryen.

Viserys, only after sacrificing his wife, realizes the foolishness in the precedent of a male heir. A precedent that won him the Throne. At the end of the episode, Viserys goes against a 200-year tradition to name Rhaenyra his heir. This sets up what will be a primary conflict for the episodes following the premiere.

A Promising Premiere

Those were only the biggest highlights of the major themes throughout the episode. However, many other scenes and sequences beautifully portrayed the key themes which will hopefully remain present throughout the entirety of the show.

While this episode was not the bombastic start of “Game of Thrones”, “House of the Dragon” begins as a slow-burning, highly thematic cousin to the show which first aired over 10 years ago.

May the luck of the Seven shine upon you,

-Hüttemeister