Categories
Concert Review

Deicide @ Motorco Music Hall 6/3/19

What’s going on Butcher Crew!? I went to see Deicide, Origin, Jungle Rot, and The Absence in Durham at the Motorco Music Hall. This was the last date of the tour and I was excited to go to this show because I haven’t seen any of these bands, and I have never been to this venue before.

The venue is really nice! Along with the bar, it also has a restaurant right beside the music hall, so it was convenient to get food and drinks throughout the show. The venue did have parking that you could pay for and have a reserved spot, but since I bought my ticket a few days before the show, I had to get street parking. The venue is really spacious and has a lot of room for standing. There were also benches up the left side of the venue that people could stand/sit during the show. I would love to come back and see another band here!

The first two bands to play were local bands. Edge of Humanity is from Raleigh and they are a blackened death metal band. I was really impressed with them and I loved their riffs in their songs. Suppressive Fire is also from Raleigh and they are a blackened thrash band. I was also impressed by their set as well. Be sure to keep a look out for both of these bands and try to catch them live when you can!

The Absence came on next and this is when the crowd started to get into it. I would say that they are more melodic death metal, which I really like. They were really interactive with the crowd and set the tone for the bands to come. During their set, they Facetimed their bass player (he was at home in Florida) and he was so excited to see all of us at the show. After their set, the singer yelled “BYEEEEE” in a high pitch girl voice and it was hilarious.

Jungle Rot was next and this was the band that I was most excited for. I really like this band because they have that old death metal sound, but also groovy riffs. They remind me of Obituary in a way. The crowd was the craziest for Jungle Rot. There was a circle pit their entire set and it was pretty impressive. There were some guys who were marching in the pit and would shove people straight to the ground. That wasn’t really cool, but there were no hard feelings. I ended up getting in the front for them and I jammed the rest of their set. You can’t help but headbang when Jungle Rot comes on and almost everyone in the venue was either moshing, dancing, or headbanging.

Origin came on and the energy that Jungle Rot brought slowly faded. A lot of people left after Jungle Rot so there weren’t many people in the pit. I liked Origin’s set, they really tried to interact with the crowd, and it paid off. The singer kept telling us to mosh, headbang, crowd surf, and stage dive. They have some really good riffs that you can jam too and also some old school thrash riffs.

Deicide was the headlining band, and I was impressed with their set. They had a red light on them the entire time and it gave an eerie feel to their set. I literally felt like I was in hell. There were some people in the pit moshing, and also some crowd surfing. There wasn’t much of a stage show, so it was hard to keep my interest on their set, but they sounded terrific.

Overall, I really enjoyed the show! I did not get the memo to wear a band shirt and camo shorts/pants. Almost everyone at the show was wearing camo pants… very Obituary… maybe it’s a Florida death metal thing? During the show, one of the bands roasted/singled out a girl for crowd surfing and the singer said, “ladies, don’t wear shorts to a death metal show.” She was the only female to crowd surf and I feel bad that she was singled out like that. To all my ladies, wear what you want to a metal show. If you feel great, don’t let ANYBODY (especially some guy in a band) tell you that you can’t wear something.

Stay Metal,

THE SAW

Categories
DJ Highlights

A$AP Rocky or Tyler, the Creator, Who was the Bigger Influence?

This generation of hip hop is notorious for being fashion-forward and a little out there. This trend began around the early 2010s, during the same time that social media began to integrate itself into pop culture. There are two artists that specifically spearheaded this movement; A$AP Rocky and Tyler, the Creator. Rocky’s fashion killa flare and Tyler’s straight up weirdness allowed rap culture to develop into something more than gangsta rap. But; who had a bigger influence? Before A$AP Rocky, wearing designer clothes as a male in hip hop was seen as gay. The farthest rappers would go as far as fashion was BAPE, which is a street-wear brand. When Rocky came out, he was so suave and charismatic, that everything he did was admirable, including being into fashion. Essentially, he made being a pretty boy cool for the first time ever. Because of his influence, we see all notable rappers rocking designer clothes regardless of what they’re wearing. Some (like Young Thug for example) have even modeled on the runway as thousands of fans watched in admiration. Though this is a pretty big contribution, the impact that Tyler, the Creator is pretty large as well. Though people don’t like to admit it, Tyler, the Creator was the first weirdo in rap to personify his odd sense of self through his music and be successful. His lyrics were wild and out of pocket yet, he became an admirable figure in the culture as he represented the purest form of authenticity. He made being weird cool. Before he was introduced into the scene, you had to wear Jordans and Polos and Nike socks to be in the in-crowd. Because of his influence, however, the in-crowd was redefined to shine a light on the kids who actually used to be considered weird. Vans, skating, graphic tees, and wearing a wide array of colors, became ‘it’ and dressing and acting like everybody else became lame. Though his influence is very vast, I still can’t discern whether he or A$AP changed the culture more. What do you think?

Categories
Weekly Charts

Chainsaw Charts 6/7

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# Artist Record Label

1 UPON A BURNING BODY “All Pride No Pain” [Single] Seek & Strike
2 DIAMOND HEAD The Coffin Train Silver Lining
3 KNOCKED LOOSE “…And Still I Wander South” [Single] Pure Noise
4 AS I LAY DYING “Redefined” [Single] Self-Released
5 FLESHGOD APOCALYPSE Veleno Nuclear Blast
6 NINE SHRINES Retribution Therapy Mascot
7 WHITECHAPEL The Valley Metal Blade
8 DEATH ANGEL Humanicide Nuclear Blast
9 WAR OF AGES “Sulphur and Salt” [Single] Facedown
10 DARKTHRONE Old Star Peaceville

Categories
Classic Album Review

CLASSIC REVIEW: Ariel Pink- The Doldrums

CLASSIC REVIEW: Ariel Pink- The Doldrums

BEST TRACKS: Let’s Build a Campfire, For Kate I Wait, Among Dreams, Don’t Think Twice (Love)

When first listening to The Doldrums, you might find yourself asking, “is this a joke”.  And to answer your question, dearest reader, yeah. Or maybe not. But how could it not be? If it is a joke it’s a really good one in the sense that it’s really funny, but an absolutely moronic one when taking into account how much Ariel Pink put into its setup.  So as of now, we’ll look at it as something in the middle, a comment, if you will on, say, society. Even then I’m probably giving it more of a serious analysis than it deserves, but at the end of the day, it’s an album. A really fucking good album, one that makes you question why you even like music.

So it’s 1999 at CalArts.  One Mr. Ariel Pink is disillusioned with the entire concept of art school, is heavily in the midst of a drug binge, and has his Senior Project coming up.  So what does he turn in? Well, his debut album of course. Well, we should call it what it really is: an anti-album. Concocted deep within the infamous, denatured Pink brain, The Doldrums sounds like an assortment of samples taken from daytime television that Ariel recorded him singing on a whim after returning home shitfaced.  But the instrumentation is his. Placed far behind his vocals, Ariel reverbs and generally distorts his self-made backing tracks to shellac over them an air of dissociation and lethargy akin to when you watch too much TV in the middle of the day. But at the end of the day, the compositions sound good and are written well. So when Ariel cries over them in a mocking falsetto it’s confusing: who is he making fun of if not himself and music itself? In all honesty, it’s probably both.  And in case you were wondering, Ariel set up a booth that he sold his CD out of for his senior project. There’s no word on well he did academically, but the CD eventually made its way to Animal Collective, who subsequently signed him.

It’s really difficult to actually analyze the songs on this album.  First of all, the “mixing” melts together synths, guitars, knee-drums, random chirps, TV samples all into a honey-lacquered stew that doesn’t quite sit still within the belly.  Secondly, The Doldrums goads you to take a deeper look into it, only to eventually point and laugh at you once you’ve already spent hours dazed in its taunting sweetness. That’s the most infuriating part of this album.  It’s really clear that Ariel is making fun of saccharine stock music, cheesy love songs, and just popular music as a whole. But he does it with really amazing melodies. “Among Dreams” and “For Kate I Wait” strike me as the easiest examples of this, though not the best.  I mean this in that they benefit from a mix which favors Ariel’s vocals so my point is most readily available. Both live in a rounded synth line that blankets everything but Ariel’s falsetto delivering some of the catchiest melodies I’ve ever heard. Occasionally, the listener may get confused into thinking they were just listening to a lo-fi pop song, but then there’s something up there in the corner of your ear.  What is it? Well, it’s a three-stringed guitar of course, or maybe some knee slap drums. Ariel Pink does not give a fuck about this music, it just springs forth effortlessly. Songs such as “The Ballad of Bobby Pyn” only suffer in that Ariel draws them out too much, stringing along a drowsy atmosphere for over ten minutes while occasionally delivering some half-sung half-line. And just as you go to get mad that you’ve been listening too long, you realize that that’s the point. You’ve been duped.

 – Cliff Jenkins

Categories
Weekly Charts

Underground 6/6

# Artist Record Label
1 VON PEA AND THE OTHER GUYS The Fiasco HiPNOTT
2 BLACK MILK FEVER Mass Appeal
3 BUDDY Harlan & Alondra Lil Cool Company
4 MALIBU KEN Malibu Ken Rhymesayers
5 CHOOSEY AND AMP EXILE Self-Released
6 DENZEL CURRY TA1300 Loma Vista/Concord
7 ASAP ROCKY Testing RCA
8 BONES Failure TeamSesh
9 AESOP ROCK “Klutz” [Single] Rhymesayers
10 EARL SWEATSHIRT Some Rap Songs Tan Cressida

Categories
DJ Highlights

Meeting my Role Model, Jose Mangin

It was back in 2017 at the Carolina Rebellion that I met Jose Mangin. Who is he you ask? Mangin is SiriusXM’s Metal Ambassador and hosts SiriusXM Liquid Metal and Octane. Like myself, Mangin has been a metalhead his entire life. He is married and has 2 daughters. He is also a businessman! Sponsored by Mexican beer maker, Modelo, and co-owner of Riazul premium tequila, and rock ‘n roll clothing company Affliction.

He attended chemistry classes at the University of Arizona and attended the University of Tennessee for graduate school, pursuing a pharmacy degree. He began his radio career in college while working at his college radio station. He won an award for his on-air skills, and soon he left graduate school and moved to New Jersey to begin his new career.

I had not come up with the idea of The Saw, yet, when I met Mangin. I was still just a fan of metal, and Mangin has always been one of my favorite DJ’s because of his love for metal. I saw him on the ferris wheel and I waited by the exit so I could meet him. He was really cool and talked to me about metal music for a couple of minutes. I met him very briefly, but I remember that day as if it was yesterday.

I look up to Jose Mangin for many reasons. I see myself in him because we both grew up metalheads and have loved metal our whole lives. How we both got started in radio is similar, too, because I am now working at my college radio station. He gets to interview, see, and hang out with bands/artists that I have been a fan of for years. He has shown me that with hard work, I can achieve my dreams and continue The Saw’s Butcher Shop even after college.

One day I hope to see Jose Mangin again and tell him about my show and possibly interview him. I would love to sit down and talk to him about all things metal.

Who is your role model? Have you ever met them?

Stay Metal,

THE SAW

Categories
Weekly Charts

Daytime Charts 6/4

# Artist Record Label

1 TRUTH CLUB Not An Exit Tiny Engines
2 MORABEZA TOBACCO Morabeza Tobacco Luminelle
3 AMYL AND THE SNIFFERS Amyl And The Sniffers ATO
4 TACOCAT This Mess Is A Place Sub Pop
5 AA BONDY Enderness Fat Possum
6 MEXICO CITY BLONDES Blush Burger
7 PIP BLOM Boat Heavenly/PIAS
8 HAYBABY They Get There Tiny Engines
9 BLESSED Salt Pirates Blend
10 CHERRY GLAZERR Stuffed & Ready Secretly Canadian
11 MINI DRESSES Heaven Sent Joy Void
12 ENTRACTE TWIST Entracte Twist Requiem Pour Un Twister
13 HELADO NEGRO This Is How You Smile RVNG Intl.
14 MOM AND THE MAILMAN Tasty Meat Burger
15 CRUMB Jinx [Advance Tracks] Self-Released
16 DUMB Club Nites Mint
17 FLASHER Constant Image Domino
18 SHARON VAN ETTEN Remind Me Tomorrow Jagjaguwar
19 KIM GRAY Plastic Memory Buzz
20 FEELS Post Earth Wichita
21 IAN SWEET Crush Crusher Hardly Art
22 EYEDRESS Sensitive G Lex Ltd
23 ROIDZ Fight Night Danger Collective
24 MIKE KROL Power Chords Merge
25 KURT VILE Bottle It In Matador
26 KERO KERO BONITO Time N’ Place Polyvinyl
27 MALLSEX Discreet Services Self-Released
28 HAND HABITS placeholder Saddle Creek
29 DEERHUNTER Why Hasn’t Everything Already Disappeared? 4AD/Beggars Group
30 JESSICA PRATT Quiet Signs Mexican Summer

Top Adds

1 MISS JUNE “Best Girl” b/w “Twitch” [Single] Frenchkiss
2 CHRISTELLE BOFALE Swim Team [EP] Father/Daughter
3 GET UP KIDS, THE Problems Polyvinyl
4 FRENCH VANILLA How Am I Not Myself? Danger Collective
5 GOTOBEDS, THE Debt Begins At 30 Sub Pop
6 HAYBABY They Get There Tiny Engines
7 PIP BLOM Boat Heavenly/PIAS

Categories
Concert Review

Show Review- No Vacation at Kings 5/28/19

Until recently, I never went to concerts unless I knew most of the words to most of the songs. I thought if I couldn’t sing along and predict every tempo change I would feel left out or maybe even bored. But I am so glad I decided to get over that hesitation, because it led to me seeing No Vacation. I vaguely knew their most popular song, Yam Yam, but I wasn’t expecting anything crazy from their bedroom pop sound, and I definitely didn’t expect to see one of the best concerts of my life.  

I’ve seen the Arctic Monkeys, the Avett Brothers, Alt- J, and many more of my favorite bands, so why did this small, unassuming band I didn’t even know blow me away? I mean, there’s definitely something to be said for low expectations, but to me, No Vacation captured something I think we all want to feel when we go to those small, intimate concerts: connection.

And this wasn’t only achieved by the headliner, but the opener as well. Okey Dokey, a psych soul band from Nashville, interacted with the audience in a very unique way. During one of their songs, the lead singer grabbed a wig they had been tossing around on stage and placed it on the end of the mic stand. He then extended it into the audience, offering the accessory to someone. After the wig was removed, he swayed with the stand as the audience held the base. Albeit it a somewhat awkward sight to see, it was refreshing and much more personal than chucking something into the crowd.

No Vacation also made several attempts to connect with the audience, something that seems to be lacking in a lot of shows nowadays. Nat (keyboardist) and Sab (lead vocalist) both on separate occasions jumped into the audience to dance with the crowd and hype everyone up. They also encouraged everyone to “bop” to several of their songs and would jump and dance as an example. After one of these enthusiastic commands, the crowd responded with such vigor the concrete floor felt like it was shaking beneath me. A lot of the show was like a spirited, musical game of Simon Says, and it made a mob of strangers feel more united and excited. This bridging of the gap between performer and audience resulted in one of the most enjoyable shows I’ve ever seen. 

You might not expect it from listening to their soothing tracks, but if you ever get a chance to see them live, these energetic artists will definitely surprise you.

Categories
DJ Highlights

Gucci Mane or Lil Wayne, Who Had the Bigger Influence?

Throughout all of hip hop history, there are only a few artists that fans will identify as the GOAT (greatest of all time). For this generation, the most widely agreed upon of these artists are; Lil Wayne, Snoop Dogg, Gucci Mane, Kid Cudi, and Young Thug. Of these four, Gucci Mane and Lil Wayne undoubtedly have the most influence on today’s rap culture, but who has more? Lil Wayne is notorious for his cultural impact. In fact, on his latest album, The Carter V, the song Dedicate boosts some of his most notable achievements (in terms of influence) including both his physical and lyrical impact. The most apparent impact Lil Wayne has given to the culture is his name. Though Lil Wayne was actually the second rapper to put ‘Lil’ in front of his name (proceeding Lil Troy by only a year), he is definitely the reason behind the large population of ‘Lil’ rappers today which include; Lil Uzi Vert, Lil Baby, Lil Pump, Lil Yachty, and countless others. Wayne was also one the first to make gang life cool (Behind Snoop Dogg). As bad as that sounds, before him, rappers did not often shout out gangs. Nowadays, there are thousands of rappers, underground and mainstream, who actively rep a gang whether they belong to it or not (like Young Thug for example with his constant mention of “Slime”, which is actually a gang reference). Wayne is also one of the first rappers to build a collaborative label run by artists in which all artists are successful (Young Money), which is seen now in labels like Quality Control and Bad Boy. More things that Wayne is credited for are; integrating face tats into rap culture and having merch develop into its own brand. He was notably also the first rapper to buy a Bugatti. This may seem like a lot of contributions yet when compared to those of Gucci Mane, it is hard to determine who had more. Though Lil Wayne is credited with integrating face tats into rap culture, Gucci Mane is credited with integrating face tats into pop culture. Before him, only gangster rappers would dare to tattoo their face but, after his notorious ice cream tattoo was displayed to the world, artists and icons everywhere seemed to start to get tattoos on their faces. Gucci’s largest contribution to the culture is Trap music. Gucci single-handedly created the Trap genre through rapping about trapping and making it sound cool for the first time. He also created the trap sound, emphasizing heavy beats and lyrics rather than melodies (you know what I’m talking about). Now don’t get me wrong, there was gangster rap before Gucci but, the act of trapping was never discussed and definitely never glorified. Through glorifying trap, Gucci inspired a new wave of artists to get rich through trapping and spend the money on a studio and other things to enhance their upcoming career. Gucci is also one of the first to make ad libs popular in rap culture. Through the iconic “BRR!”, we now have “SQUAD!”, “Thugger Thugger baby” and all of Migos’ various adlibs to name a few. Therefore, without Gucci, there would be no new wave of Atlanta music that hip hop is so fond of today. There would be no Young Thug, no Waka Flacka., no Young Nudy, no Migos, etc. So who had the bigger influence? Gucci or Wayne? I honestly have no clue.

-Lul Bulma

Categories
New Album Review

Album Review: Nots – 3

Album Review: Nots – 3

Best Tracks: Woman Alone, In Glass, Built Environment

FCC: Clean

Since 2011, this Memphis three-piece has been releasing gritty, noisy, yet somewhat experimental and trippy punk tunes while building a small following along the way. Some call them garage-punk, others say psychedelic-punk but for the sake of making things simple, Nots is a straight forward punk band at its core.

The album’s A-side kicks off with a nonchalant, laid-back ride along called ‘Low,’ fueled by a chugging bass line that serves as the song’s mover. It still gets the veins moving but does not reside in aggression and angst in the traditional sense of punk, though it still serves as a fantastic intro to the album.

‘Woman Alone’ is a song that swells with sound and emotion. The lyrics “What’s it like to be a subject analyzed” takes you into a world of unease that the singer feels comes with the territory of being female in American society. The trippy and experimental guitar tracks give this song its edge but flow inconceivably.

‘In Glass’ is another thrasher of dirty bass lines and hallucinatory noises that fit congruently with the direction of the song. Filled with chants and a stampede of a drum beat, it proves difficult to sit still, provoking the listener to move about in whatever rhythmic variation comes to mind.

3’s B-side starts off with ‘Half-Painted House,’ which comes off as a bit dry and repetitive but is still intriguing nonetheless. Maybe this was the intent with the lyrics “Take another pill to calm my mind” and “Make another drink to calm my mind,” in serving the purpose of showcasing the habitual actions one takes when relying on substances to function in an overstimulating world.

The second half of the album is not as intense as the first but still reigns in the grooves and punchy-ness while not overreaching. ‘Surveillance Veil’ still has the floor tom rumbles and dirty bass lines but with a bit more fluidity. The scorching guitar riffs that buzz and resonate with soaring bends chime with a dark resolution and carry the track on a life of its own. The album’s last track ‘Built Environment’ kind of ties things up as far as the structural theme of the record by providing a mix of everything from the release: clean pockets of organized noise, sporadic drum fills, echoing vocals, and galactic guitar effects.

3 is a great album by a phenomenal band that has just met my acquaintance. I will definitely be taking that adventurous stroll through their discography as they have made a lasting impression on me.

-Justin Capoccia