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New Album Review

EP Review: “Made in Heaven” Cecile Believe

Best Tracks: Living My Life Over, Pick Up The Phone, 7PM, Already Come

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Cecile Believe dropped the 9 song-long EP, “Made in Heaven,” this May as her debut EP under the name “Cecile Believe.” Caila Thompson-Hannant– AKA Cecile Believe– previously released music under the name Mozart’s Sister, where she released 2 full length albums “Field of Love” and “Being” both with a strong dance-pop sound. “Made in Heaven” is SO different from Mozart’s Sister’s previous work. 

“Made in Heaven” has a much deeper, more morose and sophisticated production and sound. There are clear dream pop and PC music influences, but also something kind of slow and haunted. Her vocals and sound remind me a bit of Hannah Diamond and Caroline Polachek. Both her and Caroline share the wide range of vocals and both love to showcase their talent in their songs. Cecile Believe definitely does that here. The song “Made in Heaven” reminds me a lot of Caroline’s “Ocean of Tears” with their vocals and similar driving synth and beat.  

The EP ranges from all different genres and sounds. “Living My Life Over,” “Pick up the Phone,” and “7PM” ~all my favorites :-)~ have a strong dance pop beat along with Cecile’s ethereal vocals. On the other hand, the EP features BEAUTIFUL instrumentals like “Yellowjacket” and “7PM (Accretion Disk Edit)” that sound almost like ASMR and remind me a bit of SOPHIE’s bubble popping sounds. The last song on the EP, “Already Come” is completely acoustic, really showcasing her vocals along with her beautiful and simple lyrics. 

Overall, I’m really excited to see what’s coming next for Cecile Believe. Her newest remix to TOPS’ “Colder and Closer” is one of my favorites right now and also something I’d recommend. I hope there’s more to come soon and that maybe we’ll see a Caroline Polachek x Cecile Believe collab somewhere in the future ~fingers crossed~ !!!

Hope you guys listen and enjoy,

xoxo,

Gab <3

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New Album Review

Album Review: Pedal Steel Guitar – Will Van Horn

I cannot stop listening to this EP. It only has five songs, but each one of them is full of merit.

Will Van Horn’s 2018 album is the perfect little collection of instrumental psychedelia. As his one and only release, “Pedal Steel Guitar” is fittingly named. Van Horn’s instrument of choice that dominates the sound of the EP is, in fact, the pedal steel guitar. I don’t know if you’ve ever seen one of these crazy things, but it is a horizontal type of steel instrument that looks almost like a keyboard from the side. However, on top, it resembles the neck of an electric guitar. It was originally invented in Hawaii in the 1800s but is now used primarily in country music. However, Van Horn takes the instrument to a whole new level by pairing it with the drums and fretless bass to create an ambiance of mystery and groove.

If you’re familiar with Khruangbin, Van Horn is actually featured throughout their discography, sneaked into several songs on each album. He emulates a similar but more bluesy sound with his solo work. I really enjoy the slow, moody touch he adds as well that contrasts his more funk-based work with Khruangbin.

My favorite song, which also happens to be the highlighted song of the album, is “Lost My Mind.” It was the song that also introduced me to the album. His guitar work is just genius on it, and I highly recommend taking a listen if you’re a nerd for that kind of sound (like me). It’s been almost two years since Van Horn released “Pedal Steel Guitar,” and I can only hope that there’s more on the way, considering it is his only solo discography.

Songs:

1. Lost My Mind
2. Alberto Balsalm
3. Pleasure Is All Mine
4. Plug Me In
5. Yekermo Sew

Tune In!

– DJ butter

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New Album Review

Album Review: A Day in a Yellow Beat

Oh do I have a special treat for you. As I rolled out of bed this morning, I could have expected nothing more than what has dropped into my Apple “New Music Mix” from the heavens above today. Yellow Days, the artist who released such songs as A Little While and Your Hand Holding Mine, has released a new album titled “A Day in a Yellow Beat.” First of all, let’s start out with the album art. It is incredible. Right in the middle is a classic style seen by this artist, in which he places a picture of him and a guitar with a blurred out face. But looking around you can see he has added an array of instruments situated in a field of hummingbirds and geese. Starting out with the intro, we have a cut from an interview between a talk show host and a musician discussing how young musicians struggle to enjoy successful longevity while blocked by the control of their producers. The whole conversation is underscored by a harmony of instruments which transitions perfectly into the second song, titled Be Free. Counting the intro and a few interludes, the whole album has a riveting 23 songs, but I’d say the best are Be Free, Getting Closer, Come Groove, ! (feat. Bishop Nehru), The Curse (feat. Mac Demarco), and Love is Everywhere. A Day in a Yellow Beat mixes Yellow Day’s unique style and voice with a newer fusion of upbeat, psychedelic funk. This album is meaningful and sounds pretty, but it’s also the kind of music that you could blast in the car with friends. A Day in a Yellow Beat marks a unleashed creative style for Yellow Days, and I am excited to see where it takes us next. 

Hope you guys enjoy the album, see you next week. 
-Chippypants 

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New Album Review

Album Review: Here Comes the Cowboy – Mac DeMarco

Cowboys are back in style. Lil Nas X is just one example of the cowboy aesthetic gaining recognition in pop culture, but what about on the indie scene?

Mac DeMarco’s most recent LP, “Here Comes the Cowboy,” is a playful homage to the simplicity of Western living. The album is slow and swoony, filled with the classic DeMarco strums, love songs, and odd humor. You can really just imagine him sitting in a rocking chair in front of a prairie, wearing a flannel shirt and cowboy hat, plucking along to this album as he stares longingly at the blue sky. Maybe even a cigarette between his front teeth gap, who knows.

This has actually been one of my favorite Mac DeMarco albums so far. It’s really nice to play while relaxing or in the background, but it has its own merits for more focused listening as well. The first five songs definitely follow a definitive mellow Western sound, but things start to pick up and diversify with “Choo Choo,” which is a bit more upbeat, and “Heart to Heart,” which includes more synth-bass vibes. “On the Square” also has a bit more of a jazzy feel with the light piano notes. “Skyless Moon” is honestly heavenly with his characteristic crooning. “Hey Cowgirl” holds a very special place in my heart because yours truly is living on a farm right now. The album ends on another cowboy note in “Baby Bye Bye,” a strong finish for one of Mac’s most relaxing collections.

Overall, I really just love how Mac combines Western acoustic, synth-like strums, and prominent bass to make a really unique tone on “Here Comes the Cowboy.”

– DJ butter

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New Album Review

EP Review: “Cherushii & Maria Minerva”- Cherushii, Maria Minerva

Cherushii and Maria Minerva's self-titled EP cover

Best Tracks: A Day Without You, This Must Be the Place, Boyfriend Shirt, Out by Myself, Thin Line (& ALL OF THEM)

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Although this EP came out about a year ago, I still find myself listening to it almost every day. If you haven’t already listened, drop everything now– stop reading, open your Spotify or Youtube or whatever, and listen to this EP. After the tragic passing of Chelsea Faith Dolan, aka Cherushii, friend and music partner Maria Minerva took over the reigns to finish 6 tracks they had once started together. Out of the 6 songs came this incredible EP, that keeps Cherushii’s legacy alive despite the tragic loss.

Choosing my “best tracks” for this EP was almost impossible. Every song on the EP is SO good. “A Day Without You” has to be my absolute favorite, maybe because it was the first I heard from the EP and it truly drew me in. The synth, driving beat, and catchy lyrics in “A Day Without You” and “Out by Myself” make you want to sing and dance and get mad at a shitty boyfriend who doesn’t exist. “This Must Be the Place” reminds me of going to clubs and parties and the thrill and boredom of going out. The lyrics “Night life, people are having fun. Everyone is looking for something or someone. I don’t feel like playing this foolish game, cause every Friday night the story is the same,” repeat throughout the song with Minerva’s mesmerizing vocals. What I would give to go out to a club and be bored again!! :’( Until then you can find me dancing to this EP alone in my bedroom:)

“Cherushii & Maria Minerva” really doesn’t compare to anything else I’ve heard before. It’s so uniquely them and clearly has a lot of love and care behind it. It makes you want to dance, despite the tragic loss. Listen to this EP! Share it with your friends! It is so perfect.

Xoxo,

Gab

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New Album Review

Album Review: Niagara by redveil

Redveil's "Niagara" album cover

If you listened to redveil’s intricate production and confident delivery you might not guess that he isn’t old enough to vote. As it turns out, the 16-year old rapper is already an industry vet who began releasing mixtapes at the age of 12. His latest release, Niagara, is a display of the talents he has already cultivated, as well as the potential he has as an artist at the beginning of his career.

The album opens with “Campbell”, a brief, two verse affair that showcases redveil’s ability to flow over a soulful sample loop. It serves as an appetizer for what’s to come on the rest of the project. It is followed by “Weight” which features a woozy vocal sample squashed underneath trap drums. Lines like “I remember when I was 11 and watching my blood on the TV get spilled out/Now I got a lil older, no love for the system and I’m reaching back for the grip now/And it’s really f— twelve I done grown in myself to the point I can see that they hate us” paint redveil as a jaded kid forced to grow up too quickly. Another highlight is “Fastlane” which finds veil reflecting on the trials and tribulations of his childhood over a jazzy piano loop.

Written, produced, and recorded (almost) exclusively by redveil in his bedroom, Niagara is a testament to the power of the DIY artist. It has established him as a budding artist who is wise beyond his years and has quite a lot to say. One thing is for sure: I’ll be listening.

Favorite tracks: Weight, 5500, Clench, Fastlane

– DJ Mango

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New Album Review

Bitchcraft Album Review

My favorites: Nothin’ But Net, Blue Jeans and Dinner Clothes, Bilbo’s Oboe 

Listen if you like: of Montreal, Aphex Twin, Miniature Tigers 

There are so many hidden gems in music out there, undiscovered until people just like you check them out! This week I’m reviewing on of my all-time favorite albums by the incredibly elusive band/project, Spooky. This album was a two-month project released in 2011 by band members of Miniature Tigers, Alvin Band, and Algernon (bands I also really recommend checking out for their indescribable styles). “Bitchcraft” is a short 6-song album tagged under the “hip-hop/rap” genre but to me fits better under the “experimental indie” label. The production of the album is quite detailed and features a variety of soundbites merged into intricate melodies. To top it off, the collaboration adds spectacular vocals, in some cases altered to add to the esoteric, psychedelic experience that the album provides. 

I first discovered the album, “Bitchcraft”, while I was a teenager based on a friend’s recommendation and have been absolutely in love with it ever since. I remember lying on my bed listening to it for the first time and immediately being taken through an emotional journey. Every few months I remember how much I like the album and play through the whole thing, and I feel this way about very few albums; “Bitchcraft” is definitely a special one. I have yet to find someone else who has heard of the album or listened to it so I wanted to make sure to share it with the WKNC blog so more people can enjoy it. 

The project members released four mini-movie teasers and two promos that go along with the album on Youtube. The videos are strange, esoteric, and plain weird but definitely fit within the world the musicians created in the album. Unfortunately, the project never garnered enough interest for them to continue making related content, but regardless what they did produce is absolutely worth a listen. 

You can listen to the album on Bandcamp and check out their video teasers on YouTube

– Miranda

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New Album Review

EP Review: “Devotion”- Planet 1999

EP cover for Planet 1999's Devotion

Best Tracks: Spell, Party, Replay, Devotion

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I first found Planet 1999 on Caroline Polachek’s “IF U PLZ” Spotify playlist (also highly recommend this) with their single “Spell” in 2019. Planet 1999 is the first band to sign with PC Music and is often known for their ‘90s dream-pop sound. You may have also heard of them through Charli XCX– the band co-wrote and co-produced “February 2017” on album “Charli” with artists Yaeji and Clairo. This year, they finally came out with a full EP of their own- “Devotion.”

“Devotion” is seven songs long and goes between melancholy and shoegaze-y songs like “Spell” and “Haze,” to upbeat, party songs like “Party” and “Replay.” This EP is SO pretty. The ethereal vocals and tonality remind me a lot of the Cocteau Twins, with their difficult-to-understand lyrics and ‘90s shoegaze sound. You can’t help but hum along and pretend you know the words :p

This EP is clearly very different from the typical Hannah Diamond, A. G. Cook, Charli XCX sound that PC Music is known for. It’s a lot more indie and dream-pop. I love this EP and am very curious to see more of the clear changes happening within PC Music. Even A.G. Cook just put out acoustic songs on his new 49 song album “7G”– who would have thought! Some of my personal favorites from the EP are “Spell,” “Party,” “Replay,” and “Devotion.”

I highly recommend you check out the EP as well as their new singles– one of my favorites being “This Is For Me [baby blue] – Planet 1999 remix.”

Xoxo,

Gab

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New Album Review

Album Review: All the Time- Jessy Lanza

Jessy Lanza's "All The Time" album cover

Best Tracks: All the Time, Alexander, Badly, Like Fire

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If you’re a big fan of Jessy Lanza like I am, you’ve been anticipating her newest and 3rd full length album, All the Time, since she dropped her newest singles- “Lick in Heaven,” “Face,” and “Anyone Around” around the beginning of quarantine. Before the singles dropped, Canadian “clup-pop” artist, Jessy Lanza hadn’t put out an album since 2016’s Oh no.

I first fell in love with Jessy Lanza’s sound with her first album- Pull My Hair Back. Songs like “Giddy” and “F*** Diamond” got me hooked with her etherial voice and siren-esque synth. Similarly, her second album, Oh no, became one of my favorites. Songs like “VV Violence” and “Never Enough” are reminiscent of the 80s with similarities to Janet Jackson- which I love. As well as a techno and club influence with songs like “It means I love you.” All the Time, Oh no, and Pull My Hair Back are similar yet very different– All the Time feels a lot more pop and electro-pop.

The album is so cohesive in its consistency of sound throughout each song. Songs like “Face,” “Badly,” and “Like Fire” are very PC music, whilst still contributing her repetitive and ethereal vocals. They make you want to dance!!! Her lyrics are short and sweet- repeating phrases like “would you rather be lonely” and “over and over” on songs “Alexander” and “Over and Over.” Songs like “Baby Love” and “Over and Over” are slower, more drawn out and remind me a lot of Pull My Hair Back and even Robyn’s- “Baby Forgive Me.”

If it isn’t clear enough that I love this album, let it be known that I accidentally sent my therapist a text meant for a friend telling her to listen. Turns out my therapist listened anyways and loved it too :p I’ve also been playing the album a lot on my balcony and have gotten sweet responses from my neighbors- some even telling me to “turn it up.” SO, it really is a universally good album.

If you’re in the mood for a fun, summer to fall album- I highly recommend. Tell your friends, neighbors, & even your therapist if you have one 😉

-Xoxo,

Gab

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New Album Review

Album Review: Every Bad by Porridge Radio

Porride Radio's "Every Bad" album cover

Music billed as “the sound of our particular moment in time” can feel a little gimmicky, but Porridge Radio aren’t chasing trends, trends are catching up to them. The rest of the world is now just as bitter and disillusioned as Porridge Radio, and they have decided that this moment belongs to them alone. Seriously, lead singer Dana Margolin went into a NME interview and said “I’ve always known that we’re the best band on earth.”

If that claim makes them sound a little full of themselves, it’s not entirely unjustified. The album is built off a pretty traditional post punk formula, but it never feels like a throwback. The aggressive dour guitar tones, repetitive song structures, and wounded sarcasm call back to bands like Public Image Ltd, Pere Ube, and, of course, Joy Division. However the sound of the band takes a lot of risks as well, incorporating heavier noise-influenced passages and more memorable melodies.

Another appeal, aside from the overall sound, comes from the vocals. Margolin’s voice could hardly be described as beautiful, but she exudes the kind of self-assured, yet depressive swagger usually only rewarded in male alt-rock stars. Her lyrics repeat often, going into dark spirals, but the sheer intensity of her performances keep the music from getting stale.

The album isn’t a joyous experience, but if you need a intensely cathartic outlet for some negative emotions (And don’t we all right about now?) then I would highly recommend this album.

 

-Adrian F