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Band/Artist Profile

An Interview With Fresh Squeeze

Did someone say they wanted some fresh-pressed juice? I recently had the pleasure of interviewing Nashville-based rock group, Fresh Squeeze, whose mission is to give rock a “breath of fresh air.” Made up of Leo Faillace (bass), Max Marotta (drums), and Victor Arruda (guitar), the trio and I sat down to talk about musical inspirations, upcoming albums, and record collections!

How did Fresh Squeeze get started?

Victor: It started out in college when we all went to App State. I was in music doing the recording program. Max came in and started doing the marketing program, and then Leo was always hanging around the studio. It’s funny because everybody would be like “Dude, there’s this guy that looks just like you.”

Leo: We were both like, “Who the f*** is this guy?” And then, sure enough, I finally met him. And we’re both Brazilian too.

Victor: So, we met in college and became friends. We started jamming and playing a couple shows here and there. Eventually it just evolved into the band when we started writing music.

Leo: Technically, they had another group. I was just friends with them for a couple of years because they had a group called The Daze.

Max: I’ve known Victor for a while. We were friends with Leo when we were with The Daze because our bands would play shows together. I remember I didn’t like him at first and I thought, “This guy’s an a**hole.” But one time we played a show together at Deep South when it was still open and it was really cool. Then Leo started coming around the house when we first moved to Boone and we just became really good friends, watched anime together, and, you know, played lots of music. It wasn’t until The Daze fell apart and Leo stuck around until we said, “F*** it. Let’s just make a band.” We officially started at the beginning of 2020 and it’s really grown in just a year. We were actually called “Tres Leches” at first and we would play little frat parties. We kept saying to ourselves, “This is hitting hard. Like we could definitely do something.”

How did you guys get into music? Where does that passion come from?

Max: I was in the car coming home from hockey practice in seventh or eighth grade and I heard Cream’s “White Room” and it was like a lightning bolt hit me. And I was like “Yeah, this is what I want to do.” I wasn’t really very specific on what I wanted to do, but I had a guitar at home so I just started playing and taking lessons at this place called the Clayton Music Academy. That’s where I met Victor. From there we just started playing a lot and we would jam, but there was never a drummer, so I said, “I’ll play drums.” Ten years later, we’ve toured and had lots of practice and here we are.

Victor: My story is a little weird. I started young playing piano. I was in band playing clarinet. I was just like, “What is music? What do I like? I don’t even know. 50 Cent? Heck yeah.” It wasn’t until I was in middle school I got into Green Day and I was like, “Wow, there’s this instrument called the guitar and it makes you look really cool.” Much better than clarinet, you know? I got a guitar for my birthday and I started listening to Red Hot Chili Peppers. And then I was just like “Wow, this is real guitar now.” And then, you know, from there it spiraled into Led Zeppelin, and I started going back to all the good s*** and just obsessing over guitar. I’m constantly learning Van Halen, Slash, Led Zeppelin, all that stuff. Then I was like, “I hate everything but guitar now and that’s all I want do with my life.”

Leo: For me, it was playing violin in fourth grade. It was purely out of the fact that my parents told me I had to learn an instrument, and I didn’t like it that much. I would try to learn these folk songs, but I couldn’t get sheet music because I didn’t have money because, I was like, in fourth grade. One day my dad got my mom The Beatles “Love” CD and I took it into my room and just started listening to it constantly. I would just be singing and my sister would be there too. We would try to figure out the harmony. We didn’t even know what harmonies were. We were just like, “I’m just gonna sing this high part and you’re gonna sing the low part.” Then that developed into me saying, “I just need to get a guitar now.” So, I got a classical guitar and I learned all the Beatles songs on that.

Who do you find yourselves listening to the most? What kind of artists inspire you?

All: Jimi Hendrix!

Max: Jimi Hendrix. Huge one. You know, Zeppelin, the major guys from like the late ‘60s early ‘70s. But lately I’ve been really into the hip-hop broken beat stuff like Knowledge, J Dilla, lots of Thundercat too. Really just a lot of the modern, jazz-funk stuff.

Victor: We listen to a lot of Hendrix and we collect a lot of vinyl. Our music tastes are scattered from Miles Davis jazz to Mahavishnu. We just search for new sounds, new albums that we like. We’re not really molded to one style. You know? It’s all over the place and we love everything. Even Mozart.

Favorites from your vinyl collection?

Victor (left) showing his favorite record, “Land of the Midnight Sun” by Al Di Meola.
Max (right) displaying “Reggae Dub,” his favorite vinyl.
Leo (left) showing one of his favorites, Fol Chen’s “Part I: John Shade, Your Fortune’s Made.”

What’s your music-making process like?

Max: It’s very equal. Usually, one of us will have an idea and then we all do our thing with it. It’s always different because sometimes we might be jamming all together and play something that’s sick. Other times, Leo and Victor will have an idea together and I’ll come in and tweak some of the arrangements and stuff.

Victor: We like to put songs together right there on the spot. Even if it’s like Leo’s idea or Max’s idea, we want it to be all of us coming together and making something cool. We can all make music on our own, but it’s like, it’s whatever you know. But this really put everyone’s brains together and we come out with something really creative.

Leo: The thing that’s special about how we write is that we never decide we’re gonna write something. It just happens, it’s never planned. It’s spontaneous. It’s comes out of whatever’s in our head at the time. We’re not thinking about it, we’re just doing it.

Victor: Now, sometimes we’ll be straight up jammin’. Those are the best ones when we just start playing and then we’ll hear an idea. One of us will grab an iPhone and turn on voice memos to record it. Voice memos saves our a*****. It really lets us go back and be like, “Oh that sounds cool, let’s go with that.”

Max: There’s a lot of methods, but it’s usually jamming, you know, improvising together. We’ll formulate an idea and grow it like a plant. It’s very harmonious process. It’s really fun. I mean, we just wrote one yesterday and it’s the most complex song we ever written. We’re lucky that it’s really easy. This has been the easiest group to write with that I’ve ever been a part of. We just click.

Victor: As long as we’re having fun, having a good time, that’s all that matters.

Leo: We’ll get into some little arguments, but they’re pretty much irrelevant. It’s always the little things and they never last more than five minutes.

Max: We have a system. Since there’s three, if it’s two against one, we’ll just use the winning idea, which actually works really nicely. Because four people, you got two and two. There’s too much division. There’s something magical about just the trio.

Where would you like to see the band go in the future?

Victor: We definitely want to tour the U.S. and I feel like that’s our nearest goal to achieve short-term. We’re releasing music and putting out our album. We’re doing a couple live bids too and we just did one with a studio here, which is really cool. But short-term goal is just to try to tour the U.S. as soon as possible.

Max: But ultimately, we’re going to be one of the best rock bands in the world. That’s no bull****. We’ve dedicated our lives to it for a long time and that’s definitely what we’re trying to do. Every band wants to be that. We want to revitalize the rock genre because I feel like it’s very kind of like neutral black-and-white, very dark.

Victor: It’s become this weird thing nowadays, especially here in Nashville. Like what the f*** happened to rock n’ roll? Rock has been boxed nowadays, and we just want to break that box.

Leo: You listen to music from the ‘60s and ‘70s and it’s so much more creative. It goes different places. We want to break that box, but not be a nostalgia act.

Max: We’re not trying to be what was, like Greta Van Fleet, or like a lot of other bands who are trying to be “vintage.” We love that stuff, but we’re trying to really reinvent it. We want give rock a breath of fresh air. We love every type of music. All these great rock bands that we love, they loved every type of music, so they tried to incorporate it. That’s kind of what we try to do. Music is so vast nowadays, there’s so many sub-genres, so we really try and pull from everything and just make it one thing. But ultimately, it’ll always be rock and how that’s we feel the spirit and essence of it.

Any new music on the way?

Victor: Yeah, we got some juicy stuff coming.

Max: The album comes out February 14. We did a live session at this place called Castle Recording Studios in Nashville and we filmed seven choice songs from the album. We’re working on just putting out really nice content videos. We set up microphones here in our living room and we do these weekly jam things where we’ll improvise and we post it on our social media.

Leo: We have basically most of the next album written and planned out. We’re just finalizing those and we’re going to record them probably in the next couple months.

Max: And then hopefully a tour in late May. We’re planning like maybe a week or two long tour and around Athens, Nashville, North Carolina, kind of just in the South East.

Victor: Our main thing is really just getting this album out there. We’re in the middle of mixing up this Castle [Recording Studio] live session so that’ll kind of coincide with the album release. We’re thriving over here. We’re also able to, you know, not spend a bunch of money on these things just because we have connections in these recording studios.

Leo: They believe in the music too. They want people to see it so they’re just trying to give us what they can.

Victor: And everybody needs help now, you know, even Castle Recording Studio. We’re helping them by giving them our services and our money while they’re helping us. So, there’s just this symbiotic growth of beauty and jam goodness.

Max: Jammy goodness always.

It’s hard to capture how awesome this trio’s spirits are with words, so that’s why you should check out the full interview coming shortly to our WKNC podcast, “Off the Record,” which can be found here! Tune in to hear us talk more about spirit animals, our shared Brazilian heritage, and terrible band names.

If you want to check out Fresh Squeeze for yourself, you can follow them on Instagram and listen to them on Spotify, Apple Music, and Youtube. As they said, their new album, “Not From Concentrate,” comes out on February 14, so make sure to give it a listen!

“Not From Concentrate” Album Cover (Artist: Leo Faillace)

Happy listening!

DJ Butter

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Band/Artist Profile

Band Highlight: Pond

A lot of people think of Pond as Tame Impala’s cousin, which is an easy assumption to make considering Jay Watson is a core member of both touring bands. However, Pond has a lot more to offer than what meets the eye.

Based in Perth, Australia, Pond is a psychedelic garage-rock band made up of Jamie Terry, Shiny Joe Ryan, Jay Watson, Nick Allbrook, and James Ireland. Pond actually began as a collaborative project that existed in order for Allbrook and Watson to make music with as many guest artists as they pleased. Though they’ve traded members with Tame Impala several times, they’ve managed to release eight albums since 2008.

You’ve probably heard Pond’s “Paint Me Silver,” but the rest of their discography, especially their early work, is a treasure trove of grooviness. Their first album, “Psychedelic Mango,” is psychedelic indeed. It echoes the strangeness of 60s underground psychedelia bands like Ultimate Spinach and 13th Floor Elevators. Pond’s 2012 release, “Beard, Wives, Denim,” adds a bit more grunge, especially with songs like “Moth Wings” and “Sorry I Was Under the Sky.” Things for Pond only got better from there. Their popularity skyrocketed as Tame Impala’s success grew. Their fourth studio album, “Man It Feels Like Space Again,” added a playful, poppier element to the psychedelia they already mastered. “The Weather” followed the same trend, but also produced their hit song “Paint Me Silver.”

Personally, I’m a much bigger fan of Pond’s early work. Either way, I appreciate the growth they’ve experienced as a band. They’ve made huge strides after coming from being viewed as Tame Impala’s spin-off to having their own unique identity.

Discography:

  • Psychedelic Mango – 2009
  • Corridors of Blissterday – 2009
  • Frond – 2019
  • Beard, Wives, Denim – 2012
  • Hobo Rocket – 2013
  • Man It Feels Like Space Again – 2015
  • The Weather – 2017
  • Tasmania – 2019

Best Songs:

  • Moth Wings – Beard, Wives, Denim
  • Medicine Hat – Man It Feels Like Space Again
  • Don’t Look At the Sun or You’ll Go Blind (Live) – Psychedelic Mango

Happy listening!

– DJ Butter

Categories
Band/Artist Profile Classic Album Review Miscellaneous New Album Review

Who Are The Burkharts?

Who are the Burkharts? The Burkharts are a new band that sounds like an old style of 50s doo-wop beach music. With angelic background harmonies, a fast drum beat, and a light bit of guitar, this band seems to mimic almost everything the Beach Boys stood for. However, that’s not to say that the Burkharts are a carbon copy of them. 

The Burkharts started in Buffalo, NY around two years ago. They have described themselves as not too sleepy, not too spicy. I honestly couldn’t put it any better than that. Their music keeps you engaged, but it’s not too overwhelming. It’s the kind of music I could do homework to or listen to while I walk around a park on a Sunday afternoon. Right now they only have two EP’s and a few singles out, but my favorite songs are “Our Rockaway,” “Pretty Words,” “Oh, Dreamer,” and “Flower City Nights.” Their second EP contains the latter two of my favorites and has more of an indie feel to it than their most recent EP, however you can still hear their trademark old-beachy-sound. 

Hope you guys enjoy the tunes, 
-The DJ Formerly Known as Chippypants

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Band/Artist Profile

Band Highlight: The Babe Rainbow

Sunshine, good vibes, and relaxation are what The Babe Rainbow delivers. The Australian neo-psychedelic group is one of my personal favorites. They’re one of those rare bands that never seems to have a “dud” song; You can listen straight through every album and enjoy each track.

Drummer/lead singer Angus Dowling and guitarist Jack Crowther originally met when they were in high school in Byron Bay, a place known for it’s organic, back-to-nature culture. Influenced by ’60s surf rock and the counter-culture movement, The Babe Rainbow creates music that feels like walking through a magic garden at sunset. In an interview with Beat Magazine, Crowther speaks to how the band uses the hippie movement to inform their discography:

“I really like the back to the earth movement, putting a really high value on the appreciation of nature, all the resources that we use. There was a real movement around where we live in the ‘70s, people were coming from Sydney and Melbourne up here to live that life.  For me, it’s got a lot to do with that, and lots of other things link up with that.”

Jack “Cool Breeze” Crowther (guitarist) Source

In their early years, The Babe Rainbow caught the attention of Stu Mackenzie from King Gizzard and the Lizard Wizard, who offered to produce their debut self-titled album. Mackenzie’s influences are strong in “The Babe Rainbow,” but The Babe’s work following their original 2017 release is their own. Though it’s easy to compare them to other neo-surf bands like The Growlers and King Gizzard, The Babe Rainbow offers a unique, more relaxed version of psych-rock. Their music makes you feel centered and happy, almost like a meditation of sorts. The Babes are truly one-of-a-kind.

Discography:

“The Babe Rainbow” (2017)

“Double Rainbow” (2018)

“Today” (2019)

Best Songs:

Bella Luna – Double Rainbow

Peace Blossom Boogy – The Babe Rainbow

The Wind – Single

Aloe Vera – Single

Something New – The Babe Rainbow

– DJ Butter

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Band/Artist Profile Classic Album Review DJ Highlights Miscellaneous Playlists

Chip’s Picks

You know those times when all of a sudden it feels like you’ve been hit with a wave of new, really good music out of nowhere? It’s the best feeling in the world. Finally, you can get yourself out of the same five-song rotation and expand your music taste, treating your ears to the soothing sounds of something new. I just recently happened upon this feeling for the first time in a while, and I would like to share it with you all. So, here is what I’ve been listening to lately. 

“My Cousin Greg” by Houndmouth 
You might know this band from the song “Sedona,” but if you dig deeper into their discography you can find that they actually have an array of songs that match “Sedona’s” energy. “My Cousin Greg” is like one of those songs that starts out smooth but eventually gets more and more exciting as it goes on. Perfect for any car ride with friends. 

“Evil Ways” by Santana
I heard this song for the first time in a while last weekend while I was in Wilmington. It was a beautiful day and I was driving to the beach with friends when this song came on. The sun was shining through the Spanish moss and illuminating the car as a wild guitar riff spun through the car. And now I think of that every time I listen to this song. 

“Blue Magic” by Kelly Hogan and Bill Taft 
This is one of those songs that is perfect for laying in bed at 3 AM and staring up at the ceiling. It has an echoing guitar with a vocalist to match it perfectly. It sounds very similar to “White Rabbit” by Jefferson Airplane.

“Miracle” by Jurassic Shark 
Jurassic Shark is a nice little surf rock band that came out with the album “Miracle” back in 2014, however I’ve only just recently been getting into them. My favorite song off of the album is “Summer.” The sound of the song definitely lives up to its name. 

“Above Water” by Felly 
This song encapsulates the feeling of trying to make it through the first week of classes. No matter how stressful it gets to keep everything up to date, you just have to keep your head above water. 

Well I hope you guys enjoy the tunes,
-The DJ Formerly Known as Chippypants 

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Band/Artist Profile

Artist Spotlight: Goth Babe

Recently I’ve been getting into a new favorite band called Goth Babe. As a dreamy combination of surf rock and indie pop, they have quickly made their way to the top of my charts. Goth Babe is really just one man named Griff Washburn, who lives the life every indie teenager today dreams of. Griff lives out of his camper truck in the Pacific Northwest, passing the time through surfing, rock climbing, and writing music. It’s easy to see how his music style reflects the life he lives. However, the most perfect addition to his lifestyle is Griff’s adorable Australian Shepherd, which makes several appearances on his album art.   

In 2020 alone Goth Babe released nine singles. From a Bob Dylan cover to euphoric cadences, his style spanned a broad range of genres. However, my favorite work by Goth Babe is by far the EP “Point Mogu.” The lyrics echo and bounce around the four songs on the EP. My favorite has got to be “Swami’s,” however the single “Sometimes” comes in a close second place.

Living literally on the road out of his camper has allowed Griff to gain a lot of traction. Always with his instruments, he can go wherever, play music whenever, and live however he wants. He has total freedom to be the person he wants to be, and it is undoubtedly reflected in his music.

Hope you guys enjoy the music,
-The DJ Formerly Known as Chippypants

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Band/Artist Profile

A Tribute to MF DOOM

Written By Miranda

The face of underground hiphop since the 2000s was a man in a mask. Daniel Dumile, more commonly known as MF DOOM, had an immeasurable impact on hiphop and the entire industry. Dumile was born in London to Trinidadian and Zimbabwean parents and grew up in New York. Dumile’s first foray into the world of music began with the pseudonym Zev Love X, and his formation of the hiphop group KMD with his younger brother, among other artists in 1988. They were signed to Elektra Records, but just prior to the release of their second album, Dumile’s younger brother was tragically killed in a car accident. This incident sparked Dumile’s hiatus from music and also his relocation from New York to Atlanta. In the late 90s, Dumile returned to the music scene, producing and releasing three singles and then his first LP as MF DOOM: “Operation: Doomsday.” Four years later, he produced and released “Take Me To Your Leader” under the pseudonym King Geedorah, and a year later released “Venomous Villian” under the pseudonym Viktor Vaughn. Also in 2004, Dumile collaborated with the producer Madlib under the name Madvillian, and created the extremely notorious “Madvillainy.” This album came to be known as a masterpiece and likely the magnum opus of Dumile’s music career. Dumile continued to produce and release great albums throughout the 2000s, including working in the group Danger Doom and the album “Born Like This.”

Despite MF DOOM’s general rise to notoriety, he remained a mysterious figure within the music business. Part of his enigmatic nature comes from the fact that Dumile used the MF DOOM pseudonym as a character, or alter ego. MF DOOM’s character constantly wore a mask, and thus Dumile never performed or was photographed without it on. In an interview, Dumile explains that he began wearing a mask to shed focus more toward his sound and talent, rather than. He dons the mask in order to rebel against, and it fits in with his character as the Villian. “Villian represents anybody…anybody could wear the mask.” Dumile continuously kept up his act as MF DOOM, sometimes even sending impostors to perform at his shows. Sadly, MF DOOM passed away on October 31, 2020. The public was informed about Dumile’s passing through social media two months later. The news of his death spread throughout social media with multiple artists and celebrities paying tribute to him and offering well wishes to his family. This great artist who shaped modern hiphop and modern music will be remembered as long as time.

Categories
Band/Artist Profile Classic Album Review

New Music Alert: English Oldies

It’s becoming increasingly more common these days that I find new music through TikTok. I’m not proud of it, but it is what it is. Just the other day, I was scrolling through videos and heard a song that almost sounded familiar. I found the name of the song and realized it was the sample for “Ghost Town” by Kanye. The song is called “Take Me For a Little While” and sounds like something straight from the 50s. In fact, I fell in love with the whole album after just one run through. It’s actually a collaboration between The Royal Jesters, Dimas III, and Joe Jama. Each song off of this album is so heartfelt and raw. If I were to ever make a movie about two lovers in the late 50s, I would fill the thing with songs from English Oldies. Even the album cover, which shows The Royal Jesters playing in front of a crowded ballroom, suits the music perfectly. 

I’m not entirely sure as to what the backstory to this album is. The Royal Jesters was a West Texas band from 1958 that advertised Mexican-American civil rights, but I can’t find much about Dimas III or Joe Jama. My favorite three tracks from this album are definitely “Take Me For a Little While,” “Let’s Kiss and Make Up,” and “I’m So Sorry.” However, there are 28 tracks on this album, so I’m sure there’s got to be some more good ones in there. 

Hope you guys enjoy the tunes, 
-The DJ Formerly Known as Chippypants

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Band/Artist Profile

Artist Highlight: Thee Sacred Souls

When I first heard Thee Sacred Souls’ single “Weak For Your Love,” I thought for certain that they were a soul group from the 1960s. Their sound is so lovely, vintage, and unique. Made up of drummer Alex Garcia, bassist Sal Samano and ethereal vocalist Josh Lane, Thee Sacred Souls is giving new meaning to soul.

The trio first began as a duo when Garcia and Samano formed an instrumental band in 2018, aiming to capture the Chicano soul that they both grew up with. However, after connecting with Lane over Instagram in 2019, the band truly started to evolve. Not only was his soft falsetto a beautiful addition, but his songwriting skills lead to their first single, “Can I Call You Rose?,” a soft romantic ballad.

After receiving a record deal in April of 2019, the group was asked to open for Mac Ayres in San Diego. There, they realized their potential when fans went crazy for their relaxing yet astounding sound. Unfortunately, at the time, the band had yet to put any of their music on major streaming platforms, preferring the authenticity of vinyl releases.

Even amidst pandemic craziness, Thee Sacred Souls has managed to release their previous singles, “Can I Call You Rose?” and “Weak For Your Love,” and two new ones, “Will I See You Again?” and “Give Us Justice,” on Spotify and Apple Music this year. All are twinged with the romantic soul, groovy baselines, and gentle rhythms that they do best. While these four songs are the extent of their discography, the future looks bright for Thee Sacred Souls!

Check out their website and Instagram (which might I say are both wonderfully designed).

– DJ Butter

Categories
Band/Artist Profile

Best of Rilo Kiley

Rilo Kiley is my personal favorite indie-rock band from the 2000s. With lead singer Jenny Lewis, lead guitarist Blake Sennett, Pierre de Reeder on bass and guitar, Jason Boesel and Dave Rock on percussion, this band came out with quite a few powerhouse albums throughout their time as a group. If you’re looking to get into some good quality indie-rock that screams “early 2000s,” you’ve come to the right place. Without further ado, let’s dive into the best of… Rilo Kiley.

“Portions for Foxes”

This tune off Rilo Kiley’s album “More Adventurous” is an absolute banger. This guitar heavy track about seeking physical connection to cope makes you want to scream along in the car with all your windows down. Funnily enough, this song was used in the pilot episode of the hit show “Grey’s Anatomy” and is used several times throughout the series whenever an allusion is made to the pilot. Everything about this song is classic 2000s indie-rock, and I love it. This is definitely the song I would recommend listening to first if you’re looking to get into Rilo Kiley.
Favorite Lyric: “’Cause you’re just damage control / For a walking corpse like me.”

“A Better Son/Daughter”

This ballad about the feeling of inadequacy and growing pains immediately became one of my all-time favorites upon my first time listening to it. Jenny Lewis’ whispering vocals in the beginning builds slowly into her borderline screaming toward the end. This track is one for crying to, but still a banger nonetheless. One of their strongest songs lyrically, “A Better Son/Daughter” fits perfectly in with the rest of Rilo Kiley’s album “The Execution of All Things.” I cannot speak highly enough about the album, and if I could include the whole record on this list, I would.
Favorite Lyric: “And crawl back into bed to dream of a time / When your heart was open wide and you loved things just because / Like the sick and the dying.”

“Let Me Back In”

This ode to Los Angeles has a beach-like feel with the main instrumentals being the acoustic guitar. There’s a powerful moment about three-quarters of the way through the song where the lyrics pause for an instrumental breakdown, and the percussion is the sound of clapping hands. The clapping gives it a human spirit, making this song one of my favorites by the band. Favorite Lyric: “And you can bury me when my body breaks / In the earth that created me, in the Golden State.”

“Spectacular Views”

Another lyrically strong track off of “The Execution of All Things,” “Spectacular Views” may be my favorite song by Rilo Kiley. The second verse of this song is just perfect. The band does make some interesting choices regarding instrumentation, with a squeaky recorder sounding breakdown after the second chorus, but I dig it. The track ends with a fragment of another song that’s woven throughout the album called “And That’s How I Choose to Remember It.”
Favorite Lyric: “You never knew why you felt so good / In the strangest of places / Like in waiting rooms / Or long lines that made you late / Or mall parking lots on holidays.”

“Accidntel Deth”

This track contains my favorite production in a Rilo Kiley song as well as my favorite Jenny Lewis vocals in a Rilo Kiley song. The upbeat production and springy instrumentals starkly contrast with the rather dark lyrics about death. With lyrics that read like poetry, this tune is my favorite off of Rilo Kiley’s album “More Adventurous.”
Favorite Lyric: “And the skin you call your home / Holds a heart that quits and knees that buckle in / And lungs that can’t breathe when they’re alone.”

“Silver Lining”

This song is very sonically different from the rest of the tracks I’ve recommended, but still a very strong contender nonetheless. Jenny Lewis’ vocals really shine through on this song about the end of a relationship. It also features my favorite instrument, the triangle, during the bridge; what’s not to love?
Favorite lyric: “And our bruises are coming / But we will never fold.”

Unfortunately, the group disbanded in 2013 after the release of their final album “rkives,” but they are remembered fondly by fans to this day. This was far from the end of the road for their lead singer, Jenny Lewis, who is still releasing music to this day. Other members also went on to continue a career someway or another in the music industry, whether it be through continuing to play live music or by owning their own recording studio. If you want to check out my picks, I curated this playlist for you.

<3,
Caitlin