Categories
Weekly Charts

Afterhours Charts (7/12)

#ArtistRecordLabel
1I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
2TDJTDJ123Disques Durs
3RANGE, THEMercuryDomino
4DIVINO NINO“Tu Tonto” [Single]Winspear
5MOGLII X TONG“Space Birds” [Single]Kitsune
6PINK MATTER“Bare It All” [Single]Self-Released
7ZETBEEAll These Things [EP]Salted
8BRAXE AND FALCONStep By Step [EP]Smugglers Way/Domino
9BARRY CAN’T SWIMMore Content [EP]Ninja Tune
10PHFPurest HellDanger Collective

Afterhours Adds

#ArtistRecordLabel
1I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
2DIVINO NINO“Tu Tonto” [Single]Winspear
3MOGLII X TONG“Space Birds” [Single]Kitsune
4PINK MATTER“Bare It All” [Single]Self-Released
5BRAXE AND FALCONStep By Step [EP]Smugglers Way/Domino
6BARRY CAN’T SWIMMore Content [EP]Ninja Tune
7WORKING MEN’S CLUB“Ploys” [Single]Heavenly/PIAS
8ZETBEEAll These Things [EP]Salted
Categories
Weekly Charts

Chainsaw Charts (7/12)

#ArtistRecordLabel
1GREAT AMERICAN GHOSTTorture WorldMNRK Heavy
2MODEL PRISONERCompulsion Analysis [EP]COSMICLEVEL/+++
3FUNERAL CHIC“Roman Candle” [Single]Prosthetic
4CRYPTOPSYDivine CouncilEVP
5LORNA SHORE“Sun//Eater” [Single]Century Media
6IN FLAMES“State Of Slow Decay” [Single]Nuclear Blast
7THUNIIEat Lead and Die
8LIVING WRECKAGE“Endless War” [Single]M-Theory
9CALLOUS DAOBOYS, THE“A Brief Article Regarding Time Loops” [Single]MNRK
10BUMMERDead HorseThrill Jockey
Categories
Weekly Charts

Top Charts 7/12

#ArtistRecordLabel
1POST ANIMALLove GibberishSelf-Released
2BAKERS EDDYLove Boredom BicyclesIvy League
3BIG ORANGE“Love’s Not Enough” [Single]Self-Released
4FOOTBALL ETCVisions [EP]Self-Released
5GIRLPOOLForgivenessAnti-
6MITSKILaurel HellDead Oceans
7THE WHEEL WORKERS“Suck it up” [Single]Sinkhole Texas
8BEACH HOUSEOnce Twice MelodySub Pop
9CADENCE WEAPONParallel WorldMNRK
10CIV“Heaven On Earth” [Single]Self-Released
11CONWAY THE MACHINEGod Don’t Make MistakesShady/Interscope
12DAP THE CONTRACT“Sacrifices” [Single]Self-Released
13DINO SMOKESThe IgnorantVSR
14GUERILLA TOSSFamously AliveSub Pop
15INJURY RESERVESuperman ThatSelf-Released
16KWAMZAYMotherland! [EP]Corner Store Art House
17LANCEDAYUNGIN“Slide” [Single]Trap Illustrated/Playbook
18MOLLY ANNELLE“Dior” [Single]604
19NOSO1O“Fallin’ Out” [Single]Self-Released
20PUPThe Unraveling Of PupTheBandRise/BMG
21RAAVI“Lazy Susan” [Single]Self-Released
22REDVEILlearn 2 swimSelf-Released
23SASAMISQUEEZEDomino
24SKY FERREIRA“Don’t Forget” [Single]UMG
25SOCCER MOMMYSometimes, ForeverLoma Vista/Concord
26SOUND OF CERESEmerald SeaJoyful Noise
27THE CURLSSmothered & CoveredTruth Zone
28THE SHIVAS“Doom Revolver” [Single]Suicide Squeeze
29PARK HYE JINBefore I DieNinja Tune
30AESOP ROCK AND BLOCKHEADGarbologyRhymesayers
Categories
Music News and Interviews

Head Smashing and Sweat Inducing Bands

Hardcore and metal music aren’t some stiff sheet of protection from the elements. These genres are warm blankets when you have a 100 degree fever and your chills are shaking your body relentlessly. 

The hardcore and metal genres are reminders that it’s okay to not be okay. Rage, hate and pain should and does course through everyone’s bodies as they’re normal human emotions. 

The need to sweat in a pit, feel a bit of blood pumping through an accidentally split lip or accept the sharp pangs in your ears from loud guitars will course through me for a long time. In the chaos of a good pit, there are no rules. Working through the crowds of people to feel an elbow in the stomach is a good sign of a good pit. 

My day to day taste in music is driven mostly by my general feelings of the world and myself, as it probably is with many people. Whenever I get the urge for songs to thrash to, I have found a few bands that are worth supporting.

Impulse Machine

This North Carolina band defines their music as “experimental rock and metal”. They are an arts and media collective working to experiment as much as they can off and on the stage to bring new, chaotic sounds to metal and rock.

One of my friends introduced me to this band, and I enjoy what they do and that they are local. I haven’t been able to go to one of their live local shows, but I’ve heard they try to make their performances theatrical and thrashable, which is all I ever want out of most concerts. 

Some of their tracks are a little lost on me. For example, I found “A Town Called Liberty” to be a bit corny, but kind of in a good way. Still not sure about it. It’s not the metal I listen to them for, so I toss it aside. 

Some of my favorite tracks of theirs are “kill_me” and “I’m Not Going to Die a Horrible, Gruesome Death (And Other Hilarious Jokes You Can Tell Yourself)”. These tracks are roughly 5 minutes long and have heart pounding instrumental sections and good old metal screams too. 

One special aspect of Impulse Machine is their lyricism and vocals. I think their lead singer sounds great when he sings and when he does his metal terror rampage, which I can’t find when I listen to many metal bands.

Gulch

Gulch is one of those special metal bands that instantly connected with me. Their hard, fast rhythms, intense vocals and lyrics sucked me in immediately, and I don’t want to stop listening to their music when it’s over so quickly. 

A few of my favorite tracks include “Sin in My Heart”, “Lie, Deny, Sanctify” and “R.S.A”. All these tracks pierce right through your ears and electrify you in the process. Specifically, “R.S.A” brings that beautiful coarse guttural metal noise and then explodes into a flash of fury that makes me start punching the air. 

Also, one of my favorite parts of “Lie, Deny, Sanctify” is the opening screech from the guitar. The drums on this track bring an incredible dark beat to the deep sounds of the guitar and bass, and all this makes this short song burn right through your ears (in a good way of course). 

As a small, new band, the only thing I hold against them is that they don’t have enough music. I am craving more tracks and albums from them, but I will have to keep waiting for them to produce more in the future.

Lexan

I have so little information about Lexan it’s disappointing. All I know is that they’re from Ohio and they have one EP that was released earlier this year in February, but all that is okay because they released some banging tracks.

Their four songs off their “Demo” EP pump me full of death defying energy. The raspy vocals of this punk group work well with the rhythm guitar, bass and drums. Basically, their sounds combine, making a chaotic scene of rage feel comforting and moshable at the same time. 

I found “Man Made Ultra” to be my favorite of their four songs so far, as I like its lyrics the most:

“Polycarbonate fused to the hate,

Now im a carcass even earth wouldn’t eat.

I’m man made, ultra, plastic monster.”

Lyrics from Lexan’s song “Man Made Ultra

Lexan is a hardcore punk band, so their lyrics are understandably dark and dreary. The whole EP talks about being a plastic monster of a man, which is a neat way to express the hollowness of the world surrounding the artists and emotions they might feel. 

Some Concluding Thoughts

All three of these young bands are still making music and trying to find their footing in the music industry. I appreciate their unique qualities and perspectives that they have brought to the hardcore punk and metal genres. 

I hope you all have been able to gain some comfort from the raging and screaming as I do, but I completely understand if the music doesn’t “click”. Absorbing other people’s emotions through music and art presents new perspectives to learn from and adapt ourselves better, which is why I try to involve myself with increasingly diverse content to appreciate the lives around me a bit more every day.

Categories
Music News and Interviews

Breaking Through the “Nepotism Baby” Title

In the music industry, there are quite a few artists that come to mind when I hear “nepotism baby.”

To preface, in this case, I do not mean this term with a negative connotation. There are a few indie artists that just happened to be nepotism babies like Clairo or Finneas because they had connections to the industry before pursuing their careers. However, even with this privilege, these artists have worked art to earn a name for themselves as musicians. 

In this post, I want to talk about Maya Hawke, one of my favorite “nepotism babies.”

Though her parents are the Uma Thurman and Ethan Hawke, she wasn’t big in the acting scene until Season 3 of “Stranger Things.” She didn’t want to be an actress like her parents in the first place, but eventually, after growing up around movie sets and theaters she found a good fit.

Her parents were in movie classics such as “Kill Bill,” “Pulp Fiction,” “Dead Poet’s Society” and “Training Day.” 

What many people don’t know about Maya Hawke is her music career. 

Like most people during quarantine, Maya Hawke began exploring music production. The first two singles she released in 2019 were called “To Love a Boy” and “Stay Open”. 

At first, I didn’t have many expectations for her music because a majority of young actors these days do music on the side. But her voice and style are so unique and unexpected.

“To Love a Boy” is a unique take on a love song. It’s about wanting to be in love, yearning for that feeling when you don’t yet have it. The authenticity of the lyrics and her ability to display her insecurities for an audience like that is impactful. 

“Stay Open” is much different. The violin with a guitar makes for a folk melody. It’s a song about keeping your heart open for someone regardless of their flaws. It’s short and sweet. Like the countryside during the fall.

The acoustic guitar with her soft vocals and instrumentals make these songs feel like sitting on a boat drifting in the river on a rainy day. They are dreamy and have a ’90s jazz vibe to them. Something about the harmonies and drums brings the songs to life. A childhood nostalgia to them, or a song fit for a Pixar movie. Short yet eliciting deep emotions.

All of her music is like this. Maybe that’s why I find it so comforting. 

She released her first studio album in 2020 titled “Blush” and it’s chock full of healing tracks. Many songs sound like lullabies and apologize to friends and family. The feelings of sentiment are fitting for the time they were written.

The vulnerability she highlights in her music and the intellectual lyrics at times give her an edge against many newer musicians. 

Maya Hawke’s latest single is called “Thérèse” and is an unpredictable track. Going from a light acoustic guitar too hard electric guitar yet it carries the messages all the way through. The slow introduction of drums takes us back to the initial melody. It’s more upbeat compared to her and sounds dreamy at times. The song is about a painting called Thérèse and how Maya sees herself in it. 

Seen in the lyrics “She reminds me of memories | Sleeping off the growing pains” and “Thérèse does not belong to you |

The horses, cars, and cowboys do”.  Maya highlights that neither Thérèse nor her belong to the public even though they have both been in the spotlight for most of their existence. She sees herself in Thérèse, always facing criticism from strangers, as the child of famous parents. 

It’s my favorite one.

While she doesn’t have a lengthy discography quite yet, I do think she has a distinctive voice she could bring to the industry. As an up-and-coming actress as well as an up-and-coming musician, I can’t wait to see and hear her future projects.

If this sounds interesting to you, check out Maya Hawke’s discography.

Categories
Miscellaneous

A Bit of Love for Film Anthologies

What do anthology films bring to the film world that full length feature films cannot truly present? They show the synthesis and thematic similarities across a wide array of stories. 

There are many films, TV shows and books that split themselves into completely different segments, which take on new narrators, worlds, ideas and plots than the stories that already exist in the medium.

One of the brilliant uses of anthology collections is that it is a prime way for younger, newer artists to grasp a project and showcase their work through it. Young filmmakers that have limited experience in the film world are able to take a chance and make a story their own with a more limited screen time, which allows for a wider appreciation of their art. 

“Memories”

One anthology where multiple directors came together to create a sci-fi anime collection is “Memories”. All three directors were in the prime years of their careers when they made this collection. Within “Memories” are three 40 minute short films that depict the human struggle to survive in an apocalyptic world setting. 

In “Magnetic Rose” (directed by Koji Morimoto) space garbage men explore an eerie, ancient dump. In “Stink Bomb” (directed by Katsuhiro Otomo, who made “Akira”) there is a bioweapon outbreak in Japan. In “Cannon Fodder” (directed by Tensai Okamura, one of the “Evangelion” directors) we experience a war-lusted world through the perspective of a young boy.

Each of the short films bring out perspectives only a science fiction writer could extrapolate from the world. I love being able to see the synthesis between the beautiful animation styles and stories that these directors have made for us to see. 

The diversity of the directors adds to the value and appreciation of this anthology. Because each story was handled and made by a different person, it’s like having a perfectly planned three course meal where each course complements the next or the one prior. 

“Coffee and Cigarettes” and “The French Dispatch”

Another way film directors use anthologies is to express themes that transcend one person’s life and they take on a more expansive view of humanity as a whole. In “Coffee and Cigarettes” by Jim Jarmusch and “The French Dispatch” by Wes Anderson, there is little to no overlap between the stories that are shot on screen. 

In “Coffee and Cigarettes”, each scene and story are focused on coffee and cigarettes. Cups of blasted clay clink together for a “cheers” and the sharp inhale then pause after a drag from a cigarette are seen and heard in almost every scene. This film collection focuses on the mundane and chaotic world we live in. Bill Murray, RZA, GZA, Iggy Pop and other familiar faces flash on the screen for a few minutes of time as their characters process cigarettes and coffee.

Similarly, “The French Dispatch” has a diverse cast, but the narrative thread is more prominent: it’s the last issue of the fictional newspaper, “The French Dispatch of the Liberty, Kansas Evening Sun”, and all of the journalists’ stories are shown in order of publication in the paper. 

Each of the stories in “The French Dispatch” have their moments of tension and some are more passionate and evocative than others. “Coffee and Cigarettes”, I think, has the same issues. These movies combine all the fragmented pieces of life into one big place that can be split up or reassembled in many fashions. Both these anthology films are fun to re-watch, as the stories grow more powerful every time I watch them. 

“Chungking Express”

I put Wong Kar-wai in his own little section of this essay because of how well he is able to synthesize strangers’ lives. In “Chungking Express” specifically, Wong Kar-wai takes one tiny food vendor and a few characters to explore love.

The first half of the film is focused on a recently dumped detective who wants to fall in love, and the second half is focused on a cop who is dealing with an ambiguously defined relationship and being alone. Both main characters are remarkably different and are set in the same world, location and time. The two stories briefly overlap and that is it. 

“Chungking Express” (and “Fallen Angels” too) perfectly blend two seemingly separate stories into a beautiful hulking beast that is a testament to how chaotic and crazy finding love can be. 

Concluding Thoughts

All the mentioned anthology films are only a slice of what is out there. In TV shows like “Adventure Time” there are few episodes that focus on multitudes of stories that kind of overlap, and many literary magazines publish collections of short stories by different authors which can tie together in some fashion.

The anthology is not an uncommon form of media representation, but I think it doesn’t get enough attention and use by artists trying to pave their way in a culture where it is hard to make even enough money to live. I would love to see more budding artists combining together to create mass works of art in the future so I can see how the minds of collaborators make giant artistic feats.

Categories
Music News and Interviews

New, Unwavering Built to Spill Singles

Built to Spill has been in the forefront of the indie music scene for a little under 30 years now. They were one of the first bands that I latched onto when I started to listen to more alternative music, and being able to start with them has let me appreciate Martsch’s musical writing talents to the fullest. I love Built to Spill and Doug Martsch, but these latest singles for their new album are underwhelming. 

Built to Spill is on tour in the United States right now (I went to their concert at Cat’s Cradle a few months ago), and they are using it as a preview to their new album coming out this Fall. Martsch is working with Melanie Radford (bassist from Boise, Idaho) and Teresa Esquerra (drummer of Prism Bitch) for this new project.

The Tracks:

The most recent song, “Fool’s Gold”, is alright. None of these songs are bad or not exciting to listen to, but they all leave me wanting a bit more. In “Fool’s Gold” specifically, I wish the opening wasn’t so long and the instruments were a bit more distinct from the classic Built to Spill sounds. 

I found “Understood” to be the strongest track that has been released so far. The guitar riffs and drum beats are solid and definitely starts with a more distinct sound than the other two tracks. I enjoyed the lyrics in this song the most because they explore the unknowability of understanding a concept or person.

In “Gonna Lose”, I found too many similarities to the Built to Spill classic track “Goin’ Against Your Mind”. “Gonna Lose” is a whole 6 minutes shorter, which makes me want a bit more from it so it can be different enough to make a solid impact on my ears. 

Concluding Thoughts:

These songs are still fun to listen to. I like hearing them every now and again, but my issue with them is they don’t try to do anything new with Built to Spill’s sounds. It’s extremely difficult for artists to constantly reinvent their art, but these past couple of albums for Built to Spill haven’t really led to anything new and exciting. 

I will keep listening to the older wonders of Built to Spill and keep, and an ear to the ground for anything they make, but I truly hope Doug Martsch and company can explore the possibility of their musical talents with more gusto in the future.

Categories
Classic Album Review

“Donuts” by J Dilla Album Review

J Dilla’s “Donuts” is in my opinion the greatest album of all time and I would like to tell you why. Before we get into the album itself we must first get into the man who made it.

J Dilla was born and raised in Detroit, Michigan and early on started making hip-hop beats. He would start a group called Slum Village and would eventually get their demo tape to Q-Tip which led to him getting discovered. Q-Tip found Dilla in 1995 which was a year Tip was busy producing for Mobb Deep so when people would ask Q-Tip for beats he would recommend them instead use Dilla. This led to Dilla working with a ton of artists such as The Pharcyde, Busta Rhymes, De La Soul, and even A Tribe Called Quest.

After this Dilla became a pioneer in hip-hop and a sought after producer. People were really drawn to his unique drumming style where he wasn’t drumming in straight or swing time but instead on his own time called “Dilla Time”. He had some success but really stayed a bit out of the main stream most of his career and would develop a cult following.

Everything was going well for Dilla until around 2003 he was diagnosed with a rare blood disease and also lupus. In 2004 he started his stay at Cedar-Sinai hospital in LA and instead of resting and retiring he would start to create his magnum opus.

Most of “Donuts” was created in the hospital with Dilla sampling from records people would bring him or stuff he would pick up when he would occasionally leave. The album was completed and then released on February 7, 2005 and Dilla would sadly pass away three days after the release.

Now without the information of Dilla’s passing the album is still great but much of the content on the album would be missed. Dilla was suffering greatly making this album and he knew he would eventually pass. So the way he chose to handle it and come to terms with his eventual death was to do what he did best and make amazing beats from old records.

But once you start to put the context of Dilla’s situation with the album the hints start to show themselves like the scratching of Jadakiss to ask “Is Death Real?” on “Stop”. The song “Don’t Cry” is as blatant of a message you can get. The song “Workinonit” seems to be a message about an artist life of creating. But the most chilling on the album is on “Welcome to The Show” the outro track the message isn’t obvious until you look at the sample which is “When I Die” by Motherlode. The sample says “When I die, I hope I’ll be the kind of man you thought I’d be” which is crazy to think of him listening to that during his time in the hospital.

“Donuts” is also unique because many of the moments are up for interpretation and have no answer since Dilla never had a chance to explain his choices. One example is the album starts with the outro and ends with ” Welcome to The Show”. The song that repeats “Only One Can Win” is titled “Two Can Win”. The tracklist is 31 tracks which is the age Dilla was when he made it. The messages in the album aren’t obvious or even totally proven so finding them you never knew what he truly meant or if he truly meant it.

This album the more you listen to it becomes obvious what its goal was. The goal was to leave a message to his fans and his family that can never go away. Dilla was in the hospital and felt that his best way to communicate was to chop up old samples in a way that would create a message about his impending death that his friends and family could listen to after his passing and think about him. If that is not the craziest thing you’ve ever heard I don’t know what is.

I hear people say all the time that no one would like the album as much if Dilla hadn’t of passed and that it is the only reason people like it. But they are entirely missing the point because without the situation Dilla was in the album would not exist and is almost entirely built around the concept of his passing so not taking in that context leaves out the subject matter that is in the album.

I recommend everyone listen to this album and hopefully hear what I hear in it. It is an album that could put on for so many situations like just hanging out or studying but everytime you listen you hear something new. I hope this album is spread for generations to come and Dilla’s legacy be continued forever.

10/10

Categories
New Album Review

“My Second Debut Album” – Abbie from Mars

ALBUM: “My Second Debut Album” by Abbie from Mars

RELEASE YEAR: 2022

LABEL: None

RATING: From Another Planet / 10

BEST TRACKS: “Following Your Lead”, “Fog It Up”, “Participation”

FCC: Some tracks have explicit content

Abbie from Mars is a techno alien from the future who has graced us with beautiful new ways to experience sounds and music (she’s also a self proclaimed “ursonist”, which is a combination of arsonist and ursonate). Hyperpop artists like SOPHIE and Bjork cleared the landing pad to help welcome Abbie to Earth, and thankfully she’s stuck around this planet long enough to let us experience her perspective through her art. 

Abbie from Mars (AfM) currently resides in New York City working at a local radio station, playing gigs throughout the city, and supporting a nonprofit that helps local kids get access to music education. Her radio show is from 3 a.m. until 6 a.m., and it sounds like an intergalactic experience. 

My Second Debut Album” is exactly that. AfM’s sophomore album is a wacky ride through space and time. The album is like an electric current that courses through your body, electrifying you and opening your eyes to how different the world can be perceived through sound waves. 

Out of This World Tracks:

I feel my muscles spasm every time “Following Your Lead” starts off, and then it lets me flow through the rest of the album without a hitch. The jolt from this opening track allows me to prepare for the rest of the album, which I truly appreciate. I think AfM’s electro beats and sounds on this track are a fun intro to the rest of the album and it has the most “singability” factored into it too. 

Fog It Up” has the synth waves and radioactive dance beats that one might expect from an otherworldly being. I really enjoy the way AfM blends her vocals with the instruments in this track. The hazier vocals leave me in a state of confusion as the whole world disappears from view until I wipe the condensation from my glasses. 

In “Participation”, I found that AfM created a similar chill sound like “Fog It Up”, but more ethereal like a Grimes track or a Bjork instrumental bit. Again, it is the blending of multiple vocals, instruments and mutilated sounds that bring me to appreciate this track more than the rest. 

Unrealized Potential:

The insanity that is “I Think I Broke My Finger” kind of leaves you reeling from shock. It is hard to listen to as Abbie screams and hurls odd sounds into your eardrums, but it’s the explosive nature of the sounds that makes it tolerable. AfM has a neat talent to create rhythms with funky sounds, which is what a lot of hyperpop artists have in common. 

My only issue with “What Good Is a Weekend” is that it isn’t long enough. I want so much more of this song so I can enjoy more than the minute long bliss that bumps out of the speakers in this track.

Conclusions:

In short, Abbie from Mars is still brand new on the music scene and the planet. She has potential to grow and the freedom to move around and make some experimentally influential music that can affect new artists. I cannot wait to see how she continues her career and time on Earth.

Categories
Music News and Interviews

Emei “Late to the Party” Song Revi

Lately, I have been starting to compare myself to my peers once again. It was easier during the pandemic since we were all stuck in our houses suffering together. However, this summer almost everyone I know has an internship at some well-known company or has a decent idea of what they want to do with their careers. 

I somehow have always sucked at finding internships or jobs. Of course, it’s not good to compare yourself to others cause we are all on different journeys in our lives. Sometimes it’s just inevitable.

In the song “Late to the Party”, artist Emei feels just that. Imposter syndrome. 

What if I’m doing something wrong. Why is everyone more successful than me. These are thoughts I constantly have that Emei captures so perfectly in alternative pop music. 

The way I encountered this song was through a video of Emei performing this song in the basement of a college dorm building with a band. It’s something about watching music being performed in its raw form that hits so hard. 

My passion for being a scientist is totally different from Emei’s wanting to be a highly regarded musician but the feelings are no different.

The song starts off with the lyrics “Twenty-one without a grammy or degree |  Too bad that’s sad, maybe at twenty-three |  Don’t wanna care how people look at me |  But I still feel late to the party.” 

The sentiments of this song can be applied to most college students and honestly anyone regardless of their age.  No matter what we want to pursue in life, it always feels like even if you don’t care what people think of you, you somehow can’t stop judging yourself. I definitely have moments where I feel late to the party.

A thought I have always had was, that if only I taught myself the guitar at a young age I would have easily been living a lavish life at the age of 20 being able to perform all over the world. This song unfortunately has opened my eyes to the reality that any passion or career you want to pursue takes hard work and sometimes sheer luck.

A verse that stands out to me for that reason is “Sitting on the couch with my friends right now |  Overheard a conversation about how |  Someone from high school just got engaged | While I’m out here making minimum wage | But really I just wanna be on the stage |  Why do I care about people my age?”

Hearing this song feels like Emei took thoughts from my mind. I love this song because it helps me appreciate that everyone our age has experiences like these.

People are always going to be in different stages of their lives, whether they are married or still in school or touring the country.

It’s a song I feel can resonate with a lot of people.

The track itself is alternative pop. The darker pop melody accompanied by Emei’s dynamic and unique vocals makes the song sultry and catchy. With a touch of angst, the whole song comes together so well.

The ending of the song sticks with me even after a couple of listens. The lines “What’s the rush | What’s the rush for?” Repeat over and over. The repetition of the song accompanied by bass keeps things refreshing and leaves you wanting to listen one more time.

If you’re looking for a relatable song and are feeling late to the party just like I am, this song will help you stop feeling alone in your worries.

Late to the party or not, keeping that same passion and determination to achieve your dreams is the way to go.

Check out the music video for “Late to the Party” on YouTube.