Categories
Classic Album Review

Album of the Week: Obituary – The End Complete (1992)

In a word, MASTERPIECE! The Death Metal masters of Doom, Obituary, released their best selling album of all time on April 21, 1992 – The End Complete. While the band’s first two records (1989’s Slowly We Rot, and 1990’s Cause of Death) have their most iconic songs, it is the third album where we find the sound, tuning, style, sludge grooves, and raspy gutterals that have made Obituary, literally, world famous. Over 550,000 copies of this album have been sold world wide. 

When I was little, my first memory of Obituary was when my dad (“The O.G. Metalhead”) was playing Rotting Ways off of this album, and all I could say was, “this is scary!” All of their music has that creepy, eerie, horror vibe. Its like my love for horror movies, only its horror music. And The End Complete capitalizes on that darkness to deliver a truly horrifying 36 minutes and 17 seconds. 

You will not find the usual lyrical content, here, that is the norm for Death Metal. Here, are the roars, screeches, shrieks, gurgles and pure agony as only John Tardy (vocals) can deliver. Layered behind, within, above, and below is the rhythmic hauntings of Trevor Perez (guitar), Allen West (lead guitar), and Frank Watkins (Bass). And the bruising beatings of Donald Tardy (drums) completes the terror. Interestingly, none of Obituary’s albums have warning labels, because there is no cussing or “controversial content.” This, Butcher Crew, is simply the sound of sheer horror! 

The Track Listing will give you a taste of what’s to come:

  1. I’m in Pain
  2. Back to One
  3. Dead Silence
  4. In the End of Life
  5. Sickness
  6. Corrosive
  7. Killing Time
  8. The End Complete
  9. Rotting Ways

Favorite Songs: I’m in Pain ; Sickness ; Rotting Ways

Rating: 10/10!! An Absolute Masterpiece! 

Bonus – Iconic Obituary songs for your enjoyment:

Slowly We Rot ; Intoxicated ; Chopped In Half ; Cause of Death ; Back From the Dead ;

Contrast the Dead ; Redneck Stomp

What are some of your favorite songs off of “The End Complete?”

Stay Metal,

THE SAW

Categories
Band/Artist Profile Miscellaneous

Best of Phoebe Bridgers

Phoebe Bridgers has entered the radar of many indie lovers this year upon the release of her second album “Punisher.” Her diary-like storytelling, sorrowful disposition, smooth vocals, and folky melodies combine to make top-tier indie music. So, join me on my journey to parse out the best of… Phoebe Bridgers.

  1. “Motion Sickness”

What would a Best of Phoebe Bridgers be without her most well known single, “Motion Sickness”? This song, a mild expose of a toxic relationship, is one of her most melodically potent songs, and has a catchier chorus than most of her other works. Despite the upbeat sounding percussion and springy guitar, the song conveys the hurt that Bridgers went through during her relationship and her liberating herself from that hurt.

Favorite Lyric: “You said when you met me you were bored / And you, you were in a band when I was born.”

  1. “I Know the End”

The closer on her sophomore album, “Punisher,” “I Know the End” is one of her more experimental tracks. The song starts out like most of Phoebe Bridgers’ tunes, a soft whisper of longing, but it builds up to be a metal song, complete with blood-curdling screams and heavy percussion toward the end. This ballad about Bridgers’ mental health and struggle with depression is chock-full of noteworthy and breathtaking lyrics, and is by far one of the best album closers I’ve ever heard.

Favorite Lyric(s): “I’m always pushing you away from me / But you come back with gravity” and “Windows down, scream along / To some America First rap country song.”

  1. (cover of) “Friday I’m in Love” by the Cure

This isn’t technically a work of Bridgers herself, but her cover of “Friday I’m in Love” by the Cure is a refreshing take on the hit 90s rock song. Her soft vocals and the calming instrumentals feel like a breath of fresh air after a long day.

Favorite Lyric: “Dressed up to the eyes / It’s a wonderful surprise / To see your shoes and your spirits rise.”

  1. “Kyoto,” “Kyoto (Copycat Killer Version)”

“Kyoto” would be the song I would recommend to anyone looking to get into Phoebe Bridgers’ music. This unusually upbeat track is juxtaposed with lyrics about her rocky relationship with her father. This horn-heavy track is perfect to scream-sing along to in the car with friends, and is my personal remedy for hard days. More recently, Bridgers came out with a strings only version of the song with Rob Moose. This more melancholy take on the song makes the lyrics all the more powerful and is definitely a tearjerker. 

Favorite Lyric: “Born under Scorpio skies / I wanted to see the world / Through your eyes until it happened / Then I changed my mind.”

  1. “Funeral”

This is definitely one of Bridgers’ saddest songs, as it is about the death of a close friend. This song seems to capture the darkness and light of grieving, and the feeling of celebrating a life publicly and mourning a death privately. This duality of grief is perfectly captured in the intro of the song, which starts out with a gritty reverbed electric guitar that flows into a melodic acoustic guitar. This track is one of my favorites from her debut album, “Stranger in the Alps.”

Favorite Lyric: “And I have this dream where I’m screaming underwater / While my friends are waving from the shore.”

  1. “Garden Song”

“Garden Song” is exactly what it sounds like it would be, a melodic and warm song about hopes and dreams– an unusually positive theme for Bridgers’ discography, but a welcome one. This leading single is what drew me to her discography, although not thematically on par with the rest of her music, it most definitely is sonically typical of her work.

Favorite Lyric: “The doctor put her hands over my liver / She told me my resentment’s getting smaller.”

This is merely an overview of my personal favorites, so if you’re just getting into Phoebe Bridgers, by all means don’t stop there. If you’re dying to listen to my picks now, check out this playlist. She has worked on many other projects including Boygenius and Better Oblivion Community Center. She has also collaborated with Fiona Apple, The 1975, Lord Huron and quite a few others throughout her career. Bridgers did just announce on Nov. 10 that she is releasing an EP of songs from Punisher with string instrumentals, which we got a sneak peek of with her releasing “Kyoto (Copycat Killer Version).” Although I am definitely late to the Phoebe Bridgers scene, I am just glad to be here and that I can absorb her artistry.

Check out her website and Instagram!

<3,

Caitlin

Categories
New Album Review

New Album Review: AC/DC – Power Up (2020)

Power Up is the 17th studio album (the 16th released internationally) by the Australian Rock band, AC/DC. Released on Friday the 13th of November, 2020 by Columbia Records and Sony Music Australia. As Back In Black (1980) served as a tribute to the late Bon Scott, so Power Up is a tribute to the late, great Malcolm Young, according to his brother, Angus. 

I know I don’t need to list the members of the band (if you don’t know AC/DC, you’ve obviously been hanging in the Meat Locker too long!), but: Angus Young (founding lead guitarist), Brian Johnson (vocals since 1980), Phil Rudd (drums, `74 – ’83; ’94 – 2015; 2016 – present). Cliff Williams (bass, backing vocals, ’78 – retired in 2016; 2018 – present), and Stevie Young (rhythm guitar, backing vocals) stands in for his uncle Malcolm. In April of 2014 Stevie played all rhythm guitars on Rock or Bust, and had previously played live on 1988’s US Tour. 

Angus explains that he raided the vault for previously unreleased Malcolm Young riffs for Power Up. And you can hear from the differing array of tracks on this record that it spans the entire AC/DC time-frame. “Demon’s Fire” sounds like the old Bon Scott days, with multiple breaks, a main riff that’s interrupted by tempo changes and solos. “Wild Reputation” is reminiscent of “Beating Around the Bush.” Much of the record is the mid-late AC/DC sound, driven by the rhythm section of the band, with Johnson’s stylized voice and Angus’ trademark leads. 

Brian Johnson has not lost a step in his vocal game! His unmistakable sound and style hits on every single song on this album (and every song he’s ever sung, honestly!). There are a few surprises, though; spoken words and tone changes from his patented rasp. 40 years of Rock-N-Roll and race cars may have affected his hearing, but definitely not his vocal power! 

Power Up, of course and without surprise, is an extremely solid record from the veterans. 

Rating: 8.5/10! AC/DC just know how to bring the sound, consistently, for 45+ years!!

Favorite Songs: Witch’s Spell; Demon Fire; Shot in the Dark 

What are your thoughts on AC/DC’s new album?

Stay Metal,

THE SAW

Categories
Concert Review

My Concert Experiences Part 2

Written By Miranda

Check out the TikTok I made that this post is based on. 

Toro Y Moi – 8/10 

This concert was a great one. This was early enough that he was still performing songs from Causers of This. He is a talented artist with great energy live and I’d definitely recommend going to one of his shows (after COVID). 

TV Girl – 4/10 

I enjoy listening to TV Girl occasionally, but honestly most of their discography is monotone and gets dull after a few listens, so the concert was not one of my favorites. I also had an opportunity to chat with the band after the show but they seemed disinterested. 

Halsey – 3/10 

I saw Halsey during some downtime at a music festival a few years ago. It was before her “Closer” debut when she was less famous in the music industry, though she already had a great stage presence. I am not a pop fan so it wasn’t the best concert, plus it was outdoors and there were bees everywhere. 

The Joy Formidable – 7/10

I loved “The Big Roar” in middle school and high school so it was definitely exciting to see the album performed live. These musicians are really talented and the concert was a wholesome one. I recommend giving the album a listen if you have the chance. 

FIDLAR – 9/10

FIDLAR was one of my favorite bands when I was in high school, so it was amazing to see them live. The energy was great, the performance they gave was incredible, and it was one of the best concerts I’ve ever been to. I would love to see them live again.

Categories
Non-Music News

We, the Pack Project: Community Building at NC State

I’ve recently been granted the opportunity to be a part of We, the Pack, a campus project at NC State that aims to bring a sense of unity to our school through conducting interviews with members of our community! If you’re having a hard time picturing what We, the Pack is all about, imagine Humans of New York but only on NC State’s campus.

These interviews typically consist of questions related to personal goals, interests, and experiences. After the interviews are completed, our team shares them over social media, along with portraits of the interviewee. Our goal with this initiative is to help encourage more empathy and understanding through sharing the diverse experiences that weave together the fabric of our community.

The project originally came into being in the fall of 2019 as an extension of the Caldwell Fellows, a scholarship program at NC State dedicated to service leadership. I’ve have had the privilege of being a member of the Fellows this year, so I was able to continue the project this semester, along with several of my peers.

In 2019, when the project originally started, it looked a lot different than it does now. Before, the team members went up to random people around campus and asked them if they had 15 minutes to spare for an interview. Now, of course, we are unable to do that because of COVID and the limited number of people actually on campus, but the project is still meaningful nonetheless! We are able to conduct both Zoom and socially distanced in-person interviews.

Now, because reaching out to people has been more difficult, the We, the Pack team needs more people to interview! If you’re interested in getting involved and promoting kindness in our campus community, email the team at wethepackcf@ncsu.edu.

Follow the We, the Pack Instagram, and stay tuned for interviews!

– DJ Butter

Categories
Band/Artist Profile Classic Album Review

New Music Alert: Mamalarky

Warning, warning, the music you are about to hear may cause ambient waves of tranquility and soothe the inner tension in your soul. 

It’s time for another album review. This week we have a self-titled album by Mamalarky, a new band from Austin, Texas. Quite honestly, I listened to the first track on the album and already knew that this was going to be a hit. For a little bit of comparison, Mamalarky sounds like a sister band to Crumb. A concert with the two of them would be mind-blowing and would probably send my mind to another planet. On their website, Mamarky describes themselves as “down to water your houseplants while you’re out of town and plot an elaborate revenge on your high school bully. Mamalarky is a campfire song for American Idol rejects and a somber soundtrack for the months leading up to your next breakup. They are exactly what you’d expect in an increasingly sentient robot’s dream journal.” Honestly, I couldn’t have put it better myself. 

My favorite songs from the album include “You Make Me Smile,” “Schism Trek,” “Drugstore Model,” and “Don’t Laugh at Me.” The thing I love about listening to their music is that the vibe does not change with the tempo of the music. While some songs may be much slower than others, it still holds the exact same energy as the fast paced songs, making listening to the album all the way through much easier. Mamalarky’s music is reminiscent of a walk on the beach at night or sitting on a porch while listening to a gentle rain. It’s tender, soothing, and ambient, and makes for a great addition to any playlist. 

Hope you guys enjoy the music
-The DJ Formerly Known as “Chippypants”

Categories
New Album Review

Yaeji: “WHAT WE DREW” Review

MIXTAPE: “WHAT WE DREW” by Yaeji

RELEASE YEAR: 2020

LABEL: XL Recordings

RATING: 9/10

BEST TRACKS: “WHAT WE DREW,” “WAKING UP DOWN” and “THESE DAYS”

FCC: EXPLICIT

Yaeji dropped her first full-length mixtape, “WHAT WE DREW” this April. Before the mixtape, she released some of my favorite songs like “Raingurl” and “Passionfruit” under the eps “EP2” and “Yaeji” in 2017. The music video for “WHAT WE DREW” is SO cute. It includes snippets of her and her grandfather walking and chatting as well as her and friends. It’s so genuine and heartwarming and I think it really sets the tone for the “WHAT WE DREW” mixtape. 

I highly recommend watching the music video before listening to the mixtape if you haven’t already. The mixtape is so calm with her sweet lyrics and that classic Yaeji synth and quick bass. It is so uniquely her sound. “WAKING UP DOWN” reminds me a lot of Sassy 009’s “Maybe in the Summer,” (another banger). Some of my favorites from the album have to be “WHAT WE DREW,” “WAKING UP DOWN,” and “THESE DAYS.” “THESE DAYS” reminds me a lot of Blood Orange. 

I feel like this would be a great mixtape to do work to. Its rhythm and pulsating beat make you want to move or be productive. I listen to this a lot when I sew 🙂 

I highly recommend the mixtape and hope you all will give it a little listen the next time you’re making something, driving, or need some motivation. 

Enjoy 

Xoxo 

-Gab

Categories
Playlists

Playlist of the Week

The semester’s almost over, so what better way to celebrate than with a sick playlist from the WKNC blog! It’s pretty upbeat, filled with surf rock favorites, indie jams, and a few fall 70s ballads slipped in. Without further ado, here are this week’s favorites!

  1. Look So Good, Be So Good – The Shivas: This song popped up on my Spotify Discover Weekly and I immediately fell in love. The Shivas have only been around since 2006, but their garage rock feels like it’s straight from the 60s.
  2. Witchy Woman – The Hollies: My friend, who actually works at WVCW 102.9 at Virginia Commonwealth University, and I always call each other “witchy women” but for some reason, I had never heard this song until last week. This definitely should’ve made my Halloween playlist, but I think it’s never too late for some spooky tunes.
  3. Bullwinkle Part II – The Centurions: If you’ve seen “Pulp Fiction,” you’ve heard this song in all its glory. The Centurions only released one album, “Bullwinkle Part II,” in 1963, but their hit single is heralded today as an anthem from the classic Quentin Tarantino film.
  4. Western Playland – Holy Wave: This song is just a fantastic example of how laid back psychedelic rock can be. I love how relaxed “Western Playland” is and how it just makes you want to sway back and forth.
  5. Blackberry Jam – Allah-Las: Allah-Las, one of the more popular surf rock bands out there right now, has an entire “jam” series off of the soundtrack of “Self Discovery for Social Survival,” a documentary about surf culture and music. The song “Blackberry Jam” is joined by “Raspberry Jam,” “Boysenberry Jam,” “Blueberry Jam,” and “Mulberry Jam.” All are tinged with the sunny rock Allah-Las is known for.
  6. No Other – Gene Clark: I cannot stop listening to this song. For me, it was one of those tracks that was subpar at first but then morphed into one of my favorites after a few more listens. Gene Clark, most recognized for his role as lead singer for The Byrds, also had a successful solo career. This song is off his most well-known solo album, “No Other.”
  7. Pipeline – Stevie Ray Vaughn & Dick Dale: During my set, a very enthusiastic man called the station phone and requested anything Dick Dale and I couldn’t be happier to oblige. This song has to be one of my favorites from the OG king of surf rock.
  8. Surf De L’amour – Messer Chups: Messer Chups is a super interesting band. Originally from Russia, they somehow combine horror punk, surf music, and rockabilly. This song is definitely a testimony to their ability to infuse spooky vibes into their music.
  9. Docweiler – Mystic Braves: I feel like I have a Mystic Braves song in almost every single playlist I make for the blog, but I just can’t help myself. I truly have never heard a song I don’t like from them.
  10. Catfish Blues (BBC Session) – Jimi Hendrix: I could GUSH about my love for BBC Radio Sessions from the 60s and 70s, but I’ll save that for another blog. The Jimi Hendrix Experience’s BBC Session album is one of my personal favorites because of how playful and authentic they are. In this version of “Catfish Blues” (originally written by Robert Petway in 1941), Jimi seamlessly infuses the classic “Rollin’ and Tumblin'” into the blues ballad. Mitch Mitchell has an incredible drum solo at 3:28.
  11. T.M. – Jack Kilmer: This short little guitar piece, performed by actor Jack Kilmer in the movie “Palo Alto,” is so soft and nostalgic. It’s one of those songs that makes you want to look out the window in the backseat of a car and pretend like you’re in a movie.
  12. Moonlight on the River – Mac DeMarco: As we reach the end of the playlist, I wanted to throw in a familiar classic for all of our Mac DeMarco lovers out there. This song is one of the most comforting and soft I’ve ever had the pleasure to hear.

Tune in!

– DJ Butter

Categories
Band/Artist Profile

Great Bands From the Land Down Under

Recently I have been getting into Australian music. I couldn’t tell you how or why, but I just have. And the one thing that I have noticed is that no matter what band it is, it usually has a distinct Australian sound to it that just makes it stand apart from American music. It’s bouncy and almost tropical sounding, with a hint of fear from the local wildlife. So without further ado, I would like to present my favorite bands from the other side of the world. 

Tash Sultana
This is a one person band from Melbourne, Australia. Tash’s story is the classic tale of a DIY bedroom studio singer/songwriter gone pro. Their music is truly unique and makes you feel as if you were travelling to another world in a dream. My favorite songs by them are “Jungle”, “Big Smoke”, and “Talk it Out.” 

Bootleg Rascal 
This band formed in Sydney all the way back in 2013. I would classify this as a mix of hip-hop and indie. This is one of those bands where the vocals just perfectly fit the beat. The lead singer’s voice just the right mixture of passionate and raspy and he belts out psychedelic rock- esque lyrics. My favorite songs are “Overflow”, “Drop the Gun”, and “Prosperity”. 

Sticky Fingers 
So, fun fact, the band Sticky Fingers is actually friends with Bootleg Rascal and has a song named after them. Even more of a fun fact, it’s by far my favorite song by them. Their music sounds like if Tash Sultana got into psychedelic rock. Other great songs by Sticky Fingers include “How to Fly” and “These Girls”. 

Mako Road
This is definitely my favorite on the list. With their bouncy guitar riffs and excellent rhythm, Mako Road is the perfect representation of “Australian Music.” My favorite songs from this band include, but are not limited to, “The Green Superintendent,” “Teenage Lucy,” “All We Need,” and “The Sun Comes Up.” 

Tame Impala 
Have you guys heard of this band? They’re super underground and like so indie. You probably haven’t heard of them to be honest it’s pretty alternative music. Sorry, I had to include them if we were talking about Australian Bands. Irony aside, Kevin Parker is still an incredibly talented musician.  

Hope you guys enjoy the music, 
-DJ Chippypants 

Categories
New Album Review

The Angel You Don’t Know Review

Written By Miranda

My favorites: LEAVE ME ALONE, HELLZ ANGEL, 3AM 

Listen if you like: Ajebutter22, WizKid, Obongjayar 

Amaarae, a Ghanaian American R&B musician, released her first album yesterday: “THE ANGEL YOU DON’T KNOW.” Amaarae is a groundbreaking artist, focusing much of her music on gender and representation. Her first EP, “Passionfruit Summers,” was well-received by fans in Ghana and worldwide, gaining rankings on Apple Music. Amaarae is also interested in fashion and makeup as obvious by visiting her Instagram @/amaarae and her online appearance in Vogue magazine. Amaarae is an activist for feminism, gender identity, LGBT rights, and most recently the campaign to end SARS. LGBT Ghanian citizens face discrimination and violence, but Amaarae is vocal about the rights of these individuals, and we see this reflected in much of her art. 

The album seamlessly glides between different genre influences including Afropop, R&B, mall rock, dancehall, and more. Amaarae connects popular Afropop with western styles of rap and R&B to create a tantalizing combination of sound that you’re sure to love. In a press release about the album, Amaarae said: 

“With this new project, this new chapter in my musical journey, I feel so incredibly alive. I strived to colour outside of the afro-pop parameters and re-define for myself what it means to create African music. Sonically, visually and spiritually my message is stronger than ever. I feel like the true me has resurrected and it’s only going to get more insane from here.” 

And re-define music she sure has. The 14-track album dives deep into social commentary, consciousness of global issues, and themes relevant to any young adult through wispy, light vocals contrasted against tougher-sounding rap verses. Listening to the sequential tracks, “TRUST FUND BABY” and “HELLZ ANGEL” best exemplifies this interesting contrast. The album exudes confidence and ambition, and especially as a debut album it definitely delivers something amazing. Give it a listen and definitely keep an eye out for Amaarae’s continued rise to relevance in the alternative/rap/R&B circles.