Categories
Playlists

Friday Favorites (3/19)

Written by Miranda

MANGO (Remix) [ft. Adeline, Masego] – KAMAUU

The Masego remix of KAMAUU and Adeline’s gorgeous single, MANGO, adds an extra special layer of appeal. Masego’s vocals added to this track is just what it needed to make it an instant replay every time.

Good Girls (Don’t Get Used) – Beach Bunny

Pretty bedroom pop meets surf rock in this new Beach Bunny EP. This opening track is so catchy, it’ll stay in your head all day. I can’t get enough of this band and especially this song.

SHELTER (ft. Wyclef Jean, Chance The Rapper) – VIC MENSA

VIC MENSA takes on a whole new style in this new single. Raw lyricism and relevant themes including COVID and Black Lives Matter makes for a beautiful track. Chance The Rapper and Wyclef Jean’s additions to the song just add to the appeal.

Think About It – Verzache

Verzache’s new album is everything an anti-pop lover looks for. Chill enough for your daily car ride but upbeat enough to keep you coming back for more.

Trophy – Crumb

A dreamy, chill song to invigorate your morning. If you like Crumb, you’ll love this new single.

Listen to this week’s Friday Favorites, as well as my favorites from past weeks, on WKNC’s Spotify.

Categories
Concert Review

I went to a COVID-safe concert after one year without any live shows

Yes, you read the title right. “In the middle of a pandemic?!”, you may ask. I would have had the same reaction if I were you. As someone who takes COVID very seriously, I can assure you that the show in question was safe — and that it was far from being your typical gig experience.

A friend of mine told me a while back that her partner plays the bass in a band. “It’s too sad we won’t get to see any of his live shows together while you’re here”, she said, sad to see how COVID was ruining the American experience for a French girl like me. I didn’t think much about it until recently, when North Carolina officials announced that venues could re-open at 30% of their capacity. My friend instantly reached out to me and told me tickets were going to be sold for her partner’s band Tumbao’s show at Pour House Music Hall on Mar. 5, 2021. “They’re only allowing the venue to open at 19% capacity just to be extra safe, so we have to be quick to get tickets!”

Long story short, we got the tickets. I was both ecstatic to see live music again after a year and skeptical regarding how safe the venue would really be. We ended up receiving very clear instructions before the show: wear a mask, arrive with your entire group before you get seated, only leave your table to go to the restroom, order drinks through a QR code. Typical guidelines, but here was my favorite COVID-related instruction: “We have limited space and a very specific seating layout to adhere to covid distancing guidelines. Feel free to stand at your seat and wiggle those hips and shake those booties, but we ask you stay in place and save those wild dance moves for another day.” The absurdity of being told not to stand or dance at a concert was proof that no one was going to expose themselves to COVID that night. We were allowed to drink under our double layer of masks and stare at the musicians for one hour and a half — and that’s already a lot, considering that I didn’t think I would get to see any concert before 2022.

The venue was… empty. There were people at every table they had set up, but the venue looked empty. I was seating upstairs and had an overall view of the audience. A young couple, two guy friends, another young couple, an older couple — that’s all I could see from where I was seating. The tables were all between 6 and 12 feet apart from one another. It felt like I was attending a secret underground show held under the Prohibition in the 1920’s, except it was 2021 Downtown Raleigh and everything happening at Pour House that night was perfectly legal. I know I make it sound like it was a dull experience — it wasn’t — but I just want to make sure that everyone reading this knows the venue did everything it could to keep us safe.

Now that I’ve made it clear that Tumbao’s show was COVID-safe, let’s talk about how fun it actually was. I had no idea what kind of music the band was going to play that night — I didn’t look them up on Google before the show to keep it a surprise. Their Facebook bio describes them as “a New, Fresh Latin-infused Funk, R&B, Jazz & Rock head turnin’ blend”. Well, from what I saw live, I can tell you that their music is indeed a blend of Latin, Funk and Rock music; it’s fun, fast-paced, uplifting and would make even the shyest person in the room want to dance the night away to their rhythmic beat. The guitarist was celebrating his birthday that day, and I’m pretty sure that getting to play a live show in the middle of a pandemic is probably the best birthday gift any musician could ask for. Turns out that the girl from the young couple in the front row was celebrating her birthday that day, too. “Pisces!”, she shouted, and I couldn’t help but smile. How I had missed the surreal one-word conversations one can only witness between an audience and artists on stage. The band played a Latin-Funk version of “Happy Birthday” right after, and everyone in the audience sang in unison.

I stayed at my seat the whole show, just enjoying the music and drinking my local craft beer, but the two couples downstairs would dance whenever they could. Don’t worry, they had their masks on the whole time and stayed at least 6 feet away from everyone else. They were “wiggling their hips” and trying to pull off moves mixing rumba and waltz while still standing at their assigned seats. Everyone else at the show was seated the whole time, so both of their romantic dances were, in addition to being very cute to watch, safe, although barely compliant with Pour House’s guidelines. The whole time I was listening to the music, I couldn’t believe I was there. Live music. Instruments. A band on stage. I could mostly see the bassist and the drummer from where I was seating, and I still couldn’t help but think: is this concert even real? Yes. Yes it was. It was amazingly real. At some point, I got so lost in the music that I almost forgot that I was wearing two masks and that I was sitting in an almost empty venue. My body had been craving the sensations of live music for too long, so I let myself feel them all fully. The band ended the concert by playing a Latin cover of “Electric Feel” by MGMT, and everyone screamed the lyrics along, just like in the good old days pre-COVID. The last thing I remember about the concert is another friend of ours at the show telling us, “I have a Pour House gift card I’ve been waiting to use for a year now, so drinks are on me.” Free drinks at my first gig in forever. What a way to end this surreal night.

– Lise Nox

Categories
DJ Highlights Miscellaneous New Album Review

What I’m Listening to This Week

Does your weekly song rotation need an update? Well I’m here to help. Trust me, I know how easy it is to get stuck in a cycle of listening to the same few songs from the same genre on repeat, however breaking out of this routine feels so good once you start to find some new music. So here is my list of new finds for the week. 

“Trophy” by Crumb 
Crumb has such a unique, lovable style. You could pick out a song of theirs from a playlist with ease. With their wavy guitar riffs and distorted lyrics, Crumb’s music always transports me to a dreamscape. 

“Whisper (Want My Love) [feat. Steve Lacy]” by Patrick Paige II 
This new song is made by Patrick Paige II, one of my favorite members of The Internet. He and Steve Lacy blend together perfectly on this track as they complement each other’s styles. 

“Silver Lining” by Mount Joy
Ok this is definitely an older one, but I was recently reminded of its existence and honestly I’m at the perfect time in my life to where this song finally makes sense. Even if this semester isn’t turning out as planned, there’s still a silver lining in everything. 

“Sign Here” by Doohickey Cubicle 
I love the constant flow of this song. It’s relaxed yet upbeat; subtle but still has a lot to say. Something that I’d dance to while sitting down. It’s perfect. 

Other honorable mentions include “Never Gonna Give You Up” by the Black Keys, “Small Worlds” by Mac Miller, “Black Magic Woman” by Santana, and “Long Distance” by the Districts. 

Well that’s all for this week, hope you guys enjoy the tunes 
-The DJ Formerly Known as Chippypants 

Categories
Playlists

The Art of the Musical Cover

One of my favorite aspects of music as an art form is that it inspires more music. It’s safe to say that every artist or band has once been inspired by someone else, and a clear way to show respect for a song or artist that you love, is by covering them. Covers, sometimes, can even become more popular than the original, as can be seen with Whitney Houston’s famous cover of “I Will Always Love You,” originally by Dolly Parton. No matter the context, I love covers, so here are some of my favorites. 


“Swingin Party” covered by Lorde (originally by The Replacements)

Lorde, one of my favorite pop artists, loves bringing theater and drama into her music, which can clearly be seen in her cover of “Swingin Party.” This cover is perfect in so many ways, but perhaps my favorite quality about it, is that it fits so beautifully into her album, “Pure Heroine (Extended).” It takes a lot of skill and mastery for an artist to truly make a cover their own, but I think Lorde does an exemplary job of doing just that.

“Tim McGraw” covered by Maggie Rogers (originally by Taylor Swift)

Maggie Rogers puts a beautiful folk-pop touch on this originally country tune. Like Lorde, Maggie Rogers does an excellent job of making “Tim McGraw” her own. This cover is a Spotify Single, which is a series that Spotify does where they let an artist do a live version of one of their own songs, as well as a cover of a song of their choice. This cover came out in 2018, and I’ve loved it since.

“Say It” covered by girl in red (originally by Maggie Rogers)

Speaking of Maggie Rogers, girl in red did a Spotify Studio cover of “Say It” by Rogers. She puts a rock spin on the once folk-pop song, by making it more up-tempo (she shaves almost a minute off of the song) and adding more percussion and guitar. This cover was released in May of 2020, and was on repeat for several months of quarantine.

“Across the Universe” covered by Fiona Apple (originally by The Beatles)

Fiona Apple covered “Across the Universe” for the “Pleasantville” (1998) soundtrack, a movie starring Reese Witherspoon and Tobey Maguire. I’ve been on a Fiona Apple kick for the last year or so, and when I discovered she had a cover of one of my favorite songs of all time, I was ecstatic. She doesn’t change much from the original, and it’s so lovely and dreamy. Her cover is just over five minutes long, but it floats by in an instant. 

“Such Great Heights” covered by Iron & Wine (originally by The Postal Service)

Even though “Such Great Heights,” by The Postal Service has over 100 million streams on Spotify, I still believe it’s an underrated love song. Iron & Wine puts an acoustic spin on this electronic track, making it all-the-more touching and intimate. Like much of Iron & Wine’s discography, this song feels like a warm hug on a rainy day.


I adore all of these songs and the originals as well. I have an entire Spotify playlist dedicated to these, titled “covers and their counterparts,” which I would love for you to check out. 

Until next time,

Caitlin

Categories
Miscellaneous

Why Does Everyone Cover Gloria?

“Gloria” is a 1965 garage rock song by Van Morrison originally recorded by his then-band Them. The song is extremely simple, basic even. It consists of three chords on a loop, multiple verse-like ramblings, and a chorus containing exactly one word. The song is amateurish even by 60s garage rock standards, and it’s not exactly high in the pantheon of British Invasion hits. However, there is one thing about the song that might grab your attention. It’s been covered by everyone, and I mean everyone.

Immediately after release, it was covered by a slew of nearly identical British bands with names so stupid I refuse to believe they’re real, including but not limited to: Shadows of Knight, The Boots, The Gantz, The Fruit Eating Bears, The Human Beingz, The Belles, The Other Half, The Wheels, The Deejays, Thee [sic] Midnighters, The Chellows, and my personal favorite King Beezz. This doesn’t even scratch the surface of cover versions by actual famous people including The Doors, The 13th Floor Elevators, Jimi Hendrix, multiple reworkings by Van the man himself, David Bowie, AC/DC, U2, John Cougar Mellencamp, Rick Springfield, The Tragically Hip, Tom Petty, Billie Joe Armstrong, Bill Murray feat. Eric Clapton (yes really), not to mention countless covers by the guy who insists on bringing his guitar to your party.

This rather impressive list of artists would make more sense if the Them version was, you know, good? Your mileage may vary as to how much you can enjoy the original song, but to me personally, it’s no “You Really Got Me.” It’s structureless, tuneless, and a little creepy. So, returning to the title of this article, why does Gloria persist in our cultural memory? The easy answer is that it’s Wonderwall-easy to play on guitar, and the singing features nothing resembling notes one might be expected to hit, but a more honest answer is harder to come by. Simplicity is certainly one aspect. Decades of prog bloat and studio recording have long severed Rock’s original tether to the blues, and Gloria is a fun throwback to those early days. Another is the versatility; the song can be adapted to almost any style as long as it’s energetic. The sing-along elements of the chorus certainly help as well. And then there is Patti Smith.

Patti Smith’s 1975 song “Gloria: In Excelsis Deo,” is a brilliant song. A heavily reworked cover version of the original Gloria, it’s so far removed from the original song that I hesitate to even call it a cover, it’s more of an adaptation. Smith stays true to the spirit of the original song, but mostly discards the body, and in doing so she reveals what really makes the song work, and why it endures. The song, ostensibly about sex, is given a greater sense of nuance by Smith’s alterations. The famous line “Jesus dies for somebody’s sins but not mine,” reveals the emotional core behind Rock’s macho posturing. The desire for freedom and empowerment, the spiritual tension, all conveyed in six letters,

“G-L-O-R-I-A.”

Categories
Classic Album Review

Album Review: Punisher – Phoebe Bridgers

ALBUM: “Punisher” by Phoebe Bridgers

RELEASE YEAR: 2020

LABEL: Dead Oceans

RATING /10: 10 – an emo-folk masterpiece

BEST TRACKS: “Moon Song”, “Halloween” and “ICU”

FCC: (none)

Phoebe Bridgers got nominated in March 2021 in the Spotify Awards as “Best New Artist of 2021”, and as someone who’s been a fan of her music ever since her first album came out, I thought I’d write something about her second album “Punisher”, which led her to slowly but surely rise to the success she’s always deserved. If I had one dollar for every time I’ve cried listening to Phoebe Bridgers, I’d be filthy rich by now. If you’re not familiar with her music, let me try to describe it metaphorically for you. While Phoebe’s first album “Stranger In The Alps” sounded like a quiet whisper coming from the French mountains, “Punisher” sounds like a mellow cry for help coming from the nocturnal abyss of the desert. That’s the closest I can get to describing her style, which fits into the folk, indie and emo genres all at the same time. Each song off the album perfectly renders her emo-folk apocalyptic universe: low reverbed notes, a slow strumming of the guitar and Phoebe’s soft voice as an echo — that’s how “Punisher” sounds like as a whole. The only songs that are not quite like the others are surprisingly “Kyoto”, which has been her most famous single off the album, and “Graceland Too”. While every other song makes me want to curl up under a blanket and stare endlessly at the ceiling, “Kyoto” is more on the upbeat and fast-paced side, and the banjo in “Graceland Too” makes for a really great country-folk ballad.

That being said, if you really want to appreciate Phoebe’s music, pay attention to the lyrics. As far as I’m concerned, I could spend hours reading about “Punisher”’s lyrics on Genius. If you look into it, you’ll quickly realize that what sounds like your regular sad folk song actually depicts obscure stories about drugs, death, dead relationships and Phoebe’s existential crisis – all at the same time. The album cover matches perfectly what she writes about: Phoebe is standing alone in the desert in a skeleton suit, bathing in bright red light, while the world around her is engulfed in dark blue.  In an interview with “Our Culture Mag”, Olof Grind, the Swedish photographer behind the cover, describes Phoebe as “standing completely still, waiting to be beamed up by aliens” and it reminded me instantly of “Chinese Satellite” where she mentions wanting to believe in extraterrestrial life: “I look at the sky and I feel nothing / You know I hate to be alone / I want to be wrong”. Phoebe is desperately looking for “a new place to be from” (“I Know The End”) by staring at the stars in the sky, but can hardly bring herself to believe in anything supernatural.

What fascinates me most about Phoebe is her ability to incorporate contemporary poetry techniques into her songwriting, by bringing together completely unrelated themes in a way that feels oddly normal. “Always surprised by what I do for love / Some things I never expect / They killed a fan down by the stadium / Was only visiting and they beat him to death”. These lines from “Halloween” correlates codependent tendencies with the literal murder of a hooligan after a game, and while it doesn’t really make sense, it somehow does. Passion and death always seem to find their way back to each other in Phoebe’s universe.

I firmly believe you have to listen to “Punisher” as one long poem to truly get its essence. If this is your first time listening to this album, I would recommend playing the songs in order and listen to each one of them until the very end. It’s the only way you’ll be able to fully indulge in their melancholy. However, if you’re looking for a specific song to drown your sadness in, “Moon Song” struck me as one of the most heartbreaking song on the album. “You couldn’t have / Stuck your tongue down the throat of somebody / Who loves you more / So I will wait for the next time you want me / Like a dog with a bird at your door” – these lines crushed me instantly when I heard them for the first time, and they still do even after my 100000th time listening.

 Saying that “Punisher” is one of my favorite albums of all time would be an understatement. Listening to Phoebe strumming the guitar and singing about dead relationships, supernatural entities and the end of the world strangely makes me feel safe, like I’ve found a home in her peaceful yet dark post-apocalyptic universe. If you haven’t listened to “Punisher” yet but plan to, let this be your final content warning: you can let Phoebe sing you to sleep, but you must expect her to come haunting your dreams afterwards.

  • Lise Nox

Categories
Classic Album Review

Classic Album Review: Sixtape

ALBUM: “Sixtape” by Bino Rideaux and Blxst

RELEASE YEAR: 2019

LABEL: Evgle/Out The Blue Records

RATING: 9/10

BEST TRACKS: “Bacc Home,” “Selfish” and “Savage”

FCC: Explicit Album

Imagine this scenario. You are driving down the street with your windows rolled down. The sun is out but a cool breeze creates the perfect temperature for outside. You cut the radio on and you are looking for an album that fits this feeling. Sixtape is the album that does just that.

Hailing from Los Angeles, California, Bino Rideaux and Blxst are two quickly emerging artists that are gaining a buzz for their alluring sound. Sixtape was an opportunity for these two seemingly different artists to come together and show how well their styles mix with ease. With all six songs from the project produced by Blxst himself, each song offers smooth rhodes chords coupled with hard hitting drums that create a euphoria similar to the first day of Summer. Stacked on top of this includes witty bars from Blxst and Bino’s butter smooth vocals and hooks. The album tempo even provides high energy and relaxing sonics that make it easy for someone in any mood to begin bobbing their head the moment the radio gets turned up.

This project can easily be considered a classic and is a great starting point for a listener who is trying to get more into either artists’ music. It certainly grows on you the more you listen and has definitely found its way into my daily soundtrack. A potential sequel has also been teased for fans who are watching these two artists grow to stardom. What is in store? We’ll have to stay tuned.

-Nate

Categories
Miscellaneous

Musicians and Their Pets

Written by Miranda

Everyone has a special relationship with their pets, and musicians are no exception. As fans it’s heartwarming to see our musical idols caring for and loving their pets. Check out these five musicians who adore their pets.

2 Chainz and Trappy

Trappy is a bulldog 2 Chainz adopted in 2015. Trappy and 2 Chainz together co-host “Most Expensivist” where the two try extremely rare and luxury items. 2 Chainz continuously spoils Trappy, including in 2017 when he ordered a $15,000 birthday cake for Trappy. See more pictures of Trappy and 2 Chainz on his Instagram, @trappygoyard.

Thundercat and Turbo Tron

Thundercat’s pet, a cute little cat, is named “Turbo Tron Over 9000 Baby Jesus Sally Uzi Clip.” Thundercat rescued Turbo Tron as a tiny kitten and immediately fell in love with her. In an interview with Pitchfork, Thundercat reminisced about bringing Turbo Tron to an Odd Future pop-up shop inside his hoodie pocket. 

Greta Kline and Joe 

Frankie Cosmos’ Greta Kline adored her dog Joe, who is featured on the “Zentropy” album cover. Kline said in an interview that many of her early songs featured Joe in the background. Sadly, Joe passed away, but Kline dedicated much of the “Zentropy” album to Joe. 

Mitski and Midori 

Mitski adopted her kitty Midori when she was in 7th grade. Her now-senior kitty is loved and spoiled by Mitski. She says Midori adores food and warmth, but that “there is no love in a cat’s heart.” 

Phantogram and Leroy Brown 

Currently the Phantogram duo is enjoying their quarantine by spending it with their puppy Leroy, who is a Yorkie/Maltese mix. Leroy is a rescue pup who often joins Phantogram on tour. You can see more cute pictures of Leroy on Instagram, @leroythegoodboy.

Categories
Classic Album Review

Album Review: 3.15.20 by Childish Gambino

ALBUM: “3.15.20” by Childish Gambino (Donald Glover)

RELEASE YEAR: 2020

LABEL: Sony Entertainment

RATING: 10/10

BEST TRACKS: “Algorythm,” “12.38” and “42.26”

FCC: Not Clean

This album was gifted to Childish Gambino fans when we needed it most. Released right at the start of quarantine, this album was largely forgotten because of the unfortunate timing. But as I mentioned before, it was a real treat for those of us craving some much-needed musical escapism.

“3.15.20” is largely comprised of a mish-mash of unofficially released singles, the most notable being “42.26,” otherwise known as “Feels Like Summer.” However, there are a handful of songs that were made specifically for “3.15.20.” “Algorhythm,” a terrifying electro-funk ballad, is my personal favorite. It really shows Glover’s tendency to manipulate sound in unique ways. On the more poppy side of things, “12.38” featuring 21 Savage and Kadhja Bonet is an absolute masterpiece. I am in love with 21’s part, with its hitting lyrics and striking snares. Kadhja’s interjecting vocals add an element of depth to the upbeat track too.

The sound that Childish Gambino creates in this album transcends anything he’s done before. His use of autotune and layering makes each song feel so atmospheric. Sometimes when artists rely on autotune it can feel forced and unoriginal, but the way Donald uses it only adds to the vocal talent he naturally has. For example, in “24.19,” his ability to switch seamlessly between his pure voice and a more synthesized sound is impeccable.

“3.15.20” has all of the soul that “Awaken, My Love!” does, but with a darker twist. It’s clear that Donald’s experimentation reached new levels in this album. If you haven’t heard it already, give it a listen!

– DJ Butter

Categories
Miscellaneous

Binaural Beats & Wellness

Do you ever find yourself listening to music while trying to study, and then realize you’re just jamming instead of actually paying attention?

Music can be beneficial in so many circumstances. If you’re like me, doing homework unfortunately isn’t one of them. I spend waaayyyyy too long trying to find the perfect playlist and switching back and forth between songs. However, I love the feeling of having background sounds to block out my noisy household.

Last year, I stumbled across this app called “Relax Melodies” that lets you create white noise mixes with jungle sounds, rain, and other calming tones. What I didn’t appreciate about the app until recently was their “brainwave” noise section. Filled with these magical sounds called binaural beats, they stimulate brain waves that help with creativity, sleeping, and meditation. When I tried adding the “focus” beat underneath some tranquil sounds of peeper frogs and crickets, I found that my productivity skyrocketed. I could concentrate for much longer and the distractions around me seemed to fade away. It was amazing!

This spontaneous success led me to wonder how binaural beats work in the first place. Basically, it’s like an optical illusion for your ears. A binaural beat is actually two beats operating at different frequencies. When your brain detects these frequencies, it naturally synchronizes to the two of them, which results in a singular tone.

For example, the “theta” brainwave would include one tone at 205 Hz and another at 200 Hz, leaving behind 5 Hz. This specific beat is supposed to help with deep sleep and relaxation. In total, there are five different waves that the brain detects, each with its own specific benefits: delta, theta, gamma, alpha, and beta.

Though there hasn’t been much research on binaural beats, the studies that have been completed are optimistic. If you’re interested in trying them out, there are tons of YouTube videos and apps that can help you out!

Here’s a link to the one I use. Happy listening!

– DJ Butter