Categories
New Album Review

Heaux Tales Review

Written By Miranda

My favorites: Lost One, Girl Like Me, Bodies – Intro 

Listen if you like: SZA, Summer Walker, H.E.R., Jorja Smith

Jazmine Sullivan, typically most well-known for her hit 2008 single “Bust Your Windows” has again created new music worthy of our attention. Since her 2008 “Fearless” which earned her seven Grammy nominations, Sullivan has only released two full-length projects before “Heaux Tales.” However, she has performed many notorious features with artists such as Goldlink and Bryson Tiller. “Heaux Tales” has quickly risen to the top of R&B charts – for good reason. 

“Heaux Tales” perfectly encapsulates all the talents Sullivan offers: versatility, depth, and realness. Sullivan’s purpose? Portraying “today’s women standing in their power and owning who they are.” She delves into relationship issues, love, and sex while utilizing the stories of other women as anecdotal tracks throughout. Sullivan navigates these topics with care and honesty, making each track delectably real and showing off the conflicts brought about by being a woman in the 2020’s. Sullivan’s “Heaux Tales” contains a mixture of catchy rhythms with Sullivan’s velvety vocals. She also features several artists which complement her style well including Anderson .Paak and H.E.R.. The album features prior-released singles, “Lost One” and “Pick Up Your Feelings,” released in 2020; and released in 2021, “Girl Like Me (feat. H.E.R.)”. The most popular song from the album currently is “Pick Up Your Feelings.” This song is catchy and playful, but meaningful. Sullivan discusses getting cheated on and how she “doesn’t need it” and deserves better. I know that’s true. “Lost One” is emotional and raw. Sullivan reflects on losing a good relationship: “And if it’s too late, I understand/Sometimes it’s too late to make amends.” Another notable track is the last one on the album, “Girl Like Me” which features vocals from R&B artist H.E.R.. The song follows a woman after a breakup rejected by her lover. The vocals include soft, beautiful harmonies; Sullivan and H.E.R. play off of each other’s energies beautifully. 

I highly recommend giving this album a listen, especially the three pre-released tracks which showcase the versatility that makes Jazmine Sullivan so appealing as an artist. I predict Sullivan to rise to ranks of other female R&B artists like SZA and Jorja Smith in the coming year. 

Categories
Band/Artist Profile

Artist Spotlight: Goth Babe

Recently I’ve been getting into a new favorite band called Goth Babe. As a dreamy combination of surf rock and indie pop, they have quickly made their way to the top of my charts. Goth Babe is really just one man named Griff Washburn, who lives the life every indie teenager today dreams of. Griff lives out of his camper truck in the Pacific Northwest, passing the time through surfing, rock climbing, and writing music. It’s easy to see how his music style reflects the life he lives. However, the most perfect addition to his lifestyle is Griff’s adorable Australian Shepherd, which makes several appearances on his album art.   

In 2020 alone Goth Babe released nine singles. From a Bob Dylan cover to euphoric cadences, his style spanned a broad range of genres. However, my favorite work by Goth Babe is by far the EP “Point Mogu.” The lyrics echo and bounce around the four songs on the EP. My favorite has got to be “Swami’s,” however the single “Sometimes” comes in a close second place.

Living literally on the road out of his camper has allowed Griff to gain a lot of traction. Always with his instruments, he can go wherever, play music whenever, and live however he wants. He has total freedom to be the person he wants to be, and it is undoubtedly reflected in his music.

Hope you guys enjoy the music,
-The DJ Formerly Known as Chippypants

Categories
Playlists

Aging Up Playlist

Written By Miranda

Since my seventeenth birthday I’ve collected songs about the age I was turning for every birthday and made a playlist each year to assist the transition between my ages. There’s something comforting about knowing that the artists you identify with have also gone through the same things you are currently going through. This playlist is a collection of all the songs about being between the ages of seventeen and twenty-three. You can listen to the playlist here

  1. Seventeen by MARINA
  2. Edge of Seventeen by Stevie Nicks 
  3. Anthems For A Seventeen Year-Old Girl by Broken Social Scene 
  4. Seventeen by Kevin Abstract 
  5. Dancing Queen by ABBA 
  6. 8TEEN by Khalid 
  7. Eighteen by Joyce Manor 
  8. 18 by One Direction 
  9. I’m Eighteen by Alice Cooper 
  10. Reinventing the Wheel to Run Myself Over by Fall Out Boy 
  11. Nineteen by Tegan and Sara 
  12. Perfect Places by Lorde 
  13. Pushing 20 by Sabrina Carpenter 
  14. 20 Something by SZA 
  15. Twenty One by Khalid 
  16. 21 and Invincible by Something Corporate 
  17. Leaves That Are Green by Simon & Garfunkel 
  18. 22 by Taylor Swift 
  19. What’s My Age Again? by blink-182
  20. Maintain Consciousness by Relient K
Categories
Music Education

The Issue With Streaming Platforms

It’s rare to see someone walking down the street with a Discman, boombox, or even an iPod nowadays. Subscription services like Apple Music, Spotify, and Amazon Music have taken over the music streaming industry. Their convenience and affordability make any other music-listening method seem archaic. Remember when getting a $10 iTunes gift card was one of the best Christmas presents ever? I have a distinct memory of opening up The Black Eyed Peas’ “The E.N.D.” CD on my 9th birthday and feeling like I struck gold. I can’t even imagine being excited about either of these products now, since today we have access to every song ever made at the tips of our fingers.

Royalties & Inequality

Unfortunately, this convenience comes with a price. Recently, there’s been talk surrounding the inequality involved in the music streaming industry. As artists were forced to cancel their gigs and concerts amidst the pandemic, many realized that the royalties they made off streams were abysmal. While issues with the royalty system have been apparent for years, staying inside has made artists take a long, hard look at where exactly the money from their listeners is going.

On average, streaming services take 30% of profits from subscription fees, while the other 70% goes to record labels, who then decide how much goes to the artists themselves. Included in this “artist” category are the producers, lyricists, composers, and performers. Once this process is all said and done, the actual percentage the artists receive is incredibly low, usually around 10%-15%. Considering that Spotify and Apple Music pay creators less than $0.006 per stream, independent and mid-level artists are failing to receive virtually any profits.

How Artists Are Adapting

Besides the economical issues, there is strong evidence that streaming is also changing the way music is written and appreciated. Before Spotify, Apple Music, or even iTunes existed, the act of listening to music was generally done by sitting through entire albums. Almost all traditional forms of media, like CDs and vinyl, followed this system. This made buying music something to be cherished and deeply acknowledged, as it increased the importance of newly released albums. I’m not saying that new albums from our favorite artists are not appreciated today, but the rise of playlist-based listening has changed the way we consume music.

Now, we listen by mood, era, feeling, genre. Just last week I wrote a blog about my favorite Spotify playlists. Playlists are fantastic and easy, but they take away the element of sitting through a single artist’s LP, as we used to do with CDs and records. Consequentially, artists are making less money and streaming platforms are making more. Songs are getting shorter and choruses are coming in earlier. In other words, pop is slowly becoming the formula for producing music, as there’s less risk involved and a greater likelihood of widespread streaming.

Though it’s unlikely that Spotify is going to go away anytime soon (or that we’re going to stop using it) it’s important to be aware of how musicians are being affected by these platforms. The good news is that there still are lots of alternatives to support your favorite artists. Vinyl is making a huge comeback, and there are websites like Bandcamp and Patreon that allow you to contribute directly to independent musicians.

– DJ Butter

All sources for this blog were found in these articles from NPR and Forbes.

Categories
Playlists

Friday Favorites (1/22)

Written By Miranda

Girl Like Me (feat. H.E.R.) – Jazmine Sullivan 

This track from Sullivan’s new album, “Heaux Tales,” is my favorite. If you love this song, check out my review of the album also on WKNC’s blog. 

The King of Carrot Flowers. Pt. One – Death Cab for Cutie 

Death Cab’s new “The Georgia EP” was released last week and features very well-done covers in the classic Death Cab style. I particularly like their Neutral Milk Hotel cover as their style complements the original song and definitely does it justice.  

Atomic Vomit – Steve Lacy

Steve Lacy’s recent album, “The Lo-Fis,” is filled with groovy alt-R&B, with this song in particular being especially appealing. I love the beat and vocals on this track and definitely recommend it. 

Good Days – SZA

SZA recently confirmed a new album release coming in 2021, and delighted fans with the drop of “Good Days” which seems to blend together her style from 2017’s “Ctrl” with her older projects such as “Z.” We’re all looking forward to her newest project. 

He Said (feat. Miguel) – dvsn

R&B fans will love this slow-jam from the very new release by dvsn on “Amusing Her Feelings.” 
To listen to this week’s Friday Favorites and every song from the past weeks, check out my playlist on WKNC’s Spotify.

Categories
Classic Album Review

Album Review: Bears Like This Too

ALBUM: “Bears Like This Too” by Spillage Village

RELEASE YEAR: 2015

LABEL: Spillage Village Records

RATING: 9.5/10

BEST TRACKS: “Spaced,” “Sky” and “Fryin”

FCC: Explicit

“Bears Like This Too” was the sequel we were all waiting for after Spillage Village released “Bears Like This” in 2014. Filled with psychedelic beats and a laid-back ambiance, it’s one of my favorite lowkey rap albums. The members of Spillage Village, EarthGang, J.I.D, Jordxn Bryant, and Hollywood JB, show their capability for creating an easy listening experience in their solo work, but “Bears Like This Too” is a masterpiece. Though only eight songs long, it’s the kind of album that you can listen to over and over again, volume turned all the way up or as background music.

Each song seems to fit together so seamlessly. Don’t get me wrong, I love some tempo variation, but sometimes it’s nice to hear a steady vibe maintained throughout an album. “Bears Like This Too” accomplishes this perfectly. While the mood is definitely on the relaxed side, don’t let this fool you into not appreciating the lyrical complexity. Each song is a poetic commentary on a variety of topics, from police violence in “Fryin” to untamed lust in “Spaced.” The core members of Spillage Village are fantastic, but my favorite songs are the ones that include guest artists Mereba and 6LACK (very early in his career). They both add a softness to the album, really helping to weave that mellow tone Spillage Village is so good at building.

If you’re in need of an album to accompany late nights spent on the couch, “Bears Like This Too” is the one. Absolute immaculate vibes.

– DJ Butter

Categories
Non-Music News

National Blood Donor Month

Written By Miranda

January has been observed as National Blood Donor Month since the 1970s in an effort to increase winter blood donations. The winter months, specifically following the holidays, are one of the most difficult times for blood donation centers to recieve needed blood donations. Inclement weather and seasonal illness often prevent donors from their donations, and thus winter is one of the most difficult times of the year to collect enough blood to meet the needs of patients. 

Donating blood is extremely important and can save lives. Blood donations from a single person can save multiple lives. Donations are essential for trauma patients, transplants, chronic illnesses, and more. Less than 10% of eligible donors actually donate in the United States. Typically eligibility requirements include being above 18 years old and above 118lbs and free of any major diseases.  Personal benefits of blood donation include not only the satisfaction of providing blood to patients who need it and saving lives, but also finding out your blood type and receiving free blood tests and having reduced risk of cancer and heart disease. The blood donation process is regulated by the FDA. You can trust blood donation centers to maintain a safe environment for donations.

NC State students can call 1-800-RED CROSS to make an appointment at the North Raleigh Red Cross Donation Center to donate blood, platelets, and plasma. Remember to ask about COVID-19 precautions being taken to ensure your and others’ safety. Be sure to also bring  a driver’s license or passport with you. The center is about a 20 minute drive from campus. Be sure to also look out for blood donation drives on campus in the coming year, if restrictions allow. 

Sources: I, II 

Categories
Band/Artist Profile

A Tribute to MF DOOM

Written By Miranda

The face of underground hiphop since the 2000s was a man in a mask. Daniel Dumile, more commonly known as MF DOOM, had an immeasurable impact on hiphop and the entire industry. Dumile was born in London to Trinidadian and Zimbabwean parents and grew up in New York. Dumile’s first foray into the world of music began with the pseudonym Zev Love X, and his formation of the hiphop group KMD with his younger brother, among other artists in 1988. They were signed to Elektra Records, but just prior to the release of their second album, Dumile’s younger brother was tragically killed in a car accident. This incident sparked Dumile’s hiatus from music and also his relocation from New York to Atlanta. In the late 90s, Dumile returned to the music scene, producing and releasing three singles and then his first LP as MF DOOM: “Operation: Doomsday.” Four years later, he produced and released “Take Me To Your Leader” under the pseudonym King Geedorah, and a year later released “Venomous Villian” under the pseudonym Viktor Vaughn. Also in 2004, Dumile collaborated with the producer Madlib under the name Madvillian, and created the extremely notorious “Madvillainy.” This album came to be known as a masterpiece and likely the magnum opus of Dumile’s music career. Dumile continued to produce and release great albums throughout the 2000s, including working in the group Danger Doom and the album “Born Like This.”

Despite MF DOOM’s general rise to notoriety, he remained a mysterious figure within the music business. Part of his enigmatic nature comes from the fact that Dumile used the MF DOOM pseudonym as a character, or alter ego. MF DOOM’s character constantly wore a mask, and thus Dumile never performed or was photographed without it on. In an interview, Dumile explains that he began wearing a mask to shed focus more toward his sound and talent, rather than. He dons the mask in order to rebel against, and it fits in with his character as the Villian. “Villian represents anybody…anybody could wear the mask.” Dumile continuously kept up his act as MF DOOM, sometimes even sending impostors to perform at his shows. Sadly, MF DOOM passed away on October 31, 2020. The public was informed about Dumile’s passing through social media two months later. The news of his death spread throughout social media with multiple artists and celebrities paying tribute to him and offering well wishes to his family. This great artist who shaped modern hiphop and modern music will be remembered as long as time.

Categories
DJ Highlights

DJ Butter’s Record Collection

Inspired by DJ Mango’s vinyl collection blog, I’ve decided to show off some of my own! One of my favorite pastimes is hunting through heaps of used records to find some from my favorite artists, especially if they contain music that’s not been widely heard. Without further ado, here are some of my personal favorites!

Gilberto & Jobim – João Gilberto and Antonio Carlos Jobim

Can you believe I found this gem at the Cheshire Cat for only $1? Truly the best dollar I’ve ever spent. Originally recorded in 1964, this LP is a collection of Gilberto and Jobim’s finest works, including the famous “Corcovado” from “Getz and Gilberto.”

Angel’s Pulse – Blood Orange

This is one of the first LPs I ever bought for my old record player, a silly little Crosley Cruiser. Dev Hynes really puts it all out there on this one. It’s a deeply soulful album and the cover art is to die for.

Jimi Hendrix at his Best Volume 1 – Jimi Hendrix & Saga Studios

Another great steal from the Cheshire Cat at a whopping $5, this Jimi Hendrix record only has five songs on it from his days before forming the Jimi Hendrix Experience. None of them are available on Apple Music or Spotify!

IGOR – Tyler, the Creator

“IGOR” is obviously a must-have, especially since the vinyl version contains “Boyfriend,” an unreleased song that wasn’t included in the digital soundtrack. Unfortunately, a lot of “IGOR” records were poorly pressed so they have some warping and surface noise (including mine).

Jimmy Page Special Early Works – Jimmy Page & Sonny Boy Williamson

I think I gasped audibly when I saw this, once again, in the Cheshire Cat. Jimmy Page is my favorite musician from the 60s/70s era so you can imagine my excitement. This little collection is back from his days before Zeppelin when he was a studio guitarist.

Con Todo El Mundo – Khruangbin

“Con Todo El Mundo” was gifted to me as a birthday present last year! It’s one of the most relaxing records I own and some of Khruangbin’s best work.

Stan Getz With Guest Laurindo Almeida – Stan Getz & Laurindo Almeida

This is another great Bossa Nova album that I picked up at Father and Son in Downtown Raleigh. It’s a bit more upbeat than the rest of Stan Getz’s usual work, but I adore it all the same.

Led Zeppelin II – Led Zeppelin

This has to be the record I play the most out of my collection, being my favorite Zeppelin album. I think my next-door neighbors probably hate me because I blast it every Sunday when I clean my room.

4 Your Eyez Only – J. Cole

You can’t deny how powerful “4 Your Eyez Only” is as an album. I got this one at Nice Price my senior year of high school because it was my favorite at the time. I love the inside and cover art on this one too!

Fresh Air – HOMESHAKE

“Fresh Air” was the first vinyl I bought and I must’ve listened to it a thousand times the day I got it, reveling in the coolness of owning my own record player. Fantastic album, fantastic artist.

Hendrix in the West – Jimi Hendrix

Last but not least, I present to you the crème de la crème of my collection: “Hendrix in the West.” Not only does it include two LPs filled with live versions of some of Jimi’s best work, it also comes with a photobook containing pictures of bassist Noel Redding, drummer Mitch Mitchell and Jimi Hendrix himself.

I hope you enjoyed getting a glimpse into what a WKNC DJ listens to when they’re not in the studio!

– DJ Butter

Categories
Classic Album Review Miscellaneous Music Education New Album Review

Whole Lotta Leaks

Well, it finally happened. After years of anticipation, memes, and leaks, the long-awaited album “Whole Lotta Red” finally dropped on Christmas morning. Playboi Carti had declared himself as Santa and donned a red appearance to match the theme of the album. However, and I say this as a true Playboi Carti fan, it turned out to be a whole lotta hype for a whole lotta garbage. Don’t get me wrong, there were definitely some good songs in there. “Place” was a classic throwback to the synth-style of Carti’s music and “Go2DaMoon” sent me to Pluto. But for the most part, the album was an evolution to a new style of rap that hasn’t entirely taken hold yet. Instead of sticking to his beloved dream-like style of music found in his first album, Carti is slowly transitioning to a more grunge, pop style of rap found in songs like “Poke It Out” in Die Lit. 

One of the most asked questions from fans concerning “Whole Lotta Red” is why none of the dozens of leaked songs were found on the album. To be honest, I feel like if Carti made an album entirely out of leaks it would have blown up. However, leaks such as “Kid Cudi” and “No Lie,” for as good as they may be, hinder Carti’s ability to actually release the songs. When a song is leaked by a fan it goes against how a rapper’s label may have intended to release the song. If it doesn’t gain enough popularity fast enough or in the right way, it may never release. So while it may be possible that some leaks could have been on WLR, since they were leaked they never made it on the album. 

Although the album wasn’t for everybody, it still had some pretty good songs on there and the new direction of Carti’s music warms up to you after a few listens. Hopefully fans are still willing to stick with him in the future and hopefully we can see less leaks and more legitimate songs. 

-The DJ Formerly Known as Chippypants