Category: Blog

Categories
Festival Coverage

A Little Bit of Everything: A Comprehensive Hopscotch Playlist

This past weekend, I spent my afternoons and evenings bouncing around between the many different acts that performed at Hopscotch. Artists across genres put on shows which made for an interesting mix of performances. Listed below are some of my favorite tracks from every artist that took the stage this Fall.

  1. “Hit Me Where It Hurts” by Caroline Polachek
  2. “So Hot You’re Hurting My Feelings (A.G. Cook Remix)” by Caroline Polachek
  3. “Year Of The Spider” by Shannon & The Clams
  4. “Where To Now” by Hippo Campus
  5. “Humano – El Buho Remix” by Lido Pimienta
  6. “Tiempo Ahora” by Lido Pimienta
  7. “Fate Is…” by Wednesday
  8. “Toothache” by Wednesday
  9. “Gatekeeper” by Libby Rodenbough
  10. “Probably No One” by Patios Counselors
  11. “Let Beauty Be” by Patios Counselors
  12. “Black Gold” by Flying Lotus
  13. “Between Memories” by Flying Lotus
  14. “Nellie” by Dr. Dog
  15. “Frank’s Tune” by Makaya McCraven
  16. “Won’t Be Long” by The Dead Tongues
  17. “2 Again” by Body Meat
  18. “I Don’t Like You or Your Band” by Kate Rhudy
  19. “Big Shot!” by Sonny Miles
  20. “Falcor” by Sluice
  21. “The Purple Bottle” by Animal Collective
  22. “White Trash Heroes” by Archers Of Loaf
  23. “Pais Nublado” by Helado Negro
  24. “Berlin Got Blurry” by Parquet Courts
  25. “In Our Talons” by Bowerbirds
  26. “What Is Going On?” by Hannah Jadagu
  27. “Gliding Through” by Garcia Peoples
  28. “Fille de personne III” by Hubert Lenoir
  29. “Don’t You Think I’m Funny Anymore?” by Dougie Poole
  30. “Raleighwood Hills” by Lesthegenius
  31. “Quarry Ate the Mountain” by Magic Tuber Stringband

Click HERE to check out my playlist on Spotify.

Categories
Weekly Charts

Daytime Charts 9/14

Children Collide Album Cover
#ArtistAlbumLabel
1CHILDREN COLLIDETime ItselfSpinning Top
2DEAFHEAVENInfinite GraniteSargent House
3SHYGIRLALIAS [EP]Because
4TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
5ATLANTIC CANYONSSee The Hue [EP]Self-Released
6A GREAT BIG PILE OF LEAVESPonoTopshelf
7FLYING LOTUSYasukeWarp
8JIMMY EDGARCheetah BendInnovative Leisure
9GINGER ROOTCity Slicker [EP]Acrophase
10KANASHIIKanashii [EP]Cardigan
11MAMALARKY“Meadow” [Single]Fire Talk
12ALEXALONEALEXALONEWORLDPolyvinyl
13TOBIElements Vol. 1Same Plate/RCA
14TOMBSTONES IN THEIR EYESLooking For A LightKitten Robot/Somewhere Cold
15MARKEE STEELEVet & A Rook [EP]Thee Marquee
16NATIVESON 91Come Back DownInner Tribe
17BLACK MARBLE“Somewhere” [Single]Sacred Bones
18DAWN RICHARDSecond LineMerge
19EVIDENCEUnlearning Vol. 1Rhymesayers
20GIRLPUPPYSwan [EP]Royal Mountain
21ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
22MEDIA JEWELERThe Sublime Sculpture Of Being AliveFire Talk
23HYPOLUXOHypoluxoTerrible
24TROPICAL FUCK STORMDeep StatesJoyful Noise
25PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
26ZEBRA KATZLess Is MoorZFK
27PONYTV BabyTake This To Heart
28BREEZEOnly UpHand Drawn Dracula
29ZELMA STONEThe Best [EP]Self-Released
30PIROSHKALove Drips And GathersBella Union/PIAS

Top Adds

#ArtistAlbumLabel
1AMYL AND THE SNIFFERSComfort To MeATO
2WE WERE PROMISED JETPACKSEnjoy The ViewBig Scary Monsters
3GOLD AND YOUTH“The Worse The Better” [Single]Paper Bag
4WORLD IS A BEAUTIFUL PLACE AND I AM NO LONGER AFRAID TO DIE, THE“Queen Sophie For President” [Single]Epitaph
5BAD WAITRESSNo TasteRoyal Mountain
6HALF GRINGA“Sevenwater” [Single]Self-Released
7SINCERE ENGINEERBless My PsycheHopeless
8TURNSTILEGlow OnRoadrunner
9GRANT CAREYFUTURE FRIGHTCalifornia Sound Hotel
10GIANT SKY“Human” [Single]Bloody Sunset
Categories
Weekly Charts

Chainsaw Charts 9/14

Annihlus Album Cover
#ArtistAlbumLabel
1ANNIHILUSFollow a Song From the SkyFederal Prisoner
2CHARREDPrayers Of MaledictionEntertainment One
3BLACK WOUNDUnending LabyrinthDry Cough
4MALIGNAMENTHypocrisis AbsolutionPrimitive Reaction
5BONEHUNTERDark Blood Reincarnation SystemHells Headbangers
6LORNA SHOREAnd I Return To Nothingness [EP]Century Media
7CRYPT CRAWLERFuture UsurperBitter Loss
8GODSLAVEGodslaveMetalville
9KROSSFYRERites Of ExterminationHell’s Headbangers
10INGESTEDThe Surreption IIUnique Leader

Chainsaw Adds

#ArtistAlbumLabel
1VENUS SYNDROMECannibal SarRockshots
2AZZRIELL“Cycle of Shadows” [Single]Self-Released
3MASTIFFLeave Me The Ashes Of The EarthEntertainment One
4ANDREW WKGod Is PartyingNapalm
Categories
Weekly Charts

Underground Charts 9/14

Tyler the Cerator Call me if you get lost photo
Album Cover for "Call Me If You Get Lost"
#ArtistAlbumLabel
1TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
2NATIVESON 91Come Back DownInner Tribe
3FLYING LOTUSYasukeWarp
4PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
5SHYGIRLALIAS [EP]Because
6JIMMY EDGARCheetah BendInnovative Leisure
7TOBIElements Vol. 1Same Plate/RCA
8MARKEE STEELEVet & A Rook [EP]Thee Marquee
9EVIDENCEUnlearning Vol. 1Rhymesayers
10GENESIS OWUSUSmiling With No TeethHouse Anxiety/Ourness
Categories
Weekly Charts

Electronic Charts 9/15

Primavera
#AlbumArtistLabel
1PÁULA POVOA JERGEPrimavera [EP]Moshi Moshi
2FJAAKSYS03 [EP]Self-Released
3NEGATIVE GEMINI“Utopia” [Single]1005
4ROISIN MURPHYRóisín MachineSkint/BMG
5SHYGIRLALIAS [EP]Because
6AVALANCHES, THEWe Will Always Love YouAstralwerks
7ULTRAFLEXVisions of UltraflexStreet Pulse
8WESTCOAST GODDESSU Up? [EP]Infinite Pleasure
996 BACK9696 DreamLocal Action
10AG COOKApplePC
Categories
Music News and Interviews

Kim Petras is Back

Kim Petras in a blue and pink dress
Future starts now single artwork

Kim Petras isn’t the first person you think of when you think musical victims of the pandemic but she’s definitely on the list. The singer was scheduled for an event release in 2020 on a major label, but her touring-centric business model put those plans on hold. Well, with the pandemic as over as it’s ever going to be, Petras has seen fit to release her major label debut, a single with the rather on the nose title “Future Starts Now.”

            If you’ve literally any Kim Petras song before, you have an idea of what to expect. She’s a indie pop artist with mainstream ambitions, making her contemporaries with a whole host of women including Rina Sawayama, Jessie Ware, Charli XCX, and Carly Rae Jepsen. It’s a hard market to break into as electropop fans (translated: teenage gay boys on Instagram) are spoiled for choice in the genre.

            What makes Petras stand out is curiously absent on her newest single, which while good, lacks the songwriting chops that made her independent pop. She’s certainly no stranger to dance oriented tracks with little lyrical substance, but her songwriting ability has always been what’s set her apart from her more beat driven contemporaries. Her most popular and best tracks “I Don’t Want It All,” and “Heart to Break,” were driven by her forceful and jaw dropping vocal ability combined with unusually smart lyrics. Her newest single, while danceable and pleasant to listen to, is just another nu-disco house fusion with an eight word chorus. It’s not bad, but it is unambiguously the safe choice.

            I don’t know if Kim Petras has Top 40 potential. She has a lot going for her, but there are some serious marketability roadblocks. She would be the only trans musician in the mainstream at the moment, making notoriously risk-averse record companies nervous about promoting her. Her music is also unapologetically campy and unserious, a far cry from the ‘respectable’ and social issue oriented pop mainstream of Billie Eilish, Lizzo, and Olivia Rodrigo. If Petras does make it through to the top 40 charts, it be from sheer force of personality and talent, things she definitely has, but aren’t on display in “Future Starts Now.” Here’s hoping to a riskeir second single.

Categories
New Album Review

Jenevieve: Album Review

The debut record from rising R&B artist Jenevieve establishes her as an artist with lots of promise, talent and the potential to create even better works in the future.

Sonically, I was pretty impressed with “Division.” The production and mixing on this album were very solid, and producer Benziboy did a fantastic job curating sounds that fit well with Jenevieve’s voice, allowing both the production and the vocals to shine. Although this album was produced entirely by Benjiboy, he still manages to show range and diversity in his production choices. The album has upbeat, pop-inspired tracks such as “Mellow Eyes” and “No Sympathy,” but also includes a few warmer, down-tempo tracks such as “Baby Powder” and “Nxwhere.” Benziboy and Jenevieve seem to make a great pair, and I respect their ability to create a collection of tracks that fit together in a cohesive group without sounding too repetitive.

Lyrically, this project was solid, but nothing remarkable. Jenevieve delivers with a beautiful vocal performance, and her lyrics are enjoyable to listen to, but very little of the lyrical content is especially captivating. However, I’ll admit that I typically don’t pay the closest attention to lyrics, so I could be biased.

I have few criticisms with “Division,” one being that the album didn’t have a very strong ending. I don’t dislike any of the tracks on the album, but I definitely prefer the first few tracks of the album to the rest of it. All the tracks after “Mellow Eyes” are solid, but they’re the weakest tracks on the record, in my opinion. However, I won’t be surprised if my opinion on this changes as I give this album a few more listens.

My only other criticism is that Jenevieve still needs to work on creating her own distinct sound. While I enjoy this album, there are only a few songs on it that separate Jenevieve from other up-and-coming R&B artists. That’s not to say that Jenevieve has no individuality — tracks like “Baby Powder” and “Résumé” show that she is perfectly capable of sounding unique — I just think she should continue to make more songs like these, and I’m confident that with time, she’ll develop her own unique sound.

All that being said, “Division” proves to be a solid body of work and a very impressive debut project. Overall, I give this album a 7.5/10. Jenevieve has established herself as a driving force in alternative R&B, and I’m excited to see what she releases in the future.

— Marshall Morgan

Categories
Concert Review

“Have You Heard?” Music Festival Recap

Provide by Durham Central Park

The “Have You Heard?” music festival took place on Aug 27, 2021 at the Durham Central Park. The event consisted of 14 different sets, all performed by artists local the the state of North Carolina with Marco Luka, Maasho, & Weston Estate.

It was another warm muggy night but that didn’t hold back the artists or their fans from rocking out. Many of the artists throughout the night announced that this was either the first time they have performed or that this was the biggest crowd that they had performed for. I can imagine that this was some of their fans first show since lockdowns have ended too because there was excitement in the air.

There were more than a few familiar faces from the “Summer in tha Carolinas” music festival. If you haven’t already, you can find my recap of that event here. The 3 headliners all performed there as well, but one of the most notable faces there was Big John. He is a DJ from Greenville, NC and one of the most lit hype men that I have encountered. His energy is infectious and this is evident how pumped up the crowd would get every time he took the stage.

Several local clothing vendors and even a popup thrift shop also accompanied the venue. I believe is a heathy sign of the direction our local arts economy and culture is heading. Collaboration is key to success within the local arts industry. Not only is it good from a marketing/networking standpoint, but it also deepens the connections within the community.

You can learn more about “Have You Heard?” and their festival on their Instagram.

Categories
Festival Coverage Miscellaneous

Hopscotch Music Festival 2021 Series: Bag Tour

Hopscotch Music Festival 2021 Series: Silya Bennai'sBag Tour

WIth one day of Hopscotch under my belt, I’m looking forward to the rest. Hippo Campus and Caroline Polachek put on fun shows, and I’m looking forward to Dr. Dog and Animal Collective, among others.  With my photo press pass, I’ve been lucky enough to get close to the stages to shoot different sets. Speaking of cameras, I thought I’d give you all a bag tour of what I take to Hopscotch.

  1. Canon HD Camcorder (with charger): I’m taking shots of the music sets I attend, the crowds, my WKNC coworkers/friends, and the two “venues.”
  1. Nikon Nice Touch Zoom 35mm Point & Shoot Film Camera (with extra film & batteries): For pictures of the acts and my friends.
  1. Wallet: With my ID, vaccine card, and money.
  1. Inhaler: I have asthma.
  1. Sunglasses: To protect my precious eyes.
  1. Face Mask: Obviously. 
  1. Phone: Always on me.
  1. Gum: I’m anti-mask breath.
  1. Photo Pass: For a better chance at better shots. Side note: Being super close to the stage is pretty surreal.

Here’s to the NCSU library for letting me borrow the camcorder,

Silya Bennai

Categories
Concert Review Festival Coverage

Caroline Polachek: Concert Review

Going into Hopscotch, I had a base level knowledge of who Caroline Polachek was and her musical career. However, after attending her show last night, it is safe to say that I am a full on fan.

The Music.
Caroline of course played her most popular songs “So Hot You’re Hurting My Feelings,” “Door,” and “Hit Me Where It Hurts” which went over well with the crowd. However, it was the three unreleased tracks she performed that absolutely stole the show. “Smoke” along with two others I can not remember the names of were haunting, dark, and sultry. They definitely have me on the edge of my seat waiting for her next album release.

The Performance.
Overall, her performance was visually stunning. Caroline was surrounded by dark purple light and smoke for most of the tracks which set the tone for what I can only describe as an almost spiritual experience. From the lighting, to the smoke, to the music, to her movements everything was perfectly in-sync. Caroline’s performance was one of the most intentional and well thought out shows I have ever attended.

Her Voice.
If sirens from ancient Greek mythology existed today, they would exist in the form of Caroline Polachek. The range of her voice was absolutely insane and the way she slid between notes was almost inhuman. Caroline has a true talent and I am looking forward to seeing where she takes it.

All in all, Caroline Polachek put on a wonderful show and if she is ever playing in your city, I HIGHLY recommend checking it out.