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Concert Preview Festival Coverage Local Music

Preview: Chapel Hill’s Manifest Aims to Break Barriers

In my training class to become a WKNC DJ, among the many pieces of advice our then station general manager gave us was to “not just play music made by four white guys”. This was met by laughs, but that line stuck with me because of how relevant it still is. When I was a daytime DJ I tried to have sets with a strong female representation, but four or so guys still made up most of the songs aired from 10 to 11 p.m. on Thursdays. And that doesn’t even take into account the “white” part of that; many genres such as modern indie rock are overrepresented by white artists and artists of color will often have their work labeled as R&B even when that label doesn’t fit the music, which can box in both exposure and creative freedom.

Enter Manifest. This is a festival that, according to the website, is “focused on dismantling patriarchy, misogyny, and white supremacy” with a diverse lineup that draws from a wide variety of races, sexualities and gender identities. Now dismantling vast social hierarchies is a lofty goal, but they’ve definitely got the lineup down. This is a festival that has seen acts like Skylar Gudasz and Hopscotch 2021 attendee Sarah Shook, and this year the acts range from Basura who make minute-and-a-half long death metal bangers to trans experimental artist KHX05 who brings a nervy and rebellious energy to her mixtapes and remix EPs. 

Manifest bills itself as mostly a punk festival, and there are a number of punk bands making an appearance. Gown is a hardcore metallic punk band that has seven members, three of whom play the cello, while Fortezza is an doom punk band out of Asheville whose long guitar solos and verses screamed over a lone drumbeat create a chaotic and apocalyptic feel to fit their hand-drawn album covers. The artists have a distinctly local flavor too. Of the 28 acts coming to Chapel Hill this weekend, 21 are from the Triangle area, and five of them won’t have to leave their hometown to make it there. 

This is the fifth iteration of Manifest, and it’s the fifth time in these exact three venues. The festival is mostly based around Local 506, a bar and club that, when not hosting live acts, is known for having themed dance parties such as the 80s-style one that I went to this summer. This is where tickets and wristbands are picked up and where WKNC is running the merch table. When not at the Local 506, festivalgoers can head to two other locations, one of which is The Cave. This is another bar/club hybrid, iconic in Chapel Hill for its alley location and will often host rock and punk rock bands. 

Now despite having essentially grown up in downtown Chapel Hill, I’ll admit I had to look up the last venue, Rosemary Street’s The Nightlight. It’s the only one of the venues not located on Franklin Street, and its website is at time of writing a single page detailing its closures due to COVID and in the spirit of Manifest, a link to a mutual aid fund. All of these are within a quarter mile walk of each other so it should be easy to go between any of the simultaneous shows being played.

Continuity is a major theme here, and not just in the venues. Manifest 5 marks the fourth appearance of Raleigh’s Fruit Snack at the aforementioned festival, a band whose members work at multiple venues in the Triangle and whose themes of anti-capitalism, openness about sex and dislike of the police fit right in with Manifest’s mission statement. It also features a ukulele player. Meanwhile, punk act Pie Face Girls has attended every single iteration since the festival began in 2016. This in combination with its many local sponsors including Orange County Arts Commission, Chapel Hill’s own Midway Market and this radio station gives this festival a strong feeling of community that puts those goals of social change front and center.

I’m personally quite excited to cover Manifest. While I won’t be able to see every artist (The Cave being 21+ is unfortunate but understandable) there are a lot of acts I really want to see and blog about, and a lot of artists I had never heard of before and really want to get to know as part of my ongoing efforts to further connect with the local music scene here. After all, homegrown music with a message is the new punk rock. And the old one too.

-Erie

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Concert Review Festival Coverage

Flying Lotus: Concert Review

Flying Lotus is an artist I first came across while working as the Underground Music Director for WKNC this Summer. I ended up loving his latest album “Yasuke” and added a bunch of his songs to the rotation, so when I found out he was performing at Hopscotch I couldn’t wait.

The Music

Throughout his set, Flying Lotus played an assortment of his more recent and his older projects. As a relatively new listener, I only recognized the tracks “Black Gold” and “Crust” which are from his latest album. Overall, his set was much more electronic than I had initially expected which was pleasant surprise. The bass was heavy, the music was loud, and the people were moshing.

The Performance

Unlike Caroline Polachek, the opener on Thursday night, Flying Lotus relied more on tech than choreography for his visuals. He stood alone behind a large DJ booth which had a transparent white tinted screen separating him and the audience. On this screen there flashed a crazy assortment of images and short videos that correlated to each song in his set. The visuals along with the heavy bass made for a pleasantly disorienting experience.



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Blog Concert Review Festival Coverage

Hopscotch Music Festival 2021 Series: My Experience

Now that I’ve had some time to reflect, I’m finally ready to share my 2021 Hopscotch experience. While I didn’t see all of the performances, I did get to see most of the major acts: Helado Negro, Animal Collective, Flying Lotus, Hippo Campus, and Caroline Polachek.

I was somewhat surprised by how much I enjoyed Helado Negro; I’d never heard his music before, but his performance was lively, kind, and felt like home. I cannot say the same about Animal Collective. They played almost exclusively new music and the crowd was clearly disappointed. That being said, the unique vocals and skilled instrumentals were undeniable. Flying Lotus, while a whole lot of fun, was nearly too loud to enjoy. With my Photo Pass, I was able to shoot most of the performances from in front of the barrier, but I wasn’t able to shoot Flying Lotus because of the volume of his music. From the barely audible crowd mumblings, I could sense that I wasn’t the only one struggling with the volume. Hippo Campus was easy and enjoyable, and for the big fans, I’m sure it was the best. They even took to the floor after their set to meet people and explore the festival which I appreciated. Finally, Caroline Polachek. I am certainly in the minority with this opinion, but I just do not like her music. The performance was contrived (though I did like her outfit) and most of the songs had no appeal for me. 

Aside from the music, I was surprised by the lack of food and drink vendors. There were certainly some present, but a small amount compared to what I expected. That being said, it was the first Hopscotch of the COVID era so some things were just smaller. 

I appreciated the opportunity to attend Hopscotch and I’m looking forward to seeing Hopscotch return even bigger and better next year.

Here’s to the loose pug that ran around outside the Moore Square venue,

Silya Bennai

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Festival Coverage

A Little Bit of Everything: A Comprehensive Hopscotch Playlist

This past weekend, I spent my afternoons and evenings bouncing around between the many different acts that performed at Hopscotch. Artists across genres put on shows which made for an interesting mix of performances. Listed below are some of my favorite tracks from every artist that took the stage this Fall.

  1. Hit Me Where It Hurts” by Caroline Polachek
  2. So Hot You’re Hurting My Feelings (A.G. Cook Remix)” by Caroline Polachek
  3. Year Of The Spider” by Shannon & The Clams
  4. Where To Now” by Hippo Campus
  5. Humano – El Buho Remix” by Lido Pimienta
  6. Tiempo Ahora” by Lido Pimienta
  7. Fate Is…” by Wednesday
  8. Toothache” by Wednesday
  9. Gatekeeper” by Libby Rodenbough
  10. Probably No One” by Patios Counselors
  11. Let Beauty Be” by Patios Counselors
  12. Black Gold” by Flying Lotus
  13. Between Memories” by Flying Lotus
  14. Nellie” by Dr. Dog
  15. Frank’s Tune” by Makaya McCraven
  16. Won’t Be Long” by The Dead Tongues
  17. 2 Again” by Body Meat
  18. I Don’t Like You or Your Band” by Kate Rhudy
  19. Big Shot!” by Sonny Miles
  20. Falcor” by Sluice
  21. The Purple Bottle” by Animal Collective
  22. White Trash Heroes” by Archers Of Loaf
  23. Pais Nublado” by Helado Negro
  24. Berlin Got Blurry” by Parquet Courts
  25. In Our Talons” by Bowerbirds
  26. What Is Going On?” by Hannah Jadagu
  27. Gliding Through” by Garcia Peoples
  28. Fille de personne III” by Hubert Lenoir
  29. Don’t You Think I’m Funny Anymore?” by Dougie Poole
  30. Raleighwood Hills” by Lesthegenius
  31. Quarry Ate the Mountain” by Magic Tuber Stringband

Click HERE to check out my playlist on Spotify.

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Festival Coverage Miscellaneous

Hopscotch Music Festival 2021 Series: Bag Tour

WIth one day of Hopscotch under my belt, I’m looking forward to the rest. Hippo Campus and Caroline Polachek put on fun shows, and I’m looking forward to Dr. Dog and Animal Collective, among others.  With my photo press pass, I’ve been lucky enough to get close to the stages to shoot different sets. Speaking of cameras, I thought I’d give you all a bag tour of what I take to Hopscotch.

  1. Canon HD Camcorder (with charger): I’m taking shots of the music sets I attend, the crowds, my WKNC coworkers/friends, and the two “venues.”
  1. Nikon Nice Touch Zoom 35mm Point & Shoot Film Camera (with extra film & batteries): For pictures of the acts and my friends.
  1. Wallet: With my ID, vaccine card, and money.
  1. Inhaler: I have asthma.
  1. Sunglasses: To protect my precious eyes.
  1. Face Mask: Obviously. 
  1. Phone: Always on me.
  1. Gum: I’m anti-mask breath.
  1. Photo Pass: For a better chance at better shots. Side note: Being super close to the stage is pretty surreal.

Here’s to the NCSU library for letting me borrow the camcorder,

Silya Bennai

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Concert Review Festival Coverage

Caroline Polachek: Concert Review

Going into Hopscotch, I had a base level knowledge of who Caroline Polachek was and her musical career. However, after attending her show last night, it is safe to say that I am a full on fan.

The Music.
Caroline of course played her most popular songs “So Hot You’re Hurting My Feelings,” “Door,” and “Hit Me Where It Hurts” which went over well with the crowd. However, it was the three unreleased tracks she performed that absolutely stole the show. “Smoke” along with two others I can not remember the names of were haunting, dark, and sultry. They definitely have me on the edge of my seat waiting for her next album release.

The Performance.
Overall, her performance was visually stunning. Caroline was surrounded by dark purple light and smoke for most of the tracks which set the tone for what I can only describe as an almost spiritual experience. From the lighting, to the smoke, to the music, to her movements everything was perfectly in-sync. Caroline’s performance was one of the most intentional and well thought out shows I have ever attended.

Her Voice.
If sirens from ancient Greek mythology existed today, they would exist in the form of Caroline Polachek. The range of her voice was absolutely insane and the way she slid between notes was almost inhuman. Caroline has a true talent and I am looking forward to seeing where she takes it.

All in all, Caroline Polachek put on a wonderful show and if she is ever playing in your city, I HIGHLY recommend checking it out.

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Band/Artist Profile Concert Preview Festival Coverage

Hopscotch Music Festival 2021 Series: Animal Collective

Animal Collective is difficult to pin down and a lot of fun to consume. Luckily, the band is performing this year at Hopscotch Music Festival on Saturday, September 11th at 9:30 pm at City Plaza. Keep reading to learn a little bit about the band and their discography.

The American experimental band came together in Baltimore, Maryland in 2003. Animal Collective, consisting of Avey Tare (David Portner), Panda Bear (Noah Lennox), Deakin (Josh Dibb), and Geologist (Brian Weitz), weave genres through their unique vocal combinations, ambiance, and pop foundations. The members began to musically collaborate when they met in school before the band was officially formed. Their discography consists of a variety of retroactively added music, studio albums, extended plays, live albums, visual albums, and a soundtrack album. 

Check out their full discography below:

Studio Albums:
– Spirit They’re Gone, Spirit They’ve Vanished (2000) (as Avey Tare and Panda Bear)
– Danse Manatee (2001) (as Avey Tare, Panda Bear and Geologist)
– Campfire Songs (2003) (as Campfire Songs)
– Here Comes the Indian (2003) (also known as Ark)
– Sung Tongs (2004)
– Feels (2005)
– Strawberry Jam (2007)
– Merriweather Post Pavilion (2009)
– Centipede Hz (2012)
– Painting With (2016)

Extended Plays:
– Prospect Hummer (2005) (with Vashti Bunyan)
– People (2006)
– Water Curses (2008)
– Fall Be Kind (2009)
– Keep + Animal Collective (2011)
– Transverse Temporal Gyrus (2012)
– Monkey Been to Burn Town (2013)
– The Painters (2017)
– Meeting of the Waters (2017)
– Bridge to Quiet (2020)

Live Albums:
– Hollinndagain (2002) (as Avey Tare, Panda Bear and Geologist)
– Animal Crack Box (2009)
– Live at 9:30 (2015)
– Ballet Slippers (2019)
– 2 Nights (2020)[112]

Visual Albums:
– ODDSAC (2010)
– Tangerine Reef (2018)

Soundtrack Album:
– Crestone (Original Score) (2021)[113]

I know I’ll be at the Animal Collective set at Hopscotch and I hope you will be, too.

Here’s to my favorite Animal Collective track, “Who Could Win a Rabbit,”

Silya Bennai

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Band/Artist Profile Concert Preview Festival Coverage

Bands to Watch at Hopscotch 2021: Patois Counselors

General Manager Maddie here to tell you all about a band I’m very excited to see play this year’s Hopscotch Festival: Patois Counselors.

Before I indulge in my own personal relationship to the band, the important information to know is that they’re playing Hopscotch tomorrow, Sept 9, on the Moore Square stage at 3:45PM. In terms of genre, they fall under the wide umbrella of “post punk”, so check ’em out if you like stuff like Parquet Courts or Gang of Four.

Now that I’ve got that out of the way, I’m going to tell you my story about the discovery of one of my favorite local bands. We have to go all the way back to October 2018, the fall of my first year at NC State. One of my favorite bands, Screaming Females, was playing a show at one of my favorite venues, the Milestone, in Charlotte, North Carolina. The only problem with this fantastic set-up was that I was stuck in Raleigh without a car. So, I got together with a friend of mine who had a car, agreed to skip my calculus class (the first class I ever skipped in college!) and we drove 2 and a half hours to see Screaming Females.

They were great, of course, but that’s not who I’m here to talk about. I’m here to talk about the second band I saw at the Milestone that night, a local opener called TKO Faith Healer. I didn’t have high expectations; based on the band name, I was expecting some sort of Southern garage-rocky type dad band. However, as they began playing, I found myself enjoying their music a lot more than I was expecting. I’m not gonna say it was like nothing I had ever heard before, but at this time in my life, I wasn’t really listening to bands like Wire or Powerplant much, and I certainly didn’t know how much I would come to love bands like that later on in my life. Besides being sonically interesting, they also played just an overall super clean and tight set.

Also, I have to add that their singer came out wearing an Amnesia Scanner long sleeve t shirt. I did not know who Amnesia Scanner was at the time, but now, I look back on this move and realize how cool it is. Any guy in an “indie rock” band wearing an Amnesia Scanner shirt is a cool guy.

Unfortunately, TKO Faith Healer didn’t have any songs up on Spotify at this point (and they sadly still do not, but they have one EP on Bandcamp), so I more or less forgot about them after the show. I’ve gotten better at this since 2018, but really, the convenience of being on Spotify is a selling factor on if I’ll listen to a band’s music or not- I know, I know, but I gotta make sure all my songs scrobble!

In October 2020- two years later- I was browsing Instagram and came across a post from Charlotte independent record store Lunchbox Records (the second best thing about Charlotte, with the first being the Milestone) that instantly captivated me. I’m a big album artwork guy, and my opinions on an album can strongly be swayed by the album art alone. I had one glance at the eerie, larger-than-life eyeball painting and knew I was gonna like the album. Also, the band was from Charlotte, and I’m always looking for more local bands to love.

I remember quickly going to Spotify and checking out songs from the band’s previous album, Proper Release, in anticipation of the new album. When the new album came out, I proudly uploaded some songs from The Optimal Seat into WKNC’s Local Lunch segment, because our local segment definitely needs some more post-punk.

Since then, the album has been a local favorite of mine, and I find new songs and parts to enjoy with every listen. Some of my favorite tracks are the super-danceable yet anxious The Galvanizer, and angular, jerky Give Me Voltage. I also still continue to be absolutely transfixed by the album artwork; it’s probably one of my favorite album covers of all time (you can see more paintings by the artist on her website, although none of them strike me like the red eye featured on the Optimal Seat).

Now, to get back to TKO Faith Healer- I’m not quite sure when exactly it was, but at one point, I thought back to the band I saw open for Screaming Females and thought they sounded familiar to a new band I had recently discovered. I did some research, and sure enough, TKO Faith Healer lead singer and Amnesia Scanner-enjoyer Bo White was the vocalist in Patois Counselors. While doing research for this post, I discovered White actually has a slew of other Charlotte bands under his wing- basically, I have a lot of new music to listen to.

But, for now, I’m gonna get ready for Patois Counselors’ performance by re-listening to the album that captured my attention from the first second I saw it. I hope you’re able to catch Patois Counselors’ set tomorrow, but if not, you can listen to their music anytime.

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Festival Coverage

Hopscotch: My Most Anticipated Performances

As I’m sure many of you know, Hopscotch–Raleigh’s annual music festival–is happening this weekend! As a Raleigh resident of the last 15 years, I have grown up hearing about Hopscotch and the many artists that have performed. However, I have never actually been (I know…shocking).

Since this is my first ever music festival, I have been in full on prep mode. I’ve planning my schedule around shows, trying to get all of my assignments done before-hand, and most importantly familiarizing myself with the artist that are performing.

In doing so, I’ve complied a quick list of the acts I am most excited to see.

  1. Caroline Polachek: Ever since I saw the “So Hot Your Hurting My Feelings” music video Caoline Polachek has occupied a space in my subconscious. From her voice to the production of her songs everything is perfectly in-sync. The tracks I am most excited for are “Hit Me Where It Hurts,” “So Hot You’re Hurting My Feelings,” and “Ocean of Tears.”
  2. Flying Lotus: Having worked as the Underground Music Director for WKNC this Summer, Flying Lotus is one of the acts I am most looking forward to seeing. The album Yasuke, which was produced to go along with the anime, is chock-full of crazy features and insane beats. My most anticipated tracks are “Between Memories” and “Black Gold.”
  3. Colin Stetson: In all honesty, before I began my Hopscotch research, I had absolutely no clue who Colin Stetson was. However, he quickly made it to the top of my most anticipated acts. The best way to describe his work is invigorating and primarily instrumental. He’s the brains behind the Hereditary soundtrack. The tracks I am looking forward to hearing most are “The righteous wrath of an honorable man” and “Welcome To The New World.”
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Festival Coverage

WKNC x NC State University Libraries Hopscotch Day Party 2021

It’s Hopscotch season in the Triangle! Hopscotch is returning to downtown Raleigh for its eleventh year on Sept. 9-11.

WKNC has partnered with NC State University Libraries to present our 2021 official Hopscotch Day Party, on Sept. 9, from noon to 3 p.m. Occurring outside of DH Hill Jr Library facing Hillsborough Street, this event is free and open to the public; you don’t need a ticket to Hopscotch to attend.

The party is not only a showcase of North Carolina electronic musicians but also of WKNC alumni talent; every performer has been involved with WKNC in the past. We’re excited to welcome back former DJs and staff to the campus.

The event will be live-streamed via NC State University Libraries’ Twitch channel.

Check out the official flyer below, and read on to get a short bio of each of the musicians, written by WKNC General Manager Maddie.

WKNC and NC State University Libraries Hopscotch Day Party with midcentury modular, en-decay, JOB and Sand Pact.
WKNC and NC State University Libraries Hopscotch Day Party with midcentury modular, en-decay, JOB and Sand Pact. Design by Maddie.

The lineup is designed in a way to start on the more chill and ambient side of electronic, and slowly turn heavier by the end of the showcase.

Starting off the showcase is midcentury modular. midcentury modular was a WKNC DJ for 3 years between 2011 and 2014, as well as working with our Daytime music block. As the name might suggest, midcentury modular makes modular synth music, exploring the various environments that can be created. Some of his work, like the release “snow,” is more sparse and desolate, while others, like the release “a weekend,” play around with beeps and boops to create a fun, uplifting atmosphere. I’ve always wanted to see a modular synth performance and I’m excited to watch his set.

Changing paces next is en-decay. Cyrus has been producing electronic music and DJing under the name en-decay since 2012, making glitchy, IDM-like music that also takes inspiration from various other electronic genres, such as industrial or ambient. They started working as a freelance DJ for events in high school then as an Afterhours DJ for WKNC for 2 years. They’ve collaborated with a variety of artistic groups such as Windhover, Sinetology, and Maison Fauna, planning and playing events and festivals around North Carolina. They’ve been uploading releases since 2017 to their Bandcamp page, so have fun browsing for a bit.

Next is JOB. JOB started DJing at WKNC in the spring of 2019. In the summer of 2019 he hosted a Sunday underground show called Clocking Out. He also helped record a few live sessions in The Lounge. JOB’s music consists of super fun and fast-paced mixes, consisting of artists like Toro y Moi, Azealia Banks and Ariana Grande. His bio on mixcloud simply says “girls + gays only”, if you can’t already tell what his musical vibe is based on the aforementioned artists. I am very much ready to dance to this set.

And lastly, we have Sand Pact. Hema of Sand Pact was involved with WKNC from 2014-2018, in which she worked as a DJ (first as DJ iCloud, and later as Gudiya), graphic designer, and promotions director, as well as began the WKNC zine. Hema invited Alex onto her DJ sets and the two began their love for playing electronic music together. I discovered Sand Pact a few years ago when I was trying to discover more Triangle-based artists, and I really dug their sound and entire aesthetic. They have a pretty harsh sound, consisting of various strange noises layered over industrial beats. I’m super happy to have them play this set, as I’ve been wanting to see how their live show looks ever since I first discovered them.

I hope you discovered your new favorite North Carolinian electronic musician, and are able to come out to our showcase.