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Shawn’s Soapbox Episode 3: Caleb Parker
Author: WKNC Admin
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Nightmare of a Softboy Chapter 3
So I flipped the dial. I did it. I am, or was, at that moment completely overtaken by a fever of lethargy. It had crept between the discs in my spine for days, or months, or weeks, or years, or months, and I had, at this moment, surrendered my action to it. Hindsight is, obviously, sufficient to make any historian a genius. You in your comfort, or myself in my narrow-minded approach to my own identity, which existed before me and only then, can easily chastise this decision. But the fever. Values are luxuries. Without material well being, I cannot even retain enough consistent consciousness to formulate meaningful conclusions from my surroundings. And so, in the undetermined and unimportant length of time preceding my decision, I was broken down into something which was not me or otherness or really anything. If there was no one around and my mind was relegated to ponder why it was so hot and heavy, then there would honestly be nothing left.
I can recall a day where it was particularly bad. Though clear comparisons between this instance and the one which ultimately led me to turn on 102.9 are impossible due to the incredible abundance of factors which contributed to their tangible assets, I imagine that it was generally less severe simply because it did not lead to an apocalyptic action. Additionally, analysing every piece of the scenario which facilitated my dial-turning would be too difficult, at least now, because it has been fantastically muddled within my memory, and would subsequently be even more muddled in my articulation.
One morning, at around 2:30 PM, I was laying on my couch. My eyes sloppily traced the ceiling. I was dressed but not particularly; I had to anticipate any lazy stomach pains. But then, out of nowhere, or perhaps maturing slowly, or perhaps as a result of some forgotten force, my head began knockings into itself. The stinking mass of nerves and tissue sleeping in my noggin began to boil, belching and excreting against the back of my eyes. It was a monolith: absolutely inescapable and coupling into every piece which could call itself me. And so I laid there. What else could be done? I let it throb until it subsided or maybe it didn’t and it only happened to get even worse later. Operationally, the results were the same.
It was therefore in a desperate ploy for relief that I changed to 102.9. I had become obsessed with whatever state of flux could relax the aching pieces rattling within me. And in this flux I began to listen. And in this flux I began to tap my foot.
– Cliff Jenkins
Does anyone else ever go to a concert where you know the artist but you don’t really KNOW the artist? Well, that’s what me and some friends did when we went to this show. We all joked about how we know these artists, but we definitely couldn’t just name off all their songs from the top of our heads. But once the show started we had a lot of those ‘oooh that’s their song?’ moments.
When we went into it my friends and I were so excited to hear TLC play no scrubs, because you know that songs a whole classic bop. We knew we would enjoy the other artists too, but we were pleasantly surprised by just how much music we knew from the show. That’s when things became a very nostalgic and good time. It was as if everyone was going on a trip through time together.
I will say, aside from nostalgia, the show had plenty of highlights of its own too. Nelly and FloRida put on some very energetic shows and with those pop 2000 classics like ‘Hot in Here’ and ‘Low’ the crowd was dancing and singing their hearts out like crazy (my friends and I included). My absolute favorite moment of the show was the moment my friends and I we were waiting for…
TLC had the best intro to no scrubs I could’ve ever hoped for. Rozonda Thomas and Tionne Watkins knew the crowd was anticipating their hit song so they started off subtly by telling a story ‘You’re going to be out one day minding your own business…’ which was based on the theme of the song and they kept the story going on for about 3 minutes. They really knew that they were doing because the tension and excitement just kept growing and building on itself. When they actually got to performing the hit it was like a mixture of that great feeling you get when you finally get to eat after waiting a long time and when someone says something to you that makes you just want to shout YES. It made an already amazing show just that much better.
Overall I would have to say this was a great introduction into a different genre of music, in a concert setting, for myself. Before this just about every show I’ve been to has been more Rock and Indie styled. But I really appreciated the change of pace and the nostalgia that came with it. After this, I’ve definitely been listening to ‘Hot in Here’ and ‘No Scrubs’ a lot more than before and i’m glad WKNC gave me the chance to experience this show.
– DJ Psyched
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Afropunk Festival: my experience
*Like most experiences, mine is extremely unique. This review will be an honest take from my own experience”
I went to Afropunk Brooklyn on August 24th and 25th, 2019. For those who don’t know, the festival, according to Wikipedia, “was created as a safe space for black alternative-minded punks to freely express themselves and build a community with one another.” The definition of the word “punk” is disputed across many circles, I like the phrase “alternatively minded” a little better. This year’s fest was held in Commodore Barry Park.
I wanted to go to Afropunk because of three reasons of equal weight: fashion, music and because it offered a space for black people that were like me. I had been seeing Afropunk outfit pictures amongst other festival fashion inspiration pages for several years and have always wanted to go to just for the festival fashion aspect. I thought about my outfit for months during the planning stages of the trip to Brooklyn. I never definitively decided on anything until it was too late of course. It was my first time in any state north of Virginia so I was really taking it all in.
On day one, I was extremely tired after walking around Brooklyn all day before the festival. I also didn’t know what to expect so I was really going through a lot of emotions. I saw Leikeli47, Tierra Whack (who brought out Alicia Keys), Leon Bridges and Jill Scott. Like a typical music festival, the artists performed on different stages around the park and we all scrambled to see our favorite artists on time. Leikeli47 had the whole crowd shaking their asses and bobbing their heads to her songs. Tierra Whack had a wonderfully weird stage presence and I was very surprised to see Alicia Keys come out there with her. Leon Bridges sung his heart out for 2 hours while I waited in line for a vegan BBQ sandwich; he really gave us all a show. The last performer of the night was Jill Scott and she was fabulous. Her onstage presence was magical, her vocals were amazing and she played a lot of the songs I grew up listening to. The fashion from day one was amazing! I saw some really well curated, creative and bold looks from all kinds of people. The energy in the air was chaotic, but I felt safe like I was right where I was supposed to be.
On day two I came in tired again after another long day. We arrived late to Toro y Moi, but heard his last two songs through the gates. On this day I brought a camcorder I checked out from the library and it was the best decision I’d ever made. I got a chance to bring home a lot of what I saw at the festival with me. This day I saw Scarlxrd, Lianne La Havas, Masego and another act whose name I don’t know. The energy from the crowd and Scarlxrd was so exciting to watch happen in front of me. His fans are dedicated and his stage presence is one I won’t forget. Lianne La Havas’s show was sweet, chill and romantic. Her voice was like pillows. After Lianne, we saw Masego. He was my favorite performance of the night because I knew the most of his songs, he played the sax and because the crowd around me was so engaged while we all danced our asses off together to his music. Also Masego’s rendition of Andre 3000’s “Prototype’’ was very well done. The outfits on this day were fantastic. I saw so many people and they really did a terrific job at coordinating colors, creating stories and expressing themselves with their outfits.
What I love the most about Afropunk is that it was a space that was created specifically for black people. What happened in Commodore Barry Park in Brooklyn was an amazing thing. It allowed all kinds of people to come together to present a culmination of styles, cultures, lifestyles and music tastes. It was a beautiful experience for any black person to have.
-Makayla
Shawn sits down with political philosopher Dr. Stephen Ferguson to discuss student activism, political philosophy and Hip Hop being dead after 1996. Tune in for an intelligent conversation.
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Afterhours Charts 8/27
Artist Record Label
1 KAYTRANADA Nothin Like U/Chances [EP] RCA
2 TORO Y MOI Outer Peace Carpark
3 CHROME SPARKS Be On Fire [EP] Counter
4 SATIN SHEETS St. Francis 100% Electronica
5 CHANNEL TRES Black Moses [EP] Godmode
6 SWEELY Nice Archive Traxx, Vol. 1 Lobster Theremin
7 TILMAN Love [EP] Fine
8 HOT CHIP A Bath Full Of Ecstasy Domino
9 FLOATING POINTS LesAlpx/Coorabell [EP] Ninja Tune
10 DJ SEINFELD Lilium [EP] Young Ethics
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Shawn’s SoapBox-Dr. Stephen Ferguson
By far, the most creative album I’ve heard in a long time.
I’m not going to lie, I’ve been listening to Tobi Lou for a while now, but how I discovered Tobi Lou is actually quite interesting. A producer that I was extremely fond of named YOG$ had just got done doing a collaboration project with another artist I thoroughly enjoy, and upon finishing that project, did a track with Tobi, and I hated it. It took me about around 3 months and 15 listens to actually come around on the song, and I was still pessimistic listening to the rest Tobi’s music. I finally started coming around to Tobi’s music because of the dichotomy between lighthearted fun and melancholy teenage emotions within his songs. Not to mention his incredible lyrical creativity, singing ability, and downright fantastic production, mixed with actual interesting ad libs. Tobi Lou quickly became one of my favorite artists to follow, and Live on Ice does not disappoint.
Something that makes this album truly interesting and separate from other hip-hop/r&b/pop albums is that many of the songs can be thrown into any of those genres, and possibly others. From the first track on the album, 100 Degrees, it would appear to be a hip-hop album, but as you head down the track list, you find songs like Sometimes I Ignore You Too and That Old Nu-Nu that are so far from hip-hop in a traditional sense, and that argument can be made for just about every song on the album. Tobi even collaborated with K-Pop artist Vernon on the track Looped Up, arguably making for one of the most creative and ambitious songs on the album.
I have been trying to think of a good comparison for Live on Ice, and from a musical perspective, I haven’t been able to find one. It’s just that unique and creative. But, I believe an argument can be made that Acid Rap by Chance the Rapper and Tobi Lou’s Live on Ice have very similar impacts on the audience it reaches, essentially accomplishing the same goal, connectivity. Acid Rap, is arguably one of the most influential factors for the type of music I listen to, and many others my age. Live on Ice accomplishes the same effect, but for a slightly different audience. Acid Rap was influenced by extremely prevalent themes being love, friends, following your dreams, with the biggest theme being heavily based around drugs. All of these elements combine for one of the most successful mixtapes ever made, as well as being responsible for Chance the Rapper’s massive popularity. Live on Ice is similar to Acid Rap in a way, due to how Tobi effectively connects the themes of the album to the listener. While it might not be as successful as Acid Rap, Tobi Lou has created a project that will touch the lives of many people in the same way Acid Rap did. Themes like finding love, dealing with depression, being comfortable with who you are, and heartbreak are expressed throughout the album extremely effectively through fantastic production, Tobi’s ambitious vocal layering/editing, and lyrical creativity. Personally, I love happy music, and when I heard tracks like Favorite Substitute, Like My Mom, and Ice Cream Girl, I immediately fell in love with them because they connected with me in a personal and interesting way. The use of non-traditional hip-hop instruments, catchy choruses, unique vocals, and actually interesting ad libs (seriously no one ever has good ad libs) make songs more lively, and help to set a mood for the album overall.
Live on Ice is genuinely in a league of its own, and I think it should be treated as such. It took me almost a month to fully understand and interpret this album, and I hope others get as much out of this project as I did. I truly haven’t listened to an album this interesting since Healy’s Subluxe in 2017. I highly suggest you give this album a shot, even if you don’t like hip-hop/r&b/pop because it is such a different experience.
Suggested Tracks:
-100 Degrees
-Sometimes I Ignore You Too
-Berlin/Westside
-Cheap Vacations
-Looped Up
-Favorite Substitute
-Ice Cream Girl
-Jaye
EP REVIEW: Josh Mullen – Lemon’de (8/23/19)
BEST TRACKS: Fine, Lemon’de
FCC Clean
Meet Josh Mullen, who is just now dipping his toes into the world of songwriting with his first EP, Lemon’de.
This 18-year-old grasshopper from Youngseville, NC is an unashamedly self-proclaimed indie boy who draws his inspiration from the likes of Mac Demarco and Neutral Milk Hotel, which is evident in this EP by the mellow vocals and dominant use of acoustic guitar. Mullen admits to recording this entire EP in his bedroom using Audacity, but to be fair, who doesn’t record their first EP on either Audacity or Garageband? Despite not having the greatest means of production, for a first EP, it’s pretty good.
The song “Fine” kicks off the EP and immediately blasts you into the 5th dimension of consciousness with high energy strumming and a nicely complimenting bassline. The vocals are easily the most impressive part of this song. Mullen’s voice is soft but not completely mushy, carrying a pleasant amount of grit and intensity while still remaining soothing to the ears. The heavily reverberating vocals will penetrate their way into the center of your brain and settle down there. The reverberating, softly warped vocals make their appearance again on “Brown Recluse” and ‘Punch”.
Another highlight of this EP is the title track “Lemon’de”. For this lighthearted number, Mullen sets aside the guitar and picks up a sweet little ukulele. I feel like I’m in the Curious George universe when I’m listening to this song, dreamily floating down a river in a rowboat on a sunny day. Eating a banana. This song will ‘whistle’ your worries away.
Josh Mullen is a talented guitarist and vocalist with a lot of potential. Josh Mullen, if you’re reading this, keep making music! Everyone starts somewhere. Thank you for being a fan of WKNC and I hope to see you making waves in the future.
You can listen to Lemon’de on soundcloud here: https://soundcloud.com/skippysgotmail/sets/lemonde-ep
-Safia Rizwan