DOTWAV Media

Artist Record Label
1 BROADMOOR Oldhurt//newpain [EP] 2020 N/
2 STRANGLED “Sleep” [Single] Self-Released
3 WORMHOLE The Weakest Among Us Lacerated Enemy
4 LEFT BEHIND No One Goes to Heaven Pure Noise
5 KONVENT Puritan Masochism Napalm
6 VISCERA “Obsidian” [Single] Unique Leader
7 SUICIDE SILENCE Two Steps [EP] Nuclear Blast
8 DETACHMENT Gaslight Self-Released
9 CURSED EARTH The Deathbed Sessions UNFD
10 LORNA SHORE “Immortal” [Single] Century Media

Artist Record Label
1 BASEMENT REVOLVER Wax And Digital [EP] Sonic Unyon
2 GEOWULF My Resignation PIAS
3 JUNIOR ASTRONOMERS Body Language Self-Released
4 DAYGLOW Fuzzybrain Self-Released
5 NALLO Nallo [EP] Chase Bliss
6 BLACK SURFER Black Surfer [EP] Self-Released
7 CRITICALS, THE Mimosa Hygiene [EP] Self-Released
8 MARIKA HACKMAN Any Human Friend [EP] Sub Pop
9 (SANDY) ALEX G House Of Sugar Domino
10 MENZINGERS, THE Hello Exile Epitaph
11 PALACE Life After Avenue A/Fiction
12 TROPICAL FUCK STORM Braindrops Joyful Noise
13 CHASTITY BELT Chastity Belt Hardly Art
14 MACSEAL Super Enthusiast 6131
15 TURNOVER Altogether Run For Cover
16 JULIA SHAPIRO Perfect Version Hardly Art
17 ZACK MEXICO The Page The Pope and The Hanged Man Self-Released
18 JAY SOM Anak Ko Polyvinyl
19 ALEXANDRA SAVIOR The Archer 30th Century
20 INFINITY CRUSH Virtual Heaven Joy Void
21 CHARLY BLISS Supermoon [EP] Barsuk
22 WALRUS Cool To Who Outside
23 FREE CAKE FOR EVERY CREATURE pretty good / moving songs Self-Released
24 RICHARD SHIRK Arcadia Self-Released
25 MAUNO Really Well Tin Angel
26 NATHAN BAJAR Playroom In Real Life
27 JEFF THE BROTHERHOOD Magick Songs Dine Alone
28 FRANKIE COSMOS Close It Quietly Sub Pop
29 PRO TEENS Twos Broken Circles
30 HANA VU Nicole Kidman/Anne Hathaway Luminelle
TOP ADDS
1 IAN GEORGE Kingdom Of My Youth Self-Released
2 WEEKLINGS 3 (Three) Jem
3 BOMBAY BICYCLE CLUB Everything Else Has Gone Wrong Mmm…
4 OLIVER HAZARD The Flood [EP] R And R
5 BLANKS “Sweaters” [Single] Self-Released
6 FIONA SILVER Hostage Of Love [EP] Self-Released
7 LEGAL VERTIGO Tragic Future Film Star Dine Alone
8 JORDANA “Signs” [Single] Grand Jury

Artist Record Label
1 PAT JUNIOR Spice Adams Be Absxlute
2 SAMPA THE GREAT OMG Ninja Tune
3 AMIRI A Dreamer HiPNOTT
4 JEAN GRAE AND QUELLE CHRIS House Call Mello
5 THIAGO OMW Urubu
6 RICO NASTY Cold Sugar Trap
7 LITTLE SIMZ “Boss” [Single] AGE 101
8 RIPPARACHIE “LOVE ME LONG TIME” [Single] Coin Team
9 JPEGMAFIA “Puff Daddy” [Single] EQT Recordings
10 HARRIS RUDMAN “Influential” [Single] Candy Gang
So much music is made in the world, it can be overwhelming. Great albums are bound to be lost to time, especially in the days of physical copies. Thankfully, prolonged dedication has allowed for some lost albums and artists to be refound and given a second chance. Here are some of the greats:
Linda Perhacs: By day a dental hygienist in Beverly Hills in the 1960s, by night a folk-psychedelic singer-songwriter. Leonard Rosenman, a prominent film-composer, was one of her clients and was impressed by a demo tape of recordings she gave him; he then produced her masterpiece 1970 album Parallelograms, the title track inspired by synesthesia on Ventura Freeway and “seeing music”. The album didn’t chart well commercially and she returned to her dental career. In the 2000s, Perhacs was tracked down and Parallelograms was rereleased before she given the chance to record two new albums: The Soul of All Natural Things in 2014 and I’m A Harmony in 2017, both evidence that pure talent never fades.
Listen to: Hey Who Really Cares, Paper Mountain Man
Bill Fay: A college student in Wales in the 1960’s, Bill Fay was less interested in his electronics classes than the music he was making in his spare time. His demos scored him a recording spot at Decca Records, and he released two progressive-folk albums: his gentle self titled debut in 1970 and the more charged Time of the Last Persecution in 1971, the latter of which grapples with moral issues such as the Vietnam War and segregation through a religious lens. After the albums failed to gain attention, he was dropped from Decca and “deleted” from the music industry. He worked as a fish packer and groundskeeper until the late 90s, when he was tracked down by producers Jim O’Rourke and Joshua Henry with help from Wilco’s Jeff Tweedy. He has since been able to release three new albums: Life is People (2012), Who is the Sender? (2015), and his latest release, Countless Branches (2020).
Listen to: I Hear You Calling, Tell It Like It Is
Rodriguez: Folk songwriter Sixto Rodriguez released two albums with Sussex Records in 1970 and 1971, both with poetic lyrics often discussing life in inner city Detroit. Neither album was an immediate success, leading him to quit music in the 70s and buying a house in a government auction for $50 (which he still lived in as of 2013). Meanwhile, and mainly unbeknownst to him, his records gained massive success in Australia, Botswana, New Zealand, and Zimbabwe, and stood as anti-Apartheid anthems in South Africa. He become the subject of a documentary, Searching for Sugar Man, which chronicled two Cape Town fans searching for him and went on to win a Sundance prize in 2012. Since his rediscovery, his albums Cold Fact and Coming from Reality have been reissued and he has been in talks with producer Steve Rowland about releasing new music.
Listen to: I Think of You, Jane S. Piddy
Sibylle Baier: Young German actress and singer-songwriter, Sibylle Baier, recorded her songs for her only album Colour Green on reel-to-reel tapes sometime between 1970 and 1973. She never released them, and gave up hopes of a career in artistry in favor of raising her family. Thirty years later, her son Robby compiled a CD of the songs to give to family members and it found its way to the Orange Twin label, who released it in 2006. These fourteen hauntingly beautiful folk songs have since become well loved, which has left Baier “really quite perplexed” but “smitten” according to her son Robby (she prefers to stay off the Internet, it makes her “dizzy”).
Listen to: Forget About, Tonight
One of the most magnetic qualities about folk music is its everlasting relevance; no matter how much time has passed, a good song will always strike a chord. These lost and refound albums and artists exemplify this trait, as they not only inspired dedicated searches in their name but still make a lasting impression on old and new listeners today.
-DJ Big Hoss
(camryn darragh)
i got really into this and it got kind of long
BEST TRACKS: Agitate Resuscitate, We Are The Ones Who Make It So, We Pretend, Tight Rope
FCC violations: Agitate Resuscitate, The Saint, We Are. We Are. We Aren’t., This Reign is Ours, Hands Out
This classic alt-rock album, released on January 17th, has been a long time in the works (it’s Criteria’s first new album in 15 years)! To give you an idea of the kind of music Criteria makes, they toured with the likes of Jimmy Eat World and Minus the Bear following the release of their sophomore album En Garde in 2005. Their sound has stayed pretty consistent throughout the years (not that it needs to change). Years is sweetly reminiscient of simpler times AKA the early 2000s punk rock revival headed by Green Day’s American Idiot and the Offspring’s Rise And Fall, Rage And Grace.
The album opens with my favorite track of the record, lead single Agitate Resuscitate. This song’s monster riffs, toe-tapping hooks, and melody-forward vocals set very high expectations for the rest of the album. Strong bass lines will keep you grounded amidst the explosive drums and intense riffage. The album maintains it’s post-hardcore punk momentum all the way through to the end where it closes on a high note with Peace, ‘through our pain we still celebrate life today,’ and with a final call for world peace, the album fades into silence.
Criteria reminds me of Fall Out Boy, in that you’ll want to not just sing, but shout along to these passionate and anthemic lyrics. Songs on this album encompas the many ways in which we go through life, be it struggling and fighting for the revolution, or struggling with ourselves alone. Listen to this album if you want to feed your rebellious and angry, yet carefree highschool soul. Even though growth and change in music is great and encouraged, there’s something reassuring about knowing that some things in music never change. For every genre, there will always be a core, classic sound that we can revert to for comfort when we are tired of the new. For the genre of post-punk, Criteria encompasses this core perfectly.
In closing, welcome back, Criteria. It’s great to have you back.
-Safia Rizwan