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New Album Review

Hot New Indie: Alone, Omen 3 (King Krule)

In his new single, King Krule continues on his tradition of punky and dark jazz fusion. His unique voice here takes on a more relaxed, contemplative tone, similar to the second half of “The OOZ”. True to King Krule’s form, the central theme of the single is being alone. Through all the darkness, though, there’s a touch of hope that shines through.

The sound profile of the two songs on the single sound like they would fit on “The OOZ”, yet “Alone, Omen 3” in particular uses samples, something that Krule does not use often. The track opens with a phone ringing that is never picked up, particularly fitting for the first line of the verse it precedes: “Take a dip, if you’re alone, take your time”. Krule seems to believe in patient contemplation and self-discovery.

The hope interspersed in the track sits in the bridge and the outro: 
“But don’t forget you’re not alone; Sometimes you’re stretched … Every minute, every second, you’re not alone, you’re not alone…” Krule may be talking to his partner here, who he had his first child with in 2019. Throughout the track, the lens shifts from the royal “you” to specific references to his girl, indicative of the fact that they’re present for each other and that neither of them are alone.

-Decent Icon 

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New Album Review

Snippets: Tame Impala, “Tomorrow’s Dust”

Tame Impala has recently come out with their newest album, “The Slow Rush”. One track in particular, “Tomorrow’s Dust”, is an excellent representation of the sound of the album and the direction in which Tame’s sound is going.

Lead by ethereal synthesizers, sublime guitar leads, and a powerful dance beat, the song prepares the listener for Tame’s sweet-yet-sad lyrics. The ideas present in the track are dense, as the verse extends to give time for contemplation on being alone and connecting to others.

In fact, a central theme in the track (and the entire album) is time. The second verse is short and to the point on this front: “There’s no use trying to relate to that older soul; And no use biding your time if the bell is tolled”. What exactly the bell is tolling for is not clear, but perhaps it’s meant to be that way. Maybe the isolationist yet newly-wed Kevin Parker has gained a new perspective on biding his time.

-Decent Icon 

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Podcasts

The Purpose of Getting Pysched


Get Psyched intro music was created by PME, used by permission. Find PME on Spotify

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New Album Review

Snippets: Gus Dapperton

Sporting broad-rim glasses and an ever-changing color scheme, Gus Dapperton forgoes convention to bring his audience a truly unique sound. Implicit in his music is the understanding that we all can sometimes struggle to “fit in” and that it’s ok to travel your own path.

Gus’ own path began completely self-produced. He released two EPs on his own (Yellow and Such and You Think You’re A Comic!) that both carry a bedroom-pop yet danceable feel. Gus seems to feel as though the feeling is the most important thing, as he’s gone on record to say that there is no specific interpretation of his lyrics. He works in metaphor and abstraction and states that each track he’s created is like a sounding board, where individuals can project their own meaning.

Check out these tracks:

Ditch (single)

I’m Just Snacking (Yellow and Such)

Miss Glum & The Pursuit of Falling (Yellow and Such)

Prune, You Talk Funny (You Think You’re A Comic!)

I Have Lost My Pearls (You Think You’re A Comic!)

World Class Cinema (Where Polly People Go to Read)


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Podcasts

King Gino

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Weekly Charts

Chainsaw Charts 2/25

Artist Record Label
1 LAMB OF GOD “Checkmate” [Single] Epic
2 TESTAMENT “Night Of The Witch” [Single] Nuclear Blast
3 SEPULTURA Quadra Nuclear Blast
4 SUICIDE SILENCE Become The Hunter Nuclear Blast
5 VARIALS In Darkness Fearless
6 MAGNITUDE To Whatever Faithful End Triple B
7 HANGMAN One By One FlatSpot
8 THE AMITY AFFLICTION Everyone Loves You… Once You Leave Them Pure Noise
9 WHITECHAPEL The Valley Metal Blade
10 SEEYOUSPACECOWBOY The Correlation Between Entrance And Exit Wounds Pure Noise

Categories
Podcasts

DIY Series ft. Adam


Learn more about Adam at Adam Temple Design.

Get Psyched intro music was created by PME, used by permission. Find PME on Spotify

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Podcasts

EOT306 NC Waste Lagoons Part 1 – Matt Wechsler: Right to Harm 2/23/20

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Podcasts

DIY Series ft. The Saw


Get Psyched intro music was created by PME, used by permission. Find PME on Spotify.

Get Psyched Podcast Episode Highlight: DIY Series ft. The Saw

Photo contributed by The Saw
Erika aka ‘The Saw’ is a DJ at WKNC and has also been the Chainsaw music director for over three years now. She’s worked multiple other positions including Content Creator and Content Manager. As NACC’s DJ of the month for June 2019, The Saw has also emceed the state fair and introduced the buried and in 2018 and 2019. She also taught 2 workshops at the CBI convention! The Saw’s work is endless also including Interviewing bands, writing blog posts for WKNC and a personal website, hosting ‘The Saw’s Electric Chair Heavy Metal Podcast’, and so much more.

In this episode, The Saw gives us insight into how she got into metal and how it set her on her current path. Both her parents are metalheads who met in a moshpit ‘It’s in my roots’ she said. The DJ was also exposed to metal through her brothers who were in local bands and was involved with the scene as early as age 14 when she first went to Carolina Rebellion. ‘This is where I’m supposed to be, this is where I belong’, she said she knew this as soon as the show started ‘it filled a void in my heart’, after this she said ‘metal was always there for me’.

As far as getting into working at WKNC the DJ says her father told her about the station and suggested she try out DJing Chainsaw. She said she had no idea before and when she checked she saw that no one was currently in the genre. This is where she decided to fill the gap and started her mission to share metal with more people and make sure people see how special the genre is.

This is where Erika’s mission comes in. ‘There’s a stigma that metalheads are mean and you can’t talk to them’ she says. ‘The music might sound one way but the people are very kind’. Erika wants to show people the truth behind the genre and that there’s no need to stigmatize or judge based on how the music might sound. Since metal got her out of a rut, she wants to do anything she can to give back to the music. She says metal is an underground genre right now, so she wants to do all she can to shine some light on the genre and the bands in it, ‘I wouldn’t be here without the local bands’. This is why the saw started ‘The Bone Cruncher’, her local band metal segment at WKNC. This helped ‘The Butcher Shop’, another segment of The Saw’s, take off. 

As I mentioned, The Saw has a website, attached below, is where she showcases all of her work. She plans to use the site to continue her work after college, using it as a ground base. She soon realized ‘I can really do something with this website’. She considers all of these platforms a way to show off all the band’s hard work, and she enjoys her role in the community. Especially being able to support these bands. She said she loves ‘Seeing the community come together’ and that ‘The DIY scene in all genres, it’s all helping one another out’. She’s participated in many benefit shows and says seeing the people come together is really what makes it worth it and what keeps her going. She enjoys the friendship and commodity of the scene. ‘You can be happy, metal isn’t that sad to be honest’.

As The Saw says ‘i’ve been a metalhead my entire life, it’s a lifestyle for me’ ‘my blood type is type O-neg, (which is) a metal band… that’s not a coincidence’.

– ‘You can’t get rid of DJ Psyched and The Saw’
Learn more about The Saw in The Saw’s Butcher Shop. The PsychoSaw Series continues on The Saw’s Electric Chair podcast.

Categories
New Album Review

ALBUM REVIEW: Destroyer – Have We Met

BEST TRACKS: The Raven, Crimson Tide

FCC Violations: Crimson Tide, The Television Music Supervisor, Cue Synthesizer, Foolssong

If you follow Dan Bejar, you probably know that he is a cherished member of indie pop band The New Pornographers, but what you might not know is that Dan Bejar is also the centerpiece of a much moodier rock project, Destroyer. Destroyer recently released an album Have We Met, which earned a whopping 8.5 on Pitchfork, so I was intrigued. When listening to music, I try not to take the album art into consideration but please bear with me as I comment on album art just this one time. I am a very visual person, and am often drawn to albums based solely on enticing album art. I hate when album covers are just a closeup, artsy picture of the artist. It’s just so average and seems very self-absorbed to me. After seeing Have We Met’s boring album cover, I almost didn’t listen to the album but I’m glad I did.

Bejar’s singing style, especially on the 5th track ‘The Raven’, sometimes morphs into a very intimate talking-singing-mumble akin to Jeffrey Lewis’ on the album A Turn in the Dream Songs. The instruments on this album are fairly minimal and simple, emphasizing mostly guitar and electronic keyboard, but the music is far from basic. The solemn, sometimes scattered notes create an exquisitely spooky, chilling atmosphere. Have We Met is dark, eerie, and weird. In fact, Bejar has said that he was influenced by the Twilight Zone and Edgar Allen Poe during the creation of this album. When I listen to this album, I immediately imagine it as the soundtrack to an art gallery exhibit in the MOMA filled with weird, abstract, smooth and spiky black sculptures. Listen to this album if you ever went through a phase where you were obsessed with misty graveyards, the Victorian era, and the supernatural.

-Safia