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Hopscotch Artist Profile: Father

Though Atlanta trap music has been around a while, only in recent years has it cracked into mainstream American music. Turn on any commercial hip hop radio station to hear the lean-driven drawl of Future or the combination of mumbling, rapping, and singing that Young Thug puts out. Though it sometimes seems like it has become a genre driven by radio hits and record labels, some still aim to put out fresh music while not adhering to the same basic formula of modern Atlanta rap stars. Among them is Father and group, Awful Records.

While most Atlanta trap stars use strip clubs like Magic City to expose their music to fans, Father has taken a different approach. He and his friends have built a small, rabid following of fans on the Internet. His business approach isn’t the only thing that sets Father apart. Using minimal yet 808-heavy beats that he often produces and engineers himself, Father sits perfectly at the intersection of Internet rap hipster and trap star. He values having fun and making unique music with his friends over cultivating an image of toughness. Though his voice can be a little off-putting at first, heavy beats and catchy hooks will eventually have you belting out every lyric at full volume. Above all, Father doesn’t take himself or his music too seriously and asks that his fans don’t as well.

For an introduction to Father, check out his mini-hit “Look at Wrist” that features fellow Atlanta fringe stars Key! And ILoveMakonnen. Other good songs include “Nokia”, “Back in the ‘A’”, and “Young Hot Ebony”.

You can see Father perform at Hopscotch Music Fest here in Raleigh Friday at 11:00 at Lincoln Theatre. Keep on an eye on the WKNC blog for more exclusive content leading up to the festival.

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Future Island 1000 Artist Profile: Danny Brown

Danny Brown is hip hop’s most interesting character to date. Not since Busta Rhymez has a rap artist straddled the lines of so many genres and embodied a persona that is so out of this world. Wearing black skinny jeans, studded leather jackets, and rocking a mohawk/flat top with green tips, he looks more like a punk rocker than a rap artist. However, Danny’s lyrics are the most authentic raps that the genre has seen in years. He rhymes about the streets of his hometown Detroit, but not in the braggadocious, semi-romanticizing way that we’ve become accustomed to in rap music. Brown’s lyrics are captivatingly introspective, often painting an ugly picture of what the impoverished landscape of Detroit looks like, many times in a way that’s downright scary.

He burst out onto the scene in 2010 with his first album The Hybrid after years of mixtape obscurity. Hybrid got him the following he needed to release his second album XXX which dropped on his 30th birthday. XXX was praised by nearly every music publication in circulation as the best rap album of 2011. With influences of old school hip hop, grime, drum and bass, indie rock, and more, XXX solidified Danny’s place as the music industry’s new mad man. He followed up XXX with Old in 2013, which boasted production from a wide array of producers who don’t have anything to do with mainstream hip hop (Purity Ring is one of them). He turned this eccentric trip into a billboard topping success that has cemented him into the conversation as one of the most creative rappers on the scene right now.

Personally I’m excited to see DB take the stage in Carrboro on Sunday. The last time he was in the area was at Cat’s Cradle last April and he tore the house down. Going through hits from Hybrid to Old, he had everyone in attendance singing along to the point that he took a break to let the crowd sing his songs for him. He obviously likes us here in NC after his last visit, so I’m expecting him to show the crowd at Future Islands 1000 some major love with an amazing set.

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Rap Radar: LIVEFREERIZE

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This can also be read in here in Technician.

Last month I got the chance to go up to my hometown of New York City and interview an up-and-coming artist from Brooklyn who goes by LIVEFREERIZE, or Rize for short. Rize’s music is a smooth blend of traditional rap lyrics with modern production provided mostly by his producer Chvlly. If you’re tired of the same old trap rapping played on commercial radio and the underwhelming resurgence of backpack rap, LIVEFREERIZE is definitely someone to give a listen to. His music exists somewhere between the multiple sub-genres that populate modern hip hop. And because it doesn’t adhere to a certain label, it comes across as organic and relatable. You’ll never hear two Rize songs that sound the same, which is a breath of fresh air in this transitional period in hip hop culture, where artists are either only rapping about selling drugs they’ve never seen, spending money they don’t have, or waxing poetic about ex-girlfriends. It’s music made for real people. Think J. Cole, but not nearly as polite.

On top of being a creative and talented rapper, Rize is a cool dude in general. He’s a man’s man who’s been around the block a few times in a few different cities. Brooklyn is what he considers his home base, but he’s spent time in Newark, Chicago, Oakland, and even Durham where he has family. This exploration of different areas of the country has exposed him to music scenes outside of New York’s, which is uncommon for many rising rappers. A lot of up-and-coming rappers (especially NY-based ones), stick to their hometown sound, and in today’s genre bending environment, that mentality limits hip hop hopefuls. Rize has seen this, and acknowledges that the only way for New York hip hop to reclaim its throne in the rap kingdom is by approaching the art from a different angle.

Rize’s wise beyond his years mentality shines through in his music. It’s well balanced and fun, and he has a passion for performing live, which is the key to success. I’m very confident that with Rize’s sound, he will be an artist that you’ll see breaking into the mainstream a year from now. Stay tuned to WKNC where we’ll be playing some of his tracks during our Underground segments, Saturday to Monday nights from 8PM to 5AM. Also stay tuned to our Podcast, where we will have our interview posted soon. You can find Rize on Twitter, Instagram, and Soundcloud with LIVEFREERIZE.

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Nick James’ Drago delves deeper into the realms of music and design

Nick James - Drago

The realm of electronic music tends to consist of much more than just audio when compared to other genres. Electronic artists and producers are increasingly including more and more visual substances to their work, tying together the very compatible worlds of electronically produced music and design. If anyone has come close to mastering this art, Nick James has.

It seems the deeper you dig on this enigmatic young electronic performer, currently residing in New York City, the less you know about him. 22-year-old James graduated from UNC-Asheville and moved to NYC after spending some time in Japan. He writes for Tiny Mix Tapes under the name SCVSCV and runs the experimental publication Asystems – a product of The Actual School. He describes his experimental music as creating an atmosphere for its audience, combining multimedia design with his haunting yet melodic tracks.

For each album released on Asystems – which he  runs with two of his former roommates from UNCA – James creates a website perfectly matching the two aesthetics together, drawing the listener in closer and forcing them to absorb the piece more critically.

With his recent release of Drago on the 16th, Nick James put out satyri.co. This conceptual site sucks its visitors into an icy realm where they can explore the five tracks off Drago in addition to other exclusive visual and audio features. The actual tracks off Drago are upbeat and playful but have a complex structure to them, melodies orchestrated so meticulously only to be shattered perfectly with a violent mechanic. Captivating vocals, often not in English, add to the confusion and comfort of the arrangement. A few sentences give the website and tracks little justice, and the full experience can only be taken in by entering the site with a pair of headphones.

Nick James plays the first night of Hopscotch this year at Neptunes, opening for DJ Earl and Mumdance. With HD visuals at his live performances, his quiet presence is sure to fill the room.

https://soundcloud.com/nxjames

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DBB12 Artist Profile: Eternal Summers

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Eternal Summers

Self-proclaimed “dream-punk” outfit Eternal Summers originally formed as a two piece in Roanoke, Virginia in 2009. Since then singer/guitarist Nicole Yun and drummer Daniel Cundiff have come to fill out their wall of sound by adding bassist Jonathan Woods, release three full albums on Brooklyn-based Kanine Records, extensively tour the country (often with Raleigh’s The Love Language), and land their name on several festival billings including the 2014 Hopscotch Music Festival which called them “ … covered in distortion and 80’s era effects, creating a tense juxtaposition between sweet and sharp, inviting and cold.”

The band’s most recent album “The Drop Beneath” was released in March 2014 and produced by Doug Gillard, who has worked with bands such as Guided By Voices and Nada Surf. The album earned the band high praise for nearly perfecting their shoegaze style being, which Pitchfork called “a balance between whisper and roar, messiness and finesse, between articulating Heavenly-style twee bedroom musings versus whipping up walls of roiling melodic noise.”

Eternal Summers will bring their unique brand of fuzz pop to headline Cat’s Cradle on Feb. 14 for the most rock and roll Valentine’s Day you have yet to experience.

– John Kovalchik, WKNC General Manager

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DBB12 Artist Profile: Lonnie Walker

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Lonnie Walker

Formed in 2002ish by solo performer Brian Corum with a few art class friends in Greenville, NC, Lonnie Walker is now a mainstay in the ever-changing NC music scene. Since the release of their debut album “These Times Old Times” in 2009, Lonnie Walker has become a staple of the Triangle music circuit, with their raucous-punk-meets-quirky-Americana sound livening up WKNC’s Fridays on the Lawn, DBB VI, Hopscotch Music Festival (numerous times), and a whole host of local venues. Lead singer and guitarist Brian Corum’s uniquely twisted vocals and lyrics, along with catchy riffs and rollicking rhythms from the band (currently Raymond Finn, Eric Hill, and Mike Robinson), make Lonnie Walker a can’t-miss show; just try to listen to “Summertime” without a huge grin spreading across your face and your head unconsciously bobbing with the drum beat, or not shouting along to “Compass Comforts.” Yet from its beginnings, the band has also been unafraid to let go with long, jam-style instrumentals.

Brian Corum also helps run Diggup Tapes, a Raleigh record label known for its affinity for cassette tapes, which has put out releases by Lonnie Walker as well as T0W3RS, Lilac Shadows, Oulipo, Zack Mexico, and more. Though Lonnie Walker themselves have not released an album since 2009, they have released a smattering of singles and compilations. They teased fans with a somewhat somber single, “All Bombs Away,” last summer, sparking excitement for a new full-length. Rumor has it that a very limited release of this long-awaited second album, “Earth Canals,” was distributed at Hopscotch 2014, when the band took the City Plaza stage before Spoon and St. Vincent. Be sure to catch this electric act at Lincoln Theatre on Feb. 7 – you never know what could happen!

– Meg Bryson, WKNC Indie Rock Music Director

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DBB12 Artist Profile: Spider Bags

Spider Bags

Spider Bags are back for their third Double Barrel Benefit.

The band formed in 2005 as front man Dan McGee migrated from Brooklyn to Chapel Hill, coming off a stint in punk band DC Snipers. McGee combined his punk experience with his newfound love for the North Carolina scene’s southern twang for a uniquely sloppy yet fine-tuned sound that would take the area by storm. Nine years later, the group remains one of the Triangle’s flagship bands and an undying local favorite.

In the years since, Double Barrel has grown in size and scope and Spider Bags themselves have met considerable success. 2014 was a huge year for the Chapel Hill garage rockers, as they signed to local indie powerhouse Merge Records and released their fourth studio album. “Frozen Letter,” produced by fellow DBB vet Wesley Wolfe, was met with national acclaim.

Spider Bags took the stage at The Pour House on both Double Barrel VII and Double Barrel X, but this year is the biggest yet. The band will cap off an evening of four great bands at the Lincoln Theatre on Feb. 7, 2015.

– Walt Lilly, WKNC Program Director

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DBB12 Artist Profile: Mac McCaughan

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Mac McCaughan

There aren’t many with the level of cred that Mac McCaughan carries. The Superchunk and Portastatic frontman’s legacy has affected the Triangle with both his music and Merge, the label he founded with Superchunk bandmate Laura Ballance in 1989.

Last year saw Merge’s 25th year of existence, and they used their firsthand experience as working musicians to grow from humble 7’’ and cassette releases in the early 90’s to the indie powerhouse they are today. Not only have they boasted mega acts like Arcade Fire and Neutral Milk Hotel, but continue to host North Carolina’s own talent such as Hiss Golden Messenger, Mount Moriah, and DBB12 headliners Spider Bags.

Superchunk hasn’t slowed down either. 2013’s release of “I Hate Music” was met with critical acclaim and a clear message that the modern indie rock world wouldn’t be getting tired of Superchunk any time soon.

On Feb. 7 at Lincoln Theatre, McCaughan will take the stage at an event played by countless acts that he’s inspired and supported. Without Mac McCaughan, the Triangle music scene as we know it probably wouldn’t exist.

– Walt Lilly, WKNC Program Director

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DBB12 Artist Profile: No Love

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No Love

You may or may not know it, but North Carolina has always had a very vibrant punk scene. With the inception of No Love in 2013, Raleigh had another exciting band to add to the growing roster of heavier acts in the area.

The band is made up of what has been described as a sampling of Raleigh music veterans consisting of members from other projects including Black Zinfandel, Devour, Logic Problem, Last Words, Infección and the infamous No Chodes.

Opting for a slightly more polished sound than some of their contemporaries like Double Negative or label mates Whatever Brains, No Love has drawn comparisons to Screeching Weasel and the Buzzcocks. Though the group may only be a little over one year old, they have already made the billing of Raleigh’s premiere music festival Hopscotch, shared the stage with Ex-Cult, and released two cassettes on Raleigh’s own Sorry State Records. They’ve even garnered glowing press from outlets such as Maximum Rock and Roll and NPR’s All Songs Considered.

It’s easy to tell that there’s a lot in store for this up and coming band. Catch them open the fast and furious night one of DBB at Lincoln Theatre for what’s sure to be a hometown hoedown.

– John Kovalchik, WKNC General Manager

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DBB12 Artist Profile: Museum Mouth

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Museum Mouth

Coming straight from the coast of North Carolina, Museum Mouth formed back in 2009 in a town called Southport where they still continue to create the heartfelt punk music that so many listeners can really connect with. The group received its first big recognition back in 2012 when mtvU picked up the title track of their album released that year titled “Sexy But Not Happy.” Since the release of SBNH, Museum Mouth has truly grown as a band in the sense of the material they have produced and fan base that they have gathered.

In May 2014, Museum Mouth put out their next full length album entitled “Alex I am Nothing” that contained more insight into the thoughts of drummer and lead vocalist Karl Kuehn. Following this release, Museum Mouth received an outpouring of support that has made them one of the most liked and supported bands in North Carolina today.

Museum Mouth is no stranger to WKNC, but they will be playing their first ever Double Barrel Benefit on night two at Cat’s Cradle on Feb. 14. Being a band that puts so much emotion into their music, seeing them on Valentine’s Day will be an absolute necessity.

– Clint Bowman, WKNC Local Music Director