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DBB13 Artist Profile: Naked Naps

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Originating at the beloved house show venue Mattress Fort and boasting a minimal two-piece sound, Naked Naps have exemplified the DIY rock scene in the Triangle for years. And they’re coming to Double Barrel hot off of their second full-length record. The duo have a unique talent for creating songs that feel sincerely emotional while simultaneously detached and cynical. Their music is bursting with energy but is also subtle and understated. The strong following their fantastic debut album generated is only getting bigger after their latest record and their split EP with fellow DBB artist Museum Mouth. With their new material ready to hit the stage for the first time, Naked Naps is the perfect band to kick things off at this year’s Double Barrel Benefit.   

Alex Johnson, WKNC Local Music Director

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Artist Profile: Godspeed You! Black Emperor

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From their debut album in 1997 to their latest release this year, Godspeed You! Black Emperor have managed to keep it interesting while staying true to their post-rock roots. With tracks averaging fifteen minutes, every song is like album in itself, each heavy with crescendos of cymbals and aching guitars. In essence, they sound like the grandfathers of bands such as Explosions in the Sky, or have at least paved a way for music of the same nature. The name comes directly from the title of a 1976 Japanese documentary about a group of motorcyclists dubbed the Black Emperors.

Originally a trio from Montreal, Canada, the band’s roster of members peaked and dipped as local musicians joined and dropped. GY!BE stabilized as a band of nine after the release of 1996’s F#A#Infinity. The precision and grace that goes into building each album is immediately apparent upon first listen. Their latest album, Asunder, Sweet and Other Distress is emotional, stunning, and almost overwhelming. Their live performances are something incredible, turning each album into a unique aural and visual experience. GY!BE are the kind of band whose hands you’ll want to shake after a live set.  

Don’t miss this Canadian cult favorite on Thursday at City Plaza!

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Hopscotch Artist Preview: Pusha T

Pusha T is a hip hop veteran who has stayed relevant for over a decade without crazy marketing schemes, endorsements, or toned down lyrics. In a genre that’s had a love-hate relationship with tough delivered lyrics in recent years, King Push has managed to spit some of the hardest bars in the game, with a cool and silky delivery that makes being a thug sound really appealing. He undeniably carries the torch into the new generation of Hip Hop as the boss of Coke Rap.

He and his brother emerged onto the Hip Hop scene in the late 90’s as the hailed duo, Clipse. Their debut album, “Exclusive Audio Footage,” got the attention of a relatively unknown producer at the time named Pharrell Williams. Pharrell signed the duo to his imprint, Star Tracks in 2000. Under Star Tracks, Clipse made a major dent in mainstream Hip Hop during the early 00’s with an appearance on Justin Timberlake’s first cross over hit, “Like I Love You” and their gold selling album Lord Willing. Lord Willing had some of their most well known tracks including “Grinding” and “What Happened to That Boy.”

The rest of the 2000’s weren’t that commercially friendly for the duo, but is when Pusha started to accumulate more respect among Hip Hop loyalists. Clipse was bounced from label to label in a storm of industry politics, which caused their second album Hell Hath No Fury to be delayed for almost three years.  Upon its release in November 2006, it had subpar sales, but was lauded by critics as one of the best albums of the year. It received the rare “XXL” rating from XXL Magazine, and was called “the best Coke Rap album of all time…” by Rhapsody.

After a few years of obscurity, Pusha T and his brother split ways musically. This is when Pusha’s career skyrocketed. He signed with Kanye West’s G.O.O.D. Music imprint in 2010, and had one of the most successful years out of any rapper. The Kanye association put him front and center to the masses as a revered spitter, crushing tracks on other rappers’ albums (including Kanye’s), and making himself one of the most sought after featuring artists through the early 10’s.

After signing with Def Jam in 2011, he released Fear of God II, a sequel to his critically acclaimed mixtape Fear of God. FOGII was a Billboard success that cemented everything he started with G.O.O.D. Music. In 2012 he was heavily featured in the G.O.O.D. Music compilation Cruel Summer, on smash hits like “New God Flow” and “Mercy” alongside the likes of rap giants like Ghostface Killa.

In 2013, he released his first solo studio album called My Name is My Name. The album was produced by hip hop’s most prestigious producers, including NO I.D., Kanye West, Just Blaze, Pharrell Williams, and Swizz Beats; and had features from Rick Ross, 2 Chainz, and Kendrick Lamar; and stands as one of the best albums of the decade.

Pusha T is a hip hop head’s MC. He’s in that special niche of rappers who have seen commercial success, but remain strongly rooted in underground culture via his personality and his music. His live performances are known to be really energetic, and his cult following will be sure to be a great crowd to be in the middle of. This is one of Hopscotch’s best picks for rappers to hit the stage at the festival.

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Artist Profile: le1f

Born Khalif Diouf, NYC born-and-bred rapper and producer le1f hit the ground running with the release of his first mixtape Dark York in 2012. His standout single, the 5kinandbone5-produced “Wut,” is packed full of quick quips and lively, bopping horns. With his background in dance and choreography, the music video for the single lives up to the hype as le1f revels around scantily clad male models sporting Pikachu masks. The rapper got into a small, but notable Twitter dispute the following year with artist Macklemore, whose hit single “Thrift Shop” bears a similar resemblance to “Wut.”

2013 proved to be a busy year for the producer, as he released his sophomore mixtape Fly Zone in January, signed to Terrible Records in February, dropped an EP in March, and followed up with another release, Tree House, in September. In April of the same year, he performed on the Late Show with David Letterman, becoming the first openly gay rapper to play a major late night show.

All in all, le1f is an eccentric yet grounded artist that’s certainly worth a listen. Check out the music video for “Wut,” bump “Spa Day” off the Hey EP, and ease your way into his style.

Catch him at the fest on Friday night at Kings Barcade. 

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Hopscotch Artist Profile: Tashi Dorji

The strum of a guitar has been a standard in the colorful spectrum of musical genres throughout centuries. How you strum the strings can determine the mood and tone of the song. This skill is where Tashi Dorji shines. His guitar, spread over cold silence, makes you feel something. Whether or not it is a comfortable feeling is up to you.

Born under the slopes of the Himalayas, Dorji lived in the remote country of Bhutan. This isolated upbringing ended in 2000, when Dorji left his home country to attend a liberal arts college right here in North Carolina. In the city of Asheville, he made his new home and started to release compositions under various labels, mostly on cassette tapes. Dorji’s voice radiates throughout his music. Many of his works are the results of improvisation. His compositions drag the listener into a labyrinth of warbling tones, where each sound seems to jump out and replace the eerie silence that would otherwise occupy the atmosphere. The textures remain sustained in the reverberation as the vibration of the strings dwindle and ascend. The experience is one equally disorienting and reflective, in which Dorji’s musicianship brings haunting beauty and mindfulness to the listener.

Be sure to catch Tashi Dorji playing Hopscotch Music Fest at the Kennedy Theatre on Friday September 11 starting at 10:30. He’ll also be playing with Elisa Ambrogio at the WKNC/WYXC/WXDU Hopscotch Day Party at Kings in Raleigh. Only 23 more days until downtown Raleigh becomes the playground for music lovers of all types! Be sure to stalk the WKNC blog for more Hopscotch coverage!

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Hopscotch Artist Profile: Father

Though Atlanta trap music has been around a while, only in recent years has it cracked into mainstream American music. Turn on any commercial hip hop radio station to hear the lean-driven drawl of Future or the combination of mumbling, rapping, and singing that Young Thug puts out. Though it sometimes seems like it has become a genre driven by radio hits and record labels, some still aim to put out fresh music while not adhering to the same basic formula of modern Atlanta rap stars. Among them is Father and group, Awful Records.

While most Atlanta trap stars use strip clubs like Magic City to expose their music to fans, Father has taken a different approach. He and his friends have built a small, rabid following of fans on the Internet. His business approach isn’t the only thing that sets Father apart. Using minimal yet 808-heavy beats that he often produces and engineers himself, Father sits perfectly at the intersection of Internet rap hipster and trap star. He values having fun and making unique music with his friends over cultivating an image of toughness. Though his voice can be a little off-putting at first, heavy beats and catchy hooks will eventually have you belting out every lyric at full volume. Above all, Father doesn’t take himself or his music too seriously and asks that his fans don’t as well.

For an introduction to Father, check out his mini-hit “Look at Wrist” that features fellow Atlanta fringe stars Key! And ILoveMakonnen. Other good songs include “Nokia”, “Back in the ‘A’”, and “Young Hot Ebony”.

You can see Father perform at Hopscotch Music Fest here in Raleigh Friday at 11:00 at Lincoln Theatre. Keep on an eye on the WKNC blog for more exclusive content leading up to the festival.

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Future Island 1000 Artist Profile: Danny Brown

Danny Brown is hip hop’s most interesting character to date. Not since Busta Rhymez has a rap artist straddled the lines of so many genres and embodied a persona that is so out of this world. Wearing black skinny jeans, studded leather jackets, and rocking a mohawk/flat top with green tips, he looks more like a punk rocker than a rap artist. However, Danny’s lyrics are the most authentic raps that the genre has seen in years. He rhymes about the streets of his hometown Detroit, but not in the braggadocious, semi-romanticizing way that we’ve become accustomed to in rap music. Brown’s lyrics are captivatingly introspective, often painting an ugly picture of what the impoverished landscape of Detroit looks like, many times in a way that’s downright scary.

He burst out onto the scene in 2010 with his first album The Hybrid after years of mixtape obscurity. Hybrid got him the following he needed to release his second album XXX which dropped on his 30th birthday. XXX was praised by nearly every music publication in circulation as the best rap album of 2011. With influences of old school hip hop, grime, drum and bass, indie rock, and more, XXX solidified Danny’s place as the music industry’s new mad man. He followed up XXX with Old in 2013, which boasted production from a wide array of producers who don’t have anything to do with mainstream hip hop (Purity Ring is one of them). He turned this eccentric trip into a billboard topping success that has cemented him into the conversation as one of the most creative rappers on the scene right now.

Personally I’m excited to see DB take the stage in Carrboro on Sunday. The last time he was in the area was at Cat’s Cradle last April and he tore the house down. Going through hits from Hybrid to Old, he had everyone in attendance singing along to the point that he took a break to let the crowd sing his songs for him. He obviously likes us here in NC after his last visit, so I’m expecting him to show the crowd at Future Islands 1000 some major love with an amazing set.

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Rap Radar: LIVEFREERIZE

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This can also be read in here in Technician.

Last month I got the chance to go up to my hometown of New York City and interview an up-and-coming artist from Brooklyn who goes by LIVEFREERIZE, or Rize for short. Rize’s music is a smooth blend of traditional rap lyrics with modern production provided mostly by his producer Chvlly. If you’re tired of the same old trap rapping played on commercial radio and the underwhelming resurgence of backpack rap, LIVEFREERIZE is definitely someone to give a listen to. His music exists somewhere between the multiple sub-genres that populate modern hip hop. And because it doesn’t adhere to a certain label, it comes across as organic and relatable. You’ll never hear two Rize songs that sound the same, which is a breath of fresh air in this transitional period in hip hop culture, where artists are either only rapping about selling drugs they’ve never seen, spending money they don’t have, or waxing poetic about ex-girlfriends. It’s music made for real people. Think J. Cole, but not nearly as polite.

On top of being a creative and talented rapper, Rize is a cool dude in general. He’s a man’s man who’s been around the block a few times in a few different cities. Brooklyn is what he considers his home base, but he’s spent time in Newark, Chicago, Oakland, and even Durham where he has family. This exploration of different areas of the country has exposed him to music scenes outside of New York’s, which is uncommon for many rising rappers. A lot of up-and-coming rappers (especially NY-based ones), stick to their hometown sound, and in today’s genre bending environment, that mentality limits hip hop hopefuls. Rize has seen this, and acknowledges that the only way for New York hip hop to reclaim its throne in the rap kingdom is by approaching the art from a different angle.

Rize’s wise beyond his years mentality shines through in his music. It’s well balanced and fun, and he has a passion for performing live, which is the key to success. I’m very confident that with Rize’s sound, he will be an artist that you’ll see breaking into the mainstream a year from now. Stay tuned to WKNC where we’ll be playing some of his tracks during our Underground segments, Saturday to Monday nights from 8PM to 5AM. Also stay tuned to our Podcast, where we will have our interview posted soon. You can find Rize on Twitter, Instagram, and Soundcloud with LIVEFREERIZE.

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Nick James’ Drago delves deeper into the realms of music and design

Nick James - Drago

The realm of electronic music tends to consist of much more than just audio when compared to other genres. Electronic artists and producers are increasingly including more and more visual substances to their work, tying together the very compatible worlds of electronically produced music and design. If anyone has come close to mastering this art, Nick James has.

It seems the deeper you dig on this enigmatic young electronic performer, currently residing in New York City, the less you know about him. 22-year-old James graduated from UNC-Asheville and moved to NYC after spending some time in Japan. He writes for Tiny Mix Tapes under the name SCVSCV and runs the experimental publication Asystems – a product of The Actual School. He describes his experimental music as creating an atmosphere for its audience, combining multimedia design with his haunting yet melodic tracks.

For each album released on Asystems – which he  runs with two of his former roommates from UNCA – James creates a website perfectly matching the two aesthetics together, drawing the listener in closer and forcing them to absorb the piece more critically.

With his recent release of Drago on the 16th, Nick James put out satyri.co. This conceptual site sucks its visitors into an icy realm where they can explore the five tracks off Drago in addition to other exclusive visual and audio features. The actual tracks off Drago are upbeat and playful but have a complex structure to them, melodies orchestrated so meticulously only to be shattered perfectly with a violent mechanic. Captivating vocals, often not in English, add to the confusion and comfort of the arrangement. A few sentences give the website and tracks little justice, and the full experience can only be taken in by entering the site with a pair of headphones.

Nick James plays the first night of Hopscotch this year at Neptunes, opening for DJ Earl and Mumdance. With HD visuals at his live performances, his quiet presence is sure to fill the room.

https://soundcloud.com/nxjames

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DBB12 Artist Profile: Eternal Summers

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Eternal Summers

Self-proclaimed “dream-punk” outfit Eternal Summers originally formed as a two piece in Roanoke, Virginia in 2009. Since then singer/guitarist Nicole Yun and drummer Daniel Cundiff have come to fill out their wall of sound by adding bassist Jonathan Woods, release three full albums on Brooklyn-based Kanine Records, extensively tour the country (often with Raleigh’s The Love Language), and land their name on several festival billings including the 2014 Hopscotch Music Festival which called them “ … covered in distortion and 80’s era effects, creating a tense juxtaposition between sweet and sharp, inviting and cold.”

The band’s most recent album “The Drop Beneath” was released in March 2014 and produced by Doug Gillard, who has worked with bands such as Guided By Voices and Nada Surf. The album earned the band high praise for nearly perfecting their shoegaze style being, which Pitchfork called “a balance between whisper and roar, messiness and finesse, between articulating Heavenly-style twee bedroom musings versus whipping up walls of roiling melodic noise.”

Eternal Summers will bring their unique brand of fuzz pop to headline Cat’s Cradle on Feb. 14 for the most rock and roll Valentine’s Day you have yet to experience.

– John Kovalchik, WKNC General Manager