Categories
Weekly Charts

Top Charts 2/21

#ArtistRecordLabel
1PARANNOULAfter The MagicTopshelf
2TOMMY RICHMANAlligatorBoom
3AKAI SOLOSpirit RoamingBackwoodz
4DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
5DIZUltra.VioletSelf-Released
6ERNESTO BIRMINGHAM“MOST TODAY/cold world” [Single]A LONG LIL’ WHILE
7070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
8ALEX GGod Save The AnimalsDomino
9JEAN DAWSONCHAOS NOWHandwritten
10KENNY MASONRuffsRCA
11LAVA LA RUEHi-Fidelity [EP]Marathon
12MAVILaughing So Hard, It HurtsMavi 4 Mayor
13MIKEDisco!10k
14QUELLE CHRISDEATHFAMEMello
15REDVEILlearn 2 swimSelf-Released
16ROBERT GLASPERBlack Radio III: Supreme EditionLoma Vista/Concord
17SHY HIGHGoodbye Delicious [EP]Self-Released
18THEY HATE CHANGEFinally, NewJagjaguwar/Secretly Group
19YOUNG WABOMirage [EP]New College
20BETCOVERTamago 卵Self-Released
21DARKSOFTBeigeificationLook Up
22JULY TALKRemember Never BeforeSix Shooter
23SAMM HENSHAWUntidy SoulDorm Seven
24SCUBADIVERGodspeed ToSelf-Released
25ACTION BRONSONCocodrillo TurboLoma Vista/Concord
26ARMAND HAMMERHaramBackwoodz Studioz
27AUDREY NUNAa liquid breakfast DELUXEArista
28HOVVDYBillboard For My Feelings [EP]Grand Jury
29PERRY MAYSUNPainting Naked [EP]Self-Released
30PRETTY SICKMakes Me Sick Makes Me SmileDirty Hit
Categories
Concert Preview Local Music

Upcoming Local Shows for March

Chatham County Line

When: Friday Mar. 3. Doors open 7pm, Show 8pm

Where: Cat’s Cradle, Carrboro, NC

Price: $20/$25

Chatham County Line is a local North Carolinian bluegrass band. This group blends characteristic native North Carolina bluegrass with soothing song writing and honest lyrics. Their sound is greatly inspired by the work of Neil Young and Gram Parsons– melding sweet guitar, mellow vocals, and rustic notes of harmonica and banjo picking.

Soul Glo

When: Saturday Mar. 4. Doors open 7pm, Show 8pm

Where: Cat’s Cradle Backroom, Carrboro, NC

Price: $17

Soul Glo is a hardcore punk and screamo band from Philadelphia. High energy, loud, and infused with political frustration, this band will undoubtedly put on an entertaining, heavy show. Soul Glo blends elements from screamo, punk, hip-hop and rap. Tracks such as “Driponomics” and “Coming Correct Is Cheaper” are great examples of the versatility and power this trio brings to their music.

Included in the show are performances from three openers: Cloud Rat, Backslider and Overgrown Throne.

The French Cassettes

When: Monday Mar. 6. Doors open 7pm. Show 8pm.

Where: The Pour House Music Hall and Record Shop, Raliegh NC

Price: $12-$15

The French Cassettes are an indie pop band from San Francisco. Their discography is filled with high energy tracks that evoke positivity and movement. Songs such as “Santa Cruz Tomorrow” and “Utah” demonstrate the richness this band brings to the indie pop genre. Their songs are anything but flat. The care and consideration that went into layering and building each track is prominent. The richness and high energy of their songs will provide for a great show.

Opener, Tino Drima, will add to the fun and light energy of this show. Tino Drima brings a dash of retro funk into the pop-rock genre. Together these bands will perform a fun, funky, crowd-pleasing show.

Sweet Pill

When: Saturday Mar.11. Doors 8pm, Show 9pm

Where: Local 506 Chapel Hill, NC

Price: $15

Sweet Pill is an emo punk band from Philadelphia. Their most recent album, “Where the Heart Is”, is characterized by bold vocals, complex guitar lines and unapologetically emo lyrics. Lead singer, Zayna Youssef, has a powerful voice that resonates energy from fellow emo-punk singer, Haley Williams. Sweet Pill is upbeat and bold– their performance will be energizing.

Opener Their / They’re / There holds a similar emo energy but takes a more indie rock approach. This is a great pairing of bands. Their / They’re / There will be an exciting, energetic opener and will transition beautifully to the heavier notes of Sweet Pill.

Runnner

When: Monday Mar. 13. Doors open 7pm, Show 8pm

Where: Cat’s Cradle Backroom Carrboro, NC

Price: $15/$18

Runnner is a folk, indie project by singer-songwriter Noah Weinmann. In his discography he has a collection of soft hits including “Ur Name on a Grain of Rice” and “Vines to Make it All Worth It”. His sound is gentle, refreshing and pleasant. The show will most certainly bring a meditative mood to Cat’s Cradle Stage.

Opener, waveform*, follows suit with a soft, pleasant indie sound with more of a moody and melancholy tone. Tracks “Favorite Song” and “makeup” by waveform* are great examples of the types of sound that may be heard at the concert.

Categories
New Album Review

“Norm” by Andy Shauf Album Review

Andy Shauf is a Canadian singer, songwriter who is known for his storytelling-oriented discography.

In his past work he has fabricated a world of his own, following a list of different characters, social situations and stories. If you are interested in reading more about his past discography, read my Artist Profile of him.

His newest album “Norm” follows the morally questionable actions and intentions of Norm as his pursues his love.

As seen in some of his other releases, Andy Shauf ties in themes of high powers. Past releases such as “Satan” and “Alexander All Alone” have placed God and the devil as passive players in the stories of each character. However, in “Norm” this theme takes root at the core of the album.

Typically throughout Andy Shauf’s work each character has represented an internal struggle, memory of emotion within the singer songwriter himself.

When I attended Andy Shauf’s concert at the Cat’s Cradle early 2022, one of the fellow audience members yelled out between sets: “Who’s Judy?”, one of the most prominent characters in Andy’s past albums “Wilds” and “The Neon Skyline”. In response Andy replied simply with “Me”.

“Norm” takes a different approach. The story unfolds through the perspectives of Norm and God himself. In an interview with Vanity Fair Andy Shauf states:

“There’s multiple perspectives to the story. There’s the God perspective, there’s Norm, there’s another character. It’s a bit of a puzzle, but there’s still a lot of space in it where I don’t really spell out what happens. In the end, I think if you listen closely, you’re gonna get pretty close to an understanding. If you are purely listening to it for the enjoyment of the music, you’re not gonna catch any of that.”

One component I love about his music is the whimsical, indirect, mysterious nature of his lyrics. There are many interpretations to be made. “Norm” provides music that is deeply driven my storytelling with variety and mystery that begs for another listen.

Song and Lyric Highlights

“Norm”, the namesake track off the album is subtle, melodic, and introduces a new thematic boldness to his discography. Andy Shauf has so much control over his lyrics. He adds the perfect amount of description to create a vivid story without overwhelming the listener.

Particularly in the dialog between Norm and the Godlike voice in this track, there is so much beautiful subtly:

“And when the television’s silent
I speak into his dream
‘Stop these wicked ways
And I will lead you to
The promised land”

Following with “Halloween Store”, this song combines joyful pop with eerie illusion. Andy gives us some of his best lycris yet. Andy molds the awkwardness and minutia of daily life into compelling, graceful music:

“I wondered if I’d locked the house
Walked back and found that I hadn’t
But now my keys were in the car
Walked to the car, pulled the handle
And it snapped back, at least I’d locked one door”

This song is one of the best examples of character building within his discography. The back track gives the song such innocent optimism, but the lyrics and vocal work gives the song an underlying darkness. It is a great demonstration of Norm as a character and the world he lives in.

“Sunset” continues some of the innocence heard in “Halloween Store”, but slowly reveals the true intentions of Norm under a sweet and loving musical facade.

“You get quiet, you are scared
Just watching the sunset
And I’m letting you know
Just how long I’ve loved you for”

Each and every song off this album has such depth. If you are interested in learning more about some of Andy’s intentions and stories behind each track, Andy Shuaf had an interview with Sterogum that perfectly walks through each track.

I’m looking forward to hearing more from Andy Shauf. If you are interested in seeing him live, he will be touring to the Haw River Ballroom in Saxapahaw, NC. Tickets and show information can be found here.

Categories
New Album Review

“Heavy Heavy” – Young Fathers: A Review

Young Fathers is a Scottish indie rock trio that I’ve been following for a bit now. Their newly released album, “Heavy Heavy” is exemplary of the group’s creative spirit, and it’s one of the more unique projects I’ve heard so far in 2023. Despite the name, the album tries to bring with it uplifting energy encouraging dance and a celebration of life.

Scottish band Young Fathers at the Melt! 2015 in Ferropolis/Germany. Photo Courtesy of Stefan Bollmann, under Creative Commons.
Young Fathers at the Melt! 2015 in Ferropolis/Germany. Photo Courtesy of Stefan Bollmann, under Creative Commons.

“Rice”

Take a look at album opener “Rice” for example. The percussive groove on the track alone is enough to get your body moving. Towards the end of the song, the ensemble of voices chanting the chorus feels like a concert with everybody invested in ramping the energy up towards its climax.

By far the most powerful segment of the song, though, is the chant “these hands can heal”. You can’t help but join in the power of this phrase, and I think there was a missed opportunity to bring this chant back at the end of the track. Instead, the chant on the back end of the track calls listeners to “see the turning tide”. This feels less powerful, though it does more cleanly fit with the theme of sticking through the rough patches of life.

I need to eat more rice
It’ll take some time
Gonna take some time
Gotta bide my time

Lyrics from “Rice” by Young Fathers.

“I Saw”

The second track on the album is where Young Fathers seems to get into some thematic consistency. “I Saw” doubles down on the message of waiting out the rough times to get to better ones. At least here, they actually get into the source of these bad patches: abuse, especially parental abuse. Wordplay is improved considerably here, even if the music itself is more repetitive and harder to really get into.

“I Saw” also foreshadows one of “Heavy Heavy”‘s biggest flaws: not knowing how to end. Again, the track ends with a chant that feels like it goes on a bit too long given the dynamic nature of the rest of the song. Here, it’s not a big deal, but on later tracks like “Sink or Swim” the energy dies off without feeling like an emotional resolution has been reached yet.

Music video of “I Saw” by Young Fathers.

The rest of the album

While there are still great tracks left on “Heavy Heavy” the first half of the album–especially the first three tracks–is far more powerful than the latter half. A track like “Tell Somebody”, while it has a good message, has little uniqueness or clarity. It feels too direct, especially compared to the other tracks mentioned above.

“Ululation” is a pleasant embrace of two of the members’ West African histories, but it doesn’t blend all that well with the rest of the album tonally, not just linguistically. It’s an elongated interlude trying to be its own track. “Sink Or Swim”, meanwhile, feels derivative of the prior tracks on the album, as if the song was created after the album’s singles came out. It sounds shallower and more cheaply produced. “Holy Moly” sounds like a track off of a JPEGMAFIA album as opposed to Young Fathers’ own style.

Concluding Thoughts

There’s a lot to like about “Heavy Heavy”. The great songs on the album are on repeat all the time on my playlists. However, the rest of the album feels incomplete and rushed. Some songs on the album did not need to be nearly as long as they were. Others either failed to recreate the celebratory sound of “Rice” or failed to create a rich, darker sound that compliments its lyrics.

Rating: 6/10

–DJ Cashew

Categories
Weekly Charts

Top Charts 2/14

#ArtistRecordLabel
1SOFIE ROYERHarlequinStones Throw
2MAMALARKYPocket FantasyFire Talk
3BETCOVERTamago 卵Self-Released
4DELLA ZYR모호함 속의 너 Nebulous YouLonginus
5ANNA TIVELOutsidersMama Bird
6DARKSOFTBeigeificationLook Up
7DIFFERENT JANERoomsSelf-Released
8STELLA DONNELLYFloodSecretly Canadian/Secretly Group
9AKAI SOLOSpirit RoamingBackwoodz
10070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
11DIZUltra.VioletSelf-Released
12ERNESTO BIRMINGHAM“MOST TODAY/cold world” [Single]A LONG LIL’ WHILE
13JEAN DAWSONCHAOS NOWHandwritten
14KENNY MASONRuffsRCA
15NILUFER YANYAPAINLESSATO
16REDVEILlearn 2 swimSelf-Released
17SHY HIGHGoodbye Delicious [EP]Self-Released
18THEY HATE CHANGEFinally, NewJagjaguwar/Secretly Group
19TOMMY RICHMANAlligatorBoom
20ALEX GGod Save The AnimalsDomino
21GIRLPUPPYWhen I’m AloneRoyal Mountain
22ILLUMINATI HOTTIES“Sandwich Sharer” [Single]Snack Shack Tracks/Hopeless
23LAVA LA RUEHi-Fidelity [EP]Marathon
24LUCY DACUSSpotify Singles [EP]Matador
25MAVILaughing So Hard, It HurtsMavi 4 Mayor
26PERRY MAYSUNPainting Naked [EP]Self-Released
27PRETTY SICKMakes Me Sick Makes Me SmileDirty Hit
28ROBERT GLASPERBlack Radio III: Supreme EditionLoma Vista/Concord
29STATUS/NON-STATUSSurely TravelYou’ve Changed
30ADULTBecoming UndoneDais

Top Adds

#ArtistRecordLabel
1PARANNOULAfter The MagicTopshelf
2HAMMOCKLove In The VoidSelf-Released
3JULY TALKRemember Never BeforeSix Shooter
4AJJ“Disposable Everything” b/w “Dissonance” [Single]Hopeless
5BLOOD ESTATEVirtueSelf-Released
6PEOPLE I LOVEFISH PEOPLE [EP]Self-Released
7SEDONA“Quicksand” [Single]Self-Released
8TANUKICHAN“Thin Air” [Single]Company
9WEDNESDAY“Chosen To Deserve” [Single]Dead Oceans
10YVES TUMOR“Echoalia” [Single]Warp
Categories
Weekly Charts

Afterhours Charts 2/14

#ArtistRecordLabel
1MAGDALENA BAYMercurial World DeluxeLuminelle
2HALISCAElseware OR: Eating The Snack FantasticPLEASE AND THANK YOU
3LYZZAMosquitoBig Dada
4ALICE GLASSPREY//IVEating Glass
5JOCKSTRAPI Love You Jennifer BRough Trade
6NANORAYToyboxSelf-Released
7DIVINO NINOLast Spa On EarthWinspear
8I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
9CULPRATENumber FourOpen Outlets
10LOGIC1000“Can’t Stop Thinking About” [Single]Because

Afterhours Adds

#ArtistRecordLabel
1KINOTEKIDawn of the Final HourTabula Rasa
2PSYCHOANGELpsychosis:angelic [DEMO]Self-Released
3BURIAL GRIDMusic For No TomorrowWerra Foxma
4CULT48Intricate CyphersSelf-Released
5NOSAJ THINGContinuaLuckyMe
Categories
Classic Album Review

Chainsaw Charts 2/14

#ArtistRecordLabel
1GIF FROM GOD“A Kiss For Every Hornet” [Single]Prosthetic
2JUDICIARY“Engulfed” [Single]Closed Casket Activities
3SUMMONING THE LICH“The Forest Feasts” [Single]Prosthetic
4CHILDREN OF THE REPTILEHeavy Is The HeadSelf-Released
5HUMAN RACE IS FILTH, THECognitive DissonanceSelf-Released
6VISITANT“Dematerialization” [Single]Self-Released
7DREAMS OF GRAYThe World After [EP]Self-Released
8AND OCEANSAs In Gardens, So In TombsSeason Of Mist
9FORETOKEN“Demon Queller” [Single]Prosthetic
10OBITUARYDying Of EverythingRelapse

Chainsaw Adds

#ArtistRecordLabel
1DISTANTHeritageCentury Media
Categories
Concert Review

Best of Double Barrel Benefit 19: A Recap

As many of you may be aware, Double Barrel Benefit 19, a WKNC fundraiser, happened recently. Each of the two nights featured four local artists playing their hearts out to a packed venue at Kings Raleigh. The energy in the place was incredibly lively, and the whole concert was just a great time. I want to showcase some of the best acts from both nights here that I believe deserve more support and a larger fanbase.

Chainletter

Chainletter performing at DBB19. Photo courtesy of Alena Lewis Photography.

Night one premiered with techno act Chainletter, who brought the initially stagnant, uninterested crowd to an energetic boil. This silent DJ didn’t need to interrupt their set to bring the crowd back to their music. They knew how to keep adding on more and more depth to their sound, ramping up the intensity over time.

Juxton Roy

Juxton Roy performing at DBB19. Photo courtesy of Lizzy Novelli.
Jess Ray of Juxton Roy performing at DBB19. Photo courtesy of Lizzy Novelli.

Juxton Roy closed out night one of DBB19 as its headliner with the most dynamic set of any artist that night. This queer, emo rock group kept up much of the energy from previous act Fading Signal while infusing a richer emotional core. They swerved from crowd-pleasers like “The Road” to trauma-dump session “Elephant” with ease.

Teens in Trouble

Lizzie Killian of Teens in Trouble performing at DBB19. Photo courtesy of William Flathmann.

Night two featured artists such as Teens in Trouble, whose set felt most familiar to other indie rock artists . Their music felt perfectly crafted for a party setting with a lively on-stage performance contrasting lead vocalist Lizzie Killian’s shoegaze singing. Although their lyrics can get quite melancholic, their sound never failed to keep the crowd engaged and moving.

Khx05

Khx05 performing at DBB19. Photo courtesy of William Flathmann.

Khx05 (pronounced “chaos”) might have been my favorite act across all of DBB19. This black, trans artist from night two put on by far the most invigorating on-stage performance of any artist through their dance. With music emphasizing sexuality and power, their dance felt like a really well choreographed thirst trap in the best possible way.

Although seeing any artist live tends to be a more enjoyable experience than listening to them online or through radio, Khx05 was incredible to see in-person in a way that can’t be appreciated otherwise. Additional help was provided by WKNC’s own Plover, who did DJ work during the set.

Concluding Thoughts

Double Barrel Benefit 19 was an absolutely fantastic experience to share with everyone who came out for it. I wish the artists I’ve mentioned here, as well as the others who performed, all the best in their future careers. There’s so much good music in local music scenes, so support local artists when you can.

Categories
Miscellaneous

Omori: Soundtrack Review

Omori is an astounding visual and listening experience. Released in 2020 after over six years of development, this sweet and dark role-playing video game quickly won the hearts of players.

The game follows the story of a young boy named Sunny and his dreamworld counterpart Omori. Throughout the game it reveals childhood memories between him and his friends, and the dark histories that lead them to the current day.

This game presents its story with elegance and care with a stunning and diverse soundtrack to match.

Game Overview and Themes

The game opens up in the world of whitespace– the divide between Sunny and Omori’s worlds. Blank and isolated, whitespace gives the player a moment of reflection and pause before entering and reentering the story.

The player is then introduced to the world of Omori. Which is bright, colorful and surrounded by loving friends and cute enemies. Throughout this side of the game, Omori faces his greatest fears with his friends by his side.

Omori’s soundtrack is light, airy and playful. It really leans into childhood nostalgia and curiosity.

Meanwhile Sunny’s world is grim, lonely, and lost. In the real world the divide between his friends is great. This side of the game is spent trying to mend the connections between him and his friends before Sunny moves away from his childhood home in three days.

Sunny’s soundtrack is mundane and grey. Both the sound and graphic design in this world captures emotions of uncertainty, fear, and regret unlike any other content I have experienced.

Went growing up, there is often times a wish to go back to the simpler days of childhood. Omori is a game that captures this unspoken emotion beautifully.

The juxtaposition between Sunny in the current world and Omori in a childhood state is the foundation of the game– the soundtrack follows suit with explorative, dynamic contrast.

A Deep Dive into the Soundtrack

Starting off with the opening track “White Space”, this is a simple, clean start to the experience. It gives no clues to the musical themes to come. It takes on a very classic 8-bit videogame sound. I think this track is a great, simple start to such a complex web of themes and experiences in Omori.

Dreamworld Soundtrack

Looking at some of the tracks in Omori’s dream world, some of my favorites include “By Your Side.”, “Three Bar Logos” and “Chaos Assembly”.

“By Your Side.” is a sweet, delicate tune played when interacting with Omori’s sister Mari. Without flare or complexity, this song captures emotions of comfort and security.

It is easy to hear and see how much detail and care went into the production of this game. Each track has a purpose and emotion tied to it. The soundtrack holds such a complex variety of feelings in relatively simple sounds.

Another great example of this is “Three Bar Logos”. This one is played in special combat sequences and really captures feelings of fun and teamwork.

Most of the combat in the game is done in a team of four: Omori and his three friends Hero, Aubrey and Kel.

The player has to utilized each of their unique abilities to juggle between three emotion types: happy, sad and angry. I think all of the combat tracks do a great job of making combat interesting and support the theme of teamwork immensely.

“Chaos Assembly” is another great example of this. It ties in themes of upbeat teamwork with the underlying fear of combat. It pulls background from some of the darker tracks in the album that I will discuss more below.

Real World Soundtrack

Taking a look at some of the tracks in Sunny’s Realm, some of my distinct favorites are “Where We Used to Play”, “I Prefer My Pizza 90% Grease” and “Just Leave Me Alone”.

I am simply in love with “Where We Used to Play”. This track plays when walking around the hometown and childhood park of Sunny.

Although this track is just simple piano and delicate recorder, I think it is one of the best tracks on the soundtrack because it brings innate nostalgia to the listener. Especially in the context of Sunny’s world, this track is perfect.

“I Prefer My Pizza 90% Grease” is a joyful pocket in the midst of Sunny’s world. This track plays in Kel’s favorite pizza restaurant. It is a refreshing upbeat tune in the overarching uncertainty of Sunny’s world.

“Just Leave Me Alone” is one of the must distinct on the album.

I would define this 40 second track as a fusion of metal, hard rock and electronic grunge. It is loud and boisterous. It evokes feelings of unbridled frustration and chaotic fear, which is perfect for the context in the game. I won’t go into the context because it contains a minor spoiler, but this is a moment where the soundtrack truly shines. It makes a great moment in the story into something spectacular.

Alone Soundtrack

There are moments in the game where Omori is completely isolated from his friends, whitespace, dreamworld and real world. These moments are when he is confronting great fears or making a profound discovery.

This is where the soundtrack really shines.

“Acrophobia”, “Arachnophobia” and “Fade” are indescribably eerie. All three use simple sound techniques to build an inescapable atmosphere of isolation and fear.

They are each so distinct from any of the other tracks in the game and they appear at unexcepted moments throughout the experience.

These soundtracks are so desolate and dark that it innately makes the player miss the sounds and sights in both the dreamworld and real world.

Conclusion

Omori is an extraordinary video game experience with thoughtful creation and deliberate soundtrack.

In this blog I only mentioned a handful of the extraordinary work and dedication that went into making this soundtrack– They created a total of 179 unique tracks totally in at 3 hours and 45 minutes of listening.

In this blog I only discussed on tracks in part one of the Omori soundtrack. If you would like to listen to tracks off part two and part three, you can find them here.

Another component I really appreciated is there are many endings the player can have. It gives decisions made in the game gravity and an incentive to replay once completed.

Also, there is a wide variety of side quests within the game that add a lot of body and diversity to the game play. Omori has so much content and enriching character.

If you are interested in playing Omori, it is available for both the Nintendo Switch and desktop via Steam.

Categories
Blog

Dear WKNC listeners

On Feb. 7, 2023 WKNC 88.1 FM HD-1/HD-2 made the decision to discontinue regular DJ shifts by non-NC State students. As part of NC State Student Media, the departmental Academic Progress Policy (PDF) originally adopted in January 2003 and last amended in January 2010, specifically outlines that all paid and volunteer “employees (including, but not limited to, reporter, photographer, designer, DJ, sales staff member) of the Student Media … shall be full-time students at NC State University.” WKNC has been in violation of this policy since it was first enacted, at times allowing 10 or more non-students to DJ for WKNC. Additionally, University Regulation 11.55.07 covering membership in both Registered and Recognized Student Organizations states “membership in Student Organizations is limited to students enrolled for at least one semester hour of credit at NC State. Faculty, staff, alumni and others may participate in the activities and programs of student organizations as guests. Guests may not vote and may not have the same privileges as members.” This regulation was first issued in January 2007 and last revised in October 2021.

As no other Student Media outlet allows for regular contributions by non-NC State students and WKNC receives more than a third of its annual budget from NC State student fees, WKNC has decided to adhere to the departmental policy and University regulation by placing its focus solely on student staff. WKNC will also be discontinuing its informal practice of allowing spring graduates to stay on the air for the subsequent summer semester. With respect for the five current non-student DJs on staff, this change will be effective on May 8, 2023 at the conclusion of the spring 2023 semester.

While this decision may be upsetting to some long-time listeners, WKNC believes it is in the best interest of the radio station to retain a focus on student programming. As a student-run radio station, WKNC is proud to offer educational opportunities for more than 120 NC State students in radio broadcasting, content creation and station operations. WKNC also wants to thank its non-student DJs for their many years of service to the station.