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Band/Artist Profile Local Music New Album Review

“The Magpie”: More of Raleigh’s Finest

Raleigh natives, The Magpie, released their first studio album this year through Firelight Records. We are taken on a ride through the band’s love of psychedelic rock, hardcore punk and everything hard rock n’ roll.

This album is yet another of Raleigh’s newest additions to the scene of heavy rock and metal (although a little on the lighter side of metal), so that’s why I’m taking a look at it today. 

The Magpie is composed of three band members: Erik Sugg (guitar and vocals), Brian Walsby (drums) and Mike Deloatch (bass and vocals). “The Magpie” (according to their Bandcamp page) was recorded and engineered by Mike Dean, a member of Corrosion of Conformity – another NC band, who is a metal staple with loads of influence.

Never judge a book by its cover or whatever that stupid cliche is supposed to signify, but I love the album art for this album. The art style clicked when I was looking for a local band to write about this week. The magpie perched a top the skull feels spooky and very autumn-y.

Let’s dive into The Magpie’s first album – “The Magpie”:

Ceremony for a Fat Lip

It’s the second track of the album and we already get Metallica-like vocals as emphasis behind Sugg’s warbling calls. “Ceremony for a Fat Lip” is a great blend of heavy rock guitar and drums with a more psychedelic rock vocal base reminiscent of Ween’s “The Mollusk” (to me at least).

Just One Drop

A slower start in this track, leads to classic rock n’ roll sounds emanating from The Magpie here. “Just One Drop” explores the mind in a fever dream state. After the first couple verses, Sugg begins repeating the chorus in a sickening repetitive pattern that leaves you questioning your senses for a minute. This track drips slowly into your system, filling you with hallucinogenic effects that don’t start infecting you until the last minute of the song. 

Derailed

The shortest song on the album starts off with a similar guitar intro to the rest of the tracks, but then blazes off course immediately. There are a few non FCC approved words in the song, but that’s because of its heavy punk influence. “Derailed” differs wildly from the rest of the album because of the vocal change-up into hardcore screams. I really enjoy The Magpie’s take on hardcore punk, and I’d love to hear a whole album like this from them soon. 

Fix It

A nice hint of vocal warbles and smooth guitar riffs bring forth sounds from The Magpie. It really shows their psychedelic rock sound spewing out. This track got more repeated lyrics than any on the rest of the track, but when Sugg belts out, “fix it”, I can’t help but rock my head forward to the beat.

Conclusions:

I thoroughly enjoyed this album. The Magpie did a wonderful job using their experiences from past bands and sounds to create a first album with such a wild ride like this. I hope to be able to catch a live show from them in the future. I know they frequent Pour House and other Raleigh venues, so if you’re from the area, be searching for The Magpie.