Category: Blog

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New Album Review

88.1 Pick of the Week 1/22

Vampire Weekend
Album: Contra
Label: XL Records
by Jon Gomes

It’s almost exactly two years since the world got its first taste of Vampire Weekend. The self-titled debut was, in essence, four white boys from Columbia University curiously fiddling with African rumba beats and singing about oxford commas and Peter Gabriel. Though the description suggests typical indie pomp and pretense, the final product turned out to be one of the most memorable releases of 2008.

Suffice it to say, then, that anxious ears have been anticipating the band’s sophomore release, entitled Contra, for quite a while. Probably the most pressing question was whether or not the band would maintain the characteristic sound established on their first album. The answer is not readily clear, but after a spin or two, Contra feels like the natural next step from the self-titled debut.

The lead track “Horchata” delivers the buoyant melodies and quirky lyrics one would expect, but also explores new sonic territory with its prominent xylophone romps. Lead singer Ezra Koenig sings as if you’re in the room with him: “In December / Drinking horchata / I look psychotic in a balaclava.” The song transitions almost imperceptibly into “White Sky,” which features a falsetto melody that sticks to the ears like sugar coating.

Like its predecessor, Contra evokes a sense of mirth; it is very much an audio accompaniment to summertime frolics or lazy sunny afternoons. Though the spirit is shared, the music on Contra is more adventurous. The beautifully disjointed “California English” sounds like an unreleased Animal Collective b-side, while the spunky “Cousins” flurries with sixteenth-note guitar runs and snare rolls.

There are occasional moments where Contra sounds conventional, but only in a relative sense. The saccharine, straightforward pop hooks in “Giving Up the Gun” are atypical for the band—strings are traded for synths and the rhyming isn’t outlandish. Still, Vampire Weekend renders the song in such a way that it feels familiar.

To balance out the newer sounds, there is still plenty of classic material; syncopated rhythms, string flourishes, and sunny lyrics abound in tracks like “Run” and “Diplomat’s Son.” The latter is six minutes of rocksteady rhythms and cryptic lyrics that hint at the 1981 Contra movement in Nicaragua—just the kind of madness you would expect from Vampire Weekend. Contra coasts to a stop with the subdued “I Think Ur A Contra.” A gorgeous, acoustic guitar-based melody underlies the gentle yet accusatory lyrics: “I think you’re Contra / I think that you lie / Don’t call me Contra / Till you’ve tried.” It’s absolutely sublime.

So what does “Contra” have to do with anything? The band chose the term as the album’s title to suggest opposition against external expectations. According to singer Ezra Koenig, the album is a reaction to the media pigeonholing the band as erudite, polo-wearing preps from Columbia (bluntly illustrated by the album cover). For Vampire weekend, Contra is uncompromised self-expression. It’s not an extension of the first album, but rather an evolution that still sounds very much like Vampire Weekend. Though Contra is not intended to cater to anyone’s expectations, it ends up surpassing them.

88.1 WKNC Pick of the Week is published in every Thursday print edition of the Technician, as well as online at technicianonline.com and wknc.org.

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Non-Music News

WKNC and the 2010 Krispy Kreme Challenge

With exams finished, classes forgotten, and a long winter break ahead, what was there left to do? Run a marathon while eating doughnuts of course! Starting as a dare by a few undergraduate students in December 2004, the Krispy Kreme Challenge soon evolved into a national sensation. Now over five years later, the challenge is expected to host 6,000 participants who will gorge their way through 72,000 glazed doughnuts!

In order to successfully complete the challenge, participants must start at the N.C. State Bell Tower and run two miles to the Krispy Kreme Store located on Peace St. in Raleigh. After downing down twelve glazed doughnuts, the competitor must make the two mile trek back to the Bell Tower, all within an hour. Last year, the challenge was covered on ESPN and in the past has been recognized by Sports Illustrated Magazine as one of the top things to do before you graduate. All proceeds for the Krispy Kreme Challenge go to well deserving North Carolina Children’s Hospital.

This year, WKNC is partaking in the Krispy Kreme Challenge as a Silver Level sponsor and putting forth some of it’s own deejays to compete. Although not known for being much of athletes, the WKNC staff does enjoy to eat, which should be their strength in the competition. Other competitors will recognize WKNC runners by their awesome and custom made Krispy Kreme t-shirts. Stay tuned to meet the few hopefuls who will brave the glazed filled trail and find out what music they’ll be listening to while competing!

The 2010 Krispy Kreme Challenge will be held on the morning of February 6th. The organization has almost reached its 6,000 runner cap and will be closing registration soon. For more information about registering or donating to the cause, please visit the official Krispy Kreme Challenge website.

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Band/Artist Profile

Double Barrel Benefit 7 Presents: The Tender Fruit

You’ve certainly heard it before: you love local music, WKNC loves local music, local music loves us all. It’s a wonderfully symbiotic relationship, and even if the drive across the Triangle can be a pain, there’s almost always a worthwhile show in one’s given city. Seriously, it can’t be overstated that music around Raleigh, Durham, and Chapel Hill is formidable in both quality and quantity. And there are other pockets, as well: Greenville, Asheville, and we’ll say Wilmington, too. And Rocky Mount.

Wait, Remarkable Rocky Mount? Yeah, not so much.

But Rocky Mount just so happens to be the hometown of one Christy Smith, the songwriter and leading lady in the band Nola (oh Nola, we hardly knew ye!) and the no-album-yet band the Tender Fruit. In fact, the Tender Fruit song’s “Middle State” was actually written about Rocky Mount.

It’s hard to say whether it’s Rocky Mount, Raleigh, or some combination thereof that is summoned when Christy Smith writes music, but the result is something that will melt your heart. Her booming vocals on top of calm chord progressions induce gratifyingly depressing emotion.

The Nola album is all about heartbreak and a lost opportunity at love, and I’ve heard she’s working on a new album with a special guest. While I don’t wish the difficulty of heartbreak on Christy, I sure do enjoy the shared catharsis that results. If you, like me, simply can’t wait for that album, then come check out the Tender Fruit Saturday night at the Double Barrel Benefit. They’re on first, at 9:00.

Full disclosure: I’m from Rocky Mount, too.  There’s nothing there.

Categories
Band/Artist Profile

Double Barrel Benefit 7 presents: Spider Bags

I first heard about Spider Bags at Bull City Headquarters in Durham. I had gone to see a friend play with a band called Titus Andronicus. A few songs in, the leader singer says, “This is a song by the greatest band in the world – Spider Bags,” and preceded to sing Waking Up Drunk.

Now, if you were at this show you would probably remind me that Spider Bags themselves had played that night, but I got lost on the way to the venue and missed the set. Nevertheless, I made sure to look up this so called “greatest band in the world” – and you know what? Titus Andronicus wasn’t far off.

Spider Bags is made up of long time friends Dan McGee and Gregg Levy, two Jersey boys who magically ended up in Chapel Hill, North Carolina. Rock Forbes from the band Bad Checks is the drummer. The band themselves formed in 2006 and have been growing ever since.

Their tunes themselves sound like southern, gritty rock and roll with lyrics that consist of drugs, booze and just livin’ the hard life. Now there have been thousands of bands that have all sung the same tunes but some how Spider Bags figured it out. The mix sloppy with unique and transfix the listener with the sounds they are creating.

Spider Bags not only writes incredible music, they also put on an incredible live show. Comparable to other local favorite Red Collar,the band never lacks on emotion and energy. They can induce their audience to scream, shout or even cry.

This year the band released “Goodbye Cruel, Hello Crueler One” on Birdman records.

Spider Bags will be performing Saturday, February 6 at The Pour House after The Tender Fruit and Midtown Dickens. Roman Candle will end night two of Double Barrel Benefit 7.

For the complete Double Barrel schedule and ticket information, click here.

Categories
Music News and Interviews

The ExMonkeys to re-schedule their appearance on WKNC

Local electronic duo The ExMonkeys will not be in tonight, January 28, as previously stated. With so many schedules to keep up with, I forgot to check our women’s basketball schedule. We will be broadcasting the game tonight, so The ExMonkeys will have to reschedule, hopefully for sometime next week. Apologies for my goof up. –Chuck

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Music News and Interviews

WXYC locally produced digital music showcase

Being a fan of all things local does not just include bands, artists, venues, record labels, and recording studios, but also radio stations other than us.   If you are not in Raleigh and parts of Durham you can probably hear UNC’s student run radio station WXYC who also focuses on local music within their wide array of formats (or you can listen to them online anywhere).

They have recently made a public appeal for locally produced digital music to feature in a showcase that will broadcast on WXYC February 17 at 9 p.m.

According to WXYC’s website:

WXYC is pleased to announce a call for entries for its Locally Produced Digital Music Showcase in partnership with the CHAT Festival for Digital Arts and Humanities at UNC-Chapel Hill. The goal of this project is to feature technologically innovative and artistically creative music produced in and around the Triangle…

…Anyone living in the greater Triangle area is welcome to make a submission, including (but not limited to): University Students, Staff, and Faculty, local artists, local musicians, local residents and community members.

Read the entire thing and submit your digital music here.

The deadline is February 10, 2010.  Good luck!

Categories
DJ Highlights

Local Beat Preview: 1/22/10

Due to N.C. State women’s basketball we have another abbreviated Local Beat tonight starting at 5 p.m. and ending at 6 p.m.  Local favorites The Old Ceremony will be coming on for the first hour of the show to chat about their concert tonight at the Pour House as they are playing alongside Floating Action.  Tickets are $8 and the doors open at 8 p.m., music starts around 9:30 or 10 p.m.  It has been a while since TOC has been on the Local Beat, and I am expecting tonight’s interview to be a lot of fun.

Also, don’t forget to keep listening to WKNC for Wolfpack women’s basketball tonight directly after the Local Beat at 6:00 p.m.  The team is 11-7 overall and 1-2 in conference play and are playing Wake Forest at Reynolds Coliseum.   Click here for the game preview.

Floating Action
Categories
Band/Artist Profile

Double Barrel Benefit 7 presents: Bellafea

One of the first local bands I was ever introduced to and also one of the most influential in our area, Bellafea has been gradually building quite a following since their first split 7" with Des Ark back in 2005.

Though often overlooked by local indie pop groups with a more comfortable sound, once you see this threesome live you will forever be forced to compare every live show to the raw energy, hardcore attitude, and head-bobbing punch you in the mouth feel that they electrify your ears with.  No North Carolina band rocks harder, plays louder, and gets in your face as Bellafea does.

It is strange that such force comes from such a petite lady.  You might have seen Heather McEntire playing solo from time to time sitting in a chair strumming her acoustic without a microphone or amplifier, her voice barely breaking a whisper as she is surrounded by an attentive audience, entranced by her angelic voice.  Perhaps you have heard her from her side projects Un Deux Trois or Mount Moriah as the sweet sounding front lady of the two soft folky pop groups that has everyone’s ears buzzing.

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But with Bellafea the shy placid persona falls off her and is replaced by an alter-ego of sorts, a powerful and inflamed diva whose personal demons come out in the form of a woman possessed, obliterating her guitar while bursting into her lyrics with a post hardcore attitude.  Along side Heather is Eddie Sanchez (also in Fin Fang Foom and Death Came Down the Mountain) whose blistering and electrifying bass playing ignites the crowd.   Always jumping, banging, and seemingly tearing his bass apart, he is the fire that ignites the group and transcends them into the local punk gods that they are.  Add on to that Nathan Buchanan’s crushing drums and pounding beats and you have a remarkable live act that sends your mind into a whirlwind of loud music madness that is sure to get your head rocking and your feet moving.  They are not a band you want to miss live.

Bellafea will take the stage for night one of Double Barrel Benefit 7 on Friday, February 5 at The Pour House along with The Light Pines, Veelee,, and Max Indian.

For the complete Double Barrel schedule and ticket information, click here.

Categories
Band/Artist Profile

Double Barrel Benefit 7 presents: The Light Pines

Go ahead and set every clock in arm’s reach thirteen minutes fast.  This is the necessary preparation for the first night of Double Barrel Benefit 7.  Thirteen minutes will allot for an extra two minutes to get out the door, seven minutes to figure out that the best parking place is in the City of Raleigh parking deck on Wilmington Street, and four minutes to grab a sweet spot for the first band –Chapel Hill’s The Light Pines.  The six-piece will kick off Friday night at The Pour House and will serve both as  the opening band of the night and the first performance of the two day mini-mecca of local music.  It could, perhaps, be thought of as intimidating, being first in two senses, rather though, it should be deemed cherished.  Especially after last year’s opening act, Lonnie Walker, took the opportunity to ramp their buzz in the following year and create quite a stir in the local music scene.

The Light Pines is a band of familiar faces.  It is the project of the bassist for The Love Language, Josh Pope.  The members have shifted since its incarnation over two years ago, but the current line-up is an assembly of long time locals, including Love Language members Kate Thompson on keyboard and vocals and Tom Simpson on drums, as well as three members from Max Indian: Carter Gaj on guitar and vocals, James Wallace on keyboard and vocals, and Ryan Gustafson on guitar and vocals.

The 24-track EP that was recorded in rehearsal spaces, bedrooms and living rooms across Raleigh was made available eight months ago (no official release yet).  It has started to circulate and create quite a stir, including earning them a spot at MusicFest NW in Portland, Oregon in which the band received an instant label offer post-performance. However, DBB wil be the band’s first Raleigh performance, and one of the very limited Triangle performances to date so far.  This is a video from a December performance at Chapel Hill’s Local 506.

The sound that The Light Pines creates is built on a foundation of lo-fi pop but it flares into realms of mysticism and fantasy that at times can feel eerie.  The collection of songs is like a maze of mirrors that serves as the entrance to a grand party hosted by Jay Gatsby.  In order to attend the party the guest must wind their way through the complex pathways of of twisted, tilted, and manipulated mirrors all while listening to infectious, slightly fuzzy, and undeniably catchy music.  Pope explained that the inspiration for the sound of The Light Pines came from the adolescent excitement of perhaps the best holiday of the year, Halloween,

“Do you remember what it was like being 8-years-old on Halloween?  Before you came to appreciate it is as an adult?  On that day, as a kid, there is so much excitement and mystery and this overall darkness to everything.  That’s what I want it to feel like when listening to the Light Pines,” Pope said.

Keep an ear to The Light Pines.  With The Love Language wrapping up recording at Flying Tiger Sound in the next month and half, The Light Pines are planning on recording for an official release and ramping up their show dates in the months to come in 2010.  Who knows, maybe the Triangle will see the best Halloween party to date, hosted by The Light Pines.

The Light Pines will take the stage for night one of Double Barrel Benefit 7 on Friday, February 5 at The Pour House followed by Veelee, Bellafea, and Max Indian.

For the complete Double Barrel schedule and ticket information, click here.

Categories
Music News and Interviews

Local concerts for Haiti

It seems people in all walks of life are doing what they can to help the devastated nation of Haiti.  This includes some local bands and venues that are putting on some benefit concerts.

At the Cats Cradle on January 23 will be an interesting show with two new bands Kick the Future (Debra DeMilo, Terry Anderson, Jack Cornell and Terry McInturff) & The Bipolar Bears (Robert Kirkland, Scott Davison, Terry McInturff and Ron Bartholomew) as well as HWYL, Kitty Box and the Johnnys, Charles Pettee, Puritan Rodeo, The New Town Drunks, and The Moaners.  The show starts at 6 p.m. and costs $10.

At the Pour House on February 4, there will be an additional benefit show, this one starting at 6:40 p.m.  A Rooster For the Masses will headline alongside Chatham County Line, Filthybird, The Hotwires, Roger Gupton, Debonzo Brothers, and Andy Bilinski.  This show is $12.