Festival Coverage

MoogFest: A Look Back




This coming Thursday sees the arrival of the annual Thanksgiving holiday here in America. Like everyone else, I’ll be eating turkey among family. I’ll also be thinking about what I was thankful for this year, and perhaps the thing that pops up the most is live music. I’ve seen plenty of it this year, mostly great, and one of the highlights was the second annual MoogFest in Asheville, North Carolina.

Friday, October 28

Atlas Sound

My first stop at this year’s MoogFest was at The Orange Peel to catch Atlas Sound. With Deerhunter, Bradford Cox tends to mix sprawling psych-rock landscapes with gorgeous melodies. His solo project, Atlas Sound, follows a similar sound, but whereas Deerhunter can get very loud and very rocking, Atlas Sound songs tend to be quieter, more fragile affairs, usually absent of electric guitars. Sitting on a stool in the middle of the stage, Cox played and sang delicate melodies that he would then loop over one another. Songs would build from vocals and guitar to a great wall of sound. This was the third time I had seen Atlas Sound, and while I enjoy Cox’s solo performances, I’ve seen what he’s capable of with a band backing him (Atlanta band The Selmanaires backed him at one of those prior shows). While he certainly does a fine job on his own, the songs just sound better when he brings a band along. After catching a few songs, I decided to move along and head over to the Asheville Civic Center.

Tangerine Dream

I must make a confession: prior to MoogFest, I had not listened to one second of Tangerine Dream’s music. So when I first walked into the Thomas Wolfe Auditorium half-way through the band’s set, I was pleased to hear psychedelic, ambient soundscapes coming from the speakers. This went on for a couple songs. Then things just got….. weird. The music quickly devolved into cheesy, Mannheim-Steamroller-like synth-schlock. Guitarist Bernhard Beibl and saxophonist would play solos that sounded straight out of a 1970’s porn flick. While it was interesting to watch leader Edgar Froese experiment with all manner of Moog synthesizers, plus the fact that he looked like some sort of urban witchdoctor with his hat, scarf, glasses, and long white hair, I ultimately walked away disappointed, knowing what the band was capable of.



TV On The Radio


Brian Eno’s Illustrated Talk

Crystal Castles

Amon Tobin

77 Million Paintings

Active Child


Neon Indian

Passion Pit

Ghostland Observatory

Gold Panda


Extra photos:































Weekly Charts

8/2 Top 10 albums WKNC Afterhours

Artist Album Label
#1 CHEMICAL BROTHERS Further Astralwerks
#2 CRYSTAL CASTLES Crystal Castles II Universal
#3 SLEIGH BELLS Treats Mom and Pop
#4 LCD SOUNDSYSTEM This is Happening EMI
#5 N.E.R.D. Hot-N-Fun The Remixes [EP]
#6 BORGORE Borgore Ruined Dubstep [EP]
#7 RUSKO O.M.G.! Mad Decent
#8 M.I.A. Maya Interscope
#9 BATHS Cerulean Anticon
#10 UFFIE Sex Dreams and Denim Jeans Because
Weekly Charts

6/21 RPM albums on WKNC Afterhours

Artist Album Label
#1 SLEIGH BELLS Treats Mom and Pop
#2 CRYSTAL CASTLES Crystal Castles II Universal
#4 LCD SOUNDSYSTEM This is Happening EMI
#5 RUSKO O.M.G.! Mad Decent
#6 M.I.A. XXXO: The Remixes
#7 BORGORE Borgore Ruined Dubstep [EP]
#8 NINJASONIK Art School Girls Green Owl
#9 UFFIE Sex Dreams and Denim Jeans Because
#10 N.E.R.D. Hot N Fun The Remixes
Weekly Charts

6/14 RPM albums on WKNC Afterhours

Artist Album Label
#1 CRYSTAL CASTLES Crystal Castles II Universal
#3 SLEIGH BELLS Treats Mom and Pop
#4 LCD SOUNDSYSTEM This is Happening EMI
#5 GORILLAZ Plastic Beach Virgin
#6 TORO Y MOI Causers of This Carpark
#7 BASSNECTAR Timestretch s
#8 M.I.A. (single) XXXO
#9 RUSKO O.M.G.! Mad Descent
#10 NINJASONIK Art School Girls Green Owl
Weekly Charts

6/7 Top 10 Afterhours/RPM albums on WKNC

Artist Album Label
#1 CRYSTAL CASTLES Crystal Castles II Universal
#2 SLEIGH BELLS Treats Mom and Pop
#3 GORILLAZ Plastic Beach Virgin
#4 HOT CHIP One Life Stand Astralwerks
#5 BESSNECTAR Timestretch Amorphous
#6 RUSKO O.M.G.! Mad Descent
#7 CROOKERS Tons of Friends Anticon
#9 SUGAR AND GOLD Get Wet! Antenna Farm
#10 TORO Y MOI Causers of This Carpark
Music News and Interviews

Soundoff4 LCD Soundsystem- This is Happening

This week we spoke about Broken Social Scene’s bonus EP, the official release of Dark Night of the Soul, Crystal Castles rush release, Phoenix scoring a film, and we reviewed LCD Soundsystem’s This is Happening.

Listen to episode four.

Music News and Interviews

DJ Ones’ Five Music Facts from the past week

1. You Say Party! We Say Die!’s drummer Devon Clifford passed away after a gig the band was playing in Vancover. After collapsing on stage, the band asked fans to call 911, and Clifford was soon after rushed to a near-by hospital. Clifford died on the April 18th after suffering a massive brain hemorrhage. Clifford was 30-years-old. (via NME)

2. Broken Social Scene has announced that they will be releasing a bonus EP alongside their upcoming full length. The EP will be available to those who either pre-order or purchase a physical copy of the album. The 10 track EP is entitled “Lo-Fi for the Dividing Nights.” (via Pitchfork)

3. The collaboration between Danger Mouse, Mark Linkous, and David Lynch entitled “Dark Night of the Soul” will be officially released July 13th in the US. The album is dedicated to Vic Chesnutt who died after contributing to the album. The official release also comes after the suicide of Linkous. The album was initially leaked online and the collaboration originally “released” the album as a picture book including photos by Lynch with a blank CD that had a sticker on it which said, “Use it as you will.” (via NME)

4. Crystal Castles are to rush-release their upcoming album. The change in dates is coming after their upcoming full length was leaked online. This comes alongside the news that, along with many other bands, Crystal Castles had to cancel tour dates due to volcanic ash that has been interfering with European airlines. (via NME)

5. Phoenix are set to score an upcoming film by Sofia Coppola. The band will be doing the soundtrack for Coppola’s next flick entitled “Somewhere” which is due out in the fall. (via Pitchfork)

Music News and Interviews

DJ Ones’ Five Music Facts from the past week

1. The Antlers have announced that they are releasing a free ep. The two track ep is entitled, “New York Hospitals” and includes a brief introduction to their popular song, “Sylvia.” Alongside the free ep, the band have released a music video for their song “Sylvia.” (via Pitchfork)

2. Crystal Castles have announced that they are set to release their second full length. Just like the first album, their second will also be titled “Crystal Castles.” The new LP is set to release in North America on June 8th through Fiction records. (via Pitchfork)

3. Wavves’ front man Nathan Williams has announced on the band’s blog that they are currently in the mixing process for their sophomore album. Williams enthusiastically wrote on the blog, “SOUNDS CARAAAZAAAAAAYYY AND WILL BE OUT THIS SUMMER. SEEEEEE YA!” (via Pitchfork)

4. Supergrass has sadly announced that they will be breaking up. Jokingly the band cited a “17 year itch” for the reason for breaking up. They were working on a new album before the announcement of their breakup. No plans have been announced if they will release this material. The band will make the split official after their upcoming tour is finished. (via NME)

5. Rumors that Rob Pattinson will be playing the role of Kurt Cobain in the biopic about the 90s grunge rocker. Courtney Love’s manager has since denied rumors that the part would be going to the “Twilight” actor. Love told the Canadian Press, “Isn’t that so stupid? Who would cast him?” When given her direct opinion who would be best to play Kurt, Love mentioned both Ryan Gosling and James McAvoy. (Spin)

DJ Highlights

Top Electronic Albums of 2008 (plus a rant if that’s your thing)

It’s that time again: at the beginning of the year, every year, everybody offers their opinions about the music/books/movies/events of the past year.  Personally, I love reading other people’s opinions about the best music of the past year.   However, I also think that it’s a fairly ridiculous practice.  Ultimately, it’s just an opinion, and nobody really cares about anybody else’s opinion anyway.  Even the biggest award show in music, the Grammy Awards, is full of shit, and pretty much everybody knows it.  So, in order to avoid putting together yet another meaningless top-10 list, I’m going to parody those stupid awards by giving you 10 top-1 lists.  Yes, the commentary you are about to read is satirical (I’m only putting this under the assumption that if I don’t, moronic fanboys will be upset that I trashed their favorite album of 2008), but the albums I’ve chosen are actually some of my favorites (except for whichever section of commentary offends you most – that one’s serious) of 2008.

Best album nobody put into their top-5/1o/20/25/50/100 list of 2008:  Radio Retaliation by Thievery Corporation – personally, I think that this was a great album.  The first half is a world-tour of incorporating the music of various cultures into an upbeat-downtempo format that Thievery Corporation is known for, and the second half is a bit more reminiscent of their previous work.  That sounds basically like they put out yet another album of the same shit you’ve heard before, and it is.  (Also, this album wins 2 more awards: best packaging and worst packaging for the cardboard sleeve and poster liner notes – it’s catchy and environmentally friendly, but you’ll never be able to actually use it to package the album once you open it).  Actually, I don’t think it was a great album.

Best “more-hipster-than-thou” album of 2008: Crystal Castles by Crystal Castles – another album I greatly enjoyed (if only we could have kept it in the studio for more than 48 hours), this award is somewhat pointless because everybody already knew that this was the hipster album of the year (Passion Pit’s Chunk of Change E.P. being a close second).  Which is oddly appropriate, seeing as how pointless this album was.  The best song on here was “Courtship Dating”, which is basically a dance song with repetitive lyrics (which are screamed, by the way) that don’t make a whole lot of sense, as if we’ve never heard that.

Best album put out by a band from Australia of 2008: In Silico by Pendulum – it seems like Australia puts out a good album about once a year.  Last year, we were blessed with the “albums” known as Attack Decay Sustain Release by Simian Mobile Disco and Guns Babes Lemonade by Muscles (and maybe a few others as well, but who knows).  This year, we in the US got Pendulum’s sophmore effort.  Is it just me, or are they actually trying to make music for video games?  The first time I heard them was when I heard their song (from their first album Hold Your Colour) on Dance Dance Revolution, and several songs here sound like extras you could buy for Rock Band or Guitar Hero (though none of them are good enough to be included, and you’d be better off saving the money anyway).  Sophmore slump much?

Best album of 2008 by a bald vegan in his 40s that has long lost all cultural relevance: Last Night by Moby – to be honest, I kind of feel like this album was like Play-lite(to the point where the title seems a bit unintentionally ironic), but it’s still a fun album overall with a few songs that actually approach being listenable.  I like to joke with a few of my friends who are also avid fans of electronic music that I enjoy listening to “American techno”.  And we (my friends and I) laugh about it because American techno (that is, good electronic music from this side of the Atlantic) doesn’t exist, and this CD proves it.

Best album of 2008  that proves Americans are uncultured: Mardulce by Bajofondo – pencil this band in under “artist/band with the most commonly mispronounced name” (next to Björk).  This is also the only band (on this list, or possibly anywhere) that features a member that plays the … bandoneon.  Now, I’m going to be honest with you: I don’t consider myself to be a stupid individual, but I don’t even know how to pronounce that instrument, let alone what it actually is.  Judging from the album, something that sounds like an accordion.  God damn, that doesn’t even need a punch line…

Best album of 2008 that relates drugs to electronic music: Fucked Up Friends by Tobacco – Not only is the artist’s name an addictive substance, but the album title is a suggestion for both how and with whom you should listen to the album (for the dumbfucks out there, you should listened to it while you’re fucked up with your friends).  Not only that, but the album itself, from the time you see it, is addictive.  It comes with a crazy cover that looks like a broadcast of Tobacco himself getting electrocuted, as viewed through a malfunctioning cheap TV built in the 70s.  Also on the packaging front, the tray for the CD itself isn’t the usual black, white, or clear – Tobacco or whoever packaged this aural version of herion opted for a very subtle hot pink instead.  The music itself sounds like something god-awful from the 80s, using only analog tape devices and synthesizers (along with the equivalent of a First Act talk box), that’s been cut one too many times with bleach and cement mix.  This album actually wins several other awards, such as: Best album of 2008 for which I’ll require rehab, Best album of 2008 for which I’ll require therapy, Best album of 2008 for which I’ll require medication, and Best album of 2008 for which I’ll be pleading temporary insanity.

Best Album of 2008 which could have and probably should have been made in the 80s: In Ghost Colours by Cut Copy – The best band whose name consists of actions you can take in Microsoft Word (even though they got things kind of backwards – if you cut, you don’t have anything to copy, so you should probably copy before cutting, but that’s getting a bit technical) released this tribute to yuppies and disco this year that’s been getting a lot of acclaim.  Frankly, I don’t see why this whole “80’s” thing has been a trend for the past couple of years – is our creativity as a culture really that bankrupt?  If this is all we had to go on, the answer would undoubtably be a most-emphatic “yes”.

Best Album of 2008 that used only screechy guitar riffs and various noises that sound like animals growling and snarling: LP3 by Ratatat – this is the sort of sound that Ratatat has been cultivating for their entire musical career, and even I have to admit that it’s really come into its own on their third crime against humani… err, album.  On the other hand, being the best in the world at creating “music” that consists of what sounds like a 5’5" hipster wearing Converses and girl pants savagely beating squirrels into his amplifier with a Fender Squire is a bit like … well, it’s not really like anything else, which is the only reason why Ratatat will win anything this year (assuming they’ll win anything, which is dicey to begin with).

Album with the Best Bullshit Story behind their sound on their one-sheet in 2008: Never Trust the Chinese by Mr. Meeble – Basically, the fabrication here is that this band was hired by a French cosmonaut to create this album for him or her to listen to while in space.  I wouldn’t really call this the best bullshit story in the sense that it was the most plausible or the most entertaining (although it’s up there for the latter), but it’s certainly the best bullshit story in terms of how ludicrously ridiculous it is.  A French Cosmonaut?  Do the French even have a space program?  According to the wikipedia category “French Astronauts”, there have been 9 French astronauts who are noteworthy.  This compares to 362 noteworthy “American Astronauts”.  Now, if we compare the populations of France and America relative to the number of noteworthy French and American astronauts there are on Wikipedia, we find that American astronauts are about 8.5 times more common than French astronauts.  Now, let me ask you something: how many astronauts do you know?  That’s what I thought; the answer’s a big fat zero isn’t it?  Now that means that you’re 8.5 less likely to come across a French Astronaut, thus proving that French Astronauts do not exist and making this story officially impossible.  Oh, and did I mention the offensive album title?  Seriously, I could go on and on about this thing.

Best album of 2008 that’s electronic but tries to bill itself as so-called “instrumental hip-hop”: Magic Monday by Michna – C’mon, this album was produced by a god damn trombone player for Christ’s sake.  I’ll be up-front about it; I don’t know anything about hip-hop, and even I know that nobody plays trombone in hip-hop.  Hell, people haven’t played trombone in popular music since at least the 50’s.  Even then, did anybody anywhere ever front a band as a trombone player?  I honestly have no idea, but my instincts tell me “probably not.  probably fucking not.”

So that’s it, my ten top-1 lists for 2008.  I hope that the swearing and what not didn’t offend people (I only do it because the FCC doesn’t want me to).  So, before I conclude this post, I’d just like to add a few honorable mentions of 2008 (for which I primarily didn’t have any jokes):

Brightwhitelight by Sounds from the Ground

Thought So… by Nightmares on Wax

Hercules and Love Affair by Hercules and Love Affair

Saturdays=Youth by M83

Apocalypso by the Presets


UPDATE: This blog took forever to get posted because it took me a long time to come up with the material I used for it.  That and Caid took forever approving this blog (something about providing links to the artists – it’s all really murky to be completely honest).