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Concert Review Festival Coverage Miscellaneous Music News and Interviews

Outlaw Music Festival 2024: Cheers to the Old Gods and the New.

We’re witnessing the musical changing of the guard and it could not be a more excitingly bittersweet time to love music.

The 2024 line-up for the Outlaw Music Festival was nothing short of legendary rolling into Raleigh’s Coastal Credit Union Music Park at Walnut Creek; Celisse, Alisson Krause & Robert Plant, Bob Dylan and Willie Nelson all taking the stage.

But as best laid plans are apt to do, the line up fell through.

The danger, you see, is in relying on octo- and nonagenarians for your entertainment is the general precarity of old age.

Friday, June 21st Willie Nelson’s team released a statement announcing the country singer’s departure from four of the ensuing tour dates due to medical concerns.

In his place, son Lukas Nelson and the Nelson Family Band stepped in with an abridged tribute set.

But it wasn’t necessarily a bad thing to let the younger Nelson take the stage in his father’s wake.

If anything, it reaffirmed what we already knew about Willie’s songs — they’re timeless country-western staples for a reason.

And more importantly, Lukas Nelson is far too talented to stay in his father’s shadow.

Freed from the albatross of an elderly father, Nelson’s voice quite literally soared through the shortened tribute set – simply put, he sounded like his father for a new age.

Waffling between original compositions and Willie-standards, Nelson was able to effortlessly bridge the divide between new fans and old, bouncing between the soulful growl present on Promise of The Real track “Find Yourself” to his father’s signature warble on songs like “Blue Eyes Crying In the Rain.”

Speaking of soul, I would be remiss not to mention one of the freshest faces amongst the lineup: Celisse.

The Oakland born singer and guitarist easily won over unsure and unfamiliar audiences with more than just sweet talk and charm, she won them over with her sound.

Bombastic in every sense of the word, her belt and her shred equally silenced the normally rowdy “lawnies” of Coastal Credit Union – her cover of Bill Withers’ “Use Me” met with earthshaking applause and shouts.

For a woman who has been making music for well over a decade, touring as supporting acts for some of the biggest acts in folk and easy listening rock both old and new – Brandi Carlisle and Joni Mitchell, to name a few – I have a sneaking suspicion that Outlaw Music Festival is only the beginning of her just desserts.

So yes, Bob Dylan and Robert Plant were once-in-a-lifetime, bucket list artists to see, but perhaps more importantly, I walked away with not just hope, but a feverish excitement to see what the next wave of Americana, Soul and whatever-the-hell-else-you-want-to-call-it will be.

Long story short, it is sad to see the old god’s fade away, but my god, I cannot wait to see the nebulous eruptions of the new.

– Bodhi

Categories
Band/Artist Profile Concert Review Miscellaneous Music News and Interviews

Justin Timberlake and the Terrible, Horrible, No Good, Very Bad Week

Oh, Justin Timberlake.

It’s been a rough year or so hasn’t it, bud?

From Brittany’s slightly dubious tell all to an ill-fated romp in the Hamptons, he’s has had a tough go of it as of late.

And my, what a sight to see.

Celebrity implosions, especially of such long standing figures, are always a spectacle – but I’ve yet to see one that reeks of desperation quite like Timberlake’s.

From the hallowed halls of the Mickey Mouse Club to Gen X thirst trap World Tours, Timberlake has a knack for keeping himself in the spotlight.

For better or worse, the common man has a half-baked notion of what — or rather, who — he is.

But there’s something that feels different about this latest scandal.

Perhaps it’s because I had the pleasure of seeing him at PNC Arena a week before his DUI.

Or maybe it’s the comical coverage of the incident — considering the pouty celebrity mugshot, perp walk and the beautifully oblivious cop making the arrest.

Either way you spin it, there’s something distinctly and pitifully funny about Timberlake’s snafu.

Rockstars and rappers go through their own legal issues and brushes with the law, but when it happens to a pop star, people pay attention.

Even more so to someone of Timberlake’s caliber.

For people 35 and over, he’s been a tried and true standard for a large part of American pop-culture.

From childhood to adulthood, he’s been a prominent spotlight feature, and he’s desperately grasping at the edge of the stage as he’s being played out.

As far as the soundscape of popular culture goes, he’s by and far left behind.

His stage show proves it to, sadly: asses really only left seats for old standards like “Sexy Back,” “Suit and Tie” and “Cry Me A River” — even more so for the throwback reliant DJ opener.

Not to besmirch the opening band, but there’s something wrong with your act if more people are amped for a DJ playing the dancehall classics of yesterday than your set.

Consistently, he’s released albums every four to five years since 2002. Yet, his sound hardly changes.

Since he’s left NSYNC, the only evolution I can truly see is a semi-annual media scandal of either infidelity or inebriation.

When your entire career is based upon the affection of young girls, what happens when those girls grow up?

What happens when you grow up?

Somewhere within the pandering, paltry pastiche of the “Forget Tomorrow” world tour and the relatively tame release “Everything I Thought I Was,” you’ll find the answer.

It was a good show, don’t get me wrong.

Justin Timberlake is an entertainer first and foremost, to which he most certainly delivered.

But as the times catch up with the now 43-year old, fading pop star, the whirling dervish of past and present controversy seems to loom large over him.

From Britney to Janet, inebriation, infidelity and unknown world tours, perhaps Timberlake should take to the mirror himself and truly reckon with his next steps.

Because let’s be fair, humoring an aging audience in flights of fantasy feels like a desperate cash-grab preying on the hardwired need of women past a certain age to feel relevant — to feel important.

In a world where artists are more accessible than ever, feeling more real than ever, the thin line between artifice and artistry has never been more apparent.

And artists who are unwilling to step beyond their predestined imagery are not only doing their audiences a disservice, they are doing one to themselves.

The official “Mirrors” music video from Justin Timberlake’s official YouTube Vevo page.

-Bodhi

Categories
Concert Review

Quasi Comes to Motorco

Quasi burst onto stage amidst a flurry of bird sounds, with bandmates and former spouses Sam Coomes and Janet Weiss taking places behind their respective instruments, huge grins on their faces.

Categories
Concert Review

Concert Review: Knocked Loose, Speed, Show Me the Body and Loathe

On June 7, 2024, Knocked Loose played at The Ritz in Raleigh for their tour promoting their new album, “You Won’t Go Before You’re Supposed To.” The metalcore band hailing from Kentucky has properly solidified itself over the past half-decade within the hardcore hall of fame. With their brutal riffs, poetically miserable writing and satisfying band synergy that beckons stadium-spanning mosh pits, Knocked Loose is truly a force to be reckoned with.

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Weekly Charts

Chainsaw Charts 6/24/24

Chainsaw Charts

#ArtistRecordLabel
1CANDYIt’s Inside YouRelapse
2CAVE SERMONDivine LaughterSelf-Released
3SELBSTDespondency Chord ProgressionsDebemur Morti
4REPLICANTInfinite MortalityTranscending Obscurity
5ULCERATECutting The Throat Of GodDebemur Morti
6THOUUmbilicalSacred Bones
7FALLINGWITHSCISSORSThe Death and Birth of an Angel [EP]Zegema Beach
8HOPLITESΠαραμαινομένηSelf-Released
9FINAL RESTING PLACEPrelude To Extinction [EP]DAZE
10WHITECROSSFear No EvilDark Star
Categories
Weekly Charts

Afterhours Charts 6/24/24

Afterhours Charts

#ArtistRecordLabel
1BASSVICTIMBasspunkSelf-Released
2ABADDONLiarGeometric Lullaby
3KILL ALTERSSuffocating XpansionDEATHBYSHEEP
4THE PEPPERWOOD ENSEMBLE AND ATPtrain of thought.Self-Released
5CAR CRASH AND SIRENVARIOUS ARTISTSLost Frog
6HAKUSHI HASEGAWA“Gone” feat. KID FRESINO [Single]Brainfeeder
7FAX GANG AND PARANNOULScattersunTopshelf
8KISS CARE AND PARFan Club [EP]Poclanos
9MUEHHisSelf-Released
10ABADDONPerfect FakeGeometric Lullaby

Afterhours Adds

#ArtistRecordLabel
1ABADDONLiarGeometric Lullaby
2TURQUOISEDEATHThe ObeliskSelf-Released
3MUEHHisSelf-Released
4ABADDONPerfect FakeGeometric Lullaby
5HALOGEN STARPressure Points [EP]Vivarium
Categories
Weekly Charts

Underground Charts 6/24/24

Underground Charts

#ArtistRecordLabel
1NXWORRIESWhy Lawd?Stones Throw
2DEEM SPENCERall these crying birds [EP]drink sum wtr
3TOKIMONSTA“Switch It” feat. GAWD & Cakes Da Killa [Single]Young Art
4ROZET“Feelings Aren’t Facts” [Single]Young Art
5MO TURK“Refresh (Single)” [Single]Self-Released
6KHAL!LHEART: Melodies Of The Eternal FlameEQ
7GROOVYCrying In The Club [EP]Warner
8TIKI JENKINS“Who Told You (Single)” [Single]Self-Released
9DENZEL CURRY“Hot Ones” feat. TiaCorine & A$AP Ferg [Single]Loma Vista/Concord
10CADENCE WEAPONRollercoasterMNRK

Underground Adds

#ArtistRecordLabel
1MARIAS, THESubmarineAtlantic
2THEE SACRED SOULS“Lucid Girl” [Single]Daptone
3CATPACKCatpackTru Thoughts
4KAZY LAMBISTModaCinq 7/Wagram
5TIM DALY“Driftin'” [Single]Crown Jewel Clique
Categories
Weekly Charts

Jazz Charts 6/24/24

Jazz Charts

#ArtistRecordLabel
1AUDREY POWNEFrom The FireBBE
2KAMASI WASHINGTONFearless MovementYoung
3SHELLY BERGAlegriaArtistShare
4AROOJ AFTABNight ReignVerve
5SARAH HANAHANAmong GiantsBlue Engine
6JONATHAN BARBERIn MotionVision Ahead
7GERALD CANNONLive At Dizzy’s Club: The Music Of Elvin & McCoyWoodneck
8BADBADNOTGOODMid Spiral: Order [EP]XL
9PAULA MAYAMar Da Minha TerraYellow House
10KEN PEPLOWSKIUnheard BirdArbors

Jazz Adds

#ArtistRecordLabel
1AROOJ AFTABNight ReignVerve
2SHELLY BERGAlegriaArtistShare
3JONATHAN BARBERIn MotionVision Ahead
4GERALD CANNONLive At Dizzy’s Club: The Music Of Elvin & McCoyWoodneck
5PAULA MAYAMar Da Minha TerraYellow House
Categories
Weekly Charts

Top Charts 6/24/24

Top Charts

#ArtistRecordLabel
1MEAN JEANSBlastedFat Wreck Chords
2ADRIANNE LENKERBright Future4AD
3GLITTERERRationaleAnti-
4MANNEQUIN PUSSYI Got HeavenEpitaph
5SPRINTSLetter To SelfCity Slang
6YUNGATITAShoelace & A KnotSelf-Released
7BLACKWINTERWELLSmortalAmuseio
8DANNY BROWNQuarantaWarp
9KYLE MARTUCCILate Night ThaiTooch
10MEI SEMONESKabutomushi [EP]Bayonet
11MILAN RINGMangosAstral People/PIAS
12MINT FIELDAprender A SerFelte
13MYRA KEYESFlower In The BrickSelf-Released
14OFFICE DOGSpielNew West/Flying Nun
15POWERWASHEREveryone LaughsStrange View
16ROSIE TUCKERUtopia Now!Sentimental
17SLEATER-KINNEYLittle RopeLoma Vista/Concord
18STALEFISHStalefish Does AmericaHappen Twice
19SWEET PILLStarchild [EP]Hopeless
20YEULEsoftscarsNinja Tune
21BLADEECold VisionsTrash Island
22BRISTLERCascades At Play [EP]Mint 400
23BUTCHER BROWNSolar MusicConcord Jazz/Concord
24CHEEKFACEIt’s Sorted + Sort Of (B-Sides)Self-Released
25CHERRY GLAZERRI Don’t Want You AnymoreSecretly Canadian/Secretly Group
26CRUMBAMAMACrumb
27CZARFACECzartificial IntelligenceSilver Age/Virgin
28GLASS BEACHPlastic DeathRun For Cover
29GOAT GIRLBelow The WasteRough Trade
30GOTTS STREET PARKOn The InsideBlue Flowers/PIAS

Top Adds

#ArtistRecordLabel
1THE SOFTIES“I Said What I Said” [Single]Father/Daughter
2ISLANDSWhat OccursElf
3JAPANESE HOUSE, THE“:)” [Single]Dirty Hit
4SWIM SURREAL AND ZERO 7In The Half LightMake
5WHY BONNIE“Dotted Line” [Single]Fire Talk
6MODEL CHILDGet TherePopCan
7SARAH KINSLEY“Last Time We Never Meet Again” [Single]Verve Forecast
Categories
Miscellaneous Music Education

“Burning Down the Haus:” Punk Rock, Revolution and the Fall of the Berlin Wall.

Oppression is a funny thing, but then again so are humans – the more your press and restrain a spirit, the stronger it grows.

East Berlin was no different.

Pirate Radio blossoms across the airwaves, ringing throughout the darkened corners of tenements and squats – The Sex Pistols, Iggy Pop, The Clash, Buzzcocks, and Ian Drury burst through the wall with a blast of pure, unadulterated adrenaline.

It was a shockwave to the restricted, highly controlled world of the DDR, a select group of kids saw their break in the clouds to build a new reality from the ground – or rather, boots up.

Beyond adopting the leather, studs and ‘can-do’ d.i.y. spirit of the movement, these kids began to form bands – circulating outside contraband and inside underground paraphernalia within a loosely organized, but painfully tightknit community across the DDR far beyond East Berlin.

Tim Mohr chronicles the burgeoning punk movement within the DDR from the first girl to spike her hair to the fall of the wall and the birth of Krautrock through “Burning Down the Haus.”

More than glimpse behind the Iron Curtain, Mohr paints a moving portrait of rebellion and reinvention in life or death situations, a revelation spurred on by chains and spikes.

When I first read this post, I wasn’t in a really good place; I was struggling to see the light at the end of the tunnel, to find the drive to keep pushing forward in a world that feels exceedingly futile. In many ways, this book helped me see beauty in the human experience again.

These kids were angry, and rightfully so, but they found hope for a better world within their anger.

They turned that anger into action, they turned life itself into an act of defiance.

These young punks weren’t just surviving the impossible, they made an active choice to live in the face of inscrutable danger.

Beyond the music, beyond the fashion, beyond the shows and squats that’s what stuck with me long after reading – and I hope it will stick with you too.

For those of you looking for an auditory companion to the listening experience, the “Too Much Future” compilation album of DDR punk from 1980-1989 is what I found most aligned with the reading.

Be forewarned, the material is explicit…but if you’re expecting kisses from grandma on a punk album, I can’t help you.

– Bodhi