Categories
Classic Album Review

Album of the Week: KoRn – KoRn

You would have to try really hard to find a better record of the time than KoRn’s debute album, KoRn! Released on October 11, 1994, through Immortal/Epic Records, the record (and the band) rewrote how Metal was played and how it was supposed to sound. In fact, it was the beginning of a whole new genre – Nu Metal.

The iconic album cover depicts a small girl bringing her swing to a stop as she squints to see an ominous figure standing before her holding knives. A shadow of the figure and the knives is all that can be seen in the art. Speaking of shadows, the little girl’s shadow appears to depict her hanging from the KoRn brand. Intense!

Korn recorded almost the entire album with all members playing (and singing) simultaneously, rather than the normal routine of tracking one instrument at a time. They felt that playing as a band captured the distinctive sound and quality of the music, rather than the production. Jonathan Davis (vocals) recorded the bagpipes on “Shoots and Ladders" by walking around the parking lot, playing, while a microphone was set up at the back door.

“Blind" is THE song on this record! The awesome dueling riffs of James “Monkey" Shaffer and Brian “Head" Welch are matched only by the trademark line of Davis, “Are you ready?!?!?!?” “Ball Tongue" is an example of the incredible bass playing of Reginald “Fieldy" Arvvizu, with his patented clicking of his pick-ups. “Shoots and Ladders" calls into question nursery rhymes and their dark meanings of racism, plague, rape, and killing. The lyrics in quite a few of the songs concern experiences suffered by Davis – “Clown" is about a skinhead getting an attitude with Davis, and the road manager knocking the clown out. “Helmet in the Bush" is about Davis’ drug abuse. “F***“ is about when Davis was in high school where he was continuously bullied and called names. And “Daddy” is a very dark and disturbing track about Davis being abused by a close family friend. It is extremely graphic! “Need To,” “Divine,” “Predictable,” “Fake,” and “Lies” are the rest of the songs on the record, all dealing with Davis’ experiences. David Siveria plays drums and his quick, snapping hits really add a tribal feel to the album.

This record (and a major motivator for the band) is to be a voice for the voiceless; for those broken, beaten, and scarred. It helps to heal by realizing that you aren’t the only one going through this horrible thing. KoRn knows and understands.

As of 2013, KoRn has sold over 10 million copies worldwide.

Favorite songs: Blind and every other song on this record, but especially Blind!!

Rating: 10/10!!! One of my all-time favorites!

Stay Metal,

THE SAW

Categories
New Album Review

New Album Review: Pinegrove

ALBUM REVIEW: Pinegrove – Marigold

BEST TRACKS: Dotted Line, Moment

FCC Clean

Pinegrove is the best thing to come out of New Jersey since the invention of the lightbulb. They are seemingly always lovelorn, and exist so in a most vulnerable, straightforward, poetic way.

Strangely enough, this album reminds me of Ed Sheeran’s album Divide. There are similarities in the simple guitar and complementary percussion. The music sounds slightly bleak but mostly nostalgic and sweet. Marigold does not encapsulate the full range of lead singer Evan Hall’s astonishing range. I think it’s safe to say that I was blown to the ground the first time I heard Hall scream the word ‘underground’ in the song “Aphasia” from the album Cardinal. There barely a trickle of strain or intensity in Hall’s singing on this album. I am disappointed that we don’t see any raspy, twangy yawps or chilling screams and growls on this album.

On the surface, this album contains all the signature warmth and beauty of a Pinegrove album, but the lyrics this time are less hard-hitting and heart-wrenching. I feel less of a deep personal connection, as the lyrics are vague, and less vulnerable than Pinegrove’s last few albums.

I feel that Marigold is lacking the powerful, raw emotions, with touches regret and mortality that I have grown to expect from Pinegrove. Musically, this album is on par with the high standards I set for Pinegrove, but when I try to dive deeper into this album, I find that my skull cracks against the concrete at the bottom of the shallow pool that is Marigold. All in all, this album is good. The only reason that I was so harsh in this review is because I know that Pinegrove can do better. I haven’t given up on Pinegrove yet. I will be eagerly awaiting their next album and in the meantime, I will stick to listening to Pinegrove’s best album, Cardinal.

-Safia Rizwan

Categories
Music News and Interviews

Strange Ranger on WKNC’s The Lounge

Strange Ranger stopped by The Lounge to play a few songs off their latest album “Remembering the Rockets” 0:04 “Rockets” & “Ari Song” 4:32 “Living Free” WKNC is a student operated, independent college radio station, playing the best of indie rock, metal, electronic, hip hop, local music and more. The Lounge sessions are live recording sessions with bands and recording artists that visit the station. by WKNC 88.1 FM HD-1/HD-2

Categories
Miscellaneous

Would You Rather…WKNC / Music Edition

Do you ever sit around with your friends and realize no one has said anything to each other for the past hour? Do you find it hard to start conversations? Do you wish you had some sort of fun activity to do to encourage communication?

Well now you do! Play this version of the classic game, “Would you rather…?”, and talk to your friends about WKNC and music in general! 🙂

1. Would you rather listen to Daytime or Afterhours WKNC? 

2. Would you rather host a Local Lunch or a Chainsaw Rock show on WKNC?

3. Would you rather only be able to listen to your favorite DJ on WKNC, or be able to listen to everything on WKNC except your favorite DJ’s show?

4. Would you rather be in a talented but underrated band, or in a bad but famous band?

5. Would you rather be interviewed on WKNC or conduct an interview on WKNC?

6. Would you rather have a silly DJ name or a serious DJ name?

7. Would you rather listen to music from the 60’s or music from today?

8. Would you rather have a 3-hour dinner with your worst enemy, or attend a 3-hour concert for a music group you hate?

9. Would you rather listen to WKNC HD-1 or HD-2?

10. Would you rather be fluent in every language or be able to play every musical instrument?

-miss monet

Categories
New Album Review

Album Review: Andy Shauf – The Neon Skyline

BEST TRACKS: Neon Skyline, Living Room, Try Again, Changer

FCC violations: Where Are You Judy, Thirteen Hours, Living Room, Fire Truck

Listen if you like: Jens Lekman, Bedouine, Faye Webster

“Essentially it’s an album about nothing”.

On January 24th, Andy Shauf released his highly anticipated follow up to his 2016 album, The Party. Just as The Party was, The Neon Skyline is another concept album in which all of the songs take place in the span of one night. The basic gist of the story is one many of us are probably familiar with: The narrator heads off to a bar with his friend, where he soon learns that his ex is in town. After that shocking news, he’s forced to revisit the and wade through the memories of their failed relationship. If you’re wondering if our narrator eventually sees his ex…I guess you’ll just have to listen to the whole story!

The album opens with the title track, (my favorite off the record) Neon Skyline. The gentle guitar and Shauf’s melodic voice – perfect for storytelling, do a wonderful job of setting the mood for the rest of the album. Sprinkled throughout the rest of the songs you’ll hear dashes of country, indie, and jazz intermingling with his usual folk / soft-rock sound.

Make sure you have ample time to listen to this album the whole way through. You’ll be so caught up in the fictional story that Shauf has brilliantly created that you won’t want to stop it for anything. If you need a quiet, peaceful album to listen to and enjoy during some much needed R&R, look no further. Put in your ear buds, close your eyes, listen and enjoy.

I hope you’ll add this wonderfully refreshing and endearing album to your “must listen to” lists soon – you won’t regret it!

-miss monet <3

Categories
Concert Review

Review of Scott Avett’s Exhibition

Scott Avett, co-founder of The Avett Brothers, is currently featured at the North Carolina Museum of Art for his exhibition, INVISIBLE. Although Avett is most widely known for his contributions to the band that he shares with his brother, Seth; he has gained prominence in the visual art community as well. Many fans of The Avett Brothers recognize his signature relief print artwork which has been featured many times on album covers and promotional products. 

The Avett Brothers is a folk rock band which originated in Concord, North Carolina in the early 2000s. The band has gained national recognition including receiving three Grammy nominations and three awards from the Americana Music Association. Rooted in traditional bluegrass and folk music found in western North Carolina, they also are clearly influenced by rock & roll. 

I visited Scott Avett’s exhibition, INVISIBLE last weekend. His artistic talent is evident and the exhibit focuses primarily on his work with relief printing. INVISIBLE includes pieces of artwork found on Avett Brothers albums and posters from their shows but also showcases portraiture of Avett himself and other members of the Avett family. Both his art and the discography of the band reflect universal ideas like spirituality, love, and loss in a beautiful way.

One room of the exhibit includes a display of the music video to Head Full of Doubt/Road Full of Promise, a song released in 2009. The song itself has been impactful to my life, its lyrics are motivational and reflect on the temporary nature of the world around us. The music video had a profound emotional impact on me, which is why I find the artistry behind the video so interesting. The artist, Ryan Mitcham, spliced together a compilation of over 2,600 images creating an animation from the canvas he physically painted. The music video depicts the rise and decline of an urban area, and its significance is indescribable. I highly recommend checking it out

Tickets for the exhibition are paired with the Mexican Modernism exhibit at the NCMA. The limited-time exhibition will close February 2nd.  

– Miranda

Sources: NPR, NCMA

Categories
Weekly Charts

Chainsaw Charts 1/28

Artist Record Label
1 BROADMOOR Oldhurt//newpain [EP] 2020 N/
2 STRANGLED “Sleep” [Single] Self-Released
3 WORMHOLE The Weakest Among Us Lacerated Enemy
4 LEFT BEHIND No One Goes to Heaven Pure Noise
5 KONVENT Puritan Masochism Napalm
6 VISCERA “Obsidian” [Single] Unique Leader
7 SUICIDE SILENCE Two Steps [EP] Nuclear Blast
8 DETACHMENT Gaslight Self-Released
9 CURSED EARTH The Deathbed Sessions UNFD
10 LORNA SHORE “Immortal” [Single] Century Media

Categories
Weekly Charts

Daytime Charts 1/28

Artist Record Label
1 BASEMENT REVOLVER Wax And Digital [EP] Sonic Unyon
2 GEOWULF My Resignation PIAS
3 JUNIOR ASTRONOMERS Body Language Self-Released
4 DAYGLOW Fuzzybrain Self-Released
5 NALLO Nallo [EP] Chase Bliss
6 BLACK SURFER Black Surfer [EP] Self-Released
7 CRITICALS, THE Mimosa Hygiene [EP] Self-Released
8 MARIKA HACKMAN Any Human Friend [EP] Sub Pop
9 (SANDY) ALEX G House Of Sugar Domino
10 MENZINGERS, THE Hello Exile Epitaph
11 PALACE Life After Avenue A/Fiction
12 TROPICAL FUCK STORM Braindrops Joyful Noise
13 CHASTITY BELT Chastity Belt Hardly Art
14 MACSEAL Super Enthusiast 6131
15 TURNOVER Altogether Run For Cover
16 JULIA SHAPIRO Perfect Version Hardly Art
17 ZACK MEXICO The Page The Pope and The Hanged Man Self-Released
18 JAY SOM Anak Ko Polyvinyl
19 ALEXANDRA SAVIOR The Archer 30th Century
20 INFINITY CRUSH Virtual Heaven Joy Void
21 CHARLY BLISS Supermoon [EP] Barsuk
22 WALRUS Cool To Who Outside
23 FREE CAKE FOR EVERY CREATURE pretty good / moving songs Self-Released
24 RICHARD SHIRK Arcadia Self-Released
25 MAUNO Really Well Tin Angel
26 NATHAN BAJAR Playroom In Real Life
27 JEFF THE BROTHERHOOD Magick Songs Dine Alone
28 FRANKIE COSMOS Close It Quietly Sub Pop
29 PRO TEENS Twos Broken Circles
30 HANA VU Nicole Kidman/Anne Hathaway Luminelle

TOP ADDS 

1 IAN GEORGE Kingdom Of My Youth Self-Released
2 WEEKLINGS 3 (Three) Jem
3 BOMBAY BICYCLE CLUB Everything Else Has Gone Wrong Mmm…
4 OLIVER HAZARD The Flood [EP] R And R
5 BLANKS “Sweaters” [Single] Self-Released
6 FIONA SILVER Hostage Of Love [EP] Self-Released
7 LEGAL VERTIGO Tragic Future Film Star Dine Alone
8 JORDANA “Signs” [Single] Grand Jury

Categories
Weekly Charts

Underground Charts 1/28

Artist Record Label
1 PAT JUNIOR Spice Adams Be Absxlute
2 SAMPA THE GREAT OMG Ninja Tune
3 AMIRI A Dreamer HiPNOTT
4 JEAN GRAE AND QUELLE CHRIS House Call Mello
5 THIAGO OMW Urubu
6 RICO NASTY Cold Sugar Trap
7 LITTLE SIMZ “Boss” [Single] AGE 101
8 RIPPARACHIE “LOVE ME LONG TIME” [Single] Coin Team
9 JPEGMAFIA “Puff Daddy” [Single] EQT Recordings
10 HARRIS RUDMAN “Influential” [Single] Candy Gang

Categories
Classic Album Review

Lost and Refound Folk Albums of the 1970s

So much music is made in the world, it can be overwhelming. Great albums are bound to be lost to time, especially in the days of physical copies. Thankfully, prolonged dedication has allowed for some lost albums and artists to be refound and given a second chance. Here are some of the greats:

Linda Perhacs: By day a dental hygienist in Beverly Hills in the 1960s, by night a folk-psychedelic singer-songwriter. Leonard Rosenman, a prominent film-composer, was one of her clients and was impressed by a demo tape of recordings she gave him; he then produced her masterpiece 1970 album Parallelograms, the title track inspired by synesthesia on Ventura Freeway and “seeing music”. The album didn’t chart well commercially and she returned to her dental career. In the 2000s, Perhacs was tracked down and Parallelograms was rereleased before she given the chance to record two new albums: The Soul of All Natural Things in 2014 and I’m A Harmony in 2017, both evidence that pure talent never fades.

Listen to: Hey Who Really Cares, Paper Mountain Man

Bill Fay: A college student in Wales in the 1960’s, Bill Fay was less interested in his electronics classes than the music he was making in his spare time. His demos scored him a recording spot at Decca Records, and he released two progressive-folk albums: his gentle self titled debut in 1970 and the more charged Time of the Last Persecution in 1971, the latter of which grapples with moral issues such as the Vietnam War and segregation through a religious lens. After the albums failed to gain attention, he was dropped from Decca and “deleted” from the music industry. He worked as a fish packer and groundskeeper until the late 90s, when he was tracked down by producers Jim O’Rourke and Joshua Henry with help from Wilco’s Jeff Tweedy. He has since been able to release three new albums: Life is People (2012), Who is the Sender? (2015), and his latest release, Countless Branches (2020). 

Listen to: I Hear You Calling, Tell It Like It Is

Rodriguez: Folk songwriter Sixto Rodriguez released two albums with Sussex Records in 1970 and 1971, both with poetic lyrics often discussing life in inner city Detroit. Neither album was an immediate success, leading him to quit music in the 70s and buying a house in a government auction for $50 (which he still lived in as of 2013). Meanwhile, and mainly unbeknownst to him, his records gained massive success in Australia, Botswana, New Zealand, and Zimbabwe, and stood as anti-Apartheid anthems in South Africa. He become the subject of a documentary, Searching for Sugar Man, which chronicled two Cape Town fans searching for him and went on to win a Sundance prize in 2012. Since his rediscovery, his albums Cold Fact and Coming from Reality have been reissued and he has been in talks with producer Steve Rowland about releasing new music. 

Listen to: I Think of You, Jane S. Piddy

Sibylle Baier: Young German actress and singer-songwriter, Sibylle Baier, recorded her songs for her only album Colour Green on reel-to-reel tapes sometime between 1970 and 1973. She never released them, and gave up hopes of a career in artistry in favor of raising her family. Thirty years later, her son Robby compiled a CD of the songs to give to family members and it found its way to the Orange Twin label, who released it in 2006. These fourteen hauntingly beautiful folk songs have since become well loved, which has left Baier “really quite perplexed” but “smitten” according to her son Robby (she prefers to stay off the Internet, it makes her “dizzy”). 

Listen to: Forget About, Tonight

One of the most magnetic qualities about folk music is its everlasting relevance; no matter how much time has passed, a good song will always strike a chord. These lost and refound albums and artists exemplify this trait, as they not only inspired dedicated searches in their name but still make a lasting impression on old and new listeners today.

 -DJ Big Hoss 

(camryn darragh)

i got really into this and it got kind of long