Categories
Miscellaneous

Behind the Cover: Horses by Patti Smith

“Horses” is easily Patti Smith’s most iconic album. Filled with a glorious fusion of poetry and rock n’ roll, her 1975 release is an early punk masterpiece. Her bold feminity adds a sort of mystique that makes “Horses” stand out against similar albums of the time.

The cover is a testament to her bold beauty and authenticity as an artist. It was shot by the legendary Robert Mapplethorpe, one of Smith’s dearest companions and the subject of her memoir “Just Kids.” She always knew Mapplethorpe would shoot the album cover for “Horses;” Their friendship was so extraordinary and his reputation as a photographer was skyrocketing. Smith recalls that she “had no sense of how it would look, just that it should be true.” The only thing Mapplethorpe asked of her was to wear a clean shirt with no stains on it.

After a trip to the Salvation Army, Smith found a pile of white button-downs. The one she chose had an RV embroidered on the breast pocket, which she says reminded her of the movie “Barbarella.” The portrait was taken in their friend’s apartment, bathed in natural light against a blank wall. Smith tried several poses before throwing her jacket over her shoulder “Frank Sinatra style,” leading to the portrait we all know and love today. In total, Mapplethorpe only took twelve photographs.

“When I look at it now, I never see me. I see us.”

Patti Smith, “Just Kids”

The true beauty behind the “Horses” cover is Mapplethorpe and Smith’s connection. After crossing paths in New York during the cultural explosion of the mid-1960s, they formed a life together by exploring art in all its forms. Though they drifted apart as their careers took them down different roads, they always managed to find each other again.

To read more about their relationship, you can read the book review I wrote on “Just Kids.” If you haven’t heard “Horses,” give it a listen!

– DJ Butter

Categories
Classic Album Review

Album Review: Elephant

ALBUM: “Elephant” by The White Stripes

RELEASE YEAR: 2003

LABEL: This Man Records

RATING: 9.5/10

BEST TRACKS: “Ball and Biscuit”, “The Hardest Button to Button” and “Seven Nation Army”

FCC: Clean

No album embodies the early 2000s garage rock revival better than “Elephant.” Meg and Jack White clearly put their all into it, as it’s often heralded as the White Stripes’ best release.

As the sounds from ’60s rock were coming back into style, the duo set out to record “Elephant” on retro equipment to achieve a more organic sound. Produced in Liam Watson’s Toe Rag Studio in London, none of the equipment was from later than 1963. You can find the words, “No computers were used during the writing, recording, mixing, or mastering of this record” on the inside of the LP cover.

The result was worth their tedious analog methods. Cutting blues, hard-hitting punk, and an incredible sense of rhythm make “Elephant” an unforgettable album. Jack White’s forceful voice slides across each song with impassioned intensity, complimenting his gutsy guitar playing. Songs like “Little Acorn” and “Girl, You Have No Faith In Medicine” have a twinge of metal to them, showing off the White’s mastery of hard rock. “Ball and Biscuit” stands out as a bluesy epic as screeching riffs stretch across seven minutes of pure hysteria.

Meanwhile, “You’ve Got Her In Your Pocket,” an acoustic, romantic song, exposes Jack’s softer side. “In the Cold, Cold Night” follows a similar trend, featuring a rare snippet of Meg’s singing. And, of course, who can forget “Seven Nation Army,” containing one of the most recognizable “basslines” ever made (it’s actually a semi-acoustic guitar hooked up to a pitch shift pedal).

“Elephant” is filled to the brim with goodness. It’s not only the quintessential White Stripes album, but it also defines an entire era of music perfectly.

– DJ Butter

Categories
Playlists

The Black Keys: Top Picks

The Black Keys have defined an entire generation of rock music. They’re easily one of the best bands to emerge from the early 2000s. In honor of their new rerelease of “Brothers,” I decided to highlight my all-time favorite tracks from the duo. With ten albums out, it’s hard to know where to start listening if you’re new to them. Here are my top song picks to get ya goin’!

1. Next Girl – Brothers (2010)

In my opinion, “Brothers” is The Black Keys’ best album. Even though “Howlin’ For You” and “Everlasting Light” tend to get the most attention from their 2010 release, “Next Girl” is my personal favorite. Dan Auerbach’s guitar skills are unmatched on this track of bluesy goodness.

2. Turn Blue – Turn Blue (2014)

This album leans in a psychedelic direction more than any of their others, but it’s still heavily twinged with their classic garage sound. “Turn Blue” (the song) has an atmosphere to it that’s truly amazing. Highly recommend listening on FULL VOLUME.

3. Thickfreakness – Thickfreakness (2003)

“Thickfreakness” is The Black Keys’ most underrated album. The song christened after its title is equally as such. Sludgy, heavy, and fuzzy, “Thickfreakness” is a staple of Auerbach’s supreme sliding skills.

4. Lonely Boy – El Camino (2011)

“Lonely Boy” is easily their most popular song, but you can’t help but love it. “El Camino” is quite different from their previous albums, straying into a more cheery sound. Patrick Carney’s rhythm artistry is on full display throughout the upbeat track.

5. Money Maker – El Camino (2011)

There’s just nothing bad about this song. Every moment is so good, from the chorus to the hook to Auerbach’s hypnotic voice. Though it comes from “El Camino,” “Money Maker” echoes the darkness of their other albums.

6. Have Mercy On Me – Chulahoma (2006)

I heard this song for the first time pretty recently, and I immediately fell in love. “Chulahoma” is actually a cover album, filled with remakes of Junior Kimbrough’s blues songs. The passion in this album is so tangible, even though it has less of The Black Keys’ signature garage fuzz.

7. Strange Desire – Magic Potion (2006)

The entire “Magic Potion” album has a very homemade, organic quality to it, but it’s great nonetheless. The riff in “Strange Desire” is just to die for. I love how they switch tempos throughout the track, making it a rollercoaster of a song.

8. Busted – The Big Come Up (2002)

“Busted” is the first song off their first full-length album. It’s a fantastic testament to their roots as a true garage-blues band. “The Big Come Up” sounds like something out of the early ’70s rather than 2002, having an almost Led Zeppelin-like quality to it.

Categories
Miscellaneous

Behind the Cover: “Vacation in Hell” by Flatbush Zombies

In my previous series “Album Art Gems,” I shared my favorite album art of all time. This time, I wanted to do a deep dive into the coolest stories behind how some of the most iconic covers were made. The creation of album art goes much farther than a designer or photographer’s concept. Oftentimes, there’s an incredible narrative at the root of the covers we know and love.

This week, we’ll be looking at Flatbush Zombies’ 2018 album, “Vacation in Hell.” It was shot by long-time musician photographer Jessica Lehrman (@jessierocks on Instagram). She was inspired by the classic 1968 photoshoot of the Jimi Hendrix Experience in Hawaii (pictured below).

The day of the shoot was miserable. It was a dreary, rainy day in California but it was the only time that the models, FBZ, and the photographer were available. It was their one shot. Meech, Juice, and Erik spent most of the day hiding under umbrellas, helping their fully-glittered models keep warm. Their photographer tried to get as many photos as she could under the cloudy skies, but they all knew the day was pretty much ruined. Suddenly, just as they were packing up their bags in defeat, the sun burst through the clouds, right at sunset. As they scrambled to get the shot before the light disappeared, a rainbow appeared overhead. The Zombies described the moment as “the final piece of the Vacation In Hell puzzle,” and “an image that will live forever as a piece of rap history.”

One members of FBZ walks with one of the models under an umbrella
One of the members from FBZ walks with a model in the rain. Photo via @flatbushzombies on Instagram.

You can read the full “Vacation in Hell” story here. Look out for more “Behind the Cover” blogs in the future!

– DJ Butter

Categories
Classic Album Review

Album Review: Coastal Grooves by Blood Orange

ALBUM: “Coastal Grooves” by Blood Orange

RELEASE YEAR: 2011

LABEL: Domino Recording Co.

RATING: 9/10

BEST TRACKS: “Sutphin Avenue”, “Can We Go Inside Now” and “Champagne Coast”

FCC: Clean

Devonte Hynes, otherwise known as Blood Orange, is arguably one of the best composers of our generation. His experimentation with synths, falsettos, and dance music paired with compelling, emotional lyrics makes his music truly unforgettable. Through his songs, he tackles topics like sexuality, race, and gender identity.

The first time I heard Dev Hynes’ music I was a surly 14-year-old, rarely impressed by anything. However, I was obsessed with this indie movie called “Palo Alto,” which he produced the soundtrack for. Something about that score really stuck with me. It was so beautifully reflective of the nostalgic and free-spirited feeling of the movie.

“Coastal Grooves,” his first full-length album, is a masterpiece. Released in 2011, it has a distinct ’80s energy. Combining all of Dev’s strengths, it’s a powerful fusion of pop, indie, R&B, electronica, and post-punk. Dynamic, hard-hitting drums echo behind synth keyboards. His signature falsetto voice flows across each song in whispers rather than belts. Influenced by the New York night scene, Dev draws his inspiration for “Coastal Grooves” from drag clubs and gay bars. What I love about this album is his surfy plucking on the electric guitar; In songs like “Sutphin Boulevard” and “Are You Sure You’re Really Busy?,” the groove part of “Coastal Grooves” really stands out.

Above all else, this album is sultry, lush, and soulful. Though “Negro Swan” (2018) and “Freetown Sound” (2016) tend to get the most press out of all his discography, to me “Coastal Grooves” is a true gem. If you haven’t heard it already, give it a listen!

Stay tuned in!

– DJ Butter

Categories
Classic Album Review

Album Review: 3.15.20 by Childish Gambino

ALBUM: “3.15.20” by Childish Gambino (Donald Glover)

RELEASE YEAR: 2020

LABEL: Sony Entertainment

RATING: 10/10

BEST TRACKS: “Algorythm,” “12.38” and “42.26”

FCC: Not Clean

This album was gifted to Childish Gambino fans when we needed it most. Released right at the start of quarantine, this album was largely forgotten because of the unfortunate timing. But as I mentioned before, it was a real treat for those of us craving some much-needed musical escapism.

“3.15.20” is largely comprised of a mish-mash of unofficially released singles, the most notable being “42.26,” otherwise known as “Feels Like Summer.” However, there are a handful of songs that were made specifically for “3.15.20.” “Algorhythm,” a terrifying electro-funk ballad, is my personal favorite. It really shows Glover’s tendency to manipulate sound in unique ways. On the more poppy side of things, “12.38” featuring 21 Savage and Kadhja Bonet is an absolute masterpiece. I am in love with 21’s part, with its hitting lyrics and striking snares. Kadhja’s interjecting vocals add an element of depth to the upbeat track too.

The sound that Childish Gambino creates in this album transcends anything he’s done before. His use of autotune and layering makes each song feel so atmospheric. Sometimes when artists rely on autotune it can feel forced and unoriginal, but the way Donald uses it only adds to the vocal talent he naturally has. For example, in “24.19,” his ability to switch seamlessly between his pure voice and a more synthesized sound is impeccable.

“3.15.20” has all of the soul that “Awaken, My Love!” does, but with a darker twist. It’s clear that Donald’s experimentation reached new levels in this album. If you haven’t heard it already, give it a listen!

– DJ Butter

Categories
Miscellaneous

Binaural Beats & Wellness

Do you ever find yourself listening to music while trying to study, and then realize you’re just jamming instead of actually paying attention?

Music can be beneficial in so many circumstances. If you’re like me, doing homework unfortunately isn’t one of them. I spend waaayyyyy too long trying to find the perfect playlist and switching back and forth between songs. However, I love the feeling of having background sounds to block out my noisy household.

Last year, I stumbled across this app called “Relax Melodies” that lets you create white noise mixes with jungle sounds, rain, and other calming tones. What I didn’t appreciate about the app until recently was their “brainwave” noise section. Filled with these magical sounds called binaural beats, they stimulate brain waves that help with creativity, sleeping, and meditation. When I tried adding the “focus” beat underneath some tranquil sounds of peeper frogs and crickets, I found that my productivity skyrocketed. I could concentrate for much longer and the distractions around me seemed to fade away. It was amazing!

This spontaneous success led me to wonder how binaural beats work in the first place. Basically, it’s like an optical illusion for your ears. A binaural beat is actually two beats operating at different frequencies. When your brain detects these frequencies, it naturally synchronizes to the two of them, which results in a singular tone.

For example, the “theta” brainwave would include one tone at 205 Hz and another at 200 Hz, leaving behind 5 Hz. This specific beat is supposed to help with deep sleep and relaxation. In total, there are five different waves that the brain detects, each with its own specific benefits: delta, theta, gamma, alpha, and beta.

Though there hasn’t been much research on binaural beats, the studies that have been completed are optimistic. If you’re interested in trying them out, there are tons of YouTube videos and apps that can help you out!

Here’s a link to the one I use. Happy listening!

– DJ Butter

Categories
Concert Review

DJ Butter’s Favorite Concert Recordings

It doesn’t look like concerts are going to make a comeback any time soon, but why should that stop you from enjoying ones from the past? There are a million reasons to love concerts, but one of the best has to be when artists experiment and develop songs further than their studio recordings. There’s something so inexplicably powerful about hearing music live. It doesn’t seem like we’re going to be moshing in the near future, but here are some of my favorite concert recordings to get you through until we can.

1. Led Zeppelin – How Many More Times (Danmarks Radio 1969)

I don’t even want to admit how many times I’ve watched this video. Shot before Zeppelin became the rock superstars they’re known as today, it’s hilarious to see only about 100 confused teenagers sitting at their feet cross-legged. Nevertheless, it’s an otherworldly performance. Their extended solos and improvisations add so much depth to “How Many More Times,” the last song on the first album.

2. Thundercat – NPR Music Tiny Desk Concert (2017)

This was the first Tiny Desk performance I’ve ever seen, and it’s honestly been the best. Thundercat is an incredible performer, live and in the studio. Though this video doesn’t quite meet “concert” criteria, it’s great to see Thundercat and his band performing together. They’re so wonderfully in sync, which really highlights Thundercat’s talent as a vocalist and bassist.

3. Greta Van Fleet – Lover, Leaver (Taker, Believer) Live in LA (2018)

I have mixed feelings about the up-and-coming rock group, but this concert is fantastic. It was filmed shortly after the release of their first album, “From The Fires.” I love how they seamlessly transition into different songs, creating the effect of the concert being one long track. My absolute favorite part is when they cover Muddy Waters’ “Rollin’ and Tumblin.'” You can really tell how powerful their sound is, especially from their guitarist, Jake Kiska.

4. Erykah Badu – Planet Groove Live (1997)

Wow, wow, wow! Miss Badu really came through on this one. She always has had the most amazing energy to her performances. This live recording shot for Plant Groove in 1997 is filled with so much emotion and power. Her backup singers are amazing too! Even though this specific video cuts off at the end, my favorite part is when she performs “Other Side of the Game.”

https://www.youtube.com/watch?v=aNehylzLo-4&t=317s

Happy Listening!

– DJ Butter

Categories
Band/Artist Profile

Band Highlight: Satan’s Pilgrims

Satan’s Pilgrims is one of those bands that you can’t forget about. They first got their start in 1992, playing at house parties in Portland and destroying living rooms in their wake. The group of five quickly realized that their unique surf-doom style was in high demand. They were bringing something new to the table. At the height of grunge, they offered a playful yet dark take on surf rock.

Made up of Ted Miller, Scott Fox, Bobby McAnulty, Dave Busacke, and John Cox, Satan’s Pilgrims is a force to behold. Donned in cheap Halloween vampire costumes, they made a name for themselves fairly quickly. Inspired by classic surf rock artists like Dick Dale, The Ventures, and horror B-movies, they were one of the first bands to master the “beach goth” style.

Since their founding, Satan’s Pilgrims have released five albums, each as wicked as the next. My personal favorite is “Psychsploitation” (2009), which was their last album before they took a brief intermission until 2015. Filled with sludgy instrumentals and tight riffs, it’s the epitome of a great psych, modern rockabilly album. Their most recent LP, “Siniestro” (2017), explores the hellish side of surf rock, filled with song titles like “Creep Beat” and “Graveyard Stomp.”

Best Songs: “Dilation,” “Tomorrow Night’s Mourning,” “Haunted House of Rock”

Discography: “Satan’s Pilgrims” (1999), “Plymouth Rock” (2004), “Psychsploitation” (2009), “Frankenstomp” (2015), “Siniestro” (2017).

Give it a listen!

– DJ Butter

Categories
Playlists

Playlist of the Week!

If you’re an NC State student, or really a student anywhere, you know how stressful midterms can be. What’s been getting me through those long hours of late-night studying has (of course) been music! These are some of the songs I’ve had on repeat over the past few weeks to help cope with the mountains of homework:

1. Guts – Budgie

This song gets me PUMPED. Released by a somewhat obscure protometal band, it’s sure to make you get that astral projection feeling with those incredible riffs.

2. Easy Street – Amanaz

If you’ve never heard of Zamrock, I highly suggest you start here. Psychedelic funk reached every corner of the earth in the 1970s, including Zambia. Amanaz is a fantastic band that arose during this time, combining funk, rock, and psychedelia.

3. Stoned – Allah-Las

This song comes off a compilation called “Psych Versions of the Rolling Stones.” Allah-Las does NOT disappoint. I’m usually not a fan of covers, especially from such a prolific band, but Allah-Las does “Stoned” justice.

4. Who Do You Love, Pt. 1 – Quicksilver Messenger Service

This is my favorite track off my favorite album by Quicksilver Messenger Service. First-rate song, first-rate band!

5. Four Lead Clover Salad – Richard in Your Mind

I love the mind-bending sound of this song. I’ll be honest, I haven’t listened to much of Richard In Your Mind, but this is definitely one of my most prized songs on my repeat playlist right now.

6. Home Town – Witch

Witch is another Zamrock band that you just have to check out. They have a heavier feel than Amanaz, combining a garage and metal sound to their work.

7. Dove – Cymande

You! Can! Never! Get! Enough! Funk! The members of Cymande are the kings of soul and dressing impeccably. This track shows off their unique, hip style perfectly.

8. 1983…(A Merman I Should Turn To Be) – Jimi Hendrix

The day I don’t include at least one Jimi Hendrix song on my repeat playlist is the day I die. This song was released when Jimi was still apart of the Experience group and it’s one of the most epic tracks he’s ever released. At a whopping 13 minutes long, it has tons of weird reverb and experimental noises that perfectly compliment his signature riffs.

9. Knowing That I’m Losing You – The Yardbirds

Jimmy Page’s brief time with The Yardbirds proved to be formative years that set him up for future songwriting opportunities. Even though this track was originally released by The Yardbirds, it would later turn into Led Zeppelin’s “Tangerine.”

Stay tuned in!

– DJ Butter