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Podcasts

The Local Beat: Charlie Smarts, Les Genius, Ace Henderson, and Zack Cokas

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Podcasts

DBB17: BlackSurfer

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New Album Review

ALBUM REVIEW: Criteria – Years

BEST TRACKS: Agitate Resuscitate, We Are The Ones Who Make It So, We Pretend, Tight Rope

FCC violations: Agitate Resuscitate, The Saint, We Are. We Are. We Aren’t., This Reign is Ours, Hands Out

This classic alt-rock album, released on January 17th, has been a long time in the works (it’s Criteria’s first new album in 15 years)! To give you an idea of the kind of music Criteria makes, they toured with the likes of Jimmy Eat World and Minus the Bear following the release of their sophomore album En Garde in 2005. Their sound has stayed pretty consistent throughout the years (not that it needs to change). Years is sweetly reminiscient of simpler times AKA the early 2000s punk rock revival headed by Green Day’s American Idiot and the Offspring’s Rise And Fall, Rage And Grace.

The album opens with my favorite track of the record, lead single Agitate Resuscitate. This song’s monster riffs, toe-tapping hooks, and melody-forward vocals set very high expectations for the rest of the album. Strong bass lines will keep you grounded amidst the explosive drums and intense riffage. The album maintains it’s post-hardcore punk momentum all the way through to the end where it closes on a high note with Peace, ‘through our pain we still celebrate life today,’ and with a final call for world peace, the album fades into silence.

Criteria reminds me of Fall Out Boy, in that you’ll want to not just sing, but shout along to these passionate and anthemic lyrics. Songs on this album encompas the many ways in which we go through life, be it struggling and fighting for the revolution, or struggling with ourselves alone. Listen to this album if you want to feed your rebellious and angry, yet carefree highschool soul. Even though growth and change in music is great and encouraged, there’s something reassuring about knowing that some things in music never change. For every genre, there will always be a core, classic sound that we can revert to for comfort when we are tired of the new. For the genre of post-punk, Criteria encompasses this core perfectly.

In closing, welcome back, Criteria. It’s great to have you back.

-Safia Rizwan

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Podcasts

Gen Ed 8: Sugar Dating

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Podcasts

Let’s Talk Music: History of Paramore


Get Psyched intro music was created by PME, used by permission. Find PME on Spotify

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Podcasts

DBB17: Pat Junior

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Podcasts

EOT303 Professor Kami Kosenko: Sexual Communication, Aaron Kling: Birth Control Briefing 1/22/20

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Non-Music News

Shawn’s Soapbox: Self Development, Mindfulness, and Astrology With Toni Contini

Season 2 of the Shawn Soapbox starts with a bang, as Toni Contini an entrepreneur and former chair of Union Activities Board’s Speakers and Professional Development committee drops many gems as she discusses self-development and mindfulness with a little astrology talk for the uniformed. Tune in to the season premiere of The Shawn Soapbox.

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New Album Review

ALBUM REVIEW: The National – I Am Easy to Find

BEST TRACKS: Quiet Light, Hey Rosey, Hairpin Turns, Rylan

FCC clean

I Am Easy to Find scored a 7.6 on Pitchfork and was ranked as the #1 album of 2019 on Sophie’s Floorboard, edging out PUP’s Morbid Stuff for first place, so I just had to check it out. At 64 hours, this album is The National’s longest yet. I admire that this album takes its time. At no point do I feel like the album was hurried or short-changed.

This album is all about subtlety, featuring soft piano, whispering strings, and humble percussion. The emphasis is placed on the vocals and lyrics. Front man Matt Berninger’s baritone voice intertwined with multiple female vocalists, including Gail Ann Dorsey, David Bowie’s backup singer, brings this album in a certain divine direction. Despite all the outside voices, this album sounds undeniably like a National’s album. All monologuing takes place elegantly and compliments the music, rather than stealing away the spotlight.

I Am Easy to Find sounds like a slow drive through the snowy hills of the countryside. This album expertly captures the quiet weightlessness of being alone and the vulnerability of the human condition. I Am Easy to Find would fit perfectly as the soundtrack to a movie about struggling lovers and fates that never line up. In fact, The National released an artful, black and white short film that shares the name of the album, directed by Mike Mill (20th Century Women), and starring Alicia Vikander (Ex-Machina).

In my heart of hearts, Morbid Stuff is still the #1 album of the year and that will never change. However, I Am Easy to Find is seriously amazing too, but in a different way, for a different audience, and I can certainly see why it receives all of the praise that it does. I recommend this album if you are in the process of finding self-love.

-Safia

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Music News and Interviews

UNDERGROUND IS LOOKING FOR NEW MUSIC

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WKNC’s Underground genre is looking for new music to be added to the regular rotation! Send songs or playlists with your fav underground rap music and I’ll review it and (possibly) add!

—cellar door xx