Every single day, an artist somewhere releases a new song. A lot of these songs happen to be good.
What happens if a good song releases and you don’t hear it? What if in some alternate universe it becomes one of your favorite songs, but in this universe you’re stuck listening to all of the bad ones currently on your playlist?
I don’t want that to happen, so here are 12 tracks released in the past month that I think you need to hear.
Armand Hammer is gearing up for their first album since 2021, with “We Buy Diabetic Test Strips” out on Sep. 29. The duo of billy woods and E L U C I D seem to be taking their sound in a new direction, teaming up with JPEGMAFIA on production for this track. I’m excited to see where the album goes, especially with the quality of music that billy woods has been putting out this year.
Mick Jenkins’ new album “The Patience” is an excellent return to form, and is worth a listen in its entirety. But if you don’t have time for all that, I think “Show & Tell” is a great place to start.
Earl Sweatshirt and The Alchemist finally dropped their long-awaited collaborative album on a proprietary website that gives off the eerie feeling that it’s connected to the blockchain. This single is available on all platforms however, and does not disappoint.
So, Itchy Kitty, a wonderfully perverse band name, clawed its way into my ears through chance a few years ago when I watched Built to Spill’s performance at Cat’s Cradle way, way back in 2022. I wrote a little about their performance and who some of the members were in this article, but I haven’t stopped listening to their music.
Their harsh sounds and self described “bubblegum p***” genre labels got me addicted to their music and kept me returning for more and more of their sounds (quote from The Spokesman-Review). Itchy Kitty has four releases within their seven-ish year existence as a band and focuses their sound within the punk genre by using shrill, explosive vocals, cranked-up guitar and heart-thumpin’ drum beats.
Who’s this Band?
The members of Itchy Kitty are made up of Ami Elston (guitar, bass, vocals), Naomi Eisenbrey (bass, vocals), Michael (Sug) Tschirgi (drums, percussion), and their guitarist known as Catman. They are currently signed with CORPORAT Records and they’re based out of Spokane, Washington.
Itchy Kitty, as previously mentioned, has four releases out-n’-about, three of which are found on Spotify and all can be found on their Bandcamp. Their releases (in order of earliest to latest release) are “Careless Whisker” from 2016, “Mr. Universe” from 2018, “Under the Covers” from 2020, and “Feargasm” also from 2020.
Album and Sounds
“Feargasm” (EP)
A few the most memorable tracks from this EP are “Fish Money” and “Sexy Requiem” These two tracks differ almost violently, as one is a classic sounding punk track with a strange subject matter (fish money), and the other is an eight minute track with calm, wispy vocals and ethereal sounds.
“Under the Covers” (EP)
This EP focuses on covers from four different bands. My two favorites are “Sonic Reducer” and the “Psycho Killer” cover. I was lucky enough to see the “Psycho Killer” cover live at the Built to Spill show I mentioned earlier, and Eisenberry’s method of signing this track led to her convulsing on the stage floor in a horrific manner. Itchy Kitty pulls new electric emotions from both these tracks, which I found added to my appreciation of the original sounds.
“Mr. Universe” (LP)
In this LP I found “Size Queen”, “Bore” and “Walk Towards Work” to be exhilarating additions to their discography and band’s sound. “Size Queen” focuses on a feminine perspective of body shaming particular parts of a male body with good humor and thrash-y sounds, while “Bore” opens up the album with scratchy vocals and throwing insults towards the boring folks that infest various parts of life.
“Careless Whisker” (LP)
And in Itchy Kitty’s first LP (that’s available on streaming services), the top couple of tracks I’ve fallen in love with are “Tomcat Society”, “Year of the Slut” and “NoMe”. “Year of the Slut” stands out the most to me on this album. It feels like the backbone of what Itchy Kitty wants to sound like. The lyrics are comedic and crass, while the music exudes an air of wonderful ‘moshability’
Itchy Kitty’s main drawback for me is that they don’t have more content out yet. This band is quite young and I cannot wait to see what they continue to do. On their Instagram page they’ve been pretty active with tours and concerts, so hopefully once they settle down for a few months they’ll be back in the studio recording some new “bubblegum p***”.
At the risk of making some readers of this article feel old: Gen Z has nostalgia for the early 2000s now. People are posting images of clunky technology and tagging it #aesthetic. Artists are selling CDs and cassettes as physical merchandise again. And, yes, this includes music genres too: Trance is back.
Many of these new releases are mostly confined to small corners of the internet, so to start on this journey into geometric fonts and really wishing they still made transparent video game consoles, I’ve selected a few landmarks in the development of the scene.
It’s that time of year again, when thousands of music-lovers take to the streets of Raleigh to vibe with some seriously class acts, whatever the weather. Yes, 13 years after its debut, Hopscotch Music Festival is back (Sep. 7-9), with main stages at Moore Square and City Plaza, and dozens of stellar acts across the city.
With over 120 acts performing, even the choosiest of playlist-makers can find something to enjoy over the three day event. From rock to rap, post-punk to country, indie, folk, and more, diversity and inclusivity is truly the name of the game.
However, as with every festival lineup worth its salt, a dilemma lies in the inability to put oneself in more than one place at a time. City Plaza and Moore Square are only half a mile apart, but those steps rack up quickly if you’re planning on trekking back and forth between every few sets.
While the truly determined festival-goer could yo-yo between main stages and catch every set, the best intentions don’t always pan, out so it’s best to know your must-sees in advance. To help plan your musical voyage, here’s a look at the main stage lineups:
Thursday (Sep. 7)
Smooth Haze vs. Alt. Edge
Moore Square:
On Thursday afternoon, Moore Square opens the festival with a mellow haze of rock, jazz and psychedelics. A trio meant to be, Sam Evian, Mild High Club and King Krule embody that chill, late summer, “almost the weekend” feeling.
City Plaza:
Summer is also ending over at City Plaza, but with a bit of an edge, as brooding, post-punk takes the stage with Raleigh’s own Truth Club, followed by similar hints of angst from alt-rock groups, Palm, and Alvvays. Late-90s icons, Pavement, follow suit, closing the alt-rock set in style.
Friday (Sep. 8)
Urban vs. Country
Moore Square:
All things country take the stage on Friday at Moore Square. Sunny War brings modern folk-blues, and Neon Union epitomizes that all-American country sound. Cut Worms and Margo Price add pop and rock slants to the genre respectively, with a singer-songwriter angle.
City Plaza:
Raleigh native, Pat Junior, leads the urban parallel happening at City Plaza. TiaCorine builds on Pat Junior’s pure, simple, rhythm and flow with dreamy beats, while Digable Planets bring retro to the party in the style of 90s hip-hop and jazz. Rapper, Denzel Curry, completes the lineup with his signature emotional style.
Saturday (Sep. 9):
Emo vs. Indie
Moore Square:
Saturday is the host with the most with both main stages kicking off at at an earlier time of around 1pm. Max Gowan play emo, indie tunes to his hometown at Moore Square, before Quasi picks up the pace a little with alt-rock, indie hits. 90s emo heavyweights, American Football define the emo mood of the set with electric guitars and pining vocals.
Things get louder when Sunny Day Real Estate introduce prog rock energy to the lineup, and alt-rock, genre-changing, Dinosaur Jr. round off the set.
City Plaza:
Singer-songwriters start Saturday at City Plaza, with the soft vocals of Chessa Rich and the country twang of Florry. Anjimile adds a hint of melancholy to the mood, before ESG shake things up with post-punk and house.
Singer-songwriter, Soccer Mommy, brings rock and gentle vocals to the set, before the dreamy vocals and beats of indie sensations, Japanese Breakfast, close the festival.
More Info:
Having a better idea of the headliners might make planning a little easier, but with acts like these and almost 100 others playing smaller venues across the city, deciding where to be might just take a little more time. Check out the official website, Instagram, Facebook, X (f.k.a. Twitter) and the official Hopscotch app for more information on the lineup and the latest event updates to best Hopscotch your way around Raleigh next week.
Andrew Hozier-Byrne, better known as Hozier, first captivated the world in 2013 with the international success of his debut track, “Take Me to Church” – a powerful, mid-tempo soul song that addresses difficult socio-political realities of the time.
Since then, the Irish native has achieved musical acclaim with a slew of inter-genre chart-topping hits in rock, blues, folk, pop and dance.
With the release of a third album, “Unreal Unearth”, Hozier caps a decade of stellar lyricism and expert musicianship with a deeply introspective love letter to the humanity of humanity where he seamlessly shape-shifts between familiar genres and dives into a distinctly new soundscape: soft and ethereal.
I like school, I really do; and I’m glad to be back at it.
But there’s something about the loss that’s involved — the loss of free time, the loss of beachside hang-outs, the loss of schematic summer-ness — that’s always painful to swallow.
Not only is it always an adjustment starting a new semester, but this fall sees a particularly vexatious surge of extra freshmen. The resulting collapse of the sanctity of college common areas weighs heavily on the psyche.
As a self-identified Person Who Listens to Too Much Music, music was a vital tool for me this week.
Below is a compilation of tracks I, as well as others, have used to soften the proverbial blow of our returning academic responsibilities.
Good luck out there!
The Playlist
If you’re anything like me (combination hyperactive-inattentive), then you tend not to stick with one particular flavor of auditory stimulus whilst weathering the tribulations of back-to-school season.
While I primarily market myself as a goth, I’ve got a real soft spot for Carhartt-Marlboro-septum ring-type garage/art/post-punk rock.
Weird songs that sound like the way cigarette smoke smells and mansplaining feels touch me in the most deepest recesses of my calcified English major heart.
It really takes the edge off.
Here are some highlights:
“Troglodyte” – Viagra Boys
The third track on their 2022 album “Cave World,” “Troglodyte” tickles my brain with its silly, borderline-industrial beats. The melody reminds me of “Frogstrap,” another beloved track from their 2018 album “Street Worms.”
What I like about Viagra Boys is how vocalist Sebastian Murphy always seems to be just on the cusp of madness. I think you can extrapolate the overarching relevance of that concept.
Not a new song by any means, but a similarly brain-tickly one that I find I can easily get lost in. The beats are rhythmic but unobstrusive, fading into the background or punctuating the present at the listener’s behest. It’s pleasant, easy listening for someone who so desperately needs to distance themselves from the half-dozen new syllabi they just acquired.
IDLES is like Viagra Boys but from an alternate universe. This cover of a Gang of Four classic also sounds like it’s from an alternate universe, which is great when you yourself wish you were from an alternate universe where you were already finished with college.
These are Black Midi’s two top songs for a reason. Pulled from their 2022 album “Hellfire,” these tracks occupy a strange dimension between the 1940s and the 2020s. I can still remember seeing this band live and witnessing throngs of hipsters emphatically mosh to a quirky jilting guitar.
I was Jockstrappilled by the former GM of WKNC, DJ Cow Ball. She caught me at a particularly weak moment in which my ADHD was unmedicated and I was in an introductory film class. As one can expect, I quickly amassed over 100 streams.
I never know how to describe Jockstrap to people. Deeply experimental, enigmatic and hauntingly sweet, every Jockstrap song is a multilayered amalgam of sounds and sensations that will surely take your mind off the terror of The Future.
Closing Thoughts
When writing blog post playlists, I tend to keep them short. This is because I prefer to offer little morsels of stimuli rather than formidable hours-long chunks of obscure tracks.
By Rodrigo Curi on Unsplash
It’s also because I tend to listen to songs like people chew gum, mashing them obsessively between my teeth and squeezing out every last modicum of flavor. I’ll listen to a single song for hours until I’ve fully exhausted its capacity to generate dopamine.
I’m sure, in some broad and abstract way, this theme applies to the college experience.
