Categories
Weekly Charts

Chainsaw Charts 3/21

#ArtistRecordLabel
1MAMMOTH CARAVANIce Cold OblivionSelf-Released
2MYTHRAEUMHalls Of Mythras [EP]M-Theory
3BLINDFOLDED AND LED TO THE WOODSRejecting ObliterationProsthetic
4SQUIDHAMMER“Drowning In Flames (Ft. Kyle Fawley of Digital Remains)” [Single]Self-Released
5SHORES OF NULLThe Loss of BeautySpikerot
6LORNA SHOREPain RemainsCentury Media
7BATTLE BORN“Blood, Fire, Magic, and Steel” [Single]Prosthetic
8DISTANTHeritageCentury Media
9JUDICIARY“Engulfed” [Single]Closed Casket Activities
10COMBATWOUNDEDVETERANThis Is Not An All Erect, All-Red Neon BodyNo Idea
Categories
Weekly Charts

Afterhours Charts 3/21

#ArtistRecordLabel
1HALISCAElseware OR: Eating The Snack FantasticPLEASE AND THANK YOU
2KY VOSSThe AfterPlay Alone
3MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
4LYZZAMosquitoBig Dada
5HVOBTOODifferent/PIAS
6DEATHS DYNAMIC SHROUDDarklifeSelf-Released
7WHATEVER THE WEATHERWhatever The WeatherGhostly International
8ULTRAFLEXInfinite WellnessStreet Pulse
9JIMMY EDGARLIQUIDS HEAVENInnovative Leisure
10FREE99OUT FOR BLOOD [EP]x99
Categories
Weekly Charts

WKNC — LIVE@Lake Raleigh Series

WKNC is sponsoring the 2023 LIVE@Lake Raleigh series.

Starting in 2018, NC State LIVE and Visit Centennial have presented this series of free concerts at Centennial campus’ Lake Raleigh. This April and May, four shows will take place starting Thursday, April 6.

The concerts are on the shore of Lake Raleigh, at the corner of Main Campus Drive & Campus Shore Drive. There will be food trucks at these shows and free parking. Each show starts at 6 p.m. and gates and food trucks open at 5 p.m.

April

Thursday, April 6: Orquesta GarDel

  • Genre: Latin big band

Thursday, April 20: Hank, Pattie & the Current

  • Genre: Bluegrass

May

Thursday, May 4: Laurelyn Dossett

  • Genre: Singer/songwriter

Thursday, May 18: Caique Vidal & Batuque

  • Genre: Afro-Brazilian

For more information on the bands, frequently asked questions, and additional information about the events visit the LIVE@Lake Raleigh website.

Categories
Blog Classic Album Review

Pulse Demon: The Cure for Music

Lately I’ve become so bored of music.

I was dully teasing my dopamine doused brain, scrolling through the endless pit of social media looking for the next mild prod of unimportant something to let my eroding attention feed on. I found a conversation about noise music, and someone cited Merzbow’s “Pulse Demon” as a “palate cleanser,” so I decided to listen to it.

There are no ideas in this album.

There is nothing memorable in this album.

There is nothing of independent significance in this album.

There is nothing at all special in this album.

It’s just pure grating noise.

But after five quarters of an hour of nothing, something neat happened. Everything else sounded different. The silence was the same, the songs were the same. But the way I was conditioned to hear it was different.

I decided to put on some of my favorite tunes. Don’t get me wrong, my enjoyment of the music that I listened to afterwards didn’t change, but the way that I heard the music was totally different. I could hear everything. I paid mind to everything. This is how the artist thinks. I could feel each component of the music and how they all connect. I could think about it far more critically.

Pressing play on a track from “Pulse Demon” and skipping to the middle to listen for a few seconds is silly. Playing this for someone who has never heard of it before and only giving them a snippet is ridiculous. It’s like saying “c’mere, lemme show you a clip from this movie,” and it’s the entire movie sped up and condensed into five seconds, complete with cartoonish sound effects.

It’s a comically overwhelming amount of information to push onto someone for such a short period of time. However, the humor is just the method by which we reject the rush of information. Once your mind gets over the hurdle and is able to acclimate to it, it becomes entrancing.

If you relax your eyes, look at the cover art for “Pulse Demon” long enough, and immediately look at something else, it’ll start to warp. The image tricks your eyes. The harsh bends and folds hurt to look at, but once you’re done looking, everything else looks different. This effect is fleeting, but it’s noticeable.

Is this placebo? Is this real? It’s not astounding or groundbreaking, but nonetheless it’s fascinating- and it might be the cure for music.

Categories
Short Stories

Drainuary: A Tragedy in Two Parts

Hope, Part 1

On February 7, 2023, I made a commitment to myself and a small group of friends. For the rest of February, the only music I would listen to would be within the “drain gang”. For anyone who doesn’t know, drain gang includes a plethora of artists including Bladee, Ecco2k, Thaiboy Digital, and Yung Lean. The genre is a blend of hyperpop and trap, which many seem to enjoy.

I had never listened to any of these artists prior to that day. Naively, I assumed that this challenge, called “Drainuary” would be a good introduction to the genre. However, drain gang would soon take its toll on my mental health.

Yung Lean performing at The Hoxton in 2016. Photo courtesy of Drew Yorke, under Creative Commons.

The Demise, Part 1

For context, I listen to approximately 6 hours of music every day. It gets me through both the good times and the bad. Music hypes me up for the gym and puts me to sleep. The issue with listening to this much music arises when I can no longer listen to a diverse music palette. Over the first 24 hours of Drainuary, I listened to about six hours of Bladee alone.

This statistic alone broke me. Exactly at that 24 hour mark, I decided to abandon the challenge, knowing that my mental state would only further deteriorate from there. I wasn’t enjoying the music that much, and I only listened to drain gang out of spite. But, this journey was not yet finished.

Hope, Part 2

One friend of mine suggested that I should instead listen to an artist that I actually enjoyed. After searching through my playlists for artists starting with an F (for February), I finally landed on Fiona Apple. Now, I would listen to no music except for that in which Fiona Apple played a part in creating. Although I hadn’t listened to all of her catalogue, I adored her latest album “Fetch The Bolt Cutters”.

Compared to Drainuary, “Fiona February” was a breath of fresh air. Her music spanned a far greater range of emotions than someone like Bladee, and I could assign an identity to each of her albums. As a result, cycling through her music felt far more natural, allowing me to keep with Fiona February for longer into the month.

Fiona Apple at Damrosch Park Aug 8, 2015. Photo courtesy of Sachyn Mital, under Creative Commons.

The Demise, Part 2

Longer is a bit misleading of a term though. After five days of listening to nothing except Fiona Apple, I started having a mental breakdown and needed to use other artists to ground myself again. Granted, I was also dealing with other issues at the time, but Fiona February certainly didn’t help.

What I Learned

Despite what I had expected, intentionally limiting my listening to just one type of music is extremely difficult. I was unable to complete many tasks I can normally do just fine, because I felt like I didn’t have the “right” music playing. Additionally, I found out just how heavily I tend to lean into music as a coping mechanism for whatever I’m dealing with at a given time.

As a result, I felt like I couldn’t process things that arose in my life well, if at all. I don’t know if there’s really a moral or anything of the sort to gleam from this situation. All I know is that I can never actively limit my music listening to one or a couple of artists.

Categories
Weekly Charts

Chainsaw Charts 3/14

#ArtistRecordLabel
1MAMMOTH CARAVANIce Cold OblivionSelf-Released
2MYTHRAEUMHalls Of Mythras [EP]M-Theory
3BLINDFOLDED AND LED TO THE WOODSRejecting ObliterationProsthetic
4SQUIDHAMMER“Drowning In Flames (Ft. Kyle Fawley of Digital Remains)” [Single]Self-Released
5SHORES OF NULLThe Loss of BeautyCandlelight
6HALF MESomaArising Empire
7BATTLE BORN“Blood, Fire, Magic, and Steel” [Single]Prosthetic
8DISTANTHeritageCentury Media
9JUDICIARY“Engulfed” [Single]Closed Casket Activities
10COMBATWOUNDEDVETERANThis Is Not An All Erect, All-Red Neon BodyNo Idea

Chainsaw Adds

#ArtistRecordLabel
1JUDICIARYFlesh + BloodClosed Casket Activities
2BONGINATORThe Intergalactic Gorebong of DeathpotBarbaric Brutality
3FROMJOY“docility (feat. PeelingFlesh)” [Single]Self-Released
Categories
Weekly Charts

Afterhours Charts 3/14

#ArtistRecordLabel
1SHYGIRLNymphBecause
2HVOBTOODifferent/PIAS
3MAGDALENA BAYMercurial World DeluxeLuminelle
4PSYCHOANGELpsychosis:angelic [DEMO]Self-Released
5NAKED FLAMESMiracle in TransitDismiss Yourself
6PENDANTHarpSaddle Creek
7WORKING MEN’S CLUBFear FearHeavenly/PIAS
8MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
9ULTRAFLEXInfinite WellnessStreet Pulse
10FLUMEPalacesFuture Classic
Categories
Weekly Charts

Underground Charts 3/14

#ArtistRecordLabel
1SIDESHOW2mm don’t just stand there!10k
2GHAIS GUEVARAjobs not finished pack [EP]Self-Released
3SLOWTHAIUglyMethod
4DEEM SPENCERadultSW!MDrink sum wtr
5LIL YACHTYLet’s Start HereQuality Control/Motown/UMG
6TOMMY RICHMANAlligatorBoom
7KENNY MASONRuffsRCA
8ACTION BRONSONCocodrillo TurboLoma Vista/Concord
9JEAN DAWSONCHAOS NOWHandwritten
10PERRY MAYSONTheater 14BeYourOwnBestFriend

Underground Adds

#ArtistRecordLabel
1MIKEBeware of the Monkey10k
Categories
Weekly Charts

Top Charts 3/14

#ArtistRecordLabel
1AKAI SOLOSpirit RoamingBackwoodz
2PARANNOULAfter The MagicTopshelf
3LAVA LA RUEHi-Fidelity [EP]Marathon
4ACTION BRONSONCocodrillo TurboLoma Vista/Concord
5ARMAND HAMMERHaramBackwoodz Studioz
6DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
7KENNY MASONRuffsRCA
8PERRY MAYSUNPainting Naked [EP]Self-Released
9QUELLE CHRISDEATHFAMEMello
10REDVEILlearn 2 swimSelf-Released
11YOUNG WABOMirage [EP]New College
12070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
13DIZUltra.VioletSelf-Released
14JEAN DAWSONCHAOS NOWHandwritten
15MAMALARKYPocket FantasyFire Talk
16PILEAll FictionExploding In Sound
17RA TAKHARMythical [EP]SKYMVDE
18SHYGIRLNymphBecause
19SPIRAL XPIt’s Been A While [EP]Danger Collective
20TALEN MILLERBedroom SymphonySelf-Released
21THEY HATE CHANGEFinally, NewJagjaguwar/Secretly Group
22TOMMY RICHMANAlligatorBoom
23ASIAN GLOWCoverglow pt.1Self-Released
24BUILT TO SPILLWhen The Wind Forgets Your NameSub Pop
25ERNESTO BIRMINGHAM“MOST TODAY/cold world” [Single]A LONG LIL’ WHILE
26MAVILaughing So Hard, It HurtsMavi 4 Mayor
27MIKEDisco!10k
28ROBERT GLASPERBlack Radio III: Supreme EditionLoma Vista/Concord
29SCUBADIVERGodspeed ToSelf-Released
30SHY HIGHGoodbye Delicious [EP]Self-Released

Top Adds

#ArtistRecordLabel
1TENNISPollenMutually Detrimental/Thirty Tigers
2TANUKICHANGizmoCarpark
3EMPEROR XSuggested Improvements to Transportation Infrastructure in the Northeast CorridorSelf-Released
4SUMMER ARACHNIDWho Will I Be This Time Next Year?3 Friends
5SLOW PULP“Cramps” [Single]Anti-
Categories
Weekly Charts

“Roach Friends” by Melaina Kol Review

About a year and a half ago, my friend introduced me to the artist Melaina Kol, showing me their split album with waveform*, “Sckrpnch.” I was immediately drawn in by the wonderfully crafted and infectious tunes by Melaina Kol and his work slowly became some of my favorite music as I continued to listen to more on my own. I found myself having his songs stuck in my head for days on end, I was itching to hear “Sckrpnch” and “Eraserbac” again. 

It’s funny my last blog post was about an underrated band from the 90s, and now I’m writing about another criminally underrated artist today.

Who is Melaina Kol?

With a little over 20,000 monthly Spotify listeners, I still don’t feel like enough people are listening to Melaina Kol. I personally feel like the person behind Melaina Kol is one of the best songwriters of our generation. There is so much intent behind his work, you can tell each song is perfectly crafted and the production is always so rich and warm. 

The artist behind Melaina Kol is Logan Hornyak, who is originally from Youngsville, North Carolina. He has kind of been an enigma, he doesn’t really post much on social media and has only recently started playing live more after the pandemic.

There aren’t many videos of his performances on social media either. One thing I do know is that he has been releasing incredible indie music under the name Melaina Kol since 2016 when he released his first album, “THEROTTINGMOUTH.” 

He first rose in popularity in the underground indie scene when he released his fifth album “Black Bile” in 2020. The record included some of his most loved songs by fans like “Pill” and “Crum.” If you’re looking to get into his music, there’s no bad record to start with, but he just somewhat recently released a new album titled “Roach Friends” on November 25, 2022. According to the artist’s bandcamp, “‘Roach Friends’ is a collection of B-sides and demos recorded alongside AMOSAT–his previous record released a year earlier on November 27, 2021–and it’s a great place to start. 

Over the years, the music Melaina Kol has put out has effortlessly evolved from Alex G-esque, singer-songwriter songs to beautiful, engrossing soundscapes.

His songs always feature interesting percussion sounds and patterns, he includes unique samples and plays around different synth sounds, and all of it works together to produce something you’ve never heard before.

I also have to mention how Hornyak has one of the most unique voices in indie music as well. He always sounds like he’s holding back, his voice has an interesting tone and it feels like he’s talking while singing which makes the songs feel more personal. On his last record, Melaina Kol dived heavier into the genres of indietronica, bedroom pop and indie folk, which have always been at the roots of his projects, but have shined through more on later releases.

His last album, “AMOSAT,” reminded me of early Animal Collective projects like “Strawberry Jam” which I adore so much. His latest record feels like a perfect blend of all of his influences: he has been able to create an iconic sound for himself. 

“Roach Friends”

While I was listening to “Roach Friends” I wanted to do more of a deep dive into his work to see if there were any unreleased songs I could find or performances on YouTube. I found that one of my favorite songs from “Roach Friends,” “Book of the Beast” was written over three years ago, which is really interesting to put it into perspective when trying to understand the change between his writing on his albums that he put out in 2018 like my favorite of his “Bird Kill Worm” and his 2020 album “Black Bile” compared to “AMOSAT.” 

Every time I put on one of his records or songs I am just in awe of how good they are, and the feelings of amazement and joy are brought right back to me. His songs make me feel a sense of child-like wonder, or like I’m stuck in a dream. Even though some of his songs are quite sad and vulnerable, they bring me so much comfort and peace. 

“Book of the Beast”

As I mentioned earlier, my favorite song on the record is “Book of the Beast,” which has been on constant repeat for me since it was released. It has some of his best lyrics, I wish I could quote every line here, though, but since I can’t I guess you’ll just have to listen to the song on your own time and decipher the meanings.

Some of Hornyak’s lyrics are very direct but many others can be left up to interpretation, which I love, in the song he sings, “Do I make what I want, what I am, and how it seems / Or do I live in a trance and fix the worst of me?” I feel like he is speaking about his art, and the struggles of being an artist, questioning if he is really doing what he loves and creating something authentic and true to himself. The repetition in the song creates an incredibly catchy tune that gets stuck in my head for days. 

“Nx”

“Nx” is another earworm on the record. It feels like a euphoric trance, the percussion is more basic compared to other songs on the album, but what makes the song is the all of the space and distance between parts.

Hornyack knows how to play with song structures in really interesting ways, using repetition and simple chords to his advantage and he’s continuously building upon them. “Swan Song” follows “Nx” and immediately changes up the pace of the record. Running a little over one minute the song feels like a whirlwind, the drums are fast and move with a purpose, the samples he plays are swirling, and it creates a track of pure bliss.  

Concluding thoughts

Most of the songs on the album are short and sweet, like the track “10 12” that runs just over two minutes and includes a cute and playful ukulele part and interesting drum beats. The album is completely engrossing, and every song on the 15-track record fit perfectly together and feel important to Hornyak’s new sound and continual growth as an artist.

His songs are so consuming and visceral. Once I start his records I am immediately entranced in the worlds that he creates. It is truly difficult to write about my love for his music and his geniusness, I’m scared to analyze anything wrong or poorly because of how much work and effort is poured into his work. His work is beautiful poetry, it’s emotional and vulnerable, unique and effortlessly beautiful. The production on this album is so wonderful and it has been really exciting to see Melaina Kol’s sound become more refined and unique over time. 

I’m always looking forward to hearing and seeing what he does next and I know that his next record will be nothing but amazing. You can listen to his music on Bandcamp and every other streaming site.