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Local Beat recap: 1/22/10

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Two Fridays ago on the Local Beat was one for the ages. It had been almost a year since the last time The Old Ceremony marched through out station’s doors and the first time that I had ever interviewed them but what a show it turned out to be.  Django Haskins and Mark Simonsen joined me for an abbreviated version of The Local Beat from 5 to 6 p.m. to chat about their upcoming release of their double-EP and their show that evening at the Pour House. Premiering some of their new material for the first time on radio ever we heard acoustic versions of brand new songs such as “Wither On The Vine”, “Worlds Too Much”, and “Never Felt Better” (check out the ReverbNation player to the right for those) as well as the mastered copy of the title track of the double-EP titled “Tender Age”.  Django and Mark also played “Ole” off of their first album followed by the remix version off of The Old Ceremony Remixed album that came out last march.  We chatted about everything from the new album and it’s current status to Django’s move from NYC to the Triangle almost a decade ago and his fascination with mandarin.  We also briefly touched on their music video for Til My Voice Is Gone which won an award at the LG Film Festival for best video in the Music/Fashion category:

Listen to the podcast of the interview below for the entire conversation:
The Old Ceremony 1/22/10

NC State Women’s Basketball                                                                                                   .
The show was cut short due to an ACC women’s basketball game between N.C. State and Wake Forest which N.C. State won on a last second buzzer beater!  Congrats to the Wolfpack!

Show at the Pour House                                                                                                      .
Later in the night I headed on over to South Blount Street in time to see Ryan Gustafson take the stage to open for The Old Ceremony and Asheville based band Floating Action.  Many might know Ryan as the head of now defunct band Boxbomb, but if that is all you know then you really need to grab his new solo album Donkey.  Donkey barely missed my top-10 list for best albums of 2009 but it really is a remarkable record.  This was my first time seeing him live playing the new songs and he definitely lived up to my self-imposed hype.  Mark Simonsen joined him for the entirely of his short set and Django went on stage to harmonize during an epic version of “Soul Train”.  Ryan is playing next Friday at the Duke Coffeehouse with Max Indian and the Light Pines (as part of the threesome’s mini tour).  That is going to be a hell of a show.

Next on the bill was Floating Action, a group I knew very little about.  They reminded me of a surf rock jam band with an incredible slide guitarist.  They were very stoic on stage, but really grabbed the crowd well.

TOC came on a little after 11pm and jumped into a searing set of songs off of Walk on Thin Air.Most notable to me were “Til My Voice Is Gone” and “The Disappear” which I had never heard them play live since this was my first time seeing them in over a year (a mistake I will not make again).  TOC was as tight as ever and perfectly on point with the crowd, which was enormous by the time they took the stage, who sang along to all of the songs and was one of the best audiences I had been a part of in recent memory.  There is little doubt why they are one of the premiere bands in the area as their live performances always outdo their already fantastic recorded material.  The Old Ceremony is unfortunately not currently scheduled for any more dates in our area in the near future but next time they come around be sure to get out and see them perform.

I apologize for the picture quality as I lost my camera about an hour before the show in the black hole abyss of my car. I hope the pictures from my cell phone can do some sort of justice.

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Non-Music News

Eye on the Triangle recap: 12-07-09

Last semester was quite the semester for N.C. State University and its image. The University was in national news – and it wasn’t pretty, whether it dealt with decisions administrators made, budget cuts because of the economy or corruption within the higher-ups. This image problem affected faculty, staff, students, donors and alumni alike. However, last year was also a  great one for local music, with many memorable events bands have taken part in. So, for the last episode of the semester, EOT brought you an N.C. State semester-in-review of news and sports, and a review of some of the things the local music offered you and the surrounding the community.

NEWS
Tom Anderson and Mike Alston filled in for Evan Garris to bring you this week’s local, national and international news. Listen to the podcast if you missed it for updates on the Obama exit strategy for the war in Afghanistan, bipartisan opposition to the Honors Services Law, the most recent bombings in Pakistan, the creation of the new aircraft: Spaceship 2, Raleigh’s rating as the 21st city in the nation with the “best bang for the buck,” former State Senate Democrat Cal Cunningham running for U.S. Senate, a Gastonia murder trial and more.

VIP
I interviewed former student body president and current senior class president, Jay Dawkins, and Student Body President Jim Ceresnak about N.C. State’s image, the good, the bad and the grades they give its issues – ranging from the former N.C. first lady Mary Easley’s scandal, which caused the resignations of the University’s three top leaders, to the Rally 4 Talley campaign, to research developments at the University. Although Jay and Jim seemed to remain optimistic, it’s clear the University has its work cut out for it.

SPORTS
John Cooper Elias, Tyler Everett and Derek Medlin gave us a wrap-up of the semester in sports, a football rundown and expectations for the next semester as well as next year for several sports, including men’s soccer and men’s and women’s cross country. We also discussed the firing that week of Volleyball Coach Charita Stubbs due to what can be considered a terrible tenure for her with the team, as well as the incident surrounding what she perceived to be a racist cartoon, which was actually intended to show that the volleyball team was finally winning some games last season.

HEAR THIS
Kelly Reid gave us a list of best local moments of 2009 including Bombadil shows, the Raleigh Undercover event, the journey to the Love Language’s Debut album and more.

COMMUNITY CANVAS
Mike Alston sat down and spoke to Eric Hirsch and Pierce Freelon from The Beast to talk about some of the programs and “hip hop” curriculum the members take to N.C. schools. Hirsch discusses the importance of music and scholarship, and how the band was able to put the two together for schools around the nation.

WOLFPACKER OF THE WEEK
Damian Maddalena sat down with Logan Scarborough, Forestry Club president and senior in forest management. Scarborough talked to us about the club and its activities, including its forestry competition, Rolleo.

As always, be sure to let us know what you think/want to hear more or less of at publicaffairs@wknc.org. We’ll be back in action for the spring semester – same time, same place!

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Music News and Interviews

My Morning Jacket to perform at Koka Booth Amphitheatre

That’s right, the four piece band from Kentucky, My Morning Jacket, will be making an appearance in Cary at the Koka Booth Amphitheatre on Friday April 30 for their Southeastern  Tickets aren’t available until February 5  at noon, however WKNC has the hookup. Over the new few weeks we’ll be giving away pairs of tickets to the show.

Birthed from a discarded coat lead singer Jim James saw while walking through the remains of his favorite bar the morning after it burned down, My Morning Jacket got it’s beginnings in 1998 and has since then put out five albums.  Since performing for a New Year’s show in 2009 at Madison Square Garden, the band has been on a short hiatus. Jim James spent this time to release a George Harrison cover album under the alias Yim Yames. Luckily, the boys are now back on tour performing various shows in the south with the Performance Hall Jazz Band.

Listen only on 88.1 F.M. or streaming online for your chances to win!

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Non-Music News

Spider Bags’ Album Cover of the Month

WKNC Double Barrel Benefit 7 artist Spider Bags showed up in the latest issue of Vice magazine, earning the title “Best Cover of the Month” for the band’s 7-inch Teenage Eyes on Odessa Records. Thanks to DJ trainee Kirsten for bringing this to our attention.

You can learn more about Spider Bags in our DBB7 preview of the band (or come see them at The Pour House Feb. 6!). WKNC’s Eye on the Triangle also profiled Odessa Records in its Nov. 16, 2009 program.

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DJ Highlights

Local Beat preview 1/29/10

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Many of my listeners have heard of Carrboro band Schooner and are aware of its upcoming EP release in February.  However, many of you have not heard of Schooner band member Maria Albani’s new project Organos, and the release of her first EP, Limbs.  Maria plays a variety of strange instruments in her songs such as spoons, glass, sticks, stomping, claps and even books which all comes together to create a totally unique minimalist folk rock sound.  The release show will be at the Pinhook in Durham on February 5 with Birds & Arrows. Maria will be joining me on air Friday evening at 5pm to chat about the new EP, the release show, and whatever else comes to mind.

Also, at 6 p.m. local favorite bluegrass band, The Hotwires, will be jumping on the microphones to premiere some brand new tunes and talk about their upcoming album, but most importantly they are joining me to promote the concert on February 4 at the Pour House,  Haiti Relief Benefit Concert (click for more info).

So be sure to listen in as always to the Local Beat with me, Adam Kincaid, this Friday and every Friday right here on WKNC.

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Band/Artist Profile

Double Barrel Benefit 7 presents: Midtown Dickens

Many words can cavalcade through a listener’s head when listening to the Durham based folk band, Midtown Dickens. One in particular has always caught my fancy. Organic. The beautiful duet vocals of Kym Register and Catherine Edgerton could only be fashioned with the various objects they discover to create music. ‘Objects’ seems to be the best term as they are not tied to conventional means of crafting sound. More recently, a chair and saw were used in demonstration at Pittsboro Elementary school to show Midtown’s versatility.  In fact, it is almost memorizing to see each player’s list of instruments. Unlike most bands whose members solely focus on their individual apparatuses, this front-porch group creates a sense of camaraderie with their sharing of instruments.

It’s only fitting that my recent discovery and love affair with this local band came after I saw its performance at Shakori Hills Grassroots music festival this past spring. In a place of warmth, good vibes, and acceptance, Midtown’s spontaneity was only fostered into greater appreciation. Their sophomore album Lanterns, which released this past fall, is riddled with meaningful jolts of experimental sound that charms and awakens the listener.  It is an engaging, yet actively involved listening experience not meant for the stomach of an audience bent on sole ambient noise.

Midtown had found strong support within the community for the development of Lanterns. With the dismal economy, high production costs for a large scale album, and the band’s personal financial limitations, Lanterns’ birth seemed dim. However, upon calling for help, Midtown received many generous donations from friends and fans. The band even received a $5,000 check from a complete stranger after he had seen the band perform at a festival.

Midtown Dickens is gracing the stage of Double Barrel Benefit 7 at The Pour House on its second night, February 6, performing after The Tender Fruit. The night’s remaining acts will be Chapel Hill’s Spider Bags and headliner Roman Candle.

For the complete Double Barrel schedule and ticket information, click here.

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Music News and Interviews

Ticketmaster/Live Nation merger passes

It happened. In a huge blow to music fans, artists, and venues, The United States Justice Department has approved a merger of companies Ticketmaster and Live Nation, making the new company the biggest monopoly in the entire music industry.

Ticketmaster CEO Irving Azoff is quoted in a CNN article as saying, “Their resolution is a great win for fans. The entertainment industry needs innovation and we are ready to deliver.” This could not be any less true. If you’ve ever been to an event put on by Live Nation or Ticketmaster, you’ve likely payed anywhere from $10 to 30, just  in “service” fees. Sometimes these fees can be nearly as much as the base ticket price itself. With the new merger, these fees are likely to go up even more. These fees are in no way “innovative,” but in my opinion, a greedy way for the two companies to grab even more money from the concert-goer.

Proving that both companies are either egomaniacal or delusional – I would guess it’s likely the former – Live Nation CEO Michael Rapino said in the same article,  "This is a good and exciting day for the music business, and we are close to finalizing the creation of a new company that will seek to transform the way artists distribute their content and fans can access that content.“

I don’t think there is anything  good or exciting here, folks. The only transformation in the way fans are able to "access that content” are likely to be, as mentioned before, even higher “service” charges.

If this hasn’t convinced you that Ticketmaster and Live Nation are bad companies that care nothing about music, take this into account: Ticketmaster runs a ticket-resell site called TicketsNow. Prices for tickets on TicketsNow are not simply $10-20 dollars higher than the actual ticket prices. Try multiple times the actual ticket price. The really bad part? Ticketmaster takes a cut of the profits earned from this site, directly promoting humongous, greedy markups on ticket prices. Last year, when tickets for Bruce Springsteen’s US tour went on sale, when fans went to the Ticketmaster site to purchase tickets, they were automatically redirected to TicketsNow. The Boss was not happy.

I could go on about the myriad other ways this merger is detrimental to the music industry. Instead, however, I recommend reading the “Key Facts” page of the Ticket Disaster website, as well as exploring the rest of the site and signing the petition. You can also email your State Representatives asking they take action to pass laws against this type of merger. The music community, whether it be artists, fans, or venues, need to stand up and fight back against the bullying that Ticketmaster and Live Nation have been doing for so long.

*Thanks to music blog Consequence of Sound for the tip

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Band/Artist Profile

Double Barrel Benefit 7 presents: Veelee

When you listen to Carrboro duo Veelee, you hear music inspired by a wide range of sources. For band mates Matt Park and Ginger Wagg, elements of music from bands such as Young People, Low, Lungfish, Stereolab and Pram went into creating Veelee’s unique sound. Also, according to Matt, Fleetwood Mac’s 1977 hit “Dream” has also served as a major influence on the way he and Ginger create music – everything happening in the song goes hand in hand its unchanging baseline.

Ginger, a first-time drummer, describes her percussion style as “simple and straightforward.” Veelee is the first band in which she has been a member. However, it seems doubtful the band’s success comes from beginner’s luck. Hard copies of its EP “Three Sides,” which came out  in May 2009, are sold out. The release received local acclaim from sources such as the Independent Weekly.

Until recently, Veelee had performed primarily in Chapel Hill, Raleigh and Durham.

“We’ve gotten to play with all sorts of fantastic local bands. [Artists in the Triangle] are really supportive of one another,” Park and Wagg said. “They are very welcoming and inclusive.”

However, the band just embarked on its first tour, along with Raleigh’s Gross Ghost, which it said was a great success.

Now that they’re back in town, Veelee will play at The Pour House Friday, February 5, during night one of Double Barrel Benefit 7. Friday’s set also includes The Light Pines, Bellafea and Max Indian.

For the complete Double Barrel schedule and ticket information, click here.

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New Album Review

88.1 Pick of the Week 1/22

Vampire Weekend
Album: Contra
Label: XL Records
by Jon Gomes

It’s almost exactly two years since the world got its first taste of Vampire Weekend. The self-titled debut was, in essence, four white boys from Columbia University curiously fiddling with African rumba beats and singing about oxford commas and Peter Gabriel. Though the description suggests typical indie pomp and pretense, the final product turned out to be one of the most memorable releases of 2008.

Suffice it to say, then, that anxious ears have been anticipating the band’s sophomore release, entitled Contra, for quite a while. Probably the most pressing question was whether or not the band would maintain the characteristic sound established on their first album. The answer is not readily clear, but after a spin or two, Contra feels like the natural next step from the self-titled debut.

The lead track “Horchata” delivers the buoyant melodies and quirky lyrics one would expect, but also explores new sonic territory with its prominent xylophone romps. Lead singer Ezra Koenig sings as if you’re in the room with him: “In December / Drinking horchata / I look psychotic in a balaclava.” The song transitions almost imperceptibly into “White Sky,” which features a falsetto melody that sticks to the ears like sugar coating.

Like its predecessor, Contra evokes a sense of mirth; it is very much an audio accompaniment to summertime frolics or lazy sunny afternoons. Though the spirit is shared, the music on Contra is more adventurous. The beautifully disjointed “California English” sounds like an unreleased Animal Collective b-side, while the spunky “Cousins” flurries with sixteenth-note guitar runs and snare rolls.

There are occasional moments where Contra sounds conventional, but only in a relative sense. The saccharine, straightforward pop hooks in “Giving Up the Gun” are atypical for the band—strings are traded for synths and the rhyming isn’t outlandish. Still, Vampire Weekend renders the song in such a way that it feels familiar.

To balance out the newer sounds, there is still plenty of classic material; syncopated rhythms, string flourishes, and sunny lyrics abound in tracks like “Run” and “Diplomat’s Son.” The latter is six minutes of rocksteady rhythms and cryptic lyrics that hint at the 1981 Contra movement in Nicaragua—just the kind of madness you would expect from Vampire Weekend. Contra coasts to a stop with the subdued “I Think Ur A Contra.” A gorgeous, acoustic guitar-based melody underlies the gentle yet accusatory lyrics: “I think you’re Contra / I think that you lie / Don’t call me Contra / Till you’ve tried.” It’s absolutely sublime.

So what does “Contra” have to do with anything? The band chose the term as the album’s title to suggest opposition against external expectations. According to singer Ezra Koenig, the album is a reaction to the media pigeonholing the band as erudite, polo-wearing preps from Columbia (bluntly illustrated by the album cover). For Vampire weekend, Contra is uncompromised self-expression. It’s not an extension of the first album, but rather an evolution that still sounds very much like Vampire Weekend. Though Contra is not intended to cater to anyone’s expectations, it ends up surpassing them.

88.1 WKNC Pick of the Week is published in every Thursday print edition of the Technician, as well as online at technicianonline.com and wknc.org.

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Non-Music News

WKNC and the 2010 Krispy Kreme Challenge

With exams finished, classes forgotten, and a long winter break ahead, what was there left to do? Run a marathon while eating doughnuts of course! Starting as a dare by a few undergraduate students in December 2004, the Krispy Kreme Challenge soon evolved into a national sensation. Now over five years later, the challenge is expected to host 6,000 participants who will gorge their way through 72,000 glazed doughnuts!

In order to successfully complete the challenge, participants must start at the N.C. State Bell Tower and run two miles to the Krispy Kreme Store located on Peace St. in Raleigh. After downing down twelve glazed doughnuts, the competitor must make the two mile trek back to the Bell Tower, all within an hour. Last year, the challenge was covered on ESPN and in the past has been recognized by Sports Illustrated Magazine as one of the top things to do before you graduate. All proceeds for the Krispy Kreme Challenge go to well deserving North Carolina Children’s Hospital.

This year, WKNC is partaking in the Krispy Kreme Challenge as a Silver Level sponsor and putting forth some of it’s own deejays to compete. Although not known for being much of athletes, the WKNC staff does enjoy to eat, which should be their strength in the competition. Other competitors will recognize WKNC runners by their awesome and custom made Krispy Kreme t-shirts. Stay tuned to meet the few hopefuls who will brave the glazed filled trail and find out what music they’ll be listening to while competing!

The 2010 Krispy Kreme Challenge will be held on the morning of February 6th. The organization has almost reached its 6,000 runner cap and will be closing registration soon. For more information about registering or donating to the cause, please visit the official Krispy Kreme Challenge website.