Categories
Concert Review

Lost in the Trees, Lost in the Music

Friday, May 13th the crowd at Cat’s Cradle was anything but unlucky. The set was extended, putting in a second opener to Lost in the Trees. Due to the growling in my tummy I missed the first opener, The Towers. Instead, I ran over to Carrburrito for a bangin’ fish taco (and not the Urban Dictionary definition, so please don’t go there!) . Mmmmm. Oh, right, the show.

Upon my return, completely stuffed, the second opening band, The Toddlers, came on. This unsigned Chapel Hill band played loud rock music that was carried by the lead singer’s deep voice. I couldn’t quite put my finger on the depth of his voice; somewhere in-between Matt Berninger, of the National and Charlotte-based artist Benji Hughes.

By the time The Toddlers were halfway through their set, Cat’s Cradle was packed. Questions of “is this Lost in the Trees?,” were being answered with shouts and whispers from “This is the second band… I don’t think so” and “How could you think that?”, to “Hell yeah!”. Needless to say, there were some very new fans in the audience, and they were about to be blown away.

After two 45-minute opening sets, the long awaited Lost in the Trees made it to the stage. Ari Picker floated across the stage as he plucked at his guitar, while Emma Nadeu did her usual amazing thing playing about eleventy-billion instruments. Having seen Lost in the Trees about 5 times now, I can say that this show had a different feeling than others. It was more focused and less ethereal. The back-up instrumentals became harder, while Ari himself became more billowy. It was a difficult scenario to describe, but I have a feeling that their new record will have many of these elements. They played a few songs that will be on that new record; they display the same musical genius as in the other albums but the energy seems stronger. They played some Lost in the Trees staples like “Song for the Painter” and “Walk Around the Lake”, to which everyone sung along, even the people who in the beginning weren’t sure if they were The Toddlers.

Lost in the Trees is up to great things, and always worth seeing!

Categories
Concert Preview Local Music

LBLB Metal Music Mayhem

Raleigh’s Mumu Tutu and Sex Panther will blow the doors of Tir Na nOg this Thursday for Local Beer Local Band night.

Promising to lead listeners into a “heavy metal time machine filled with big hair and spandex pants,” Sex Panther traditionally offers a set list peppered with Poison, AC/DC and Alice Cooper. Mumu Tutu, meanwhile, “is all about brain blisterin’, blood vessel bustin’ rock originals.”

The face melting starts at 10 p.m. and as always is FREE and 21+, with $5 cheeseburger specials.

Categories
Weekly Charts

5/10 Chainsaw Metal Weekly Top Ten Albums

 

Artist Album Label
#1 BETWEEN THE BURIED AND ME The Parallax: Hypersleep Dialogues Metal Blade
#2 SEPTICFLESH The Great Mass Season of Mist
#3 ANAAL NATHRAKH Passion Candlelight
#4 SYMFONIA In Paradisum Eagle Rock
#5 SCAR SYMMETRY The Unseen Empire Nuclear Blast
#6 HATE ETERNAL Phoenix Amongst the Ashes Metal Blade
#7 AMON AMARTH Surtur Rising Metal Blade
#8 KAMPFAR Mare Napalm
#9 CHILDREN OF BODOM Relentless Reckless Forever Metal Blade
#10 ZOMBI Escape Velocity Relapse
Categories
New Album Review

Folk group debuts sophomore album

4/26 WKNC Pick of the Week

written by DJ Ones, WKNC Daytime deejay

Following the immense success of 2008’s debut self-titled album, Fleet Foxes took three years of touring, recording and reflecting before their sophomore release, Helplessness Blues.

The delay, although difficult for early fans, may have done just what it needed to calm some of the hype for their second full-length. It also allowed time for Fleet Foxes to grow, experiment and hone their skills as proper folk artists.

Fleet Foxes, while holding onto their abilities to create folk tracks with large amounts of grandeur, allowed themselves to experiment, reflect and refresh what could have been an attempt to repeat the sounds present on their debut. Quite simply, Fleet Foxes did everything that was necessary for a proper sophomore album.

Getting an early insight into the majestic, nostalgic mind of lead singer Robin Pecknold, the album starts with an intimate beginnings as he reflects, “Oh man what I used to be!” As the harmonies of the band echo in the background, Pecknold carries along with hopeful yet observant sentiments on what could happen and what already has happened, a proper opening for an excellent second album.

Helplessness Blues keeps the audience captivated as they experiment with new techniques for song writing.

On two different occasions the band combines two songs, which create some of the most peculiar moments on the album. In “The Plains/Bitter Dancer,” Fleet Foxes start with a light, yet long instrumental opening that merges into a track that is less traditional Fleet Foxes, and instead calls back to the older folk generations that influenced their music.

Some of the most stripped down moments throughout the album allow for some of the most powerful moments.

In the title track, Fleet Foxes hone this surging folk sound dominated by multiple acoustic guitars, the range of Pecknold and the ability to progress tracks from within to climax.

Pecknold and company have the capability to bring in beautiful lullabies to calm down and change it up. In “Blue Spotted Tail” they utilize only the smooth harmonies of Pecknold’s voice and a guitar, which proves to be both soothing and dreamy.

However, Fleet Foxes is able to deliver one of their greatest tracks with the conclusion of Helplessness Blues.

“Grown Ocean,” a soaring dream of Pecknold’s creation, carries alongside an optimistic, grand collaboration of all elements, old and new.

Hearkening to some of the vast musical mixtures of their first album, Fleet Foxes is also able to create layers with incredible precision. As flutes penetrate the epic collision of instruments that guide us along the dreamy atmosphere of Pecknold’s lyrics, Fleet Foxes conclude their excellent album with one of the greatest folk tracks of the past decade.

Through a combination of experimenting with new musical elements, utilizing their previous combinations of folk music and writing meaningful lyrics, Fleet Foxes delivers one of the best albums of the year.

88.1 WKNC Pick of the Week is published every Friday in the print edition of Technician, as well as online at technicianonline.com and wknc.org.

Categories
Music News and Interviews

Bon Iver slated to stop in Raleigh—and we have tickets!

Live Nation Concerts presents Bon Iver in concert Friday, July 29 at the Raleigh Ampitheater with special guests The Rosebuds. Tickets for Bon Iver at the Raleigh Ampitheater go on sale this Friday, May 13 at 10 a.m. at LiveNation.com, but we have them now! Just be the correct caller when the WKNC DJ asks for it at 860-0881 or 515-2400, and score a pair of tickets to the show. Both bands are supporting new summer albums, so this is definitely an opportunity not to be missed!

And because we love you….

Categories
Miscellaneous

WKNC among Best of Downtowner awardees

Earlier this year Raleigh Downtowner, a local monthly magazine, challenged its readers to identify their favorites among restaurants, goods and services, shopping, people and the ubiquitous “out & about” category that covers just about everything else. The current issue, available on newsstands downtown and online, names the top three candidates in all 111 categories in the inaugural “Best of the Downtowner” awards. Although WKNC failed to place in the “most attractive staff” grouping (something about having a face for radio?), we did nestle in between 96rock and G105 as the readers’ second choice for favorite radio station. Thanks to everyone that voted for us.

Categories
Concert Review

Yelle brings French charm to the Cradle

French trio Yelle visited Carrboro’s Cat’s Cradle on Tuesday, April 26. Unfortunately, I missed the synth-pop goodness of Brooklyn-via-Milwaukee duo (and brothers) French Horn Rebellion, making it into the Cradle just in time for the beginning of Yelle’s set.

Playing for just over an hour, the group put on what can aptly be described as a non-stop, sweaty, ecstatic dance party. Singer Yelle fronted the group with charisma and charm that reminded me a lot of Robyn (not to mention the musical similarities between the two), winning the crowd over from the get-go with her friendly personality, mile-wide smile, and playful dance moves. Drummer GrandMarnier and keyboard player Tepr backed her with the buoyant electro-pop sounds found on the group’s two records, Pop Up and the recently released Safari Disco Club. The crowd seemed to reflect that energy right back at the stage. Every body in the Cradle was moving and sweating. Hands were raised throughout the entire show and glowsticks flew back and forth across the room.

While I’m not very familiar with the group’s song titles, I did recognize “Ce Jeu” early in the set, and the group played most, if not all, of Safari Disco Club. They brought along a simple, but effective, light show that reflected the rich colors found in the music. It was the most fun I’ve had at a show in a good while and helped serve to cure up some blues after a rough week. If you ever get the chance to see Yelle, don’t think; just go, dance, and have a great time.

Categories
Concert Preview Local Music

Athens Invades Local Band Local Beer

This week, Tir Na nOg and WKNC have turned Local Band Local Beer into something less local to us, but equally awesome. Athens, Georgia’s Modern Skirts perform and Terrapin Beer Company of Athens Georgia is our beer special.

And just to keep our Super Music Triangle involved, Digg Up Tapes artist Oulipo will open the show. Sooo rad, I know.

Come enjoy what local means to Athens, right here in Raleigh this Thursday!

 

Categories
Festival Coverage

Shakori Hills Grassroots Spring Festival

Gettin’ my SWIRL on…

The ninth Shakori Hills Spring Grass Roots festival brought music, art, rain, hippies, families, and so much more together in a culture-filled, weekend extravaganza.  Early Thursday morning, I arrived to the festival grounds, checked in, loaded my gear out of my car, and hitched a ride on a tractor to the camping area.  I found a nice, little spot to pitch my tent in the camping area coined “Middle Earth.”  Although we weren’t actually in J.R.R. Tolkien’s fictional world, the attire and facial hair of many-a-folk begged to differ.

Being that it was my first Shakori Hills Grassroots festival, exploration of the festival grounds was essential in order to orient myself throughout the weekend. While meandering about, the sounds of music diffused through the air and entered my ear balls resulting with my “festival switch” being turned on. Everyone has a festival switch, even the most uptight Philistine; although more often than not when the switch of the Philistine is turned on, it results in his/her head exploding.  Anyways, my “festival switch”…oh, yes.  When the switch is fired on all stress is forgotten, and you are left carefree in a world surrounded by some of the friendliest people you can possibly imagine.

After orienting myself around the 72-acres of meadow and forest, I decided to truck it back to “Middle Earth” to get some banjo-time in before I head into the music.  Before I could touch my finger to a string, two strangers, in the distance were magnetized to the wood and skin of my banjo.  These weren’t any two strangers, but rather a man in drag and a woman with tons of tattoos and piercings.  They also carried with them some dancing utensils including: one set of fluffy orange balls and a set of iron triangles.  So, I sat there and played my banjo while these festifreaks (not in a derogatory way) danced about—a good way to start the music!

Now, it’s somewhat difficult to paint a picture of what this large event was all about, but I will try and hit the major events through the photo album.  One thing the photo album doesn’t illustrate is the weather and slop.  Thursday and Friday brought some severe rains to the area, resulting with the festival grounds turning into a bog.  In a nutshell it was NASTY…

The festival hosted many workshops including a blues workshop with Captain Luke, Whistling Britches, and Ironing Board Sam, as well as a Cajun music workshop with Eunice, Louisiana’s Pine Leaf Boys. Educational workshops such as sustainability workshop and square dance workshops were some of the others.

Festival goers gotta eat…Many food vendors set up trucks and stands for the festival attendees’ pleasure.  There was barbeque, Mexican, crepes, and even breakfast.  My personal favorite food item was a sandwich entitled “The Veggie Thing.”  This sandwich was loaded with salad greens, onions, salsa, and a little slice of love (the secret ingredient).  After stuffing your face with the festival food, it may be necessary to wash it down with a tasty beverage.  For this very reason, a North Carolina native posted his soda truck in the food village.  Bob Muse of Indian Trail, NC is the co-owner of Hillbilly Bob’s Soda Company, and executive soda-maker.  This soda was the best damn soda I had ever had, and the best part was it was served in recycled Bush’s baked beans’ cans.

Although mother nature decided to make it rain, festival goers were not phased at all.  The spring festival was a good vacate from sanity, and thankfully, the fall festival will open up the door and welcome us festifreaks, soon enough!

So with that…Peace, Love and Swirl (the symbol for Festival as coined by Griff Blakewood of Lafayette, La)!

 

Categories
Music News and Interviews

WKNC Interviews Interpol

Interpol

Interpol is on tour, and they are Cat’s Cradle is presenting their stop at Disco Rodeo this Wednesday, May 4. Hurricane Julia had the opportunity to interview Daniel, the guitarist and backing vocalist for the band. Listen to her interview below and find out about the “New York sound”, music Interpol is listening to, Bono’s sunglasses, and much more!

Interpol Interview with Hurricane Julia