





CONTENT WARNING: This review, film and/or soundtrack contains themes of religion, race, sexuality, suicide and violence.
As I have mentioned before, I am not a huge fan of musicals. However, I have been persuaded to review this one. “Jesus Christ Superstar” is a dramatic rock opera about the life and journey of Jesus Christ before his death. While the film itself is about Jesus Christ, the film is not overly religious in tonality.

The 15th year of Raleigh’s homegrown Hopscotch celebrates a diversity of music experiences and cherishes Raleigh’s flair. It featured day parties, discussion panels and genres covering metal to country and events involving the city’s businesses such as galleries, restaurants and shops.
Frank Meadows, Day Party Coordinator and Co-Head of Dear Life Records spoke about the festival’s origins and impact.
“Hopscotch is named in reference to Raleigh’s grid structure and the ability to navigate between venues and sets…You can see a lot of everything if you’re willing to jump in and catch 10 minutes and then head over to other stuff,” Meadows said.
“The format is conducive to exploration and putting a lot of different organizations, bands and music performers in the same pool.”
Part of Meadow’s job also includes working with local organizations in hopes of increasing the accessibility and local representation in Raleigh. “We put the pieces together for hosting free and public events that highlight what people are doing in Raleigh on a day to day basis,” Meadows said.
For example, Black + White Coffee Roasters hosts ‘Roadkill Angels Day Party’, showing bands like bedrumor, Foxie Kills, Lily Flower. Experimental pop group Entrez Vous joined Kit Mckay, Featherpocket, and Kenny Wavinson at Wolfe & Porter’s “Indie Twang” Hopscotch Day Party. This world building and pockets of parties is a main component to Hopscotch’s charm.
If you follow the sound, Hopscotch is the perfect venue to taste a little bit of everything and find a new interest. Meadows elaborated on how Raleigh’s layout specifically supports this kind of festival. “One of the cool things about it is that you get to be out in Raleigh on a really lively weekend and can take a break and get a drink somewhere nice,” Meadows said.
This emulsification of various scenes lends to a vibrant weekend in downtown Raleigh, spanning into venues down the ways and even in the post and upcoming days as the community engages in kickoff parties Wednesday and more music Sunday, invigorated by a beat carried through the streets.
Meera Mehta, senior in Business Administration with a concentration in IT and marketing, says “I think it brings together a sub genre of people that would have never met under the same context, other than Hopscotch”.
This lively weekend and its disposition was something I had Michael Whittington, Senior in Statistics speak on, to which he said “I would like to see the percentage of hopscotch goers that are above the age of 30 years old.”
This trend analysis was elaborated on by NC State graduate in International Relations, Avery Pardue in regards to cultural and consumption based content saying “I would like to see a 30% increase in IPAs. I would like to see a 30% decrease in man buns and skinny jeans”.
This playground for fashion, culture, community and musical artistry lends to all sorts of people and works to support Raleigh as a community and cultural hub as discussed by Neptunes founder, on his discussion panel and film screening of local film ‘The Great Cover Up’ about King’s Cover Band show series.
The documentary and discussion panel highlight how events, continual experience creating and the annotation of that culture through the documentary was purely sourced through community. This emphasis on supporting creativity and a positive feedback loop of structural support in communities such as Raleigh is the running throughline of what Raleigh aims to do in its next stages of development as we see industry and politics evolve.
This throughline runs central to Hopscotch’s mission, which aims to integrate independent musicians and connect them with different artists and opportunities. Meadows expands, “All genres, from hip-hop to rock and roll to jazz to punk to metal to experimental and beyond. If there’s a common denominator, I’d say almost-if-not everyone releases music on a non-major label…”Public Enemy was the headliner of the first Hopscotch, which represents a very concerted effort to include underground and independent music”.
Catch you there.
| Artist | Record | Label | |
| 1 | SIEGE COLUMN | Sulphur Omega | Self-Released |
| 2 | DEAFHEAVEN | Lonely People With Power | Roadrunner |
| 3 | HEDONIST | Scapulimancy | Southern Lord |
| 4 | AMNIO | Psalms of Immortality | Crow’s Nest |
| 5 | CHAT PILE | Cool World | The Flenser |
| 6 | ABHORRATION | Demonolatry | Invictus |
| 7 | CAVE SERMON | Fragile Wings | Self-Released |
| 8 | DREAMLESS VEIL | Every Limb Of The Flood | Relapse |
| 9 | ORANSSI PAZUZU | Muuntautuja | Nuclear Blast |
| 10 | CALLOUS DAOBOYS, THE | I Don’t Want To See You In Heaven | MNRK Heavy |
| Artist | Record | Label | |
| 1 | STARFORCE | Beyond the Eternal Night | Self-Released |
September: the official start of Fall. It’s that time again where I share my favorite songs for the month. I am quite proud of myself this month because I think I branched off of what I had been listening to the last couple of months.
Around the Fall time and transitioning into the Winter, I tend to move away from indie and low distortion/high reverb songs with the gentle or smooth vocals. I gravitate toward nu metal pretty religiously. Something about the colder, windier weather, the colors of the leaves changing, and the days getting shorter just calls for distortion and screaming for me.
That being said, I have curated another playlist for “DJ Dragonfly’s Favorites” and there is mostly nu metal. I have also included some grunge, of course, as well as some pop, rap, classic rock and so on. Some of these songs have explicit content, so fair warning to everyone.
Additionally, this time around I have a couple German songs. My regular readers would know that the middle of September until the first Sunday of October is Oktoberfest. Because of all the various playlists I have been making for personal use as well as sets on the radio, I have been listening to more German songs than usual.
I think the odd songs out in this playlist would probably be “The Largest” by BigXthaPlug, “Bad Romance” by Lady Gaga and “Walking On A Dream” by Empire Of The Sun. My friends have been playing “The Largest” and “Bad Romance” quite often lately for various reasons and so as a result, I have been listening to them more than usual. I have a soft spot for a couple of Empire Of The Sun songs and I guess that has bled through this month.
I hope everyone enjoys this month’s playlist.
— dj dragonfly
| Artist | Record | Label | |
| 1 | DISCTR4K | inner body movement | Self-Released |
| 2 | BIZ | Swim | Self-Released |
| 3 | LYNYN | Ixona | Sooper |
| 4 | WEVAL | CHOROPHOBIA | Technicolour |
| 5 | LILITHPAD | The Sky Is Falling… [EP] | Self-Released |
| 6 | S-AME | IGNORANT BLISS | Self-Released |
| 7 | KEWYO | too much words in my head | unlucky wind |
| 8 | FROST CHILDREN | SISTER | True Panther/Dirty Hit |
| 9 | CALLASOILED | Machine Flex | Self-Released |
| 10 | MACHINE GIRL | “Rabbit Season” [Single] | Future Classic |
| Artist | Record | Label | |
| 1 | CARRTOONS | Space Cadet | +1 |
| 2 | MCKINLEY DIXON | Magic, Alive! | City Slang |
| 3 | YAYA BEY | Do It Afraid | drink sum wtr |
| 4 | KENNY MASON | Angel Eyes | RCA |
| 5 | AESOP ROCK | Black Hole Superette | Rhymesayers |
| 6 | MADISON MCFERRIN | SCORPIO | MadMcFerrin |
| 7 | MURS | Love & Rockets 3:16 (The Emancipation) | Mello |
| 8 | KELLY MOONSTONE | New Moon | Self-Released |
| 9 | SABA AND NO ID | From The Private Collection Of Saba & No ID | Saba Pivot/The Orchard |
| 10 | VENNA | MALIK | Cashmere Thoughts |
| Artist | Record | Label | |
| 1 | MANWOLVES, CRASHPREZ, CRASHWOLVES | it all comes for me [EP] | Manwolves |
| 2 | HUMAN ERROR CLUB AND KENNY SEGAL | Human Error Club At Kenny’s House | Backwoods Studioz |
| 3 | YAHLIQ | Days Before Disaster: Hosted by Professor X | Self-Released |
| 4 | JAYWOOD | Leo Negro | Captured Tracks |
| 5 | EV G | And Then I Go Up | Self-Released |
| 6 | CARRTOONS | Space Cadet | +1 |
| 7 | JANA | Orbit | Self-Released |
| 8 | 7XVETHEGENIUS | “Pedals” [Single] | Broadband Sound |
| 9 | DANNY BROWN | “Starburst” [Single] | Warp |
| 10 | VICTORIA PORT | Did It Again | First Word |
| Artist | Record | Label | |
| 1 | BIRDLAND BIG BAND | Storybook: The Music Of Mark Miller | Birdland |
| 2 | BUTCHER BROWN | Letters From The Atlantic | Concord Jazz |
| 3 | DAVID LARSEN | Mancini 100 | Self-Released |
| 4 | NATURAL INFORMATION SOCIETY AND BITCHIN BAJAS | Totality | Drag City |
| 5 | NICK FINZER | The Jazz Orchestra Volume 1 | Outside In |
| 6 | PLANET D NONET | Doctor Professor Leonard King In Tribute To Joe Williams | Eastlawn |
| 7 | RODNEY JORDAN | Memphis Blue | Baxter |
| 8 | SEAN NELSON NEW LONDON BIG BAND | Don’t Stop Now | All In |
| 9 | STEVEN FEIFKE | The Role Of The Rhythm Section, Volume II | La Reserve/Bandstand Presents |
| 10 | RICK ROE | Tribute: The Music Of Gregg Hill | Cold Plunge |
| Artist | Record | Label | |
| 1 | ANIMAL COLLECTIVE | “Love On The Big Screen” [Single] | Domino |
| 2 | DOUBLE WISH | Double Wish | Hit The North |
| 3 | GOOD FLYING BIRDS | “Eric’s Eyes” [Single] | Carpark |
| 4 | CLEOPATRICK | Fake Moon | Nowhere Special/Thirty Tigers |
| 5 | FLORRY | Sounds Like | Dear Life |
| 6 | GRAHAM HUNT | Timeless World Forever | Run For Cover |
| 7 | NATIVE SUN | Concrete Language | TODO |
| 8 | SEA LEMON | Diving For A Prize | Luminelle |
| 9 | STEREOLAB | Instant Holograms On Metal Film | Warp/Duophonic |
| 10 | APRIL MARCH | “Surfing Castafiore” [Single] | Bong Load |
| 11 | ATLAS | Zone Complex “Ideus” [EP] | Self-Released |
| 12 | CAMERON STENGER | Lighter | Hearing Aid |
| 13 | CLUSTERFUNK | forestry | fakenumberland |
| 14 | COSINEVI | Tales From The Rainbowlands | Tree Critters |
| 15 | DANIBREAKS | NXIETY [EP] | Self-Released |
| 16 | DREAMLESS VEIL | Every Limb Of The Flood | Relapse |
| 17 | FEEBLE LITTLE HORSE | “This Is Real” [Single] | Saddle Creek |
| 18 | FOXWARREN | 2 (Two) | Anti- |
| 19 | HIRAETHTRASH | [Untitled] [EP] | Self-Released |
| 20 | HYPERBOREA32X | Lowkey [EP] | Self-Released |
| 21 | INTRA | I’ll Survive For You | Doki Doki Beats |
| 22 | JADE THE MOON | “Dirty John Type” [Single] | Self-Released |
| 23 | JUNKMAIL! | Learn Chinese – Goodbye | Junkmailian |
| 24 | KEVIN ABSTRACT | Blush | Juno/X8 |
| 25 | LEAVING FOR ARIZONA | PB Special | SpiceHouse |
| 26 | MAMALARKY | Hex Key | Epitaph |
| 27 | MOMMA | Welcome To My Blue Sky | Polyvinyl |
| 28 | MUDDYOUSH | 23 | Self-Released |
| 29 | PETROV | Petrov | Self-Released |
| 30 | QWILT | QWILT [EP] | Self-Released |
| Artist | Record | Label | |
| 1 | ROCKET | R Is For Rocket | Transgressive |
| 2 | POT-POT | Warsaw 480km | felte |
| 3 | WEDNESDAY | Bleeds | Dead Oceans |
| 4 | COACH PARTY | Caramel | Chess Club |
The Fantastic Plastics define themselves as a Neo-New Wave band. I would have to agree. There are unmistakable elements of New Wave influences in their work, while there are also influences that seem to come from electronic music and the internet. The band incorporates elements of sci-fi dystopias, New Wave silhouettes, and out of this world costumes into their performances. Their performances and aesthetic are essential to understanding the band, as they got their start as almost entirely a live performance, spreading their art going to music festivals and opening for bands. The definition of what a live audience is though, has changed over the past few years with the advent of streaming. Not to be out-futured, the Fantastic Plastics evolved with it, and now stream a live multimedia music and art experience on Twitch. It is fascinating to see how such a surreal retro-futuristic band keeps up with the times.
Most of their songs are accompanied by dizzying visualizers that make you feel like you’ve been sucked into a 60s pop art painting. As I listened through their latest album, “Dimensions,” I sort of wondered if I was being slowly hypnotized by these women with boxy tape recorder bodies and microphones with hair. Certainly, the neon green background did not help me feel less like I was being lured in by this fantastic (plastic) aesthetic.
I first found and listened to this band a few weeks ago, and loved it from the first song I heard. The song in question “Are You A Consumer.” The lyrics are an upbeat list of products and procedures to buy. Although it’s a little on the nose, the fun backing track and sardonic tone create a delightful critique on consumerism.
“Got to get the spray tan, margarine, ginger ale, finger nail, varnish/Now you need some hair spray, tanquery, chocolate bar, caviar, garnish,”
Each song is a boppy sing-along, even as the lyrics border on topics that would be fodder for a YA dystopia at your local library. The Fantastic Plastics are a fantastically fun band and I personally hope to see more from them in the future. They released “Dimensions” in 2023 after a few years of work, so there is hope yet that they may release more music in the future. It is something to keep your ear out for.