Categories
Miscellaneous

Would You Rather…WKNC / Music Edition

Do you ever sit around with your friends and realize no one has said anything to each other for the past hour? Do you find it hard to start conversations? Do you wish you had some sort of fun activity to do to encourage communication?

Well now you do! Play this version of the classic game, “Would you rather…?”, and talk to your friends about WKNC and music in general! 🙂

1. Would you rather listen to Daytime or Afterhours WKNC? 

2. Would you rather host a Local Lunch or a Chainsaw Rock show on WKNC?

3. Would you rather only be able to listen to your favorite DJ on WKNC, or be able to listen to everything on WKNC except your favorite DJ’s show?

4. Would you rather be in a talented but underrated band, or in a bad but famous band?

5. Would you rather be interviewed on WKNC or conduct an interview on WKNC?

6. Would you rather have a silly DJ name or a serious DJ name?

7. Would you rather listen to music from the 60’s or music from today?

8. Would you rather have a 3-hour dinner with your worst enemy, or attend a 3-hour concert for a music group you hate?

9. Would you rather listen to WKNC HD-1 or HD-2?

10. Would you rather be fluent in every language or be able to play every musical instrument?

-miss monet

Categories
New Album Review

Album Review: Andy Shauf – The Neon Skyline

BEST TRACKS: Neon Skyline, Living Room, Try Again, Changer

FCC violations: Where Are You Judy, Thirteen Hours, Living Room, Fire Truck

Listen if you like: Jens Lekman, Bedouine, Faye Webster

“Essentially it’s an album about nothing”.

On January 24th, Andy Shauf released his highly anticipated follow up to his 2016 album, The Party. Just as The Party was, The Neon Skyline is another concept album in which all of the songs take place in the span of one night. The basic gist of the story is one many of us are probably familiar with: The narrator heads off to a bar with his friend, where he soon learns that his ex is in town. After that shocking news, he’s forced to revisit the and wade through the memories of their failed relationship. If you’re wondering if our narrator eventually sees his ex…I guess you’ll just have to listen to the whole story!

The album opens with the title track, (my favorite off the record) Neon Skyline. The gentle guitar and Shauf’s melodic voice – perfect for storytelling, do a wonderful job of setting the mood for the rest of the album. Sprinkled throughout the rest of the songs you’ll hear dashes of country, indie, and jazz intermingling with his usual folk / soft-rock sound.

Make sure you have ample time to listen to this album the whole way through. You’ll be so caught up in the fictional story that Shauf has brilliantly created that you won’t want to stop it for anything. If you need a quiet, peaceful album to listen to and enjoy during some much needed R&R, look no further. Put in your ear buds, close your eyes, listen and enjoy.

I hope you’ll add this wonderfully refreshing and endearing album to your “must listen to” lists soon – you won’t regret it!

-miss monet <3

Categories
Concert Review

Review of Scott Avett’s Exhibition

Scott Avett, co-founder of The Avett Brothers, is currently featured at the North Carolina Museum of Art for his exhibition, INVISIBLE. Although Avett is most widely known for his contributions to the band that he shares with his brother, Seth; he has gained prominence in the visual art community as well. Many fans of The Avett Brothers recognize his signature relief print artwork which has been featured many times on album covers and promotional products. 

The Avett Brothers is a folk rock band which originated in Concord, North Carolina in the early 2000s. The band has gained national recognition including receiving three Grammy nominations and three awards from the Americana Music Association. Rooted in traditional bluegrass and folk music found in western North Carolina, they also are clearly influenced by rock & roll. 

I visited Scott Avett’s exhibition, INVISIBLE last weekend. His artistic talent is evident and the exhibit focuses primarily on his work with relief printing. INVISIBLE includes pieces of artwork found on Avett Brothers albums and posters from their shows but also showcases portraiture of Avett himself and other members of the Avett family. Both his art and the discography of the band reflect universal ideas like spirituality, love, and loss in a beautiful way.

One room of the exhibit includes a display of the music video to Head Full of Doubt/Road Full of Promise, a song released in 2009. The song itself has been impactful to my life, its lyrics are motivational and reflect on the temporary nature of the world around us. The music video had a profound emotional impact on me, which is why I find the artistry behind the video so interesting. The artist, Ryan Mitcham, spliced together a compilation of over 2,600 images creating an animation from the canvas he physically painted. The music video depicts the rise and decline of an urban area, and its significance is indescribable. I highly recommend checking it out

Tickets for the exhibition are paired with the Mexican Modernism exhibit at the NCMA. The limited-time exhibition will close February 2nd.  

– Miranda

Sources: NPR, NCMA

Categories
Weekly Charts

Chainsaw Charts 1/28

Artist Record Label
1 BROADMOOR Oldhurt//newpain [EP] 2020 N/
2 STRANGLED “Sleep” [Single] Self-Released
3 WORMHOLE The Weakest Among Us Lacerated Enemy
4 LEFT BEHIND No One Goes to Heaven Pure Noise
5 KONVENT Puritan Masochism Napalm
6 VISCERA “Obsidian” [Single] Unique Leader
7 SUICIDE SILENCE Two Steps [EP] Nuclear Blast
8 DETACHMENT Gaslight Self-Released
9 CURSED EARTH The Deathbed Sessions UNFD
10 LORNA SHORE “Immortal” [Single] Century Media

Categories
Weekly Charts

Daytime Charts 1/28

Artist Record Label
1 BASEMENT REVOLVER Wax And Digital [EP] Sonic Unyon
2 GEOWULF My Resignation PIAS
3 JUNIOR ASTRONOMERS Body Language Self-Released
4 DAYGLOW Fuzzybrain Self-Released
5 NALLO Nallo [EP] Chase Bliss
6 BLACK SURFER Black Surfer [EP] Self-Released
7 CRITICALS, THE Mimosa Hygiene [EP] Self-Released
8 MARIKA HACKMAN Any Human Friend [EP] Sub Pop
9 (SANDY) ALEX G House Of Sugar Domino
10 MENZINGERS, THE Hello Exile Epitaph
11 PALACE Life After Avenue A/Fiction
12 TROPICAL FUCK STORM Braindrops Joyful Noise
13 CHASTITY BELT Chastity Belt Hardly Art
14 MACSEAL Super Enthusiast 6131
15 TURNOVER Altogether Run For Cover
16 JULIA SHAPIRO Perfect Version Hardly Art
17 ZACK MEXICO The Page The Pope and The Hanged Man Self-Released
18 JAY SOM Anak Ko Polyvinyl
19 ALEXANDRA SAVIOR The Archer 30th Century
20 INFINITY CRUSH Virtual Heaven Joy Void
21 CHARLY BLISS Supermoon [EP] Barsuk
22 WALRUS Cool To Who Outside
23 FREE CAKE FOR EVERY CREATURE pretty good / moving songs Self-Released
24 RICHARD SHIRK Arcadia Self-Released
25 MAUNO Really Well Tin Angel
26 NATHAN BAJAR Playroom In Real Life
27 JEFF THE BROTHERHOOD Magick Songs Dine Alone
28 FRANKIE COSMOS Close It Quietly Sub Pop
29 PRO TEENS Twos Broken Circles
30 HANA VU Nicole Kidman/Anne Hathaway Luminelle

TOP ADDS 

1 IAN GEORGE Kingdom Of My Youth Self-Released
2 WEEKLINGS 3 (Three) Jem
3 BOMBAY BICYCLE CLUB Everything Else Has Gone Wrong Mmm…
4 OLIVER HAZARD The Flood [EP] R And R
5 BLANKS “Sweaters” [Single] Self-Released
6 FIONA SILVER Hostage Of Love [EP] Self-Released
7 LEGAL VERTIGO Tragic Future Film Star Dine Alone
8 JORDANA “Signs” [Single] Grand Jury

Categories
Weekly Charts

Underground Charts 1/28

Artist Record Label
1 PAT JUNIOR Spice Adams Be Absxlute
2 SAMPA THE GREAT OMG Ninja Tune
3 AMIRI A Dreamer HiPNOTT
4 JEAN GRAE AND QUELLE CHRIS House Call Mello
5 THIAGO OMW Urubu
6 RICO NASTY Cold Sugar Trap
7 LITTLE SIMZ “Boss” [Single] AGE 101
8 RIPPARACHIE “LOVE ME LONG TIME” [Single] Coin Team
9 JPEGMAFIA “Puff Daddy” [Single] EQT Recordings
10 HARRIS RUDMAN “Influential” [Single] Candy Gang

Categories
Classic Album Review

Lost and Refound Folk Albums of the 1970s

So much music is made in the world, it can be overwhelming. Great albums are bound to be lost to time, especially in the days of physical copies. Thankfully, prolonged dedication has allowed for some lost albums and artists to be refound and given a second chance. Here are some of the greats:

Linda Perhacs: By day a dental hygienist in Beverly Hills in the 1960s, by night a folk-psychedelic singer-songwriter. Leonard Rosenman, a prominent film-composer, was one of her clients and was impressed by a demo tape of recordings she gave him; he then produced her masterpiece 1970 album Parallelograms, the title track inspired by synesthesia on Ventura Freeway and “seeing music”. The album didn’t chart well commercially and she returned to her dental career. In the 2000s, Perhacs was tracked down and Parallelograms was rereleased before she given the chance to record two new albums: The Soul of All Natural Things in 2014 and I’m A Harmony in 2017, both evidence that pure talent never fades.

Listen to: Hey Who Really Cares, Paper Mountain Man

Bill Fay: A college student in Wales in the 1960’s, Bill Fay was less interested in his electronics classes than the music he was making in his spare time. His demos scored him a recording spot at Decca Records, and he released two progressive-folk albums: his gentle self titled debut in 1970 and the more charged Time of the Last Persecution in 1971, the latter of which grapples with moral issues such as the Vietnam War and segregation through a religious lens. After the albums failed to gain attention, he was dropped from Decca and “deleted” from the music industry. He worked as a fish packer and groundskeeper until the late 90s, when he was tracked down by producers Jim O’Rourke and Joshua Henry with help from Wilco’s Jeff Tweedy. He has since been able to release three new albums: Life is People (2012), Who is the Sender? (2015), and his latest release, Countless Branches (2020). 

Listen to: I Hear You Calling, Tell It Like It Is

Rodriguez: Folk songwriter Sixto Rodriguez released two albums with Sussex Records in 1970 and 1971, both with poetic lyrics often discussing life in inner city Detroit. Neither album was an immediate success, leading him to quit music in the 70s and buying a house in a government auction for $50 (which he still lived in as of 2013). Meanwhile, and mainly unbeknownst to him, his records gained massive success in Australia, Botswana, New Zealand, and Zimbabwe, and stood as anti-Apartheid anthems in South Africa. He become the subject of a documentary, Searching for Sugar Man, which chronicled two Cape Town fans searching for him and went on to win a Sundance prize in 2012. Since his rediscovery, his albums Cold Fact and Coming from Reality have been reissued and he has been in talks with producer Steve Rowland about releasing new music. 

Listen to: I Think of You, Jane S. Piddy

Sibylle Baier: Young German actress and singer-songwriter, Sibylle Baier, recorded her songs for her only album Colour Green on reel-to-reel tapes sometime between 1970 and 1973. She never released them, and gave up hopes of a career in artistry in favor of raising her family. Thirty years later, her son Robby compiled a CD of the songs to give to family members and it found its way to the Orange Twin label, who released it in 2006. These fourteen hauntingly beautiful folk songs have since become well loved, which has left Baier “really quite perplexed” but “smitten” according to her son Robby (she prefers to stay off the Internet, it makes her “dizzy”). 

Listen to: Forget About, Tonight

One of the most magnetic qualities about folk music is its everlasting relevance; no matter how much time has passed, a good song will always strike a chord. These lost and refound albums and artists exemplify this trait, as they not only inspired dedicated searches in their name but still make a lasting impression on old and new listeners today.

 -DJ Big Hoss 

(camryn darragh)

i got really into this and it got kind of long

Categories
New Album Review

ALBUM REVIEW: Criteria – Years

BEST TRACKS: Agitate Resuscitate, We Are The Ones Who Make It So, We Pretend, Tight Rope

FCC violations: Agitate Resuscitate, The Saint, We Are. We Are. We Aren’t., This Reign is Ours, Hands Out

This classic alt-rock album, released on January 17th, has been a long time in the works (it’s Criteria’s first new album in 15 years)! To give you an idea of the kind of music Criteria makes, they toured with the likes of Jimmy Eat World and Minus the Bear following the release of their sophomore album En Garde in 2005. Their sound has stayed pretty consistent throughout the years (not that it needs to change). Years is sweetly reminiscient of simpler times AKA the early 2000s punk rock revival headed by Green Day’s American Idiot and the Offspring’s Rise And Fall, Rage And Grace.

The album opens with my favorite track of the record, lead single Agitate Resuscitate. This song’s monster riffs, toe-tapping hooks, and melody-forward vocals set very high expectations for the rest of the album. Strong bass lines will keep you grounded amidst the explosive drums and intense riffage. The album maintains it’s post-hardcore punk momentum all the way through to the end where it closes on a high note with Peace, ‘through our pain we still celebrate life today,’ and with a final call for world peace, the album fades into silence.

Criteria reminds me of Fall Out Boy, in that you’ll want to not just sing, but shout along to these passionate and anthemic lyrics. Songs on this album encompas the many ways in which we go through life, be it struggling and fighting for the revolution, or struggling with ourselves alone. Listen to this album if you want to feed your rebellious and angry, yet carefree highschool soul. Even though growth and change in music is great and encouraged, there’s something reassuring about knowing that some things in music never change. For every genre, there will always be a core, classic sound that we can revert to for comfort when we are tired of the new. For the genre of post-punk, Criteria encompasses this core perfectly.

In closing, welcome back, Criteria. It’s great to have you back.

-Safia Rizwan

Categories
Classic Album Review

Album of the Week: Dirt (1992) – Alice in Chains

Alice in Chains is one of my favorite bands of all time. My mom used to play them all the time while I was growing up. I remember riding in a Ford Ranger when I was 5 and my mom would play Rooster while we were driving down the road. It is a distinctive memory that I will always cherish.

Layne Staley (RIP) is one of my favorite vocalists because you can hear the beauty, pain, and sadness in his voice. He had such a powerful sound and his voice was like listening to a wounded angel. Mix Staley’s voice with the harmony of Jerry Cantrell (guitarist) and you end up with a masterpiece.

I like the overall sound and variety that is on their 1992 album Dirt. It is one of my 10/10 albums as well! A lot of my favorite songs come off this album (Them Bones, Rooster, Junkhead, Angry Chair, and Would?). Down In A Hole is also another song that is well-known to a lot of music fans.

Dirt is the second studio album that was released by them and it peaked at No. 6 on the Billboard 200 chart. The album was also well received by music critics. It has been certified four-times platinum and has sold 5 million copies worldwide making Dirt the band’s highest selling album to date. It was also the last album recorded with all four original members (bassist Mike Starr was fired from the band in 1993). Shortly after the release of this album, the band was invited to open for Ozzy Osbourne on his No More Tours tour in 1992.

Rooster was inspired by Cantrell’s relationship with his father, who served in the Vietnam War. It was written from the perspective of his dad while he was traveling through the jungles and trying to survive.

If you haven’t listened to this album in its entirety, I definitely recommend that you do. It is one of the most popular Alice in Chains album and it is not a surprise to me that it is.

What is your favorite song off of Dirt?

Stay Metal,

THE SAW

Categories
Band/Artist Profile

Band of the Week: Cannibal Corpse

Cannibal Corpse is one of the bands that I grew up listening to. My dad would play them all the time because they are one of his favorite bands. I distinctly remember hearing Hammer Smashed Face growing up (and also hearing the Radio Disney version which is hilarious!!!). I also remember seeing Cannibal Corpse on Ace Ventura’s Pet Detective when Ace was in the club. Cannibal Corpse was the band playing and is one of Jim Carrey’s favorite bands!!

Cannibal Corpse is one of the bands that helped develop the Death Metal scene. Originally from Buffalo, New York, the band moved to Tampa, Florida (where American Death Metal was just starting and picking up steam) so they could join this movement. Corpse formed in 1988 and the band has released 14 studio albums: Eaten Back To Life (1990), Butchered At Birth (1991), Tomb of the Mutilated (1992), The Bleeding (1994), Vile (1996), Gallery Of Suicide (1998), Bloodthirst (1999), Gore Obsessed (2002), The Wretched Spawn (2004), Kill (2006), Evisceration Plague (2009), Torture (2012), A Skeletal Domain (2014), and Red Before Black (2017).

Corpse has had little radio and television exposure throughout their career, but developed a cult following after their second and third records were released in 1991 and 1992. As of 2015, they achieved worldwide sales of two million units for combined sales of all their albums. This makes them the top-selling Death Metal band of all time.

Bassist Alex Webster came up with the name Cannibal Corpse. They have had several lineup changes in the band and only Webster and Paul Mazurkiewicz (drummer) are original members. The lyrics are drawn heavily on horror fiction and horror films. Their original singer, Chris Barnes, wrote the lyrics for the band, but when he left and was replaced by George “Corpsegrinder” Fisher, so Paul started writing most of the lyrics (and you can tell the difference in the lyrical content between the two writers). One thing that hasn’t changed is the solid beatings and groovy riffs like only Cannibal Corpse can deliver.

Here is how I explain their sound to someone who (oddly enough) hasn’t heard them: Pound. Pound. Roar! Groovy riff. Gutteral! Scream!! Pound. Pound.

I have seen Cannibal Corpse a handful of times (my favorite time I saw them was on Valentines Day, in Wilmington, NC where they toured with Obituary and Cryptopsy). Around age 8, I met Corpsegrinder (yes his neck is that big in person) and I also met their drummer, Paul! I told Paul that I saw them on Ace Ventura’s Pet Detective. He laughed and said, “That was a long time ago.” And it was a long time ago, now, that he said that!

Have you seen Cannibal Corpse? What is your favorite song? Mine is Evisceration Plague.

Stay Metal,

THE SAW