Categories
Music Education

Cover Bands: Varieties of Setlist

There are generally two types of bands: bands that play covers and bands that play originals.  What these types have in common is they both usually start out with covers.  

Original Performers

Bands who go on to be original performers pretty much have to start out playing covers.  They make a setlist with a few crowd pleasers, a couple more niche songs, and something to show off their skills.  Eventually, they throw in some originals until they find their whole set is originals.  As someone in a band, this is what I have observed and try to do myself.

It is super important to start out with covers because it is one of the most effective ways to gain a fan base.  If people like your performance energy and your renditions of popular songs, they’re likely to try to see more of you.  They might even be interested in what you can make yourself. 

The process of converting from all covers to all originals is different for every band.  Some are able to pump out songs weekly and others have to take their time.  In the end, they have originals to show off. 

Cover Bands

Some bands choose to be cover bands.  I think there are two different kinds of cover bands: those that play a variety of artists and genres and those that are tribute bands.  

One of the very first concerts I even went to was a Pink Floyd tribute band when I was six with my dad.  It was a wonderful and spectacular time for my tiny self.  Since then, I have also seen a Fleetwood Mac tribute and a Tom Petty and the Heartbreaker tribute band, with one of NC State’s own professors on lead guitar.  

One of my best friends was in a band who, to start, were fairly dedicated to playing only Nirvana songs.  My friend has a very very similar voice to Kurt Cobain and was able to get some of those screams on point.  He has since joined a different band and they play almost all originals, while still incorporating that Nirvana-esque feeling to their songs.  

I have seen a good amount of cover bands, of either variety and I have nothing but the highest respect for their good quality and hard work.  What I think might be an issue with some cover bands is that setlists can get repeated sometimes.  

While visiting Ocracoke Island this summer, I spoke to a resident about the local music scene.  I was told of a couple spots where live music is played often and was good quality.  One small warning was coupled with this recommendation of the fact that out of the five bands on the island, four were cover bands.  He even said that if he hears live music, with incredible accuracy he can predict the next song on the setlist.  

This seems like it could get old pretty quick, especially living on a tiny island or a small town.  It’s one thing to have a standing setlist if one is guaranteed to have a varying audience from show to show.  I think it might be a better idea to switch things up if you’re pretty much having the same people listen to you all the time.  

The issue of repetition is not unique to cover bands.  In my own experience, my band and I were unfortunate enough to have to basically repeat a setlist consecutively.  It was during finals and we were mainly focusing on debuting a new original.  There were some familiar faces in the crowd and so I hope they didn’t fault us too much. 

Mix it up if you can. 

— dj dragonfly

Categories
Classic Album Review

“Shadowglow” (2022) by Flipturn: A Review

Content Warning: This album contains some explicit language.

Most Popular:

Personal Favorites:

  • “Playground”
  • Sad Disco
  • “Halfway”
  • “Goddamn”
  • “Burn”
  • “Weepy Woman”

About the Album

Have you ever thought about what the snow melting into spring sounds like?  To me, “Shadowglow” by Flipturn is exactly what that would sound like.  

Flipturn is a five-piece indie band from Florida that formed in 2015.  The group originally started out with just three high school seniors.  The group quite literally started out in a garage and now is touring all over.  I have even seen them live at the Ritz and caught one of their drumsticks.  

The words I would use to describe Flipturn’s sound would be ones like deceptively melancholic, chill, dark cloud with some sun rays peaking through.  I love Flipturn’s work and have been an admirer of theirs for a couple years.  I might have a skewed perception of them because I find their bass player, Madeline Jarman, to be a personal role model of mine.  I have a whole rant about that in another article I wrote called “Women in Bands.”

Flipturn live in 2017. Image by Samheekin, licensed CC BY-SA 4.0 International.

“Shadowglow”, a well named album I’d say, was released in 2022.  There are 14 songs on the album all with a common melancholic, kinda sad but almost not kind of feel to them. Kinda like feeling the sun on your face on a chilly spring day.  

Some of the songs on this album, such as “Hollow” and “Space Cowboy” use a telephone vocal distortion effect in certain places.  To me, this adds so much to the song even though it is such a tiny detail.  

Many of the songs on this album follow a similar pattern of the smallest little details adding so much to the song.  “Brooklyn Baby,” “Halfway,” “In Consideration” and “Take Care” all implement some piano chords to the song.  Simple, yet elegant.  

Almost all of the songs follow a pattern of a slow opening, a gradual buildup through the song, leading to the bridge or outro where the buildup leads, not to an explosion, but a leveling off.  The best way I can describe it is not like climbing a steep hill and getting to the top and feeling like the top of the world, but more like slowly riding your bike up a long and gradual hill and making it to the top to be able to coast slowly downhill and enjoy the slight breeze in your hair.  

There are two instances in this album of songs transitioning smoothly into each other.  These would be from “Burn” to “Weepy Woman” and from “Space Cowboy” to “Orbit.”  The latter is very subtle and I didn’t notice it right away.  These two songs are both very chill and melancholic.  The former, on the other hand, was very artistfully done.  “Burn” is a slow and melancholic song that transitioned seamlessly to “Weepy Woman” where the energy was building up even before the songs switched.  “Weepy Woman” felt more whimsical and had more edge.  The song had a chilling buildup and they even added a funky vocal reverb when the lyrics referenced LSD.  

The last thing I think I need to add is how much I love the vocals in this album. The lead singer has a higher voice and uses it very well. There are vibratos and falsettos in all the right places and it feels like the singer knows exactly what will sound perfect.

Overall, I’d say if you’re in a content mood, not necessarily brimming with glee but also not necessarily upset, I’d recommend this album.  The songs in this album make me feel seen as someone who doesn’t always know how she feels. 

— dj dragonfly

Categories
Weekly Charts

Chainsaw Charts 7/15/25

ArtistRecordLabel
1CANUT DE BONno esperan por nadieSello Cototo
2CAVE SERMONFragile WingsSelf-Released
3DORMANT ORDEALTooth And NailWillowtip
4UNAUSSPRECHLICHEN KULTENHäxan SabaothIron Bonehead
5BLOOD ABSCISSIONI IDebemur Motri
6DEAFHEAVENLonely People With PowerRoadrunner
7BLACK CURSEBurning in Celestial PoisonSepulchral Voice
8HYPERDONTIAHarvest of MalevolenceDark Descent
9VESPERALLa mort de l’âmeSelf-Released
10JULIE CHRISTMASRidiculous and Full of BloodRed Cree
Categories
Weekly Charts

Afterhours Charts 7/15/25

ArtistRecordLabel
1ALIA LAINis this the pulse of mechanical ruinsSelf-Released
2IO-NULL (.DRN)µnerves [EP]Self-Released
3NAMISOUPFern [EP]Pyramid Blood
4DANIBREAKSNXIETY [EP]Self-Released
5DREXGODself rehabilitationSelf-Released
6MARUMARIHidden Tracks And Rarities 2001-2005Carpark
7ALIGHTEDWillow’s Apothecary [EP]Wandering Astray
8MARC MELIAPieces MonophoniquesVLEK
9WAVETAPPERStardustSVPACYBERIA
10MISO EXTRAEarcandyTransgressive/PIAS
Categories
Weekly Charts

Underground Charts 7/15/25

ArtistRecordLabel
1MXNXSTXR AND DESTRUCTO“What You Need” feat. Thundercat & Channel Tres [Single]All My Friends
2AESOP ROCKBlack Hole SuperetteRhymesayers
3AJ TRACEYDon’t Die Before You’re DeadRevenge
4BAMBIIInfinity Club II [EP]Because
5BUTCHER BROWNLetters From The AtlanticConcord Jazz
6CHEW“Horseheads” feat. Day Tripper [Single]CorpoRAT
7DUCKWRTHAll American F*ckboyThem Hellas
8FLY ANAKIN(The) Forever DreamLex
9KOKOROKOTuff Times Never LastBrownswood
10LORD SKOPIFFStimulated
Categories
Weekly Charts

Jazz Charts 7/15/25

Jazz Charts

ArtistRecordLabel
1MIKE CASEYValenciaSelf-Released
2MAFALDA MINNOZZIRiofonicMPI
3JEFF RUPERTIt Gets BetterRupe
4VANISHA GOULDShe’s Not Shiny, She’s Not SmoothCellar
5KANDACE SPRINGSLady In SatinSRP
6LEON ANDERSONLive At Snug HarborOutside In
7HIROMIOUT THERETelarc/Concord Jazz
8SILVANO MONASTERIOSThe RiverSelf-Released
9RODNEY JORDANMemphis BlueBaxter
10OJTGround LevelJazz Daddy

Jazz Adds

ArtistRecordLabel
1DANA AND ALDENSpeedoConcord Jazz/Concord
2ROBERT GLASPERLet GoConcord
3TOM GERSHWIN“Let Be” [Single]Self-Released
4TYREEK MCDOLEOpen Up Your SensesArtwork
5LAKECIA BENJAMIN“Noble Rise” [Single]Ropeadope
6TESSA SOUTERShadows And Silence: The Erik Satie ProjectNoanara
Categories
Weekly Charts

Top Charts 7/15/25

Top Charts

ArtistRecordLabel
1JADE BIRD“Dreams” [Single]Glassnote
2GRAHAM HUNTTimeless World ForeverRun For Cover
3MAMALARKYHex KeyEpitaph
4STEREOLABInstant Holograms On Metal FilmWarp/Duophonic
5SUBSONIC EYESingapore DreamingTopshelf
6APRIL MARCH“Surfing Castafiore” [Single]Bong Load
7CASINO HEARTSA Walk In The Grass [EP]Self-Released
8CLEOPATRICKFake MoonNowhere Special/Thirty Tigers
9DAUGHTER OF SWORDSAlexPsychic Hotline
10DISCUSTo Relate ToSun-Rom
11FLORRYSounds LikeDear Life
12MEI SEMONESAnimaruBayonet
13PANCHIKOGinkgoNettwerk
14PHOEBE RINGSAseuraiCarpark
15SASAMIBlood On The Silver ScreenDomino
16SCOWLScowl On Audiotree Live [EP]Self-Released
17AMENRADe Toorn & With Fang And Claw [EP]Relapse
18AMERICAN AQUARIUMThe Fear Of Standing StillLosing Side
19BACCHAENext TimeGet Better
20BEAUGirl Cried WolfImmortal
21BICEPCHROMA Singles [EP]Chroma
22BKTHERULA“Adult Swim” [Single]Warner
23BLACK CURSEBurning in Celestial PoisonSepulchral Voice
24BONE HAUSIn MourningSelf-Released
25BUG CRUSHSomehow I Go In Circles All The Time [EP]Self-Released
26CAMP COPERunning with the HurricanePoison City
27CANUT DE BONno esperan por nadieSello Cototo
28CASH LANGDONDogsSeasick/Well Kept Secret
29CASSIE RAMONESweetheartCD-R
30CAVE SERMONFragile WingsSelf-Released

Top Adds

ArtistRecordLabel
1ANIMAL COLLECTIVE“Love On The Big Screen” [Single]Domino
2SPRINTS“Descartes” [Single]Sub Pop
3GREET DEATHDie In LoveDeathwish
4SMUTTomorrow Comes CrashingBayonet
5HORSEPOWERHorsepower [EP]Rose Garden
Categories
Miscellaneous

I went to Ocracoke Island

Ocracoke Island – the death place of the one and only Captain Blackbeard.  

I had the privilege of spending the 4th of July week in Ocracoke Island, NC.  There, I got to enjoy the beach, local artisanal shops, tourist trap shops, some of the local restaurants, and even the holiday parade.  

Monday

I arrived by ferry on Monday evening, only having to pay a dollar to walk on.  I managed to make it onto the last ferry of the day.  The ride is usually around three hours long but I guess these people wanted to go home since we got to the island in about two and a half.  

Monday night, me and a couple of my people decided to go out to Springer’s Point and sit out here for a few hours in the breeze by the ocean with some music playing.  While the vibes were unmatched, I got personally devoured by mosquitoes.  Between the three of us out there, one person got maybe one bite, the second got about seven or so, and I got 41; I counted.

Tuesday

Tuesday happened to be the birthday of one of the people in my party so we spent part of it celebrating.  I spent a large part of Tuesday on the beach trying to hide from the sun.  The water was a little cold to start with and the waves were rough, but it was refreshing.  While the salt water stung my eyes a little, I got to enjoy some fresh fruit under the Shibumi Shade (wind stabilized shade).  

Tuesday night was primarily spent at one of the local watering holes: Howard’s Pub.  Me and a couple others moseyed on over and had a couple cocktails and some lovely french fries. 

Wednesday

Wednesday morning, we went to the town and checked out some of the local vendors.  Trying to fight a mild hangover that worsened throughout the day, we visited the Village Craftsman, an artisanal shop with pottery, handmade jewelry, some musical instruments, glassware, metal work, woodwork, and even ships in bottles.  Following the Village Craftsman, we got ice cream from the Ocracoke Ice Cream and then checked out Ride The Wind Surf Shop.  

After the surf shop, which was a tad pricey, we were invited to get lunch at Dajio.  This restaurant has a Shrimp Hour special for outdoor seating between 3-5pm wherein one is able to get ½ pound of steamed shrimp for cheap.  So to Dajio we went and got shrimp and cocktails.   After lunch, it started pouring rain and we proceeded to go home and I took a fat nap for the next 2-3 hours.  The 4th of July fireworks were supposed to be on this day, but were sadly cancelled due to weather complications. 

Thursday

On Thursday, we returned to the beach.  We spent the day playing around in the water, which was rougher than the other day.  Some of the people in my party decided to launch each other over the waves in a playful manner.  I got to fly over the waves twice.  The first time was really fun but the second time I landed flat on my back against the water, which proceeded to sting for the next twenty minutes.  

Thursday night, we went to a restaurant called Flying Melon to celebrate the birthday of another party member.  This is one of the few fancier restaurants on the island, but boy did it not disappoint.  Almost everything on the menu is either fish/seafood or vegetarian so if you don’t like fish and aren’t vegetarian, this might not be the place for you.  I thoroughly enjoyed my meal and got to try an espresso martini for the first time. 

Friday

Friday was of course the 4th of July.  I wanted to go to the one main coffeeshop on the island called Ocracoke Coffee Company.  This place opened at 7 a.m. and we showed up at 11 minutes after with an hour long line.  My party members had plans to go off-shore fishing at 8 a.m. so we had to scrap the idea and try again another day.

Instead of fishing, I joined some other party members back at the beach. After the beach, we hightailed it over to my party’s family friends’ place to watch the parade.  The annual 4th of July parade on the island is made up of local businesses and inhabitants driving their decorated vehicles, mostly golf carts, around the island with music blaring and tossing candy to the children watching.  

Saturday

On Saturday, we heard there was a tropical storm brewing which would make leaving the island the following day very difficult and dangerous.  We decided to leave early.  After packing all of our things up, some of us decided to go back into town for coffee and more trinket or souvenir shopping.  We then gathered over by the Variety Store to grab some lunch from the Old Salt Sandwiches and Such food truck.  I got a very delicious chicken sandwich and I swear that was the most perfect looking sandwich I have ever seen.

Perfect looking chicken sandwich in foil wrapper with crinkle cut fries and Ketchup in the background.
Chicken sandwich from Old Salt Sandwiches and Such food truck in Ocracoke Island, NC. Image by Sophia Dutton-Rodkin.

The ferry ride and drive back home was uneventful and calm.  We all made it unscathed and safely.  Despite having to cut the trip short, it was a very enjoyable experience.  While I didn’t get to do everything I wanted to, I had a blast and I guess I’ll just have to go back someday.  

— dj dragonfly

Categories
Music Education

Music and Storytelling: Concept Albums

A concept album can be loosely defined as an album that follows a central narrative or theme. I say loosely because there is no strict consensus on what qualifies as a concept album, but generally the criteria are based on an album’s ability to uniformly achieve its narrative. In a concept album, the album as a whole often means something different than the individual songs. The album is made to work together and the songs build on one another, adding context or closure to problems brought up in previous songs. 

The first concept album is widely cited to be “Dust Bowl Ballads” by Woody Guthrie. The album chronicles the Dust Bowl era of The Great Depression. Some of the songs are Guthrie embodying a character, while others are him reporting on the situation from outside. The central story throughout is of the mass migration of people from the region affected by the Dust Bowl to California. 

Since the release of this album in 1940, the concept album has grown and changed a lot. 

Categories
Music Education

Defining Genre: Electronic Body Music

In 1980s Germany, in dark basements and sweaty clubs, a new genre was being developed. This genre was a patchwork of musical influences. It was the constructed child of industrial and dance music, with many other genres claiming paternity from the funky rhythms of disco to the experimental instrumentation of synthpop. This Frankenstein’s monster was called Electronic Body Music. EBM combines heavy basslines and repetitive drum machines with distorted vocals and experimental synths. Some bands included samples from war movies or science fiction movies with dark themes, using the voice clips to create an oppressive feeling and to give the idea that the music was something that could control you. 

EBM found its origin in Germany, where the electronic music scene was constantly evolving. One of the German bands that helped to start the genre was Deutsch Americanische Freundschaft (stylized as DAF). DAF used EBM to explore themes of power, violence and sexuality, which would turn out to be enduring themes of the genre. Despite controversies faced by the band for their heavy use of militaristic aesthetics and the dark lyrical contents of their songs, this danceable industrial music quickly grew to dominate the club scene internationally. Soon after DAF appeared on the scene, bands began to pop up in other European countries. Notable examples include Front 242 in Belgium and Nitzer Ebb in England. In North America there was the hugely influential Canadian band Skinny Puppy. 

The aesthetics of the scene surrounding EBM were leather twists on the uniforms of factory workers and the military. The fashion took cues from the punk scene of the 70s and eventually would develop alongside the goth scene, which resulted in a meshing of subcultures. Many later EBM bands fully embraced a much more goth look. The outfits of the bands that pioneered the genre were purposefully provocative. The genre often involved topics of hyperviolence and machismo, with a sardonic twist on both. The twist was the idea that machismo taken to its fullest extent would be realized as violence, while also satirizing this elevated masculinity into an almost homoerotic affair by many of the bands involved. 

The scene would continue to grow and influence music, spawning numerous offshoots and subgenres. Examples of the subgenres that grew from EBM include aggrotech and futurepop. Along with creating new genres, EBM strongly influenced the direction of existing ones. Industrial music and EBM had an open exchange of ideas, and as a result EBM massively influenced the industrial bands of the late 80s and early 90s such as Ministry and Nine Inch Nails.