Category: Blog

Categories
Band/Artist Profile

Artist Spotlight: Cheap Time

Cheap Time Album Cover

Hey guys, I wanted to put a little bit of a spotlight on a band that I don’t believe many people have heard, although they more than deserve the recognition. Cheap Time, a punk garage rock band that started all the way back in 2006, is most likely not around anymore. In fact, they haven’t released anything since they were featured in the 2014 video game “Sunset Overdrive.” However, their music is timeless. With songs such as “Ginger Snap” and “Too Late,” it almost feels like you’re a teenager in some dry, dingy garage listening to your buddy’s band as they’re just getting started. Even though their music was made in the late 2000s, Cheap Time has a sound that belongs to the late 80s and early 90s, when garage punk first started picking up speed. 

I would have to say that my favorite album of theirs is, without a doubt, the self-titled “Cheap Time.” With short, fast paced songs like Back to School, Glitter and Gold, and Permanent Damage, the album fits right in in any playlist. However, Exit Smiles is a close second. Made in 2013, it is their last full album, not counting the work they did with Sunset Overdrive. The two best songs from here are 8:05 and Same Surprise. While “Exit Smiles” bears a sound that shows the growth of the band over its seven-year exhibition, it still holds that same teen angst, garage band feel that makes Cheap Time’s music so unique. Their ability to create a mental image with such ease is why I still listen to them today, and why I think you will too. 

Hope you guys enjoy the music, 

-chippypants 

Categories
Classic Album Review

Classic Album Review: A Sailor’s Guide to Earth by Sturgill Simpson

Sturgill Simpson is something of an oddity in the country music soundscape. His 2014 Release Metamodern Sounds in Country Music explored his fascination with philosophy, and 2019’s Sound and Fury was accompanied by a feature-length anime film. But I believe his best work arrived in 2016 with A Sailor’s Guide to Earth.

It would be a gross mischaracterization to call A Sailor’s Guide a country album: sure, there is an undeniable twang to Sturgill Simpson’s voice, but to assign a single identifier to this multifaceted project would be a disservice. Ethereal string arrangements found in “Welcome to Earth” and “Oh Sarah” suggest chamber pop influence, intricate horn sections in “Keep it Between the Lines” and “All Around You” are indicative of funk and soul, and lap steel guitars in “Breaker’s Roar” and “Sea stories” keep the album steeped in Southern sensibilities. Simpson and his band even manage to sneak a cover of Nirvana’s “In Bloom” into the tracklist and it sounds completely at home.

In terms of lyrical content, A Sailor’s Guide to Earth is essentially a love letter to Sturgill Simpson’s firstborn child. In classic dad fashion, he shares stories of his younger days in order to give his son guidance. From his teenage years spent selling drugs and smashing mailboxes to his young adult years traveling the world in the Navy, it seems Simpson has led an eventful life. As he says on “Keep it Between the Lines”: “Do as I say, don’t do as I’ve done/It don’t have to be like father like son.”

A Sailor’s Guide to Earth is many things, but boring is not one of them. Its kaleidoscopic sound makes it appealing to fans of any genre – I am by no means a country music fan, but I am certainly a fan of this album. If you’ve never heard it, I encourage you to give it a try!

Favorite tracks: Keep It Between the Lines, All Around You, Call to Arms

– DJ Mango

Categories
Non-Music News

The Importance of Voting + N.C. Voting Resources

In honor of National Voter Registration Day and the upcoming 2020 General Election, I wanted to remind all of our readers the importance of voting in this election, and registering to vote on time. 

Why Vote? 

Voter turnout in America is lower than in any other democracy across the world. As American citizens we can ensure our own representation by getting out to vote. Young adults have the lowest voter turnout rate, leaving us and our interests underrepresented. Fight for change by getting out to vote. Voting in the General Election is especially important for North Carolina residents. North Carolina is a swing state. Electoral votes, cast by electors who represent the N.C. popular vote (our citizen votes) have a direct impact on the outcome of the presidential election. As citizens, our vote has the power to determine the next U.S. president. State and local elections are equally important. They give all citizens the chance to impact their local schools, give attention to issues that matter, how North Carolina is represented federally, and more. It’s important that all citizens are aware of the candidates and issues and vote according to their best interest. 

Voter Registration 

In North Carolina, you can update your voter registration or register for the first time in-person during the early voting period only. On voting day, November 3rd, N.C. does not allow individuals to register in-person. Be sure to register to vote prior to November 3rd if you are planning to vote on that day. If you are unsure whether you are registered correctly, check your voter registration card or visit NCSBE.gov to ensure you are ready to go for election day. 

Voting in North Carolina

Early voting in North Carolina begins October 15th and ends October 31st. You can find your in-person polling place located on your voter registration card or online at NCSBE.gov. North Carolinians can also request mail-in ballots up until the deadline of October 27th, also on the NCSBE website. North Carolina law gives voters the right to receive assistance in casting their ballots if necessary. If you or a loved one has a disability or otherwise needs assistance, please notify a poll worker. To find out more about North Carolina candidates, check the NCSBE website for a list of them, including local candidates. Websites like ISideWith.com and BallotReady.org list the candidates which will be on your ballot, and the candidates’ positions on important issues. Lastly, if you have trouble with any part of the voting process, check out IWillVote.com. It helps direct you to voting information based on your needs. 

Happy voting! 

– Miranda

Categories
Playlists

Friday Favorites 9/25/20

Happy Friday everyone! Here are the tracks that I’ve been vibing with for the past week (playlist here):

  1. Sock It 2 Me (feat. Da Brat) by Missy Elliot: This track was one of the first hits of Missy’s solo career, and with Timbaland’s signature production, it gives us a taste of their killer creative chemistry.

  2. Mutha Magick (feat. BbyMutha) by Black Noi$e: Noi$e’s erratic production is a perfect fit for BbyMutha’s appearance on this track. In less than two minutes, the mother of 4 drops a handful of lyrical gems that will have you pressing repeat for sure.

  3. Baby by Donnie & Joe Emerson: Ariel Pink’s 2012 cover of this song made it an underground classic. Its soulful vocals and laid back groove make it a DJ Mango classic – it makes me feel like I’m floating.

  4. 12.38 (feat. 21 Savage, Ink & Kadhja Bonet) by Childish Gambino: Despite Donald Glover’s celebrity as a musician, actor and director, he’s relatively lowkey. The release of his latest Childish Gambino project was also lowkey, and it went under my radar for a while. “12.38” is definitely a standout.

  5. MANGO (feat. Adeline) by KAMAUU: This new track from KAMAUU explores the idea of an unselfish love. It’s also funkier than a week old pair of gym socks.

  6. September by Earth, Wind, & Fire: This classic is a celebration of the final days of summer and a fantastic way to ring in the fall. Interestingly enough, the 21st night of September holds no special significance – it just sounded good, so the writers went with it. Check out my full discussion of the lyric here!

  7. TRICK DADDY by ICECOLDBISHOP: BISHOP’s aggressive and eccentric delivery makes him an oddity in the hip-hop soundscape. Singles like “TRICK DADDY” have me excited for his debut!

  8. Chameleon by Jenae Ailia: Jenae Ailia’s unique blend of neo-soul, indie and R&B is quite ear-grabbing. They’re a new artist to me, but I’ll certainly be on the look out for their new stuff!

– DJ Mango

Categories
Classic Album Review

The Autonomy of an Idea: Bam Bam by Sister Nancy

It has been said many times in many ways that good artists copy and great artists steal. What does this say about the person from which the artist steals?

If imitation is the sincerest form of flattery, Sister Nancy is perhaps the greatest artist of all time. The Jamaican DJ and singer’s track “Bam Bam” has been sampled nearly a hundred times. If you’ve listened to Kanye West’s “Famous”, Lauryn Hill’s “Lost Ones” or Beyoncé’s live version of “Hold Up” you’ve heard the song, which was released in 1982. “Bam Bam” was by no means an instant hit: it wasn’t until 2014, when the song appeared in movies and commercials, that Sister Nancy realized others were using her work without compensation. With the help of a lawyer she was able to win 10 years worth of royalties, but who is to say how much she missed out on?

To complicate the story further, “Bam Bam” isn’t an original work in itself – it’s a cover of a song of the same name by The Maytals and Byron Lee and the Dragonaires, and its instrumental samples a well-known backing track called “Stalag 17” by Ansel Collins. This raises a few interesting questions: What is their role in the creation of one of the most frequently sampled songs in popular music? Are they entitled to credit and compensation? Where is the line between recontextualizing someone’s idea and ripping it off? Is it ethical to impose a system of laws upon something as subjective as the artistic process?

While the ethics of fair use and copyright law make for a contentious debate, it is clear that no ideas are conceived in a vacuum – artists draw inspiration from every corner of the world. If good artists copy and great artists steal, then a few of us are thieves, the rest of us are copycats and none of us are absolved.

– DJ Mango

Categories
Playlists

Genreless Workout Playlist

  1. Happier – Bastille, Marshmello

  2. Body – Loud Luxury, Brando

  3. Na Na Na – My Chemical Romance

  4. She Works Out Too Much – MGMT 

  5. LDA – FIDLAR 

  6. The New Workout Plan – Kanye West 

  7. Twerk – City Girls, Cardi B 

  8. King of the Beach – Wavves

  9. Fat Lip – Sum 41

  10. Master of Puppets – Metallica 

  11. Icon – Jaden 

  12. Never Be Like You – Flume, kai 

  13. Wake Bake Skate – FIDLAR 

  14. Jackie Chan – Tiesto

  15. Higher – Wevlth

  16. Like I Do – David Guetta, Martin Garrix, Brooks

  17. No Option – Post Malone 

Check out this high-energy, genreless playlist designed to get you through an hour-long workout with songs that vary in genre completely. Hope you enjoyed, and feel free to comment below your favorite song to workout to. 

– Miranda

Categories
Weekly Charts

Daytime Charts 9/22

Artist Record Label
1 LOMELDA Hannah Double Double Whammy
2 BARTEES STRANGE Live Forever [Advance Tracks] Memory
3 DOUBLE GRAVE Goodbye Nowhere! Forged Artifacts
4 BULLY SUGAREGG Sub Pop
5 OSEES Protean Threat Castle Face
6 GIRL FRIDAY Androgynous Mary Hardly Art
7 BETHS, THE Jump Rope Gazers Carpark
8 FONTAINES DCA Hero’s Death Partisan
9 HOLY MOTORS Horse [Advance Tracks] Wharf Cat
10 TAPEWORMS Funtastic [Advance Tracks] Howlin’ Banana
11 JAMES TILLMAN Vm2 [EP] Musella Creative
12 ILLUMINATI HOTTIES FREE I.H.: This Is Not The One You’ve Been Waiting For Self-Released
13 SHIVUM SHARMA “Diamond” [Single] Self-Released
14 YOUNG FLETCHER “Energy” [Single] Stack Dollars Empire
15 PLANET 1999 Devotion PIAS
16 DIVINE INTERFACE Seeking Arrangements 2MR
17 CUTTAMAN 100GRAN “45” [Single] Polished Gods
18 REMADumebi: The Remixes [EP] Mavin
19 LAILIEN “Fly With You” b/w “Money” [Single] Self-Released
20 LIME CORDIALE 14 Steps To A Better You Chugg/London Cowboys
21 JUSTIN STARLING “Easy” [Single] ADA/Starling
22 AMINE Limbo Universal Republic
23 MARMAR OSO Love Don’t Cost A Thing Free The Lost/EMPIRE
24 CECILE BELIEVE Made In Heaven Self-Released
25 DISCLOSURE ENERGY Capitol
26 LIV.E Couldn’t Wait To Tell You…In Real Life
27 SKYXXX “Hotboy” [Single] Warner
28 HOOK “Street People” [Single] GC
29 RICO NASTY “IPHONE” [Single] Sugar Trap
30 DON TOLIVER Heaven Or Hell Cactus Jack/Atlantic

TOP ADDS 

1 OBSCURA HAIL Siren Dot Dash
2 DOVES The Universal Want Imperial
3 BUMPER Pop Songs 2020 [EP] Self-Released
4 MATT BERRY Phantom Birds Acid Jazz/PIAS
5 DELTA SPIRIT What Is There New West
6 HAPPY FITS, THE What Could Be Better Self-Released
7 BEAU DEGA OOF Self-Released
8 AREA RESIDENT Jardinova Self-Released
9 CAYUCAS Blue Summer [Advance Tracks] Park The Van
10 WILL BUTLER Generations Merge

Categories
Weekly Charts

Afterhours Charts 9/22

Artist Record Label
1 PLANET 1999 Devotion PIAS
2 ELKKA “I. Miss. Raving” [Single] Local Action
3 TAMA GUCCI “I Let You” [Single] b4/4AD
4 BIICLA No Place [EP] Good Luck Have Fun
5 JAYDA G Both Of Us/Are You Down [EP] Ninja Tune
6 JESSY LANZAAll The Time Hyperdub
7 YVES TUMOR Heaven To A Tortured Mind Warp
8 SYSTEM OLYMPIA Delta of Venus Huntleys + Palmers
9 KITTY Charm And Mirror [EP] Pretty Wavvy
10 YAEJI What We Drew XL/Beggars Group

Categories
Miscellaneous

The Arbitrary Brilliance of September by Earth, Wind & Fire

It’s that special time of year again! The seasons are changing. Midterms are coming up. Election day is right around the corner (click here for DJ Butter’s guide to voting in NC). Yes, it truly feels like the 21st night of September. Do you remember?

September by Earth, Wind & Fire is one of my favorite songs of all time. It’s one that was burned into my consciousness from a young age. From the last cookout of the summer to dancing at my cousin’s wedding, September was the soundtrack. For me, it’s one of those songs that boosts my mood as soon as it comes on.

So what is the significance of the 21st night of September? According to Allee Willis, co-writer of the song, the date is arbitrary. Her and lead songwriter Maurice White went through every date – do you remember the first, the second, and so on. To quote Willis, “the one that just felt the best was the 21st.”

So there you have it: the most important holiday of the year was conceived simply because it sounded right. No symbolic significance, no deeper meaning – nothing. But I think there is a lesson to be learned in light of this revelation. In our digital age, we are inundated with messages and media that are supposed to “mean” something. But perhaps these artifacts have no intrinsic meaning at all, and our perception that one exists is a reflection of our human need to make sense of the world. I, for one, spend so much time dissecting things that sometimes I forget to enjoy them for what they are instead of what they mean.

During the recording sessions for September, Willis asked White what “ba-dee-ya” meant. According to her, “he essentially said, ‘Who the f— cares?’” Willis continued by saying “I learned my greatest lesson ever in songwriting from him, which was never let the lyric get in the way of the groove.“

I think this is not only great songwriting advice, but great life advice as well. Don’t let the lyrics of meaning get in the way of the groove of life. Happy September 21st, everyone.

– DJ Mango

Categories
Band/Artist Profile

Band of the Week: Kublai Khan

You wanna talk about ass beating music? Kublai Khan is THE band for me when I need a pick me up. This is what I call my “bad bitch” music. Any song by Kublai Khan will for sure make you bop your head and groove to the riffs. You would totally lose a try not to headbang, mosh, or dance, etc. if Kublai Khan is on there. Kublai Khan has the perfect blend of grooves and anger. You can hear the intensity and violence in Matt Honeycutt’s vocals. But mixed with a bouncy rhythm and chunky riffs, the overall essence of Kublai Khan is absolute (HA! See what I did there? Because of their new album? No? Okay). I just wanna dance when Kublai Khan comes on, it just makes me so happy!

I have seen Kublai Khan several times and seeing them live never gets old. Honeycutt is great with the crowd and that crowd… is something else. Everyone loses their minds when Kublai Khan hits the stage. It’s so hard not to! They make it so easy to jam. My first few times seeing Kublai Khan, they were touring with predominately metalcore bands, but later they started touring with more hardcore-esque and deathcore bands. I think this is because of their sound. At first, Kublai Khan had more of a metalcore feel, but soon transitioned to incorporating more hardcore and deathcore type riffs and vocals. I love their evolution because they have mastered their sound. Now, I know there is some debates about what qualifies as metalcore, hardcore, and deathcore, etc. but this is simply my opinion and how I hear the music. Music is subjective and can be interpreted differently by others. Even though some of the songs sound redundant because of the usual riffs and sound, they make their songs so groovy that I can’t help but play them all the time.

Discography:

Youth War (2010)

Balancing Survival & Happiness (2014)

New Strength (2015)

Nomad (2017)

Absolute (2019)


Favorite songs:

The Hammer, No Kin, High Hopes, Boomslang, Antpile, 8 Years, Beligerent, and Us & Them.

What are some of your favorite Kublai Khan songs?

Stay Metal,

THE SAW