Categories
Weekly Charts

Afterhours Charts 7/20

ArtistRecordLabel
1CARIBOUSuddenly RemixesMerge
2LEON VYNEHALLRare, ForeverNinja Tune
3MAGDALENA BAYMini Mix Vol. 2 [EP]Luminelle
4ROCHELLE JORDANPlay With The ChangesYoung Art
5BICEPIsles (Deluxe)Ninja Tune
6BLUE HAWAIIUnder 1 House [EP]Arbutus
7CECILE BELIEVEPlucking A Cherry From The VoidSelf-Released
8CFCFMemorylandSelf-Released
9DREAMWEAVERCloud9MagicCrafters
10FIT OF BODYPunks Unavailable [EP]2MR
Categories
Weekly Charts

Daytime Charts 7/20

TOP CHARTS

ArtistRecordLabel
1JAPANESE BREAKFASTJubileeDead Oceans/Secretly Group
2EX OLYMPICXOSelf-Released
3LOUNGE SOCIETY, THESilk For The Starving [EP]Speedy Wunderground/PIAS
4BACHELORDoomin’ SunPolyvinyl
5SHYGIRLALIAS [EP]Because
6MAN ON MANMan On ManPolyvinyl
7HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
8BLACK MIDICavalcadeRough Trade/Beggars
9TOBIElements Vol. 1Same Plate/RCA
10FREDDIE GIBBS AND MADLIBPiñata (Deluxe Edition)Madlib Invazion
11ILLUMINATI HOTTIES“Pool Hopping” [Single]Snack Shack Tracks/Hopeless
12KING GIZZARD AND THE LIZARD WIZARDButterfly 3000KGLW
13FAT TONYExoticaCarpark
14JEWELERTiny CirclesSelf-Released
15L’RAINFatigueMexican Summer
16LAVA LA RUEButter-fly [EP]Marathon
17PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
18A PLACE TO BURY STRANGERSHologram [EP]Self-Released
19BUTCHER BROWN#KingButchConcord Jazz
20CHAD VANGAALENWorld’s Most Stressed Out GardenerSub Pop
21DAWN RICHARDSecond LineMerge
22SQUIDBright Green FieldWarp
23FLYING LOTUSYasukeWarp
24DRY CLEANINGNew Long Leg4AD/Beggars Group
25GOAT GIRLOn All FoursRough Trade/Beggars
26HELVETIAEssential AliensJoyful Noise
27POM POM SQUADDeath Of A CheerleaderCity Slang
28JULIEN BAKERLittle OblivionsMatador/Beggars Group
29ORMISTONHammer DownLisbon Lux
30RHYEHomeLoma Vista

TOP ADDS

ArtistRecordLabel
1SPELLLINGThe Turning WheelSacred Bones
2SNAPPED ANKLESForest Of Your ProblemsLeaf
3TASHAKI MIYAKICastawayMetropolis
4PEARLYMellon [EP]Eto Ano
5SEND MEDICINEBy Telepathy And ReputationVery Possible
6BABEHOVENNastavi, Calliope [EP]Self-Released
7TURNSTILETURNSTILE LOVE CONNECTION [EP]Roadrunner
8COMA CULTURECamouflageRepost Network/Gourmet
9DEUCEDEUCEDinosaur City
10SLEEPMAKESWAVESThese Are Not Your DreamsBird’s Robe
Categories
Weekly Charts

Chainsaw Charts 7/20

ArtistRecordLabel
1WINTER ETERNALLand Of DarknessHell’s Headbangers
2CRYPTAEchoes Of The SoulNapalm
3DISTANTAeons Of OblivionUnique Leader
4HAMMER KINGHammer KingNapalm
5GOATS OF DOOMShivaPurity Through Fire
6BURNING WITCHESThe Witch Of The NorthNuclear Blast
7SCHISMOPATHICThe Human LegacySelfMadeGod
8MONSTER MAGNETA Better DystopiaNapalm
9SLAUGHTER TO PREVAIL“Baba Yaga” [Single]Sumerian
10BORN OF OSIRIS“White Nile” [Single]Sumerian
Categories
Music Education

Things Get Weird- Classical to Experimental Pt.3

This is part three of a series on the birth of avant-garde music. You can read this article alone or view part one here.

Last time we covered some music that wasn’t very good, this week we’re going one further to discuss some music that isn’t very music. Yup, in the 1940s and 50s classical music lost its mind and the boundary between high art and experimental was all but erased. Hope you like four minutes of utter silence and naked people playing the cello with guitar picks, because it’s time to talk about John Cage and Fluxus.

So, my main criticism of modernism was that it didn’t untether itself fully from the classical tradition. This was a fairly common criticism, especially as early modernists like Schoenberg who retained some sense of harmony gave way to incredibly complex, mathematical composition methods like Stochastic Music and Markov Chains. Classical music was rapidly turning into a race to the bottom for who could create the most mathematically intricate yet aesthetically bankrupt composition method. A change was sorely needed.

Categories
Classic Album Review

My Favorite Albums, 3 Years Ago

Long ago, my main interest in music heavily focused on pop music. While there’s absolutely nothing wrong with that, (stuff is usually popular for a reason) my music taste has really strayed away from that as I’ve gotten older. I recently found a picture of an old journal entry from when I was 16 that chronicled my favorite albums from the time, and I wanted to reminisce on them and share how I feel about them nowadays.

My journal entry from June of 2018.

“Gone Now” – Bleachers

I still deeply love this album, and revisit it annually, but it’s no longer in constant rotation like it used to be. Bleachers was a gateway into more of the “indie” music that I am into nowadays. This album will forever be my favorite thing that Jack Antonoff has put his magic touch on.

“Shawn Mendes” – Shawn Mendes

This journal entry is from June of 2018, and that album came out in late May 2018. I most likely last listened to that album in August of 2018. It was definitely a temporary love, but I remember it being good pop music.

“The Human Condition” – Jon Bellion

This album definitely is a product of its time. It just feels very 2016. It was one of the first albums I ever deeply fell in love with, and eventually even went on to see Jon Bellion in concert. It’s definitely not something I would still listen to nowadays, but it meant a lot to me back then.

“What Do You Think About The Car?” – Declan McKenna

This is still one of my favorite albums of all time. If you like “Brazil,” the most popular song off of this album, then you should definitely give the rest a listen.

“Death of a Bachelor” – Panic At the Disco

This isn’t even their best album (in my opinion their first album takes the cake). Again, definitely not something I currently listen to, but it was important to me back then.

“Oh Wonder” – Oh Wonder

This is an extremely underrated pop album. While I rarely ever revisit nowadays, I still love it dearly. Maybe the nostalgia I have associated with this album makes me see it through rose-colored glasses, but it was the first album I properly listened to from beginning to end all on my own. 

“Conscious” – Broods

This is another underrated pop album, and I don’t think nostalgia is fueling my views this time. Broods’ 2019 release “Don’t Feed The Pop Monster” is an album I revisit more often than this one, but both are amazing and in my opinion, stand the test of time.

“Melodrama” – Lorde

This is the best pop album of the 2010s. I felt that way then, and I still feel that way now.

“+” – Ed Sheeran

I remember wanting to make both sides of the list even, so I kind of added this one as a last-ditch effort. I loved this album in 2013, but I seldom revisited it when I wrote this entry 3 years ago and don’t now.

“Dream Your Life Away” – Vance Joy

What I said about “+” applies here, except I do revisit this one nowadays.


There isn’t anything wrong with the albums I don’t listen to anymore, they just belong in that period of my life. I can’t help but wonder what I’ll think of my current favorite albums three years from now. Only time will tell.

Until next time,

Caitlin

Categories
Music News and Interviews

Courtney Love Is Plotting a Comeback

Okay, this topic is a little bit of a landmine, but you may have noticed that Courtney Love has been floating around in the news lately. We here at WKNC aren’t usually much for covering straight-up celebrity gossip, but the history of Love’s public image is personally fascinating to me, and the topic seems to be floating back into relevance for the first time in decades. We’ll try to keep things mostly above board.

Let’s start with the story that got this article rolling. Olivia Rodrigo, pop princess extraordinaire, has a concert film coming up, and for the promotional image, she recreated Love’s classic “Live Through This,” album art. That is a pretty cool callback, Rodrigo’s music is a teeny-bopper version of Love’s in a lot of ways, especially “Good 4 U,” and it’s nice to see her promoting a classic album by a pioneer of female-led rock.

Courtney Love did not agree with that assessment.

Yes, Love took to Instagram, remarking that it was rude for her and the photographer to not be consulted, and despite Rodrigo vocally stanning her, was generally dismissive and unhappy with her. This is, at least arguably, defensible, at least in the abstract, but reading what Love actually wrote left me confused. In fact, everything on Love’s social media left me kinda confused and put off. So, let’s talk about Courtney Love, and the past, present and future of her public image.

Categories
Classic Album Review

Classic Album Review: Hello Sir by Lung Leg

ALBUM: “Hello Sir” by Lung Leg

RELEASE YEAR: 1997

LABEL: Kill Rock Stars

RATING: 8/10

BEST TRACKS: “Pop Punk Travesty,” “Kung Fu on the Internet” and “Butt Sister”

FCC: None

“This ain’t pop, it’s punk rock!”

The main vocalist of the 1994 riot grrrl band, Lung Leg, screams this lyric during the first track, “Pop Punk Travesty”. Jane McKeown (“Jane Egypt”) on bass and vocals, Annie Spandex and Maureen Quinn (“Mo Mo”) on guitar and vocals, and Amanda Doorbar (“Jade Green”) on drums, make up this punk powerhouse. The quartet formed in Glasgow, Scotland and took influence from dance rock, art punk, new wave and other riot grrrl bands.

Although they never reached the levels of fame most bands aspire to, Lung Leg was a feature of the 90s Scottish punk scene. They toured and made their mark on a male-dominated industry. To this day, they are revered for the punk spirit they embodied in their music and stage presence. They disbanded in 1999 with the members finding or creating new musical projects.

“Hello Sir” is a compilation of two of Lung Leg’s underground EP’s. The album is 12 songs, each of which is less than 2 minutes long. All of the tracks are witty, fast-paced, and will have you scouring the internet for more.   

My favorite tracks on the album are “Pop Punk Travesty”, “Kung Fu on the Internet” and “Butt Sister”. However, every song has its quirks and is endlessly listenable. I don’t think I will ever get tired of this album. Throw this on the queue and blast it through your car’s speakers. “Hello Sir” is the perfect album to pair with road rage. 

-DJ lil witch

Categories
Band/Artist Profile New Album Review

Faye Webster- Artist Profile and Album Review

Faye Webster isn’t a huge star right now, but she definitely deserves to be. Her latest album is a triumph, and it’s exciting to see her get both critical attention and actual commercial success from it, as it’s currently on Billboard’s Heat Seekers and folk charts. So let’s get to know Faye Webster, and see what she has to say for herself.

Webster is, first and foremost, a country musician. Based out of the ATL, she has a very retro countrypolitan sound reminiscent of Emmylou Harris, Patsy Cline and Linda Ronstadt. 70s pop country is uncool both within country music, where it garnered a pretty big backlash for selling out, and outside of country where it’s mostly been written out of pop history. But for several years, country musicians were having number one albums getting multiple pop hits a year by being just aggressively sad.

Webster has forgone the pop hits and success, but boy can she be sad with the best of them. She takes the twang out of her voice and relocates to some deeply melancholy lyrics (and some great slide guitars). Her album “I know I’m funny haha,” is perhaps the best indication of what kind of artist she is. It makes her music engaging and beautiful, but in a way that’s not much fun to talk about. If you’ve heard any indie folk, you know what to expect.

Her last album, “Atlanta Millionaires Club,” however, yields a few more interesting details. The album is a tribute to the musical history of Atlanta, both White and Black. The default instrumental palate is a fusion of her countrypolitan aesthetic with classic 70s soul, a fusion that works so well I’m honestly surprised it’s not done more often. There’s even a token country rap song, which, despite not really blowing me out of the water personally, beats the heck out of Florida Georgia Line and Luke Bryan.

So, if you want to know where to start, I might suggest listening to a few of her top songs on Spotify, then hitting up the new album when you’re feeling a little blue. Fusions of country and indie are just getting better and better these days, and Faye Webster is an excellent addition to that trend.

Categories
DJ Highlights

DJ Mothball’s July Set: Wash

Molly DuBois, a.k.a. WKNC Program Director and DJ Mothball, is one of my favorite DJs and people around. Last night, I was lucky enough to join her in the studio for her weekly set. This week’s show, titled “Wash”, featured tracks from Stereolab, Cocteau Twins and Primal Scream. The set started at 8 p.m. and ran for about an hour with 12 songs and two air breaks. Molly set the in-studio atmosphere by changing the lights from blue to purple and giving me time to look at the various whiteboards, bulletin boards, and images that covered the walls. Doodles, notes, quotes and band posters surrounded us throughout the night. There’s nothing quite as simultaneously exciting and calming as being inside a WKNC studio during a set, especially if you get to go with DJ Mothball. Thanks again, Molly, for letting me join you. If you missed her set, check it out below and make sure you tune in to 88.1 every Wednesday at 8 p.m.:

1. “Golden Ball” by Stereolab
2. “Peaked” by Sd Laika
3. “A Dance By Any Other Name” by Mice Parade
4. “Another Routine Day Breaks” by Brokeback
5. “Trying to Reach You” by Mojave 3
6. “Taglieben” by Guther
7. “Constants Are Changing” by Boards of Canada
8. “Schöne Hände” by Cluster, Eno
9. “Why Do You Love Me?” by Cocteau Twins, Harold Budd
10. “Mary” by Jessica Bailiff
11. “Higher Than the Sun – A Dub Symphony in Two Parts” by Primal Scream
12. “Sado-Masochism Is A Must” by A.R. Kane

Here’s to Mothballs and Music,
Silya Bennai

Categories
Playlists

Top 10 Tyler, the Creator Tracks

If you haven’t listened to “Call Me if You Get Lost” yet, then what are you doing? Close your computer, pop those earbuds in and give Tyler the undivided attention he deserves. When you’re done you can come back and read this blog. I promise we won’t get mad at you.

It’s been honestly so wonderful to see how much Tyler, the Creator has grown as an artist since his debut in 2007. I’m not going to pretend that I’ve been a ride-or-die fan throughout his whole career, especially that first album, but his arc as a producer, art director, rapper and all-around icon has truly done a full 180.

His discography is so rich and extensive that it makes it difficult to rank, but I’ll try my best. In honor of his newest album, here’s a look back at some of my favorite tracks from Mr. Baudelaire himself:

1. SWEET/I THOUGHT YOU WANTED TO DANCE – Call Me if You Get Lost
This track is by far my favorite from “Call Me if You Get Lost.” At nearly ten minutes long, it’s a relaxing, rollercoaster ride of a song. Tyler himself has expressed how much he loved creating it. From Bossa Nova-type beats to steady lyrical flows, it’s impossible to listen without feeling the heart behind it.

2. OKAGA, CA – Cherry Bomb
Another soft, romantic ballad, “OKAGA, CA” is the best kind of song to share with your lover. The lyrics alone make this is my favorite song off “Cherry Bomb,” but his use of synths and layering take it to a whole different level.

3. November – Flower Boy
I could listen to this song a million times over again, and honestly, I probably have. Tyler’s ability to communicate seemingly incommunicable feelings through music is evident in “November.” His use of poetic lyrics, snippets from conversations, and beat switches creates such an atmospheric, nostalgic song.

4. She – Goblin
Being one of the few soft songs from his first album, this one is an obvious favorite for most Tyler, the Creator fans. Frank Ocean is a constant feature in his discography, but he really stands out on this track.

5. PartyIsn’tOver/Campfire/Bimmer – Wolf
“Wolf” seemed to be a real turning point for Tyler, as his songs started to move away from the ferocity of “Goblin” and into something a bit softer. This three-part song is full of his signature dark yet almost childlike humor. “Campfire” especially is reminiscent of some sort of twisted Boyscout trip.

6. PUPPET – IGOR
“IGOR” is such an interesting album for so many reasons, but this song really struck me. The melancholy nature of it is a fantastic mixture of heartbreaking and sentimental.

7. 2SEATER – Cherry Bomb
Another gem from “Cherry Bomb,” this is one of the first Tyler, the Creator songs I ever heard (besides “Yonkers”). I was amazed by its softness and romantic nature.

8. Treehome95 – Wolf
If Erykah Badu’s feature isn’t enough to make you want to listen to “Treehome95,” I don’t know what is. That’s all.

9. I THINK – IGOR
This high-energy song is a wonderful little ode to real love and deep feeling. The lyrics “I think I’m falling in love, this time I think it’s for real” echo throughout the entire track, making it both heartwarming and energetic.

10. WILSHIRE – Call Me if You Get Lost

“WILSHIRE,” a simple track that sounds like a freestyle more than anything, is chock-full of raw emotion. Tyler narrates the story that he had been alluding to throughout the album, one of heartbreak, rejection and love. Though it lacks his signature complex production style, the depth of his lyrics is enough to make this one of the best songs from “Call Me if You Get Lost.”

Happy listening,

DJ Butter