Categories
New Album Review

“Shadowglow” by flipturn

flipturn is an Indie rock band from Fernandina Beach, Florida who just released their debut album “Shadowglow” this past Friday.

I didn’t know what to expect from this debut; flipturn has had a lot of success through their previous singles and EPs,  but what tone would they bring to their first full album? I wasn’t surprised by the moodiness they brought into this album. I was happy to hear their sound really mature throughout this release. 

Each song was clearly crafted with a lot of intention and the overall composition of the album was really appealing to me. It has a great mix of high and low energy tracks, but all meld together under a cohesive theme– reflection, contentment and moving forward.

Song Breakdowns

“The Fall” – This is an ideal opening track– it holds a cinematic energy while introducing some of the sounds and themes we will expect to hear throughout the album. Flipturn has such a contagious excitement here which bleeds into the tracks that follow.

“Playground” – This track is what I expected the whole album to sound like, just a solid indie pop rock sound– to be anticipated from flipturn. I was glad to see them diverge from this in the tracks that follow.

“Whales” – This one is definitely one of my favorites on the album, it’s such a great exploration of musical texture that hasn’t really been seen in flipturn’s previous releases. 

“Sad Disco” – I honestly was not expecting much from this track solely based on the name, but I was pleasantly surprised. It has a very fun energy that contrasts great with the moody vocals. My only gripe with this track is that a lot of artists seem to fall into the sad lyrics but happy song trope– I feel like flipturn could have used their newfound confidence for something a little more expressive.

“Brooklyn Baby” – There are multiple tracks on this album where flipturn is stepping away from its guitar-based-indie-rock-sound and moving towards a more layered, textured sound. This track is an excellent example of the new exploratory sound flipturn is aiming to create in this album. Every component in this track is unified– vocals, keys, bass, guitar– they are all working together beautifully here.

“Halfway” – I adored this track on my first listen, although it doesn’t take many musical risks, it has such a genuine sound. This track is probably the most vocal dominant; with longing lyrics similar in tone to their most popular track “August”. flipturn seems to have a lot of love stories that didn’t work out, “Still smell your lips, I still taste your hair / And I did not love you, and I’m well aware”. This song is unapologetically loveless and I love it.

“In Consideration” – This track, although not the most notable, greatly ties together many of the themes explored in the first half of the album: expectations versus reality. flipturn has released many  tracks that reflect on past memories and loves, and this song perfectly encapsulates the guilt that comes from not appreciating what is around you in the moment. This track takes the first step in moving forward from regret which all starts with reflection, “I’ve got more love than / I could have asked for / I never meant to say / That I needed more”. 

“Goddamn” – What an excellent placement within “Shadowglow”. It is such a refreshing release of anger that was much needed in this album. It opens with the explosive chorus, “Goddamn my poisoned mind / Goddamn the Internet / Sometimes I wish that, love was harder to find / But it’s cheap like cigarettes, and I’m running out of breath”. This song does a great job of maintaining the loveless tone from In Consideration and Halfway but begins to pick up the album’s energy. This track has a striking message encapsulated in striking music: the lack of authenticity within modern relationships and with ourselves is perhaps contributed to the growing reliance on social media. Discovering and expressing genuine feelings may be the pathway to contentment.

“Hollow” – This is one that I don’t think was needed in this album. I do appreciate the use of percussion in this track, and there is great compression and expansion in sound; but overall this track feels less deliberate.

“Burn” – In the opening of this song I had to check to make sure I was still listening to flipturn. Its electro-esque background is definitely a new exploration for flipturn but I am so glad they made this musical choice. The synthetic backdrop of this track juxtaposes with Dillon Basse’s wholesome vocals beautifully.

“Weepy Woman” – This is definitely one of my favorites on this album. The transition from Burn into Weepy Woman is so strong. I love some good bass and I love the bass line in this track. Not to mention, the high energy is simply intoxicating. The lyrics are a nice break from the repetitiveness seen in some of the prior tracks. Once again, flipturn is seen integrating a more textured sound as seen in Burn and Whales while maintaining their familiar indie rock tone.

“Take Care” – I am torn with this one, I definitely don’t think they needed this track in this album but I’m happy to see them take a bigger step into pop and electronic genres. It wasn’t quite bold enough to stand out within their other tracks, but provides a great moment of reflection within “Shadowglow.”

“Space Cowboy” – This one really roped me into the album. They released this track prior to the album, and what an excellent choice that was. This song really set the stage for “Shadowglow” without being the star of the show. It opens with a pretty standard flipturn sound but really opens up at the end into something much bolder. This track really demonstrates this newfound confidence flipturn is portraying throughout the entire album– maintaining their indie rock roots but taking strong leaps into other sounds.

“Orbit” – I really appreciate considerate album composition. I think it is important to include moments of pause and reflection within a longer album, and this final track does just that. It isn’t flashy. It’s a pleasant send off for the listeners.

Conclusion

I was pleasantly surprised by the variety of sounds in “Shadowglow”, after listening to this album all the way through I almost immediately bought myself a ticket to see them live. The variety of themes they tapped on in this album mirrored there variety of sounds beautifully. It is clear to me that flipturn is gaining more and more confidence with every release, and I cannot wait to see them perform these tracks live.

Stay tuned for a concert review in the near future.

Categories
Miscellaneous Music News and Interviews

How the Pandemic Influenced Concert Culture

The post-COVID experience has changed drastically whether it’s our preference for working from home or doing classes over Zoom. It’s no doubt that concert culture has adapted as well.

The attendance of concerts, the fashion, the concept of camping out hours or days before shows. 

I’ve heard a common ideology going around these days, that people aren’t working because they want to but because they want money to buy concert tickets. 

Attendance

Attending smaller shows that average $20 a ticket seems simple for people who have survived quarantine buying hundreds of new clothes or supplies for new hobbies from boredom. 

Now there’s less time being bored, so the next best alternative for a fun 3-hour experience is going to a concert.

The class of 2023 to the class of 2026 especially has lost so much of the ‘supposed’ best time of our lives with college and high school years of freedom being obliterated.

Because of this everyone is seeking that missed experience by going to concerts. Celebrating our favorite artists with fellow fans our age.

Fashion

Not only has concert fever increased but the whole culture behind it has changed.

In the past, you wouldn’t typically dress up as if you were going to the MET Gala when getting ready for concerts. However, these days fans go all out by recreating outfits the artist has worn in the past or matching the vibe of the tour. 

I love this new change because it makes going to a concert this event. Of course, it’s not mandatory but gives people another thing to look forward to doing to get into concert mode. 

I know it makes me hype at least.

What I love about the new fashion culture of concerts the most is that you can dress to the nines and wear the most outrageous outfits that you possibly could not wear on a school campus or at work or in your daily life.

It gives you the chance to step outside of your comfort zone while having people dressed as cool as you surrounding you.

Not only is it the outfits, but the hairstyles and makeup looks that people are dedicated to doing just for themselves are what I enjoy the most.

Of course, sometimes concertgoers want to dress their best in the rare chance the artist sees them, but for the most part, they dress in a way they are the most confident version of themselves – for themselves.

Camping Out

Unfortunately, there is a negative aspect to this adapted concert culture, I fear. In the past, people would show up maybe one hour early to a concert before doors opened.

These days, especially when it comes to general admission venues or venues with pits, fans line up eight plus hours in advance just to be at the barricades. Just to be that close to the artists on the stage. 

Not only is this dangerous for the health of the fans but is honestly unreasonable too.

The extremeness only increases as the popularity of the artist increases.

Someone I met at the Wallows concert told me they had been in line for over eight hours just so they could get interactions with the band members. 

Another person stood in line for over 15 hours for a Harry Styles show. Another person was in line for a whopping 21 hours for Olivia Rodrigo.

One extreme situation I read about was that people started camping out at 11 pm the day before a Harry Styles concert that was starting at 7 pm. Full on setting up camping tents and everything.

The list goes on and on, with people waiting 8-9 hours for indie artists like Role Model, Clairo, Wallows, etc., and people waiting 15+ hours for more famous artists like Dua Lipa or The Weeknd.

The max I’ve waited in a line was 2 hours, and I’ve gotten barricade for almost every concert I’ve been to. Of course, all those concerts were at The Ritz in Raleigh so it wasn’t difficult to do so. 

Over quarantine and Post-COVID many artists that we could refer to as “small” have doubled or even tripled in their monthly listeners and this along with the passion of fans has increased the intensity of concert culture.

It’s fascinating how music consumption and concert culture was so drastically influenced by quarantine and the pandemic. 

Regardless of how you want to take part in concert culture, I definitely recommend going to a live show at least once. It’s a life-changing experience.

Categories
Classic Album Review

Biting into “Orange” by Fishmans

A fresh citrus fruit has an addicting taste, not unlike the sound of Fishmans’ lead singer in their album “Orange.” Fishmans uses the keyboard among Shinji Sato’s vocals, bass and guitar to create a beautiful dreamy reggae sound that brings in the clouds to block the oppressive sunlight of reality.

Their fourth studio album, “Orange”, is my favorite to return to. It has all of the reggae sounds like steel drums and beats that I love, which is combined with Shinji Sato’s iconic vocals. “Orange” was released in 1994 under Media Remoras.

For Fishmans, they had much trouble with the comings and goings of band members, producers and record companies. On the album, Shinji Sato does the vocals and plays acoustic guitar with Yuzuru Kashiwabara (bass, chorus), Kin-Ichi Motegi (drums, percussion, chorus) and Hakase-Sun (keyboards, chorus). A guest electric guitarist, Sugar Yoshinaga, also appears in various tracks throughout the album. 

Peeling Open “Orange”

“Kibun” basically starts off the album, and it does so with a pop, reggae and electric fervor. The vocal repetitions bring constant joy to my ears. Shinji’s voice and lyrics are elegant as they bounce up and down smooth as butter. 

In “My Life”, simple lyricism brings simple and pure joy. Fishmans creates a pop tune that exudes exuberance. The keyboard steps us into life and beauty with the beginning of the track and sweeps us into a journey filled with the sound of people living.

“My Life” music video by Fishmans. YouTube video posted by ponycanyon.

As one of my favorite songs of all time, “Melody” stands out on this album. It jumps right into the action of music and all the joy it brings. Epic percussion backs up an electric guitar that shreds perfect little rhythms. 

The track flows and pierces me quickly. I’d be surprised to hear from anyone that this song didn’t even make them tap their toes to the beat. 

A slower track on a fast paced album tends to stand out or drift into the background. I think “Kaerimichi” found its place by blending in the rushed and jumpy first half of “Orange” with the other dreamier half of the album. 

One Last Bite

After diving back into this album to write about it, I already cannot stop myself from listening to it again and again. Fishmans’ sound is intoxicating to my ears. If the last song I ever got to listen to in my life was a Fishmans track, my ears and soul could be at rest with that. 

“Orange” is so fresh even at 28 years of age. If you’ve never taken the time to listen to Fishmans at all, or if you’ve only listened to their later albums, I cannot encourage you enough to peel open “Orange” and taste its addictive sweetness.

Categories
Music News and Interviews

Hojean “You Aint Gotta” Song Review

We’re back with another song from Hojean.

As he gets ready to head for 88rising’s ‘Head in the Clouds’ music festival, he seems to have released another song that fans will get to see performed live for the first time.

Right from the start, you can tell this song has heavy 90s hip-hop and soul inspiration. It’s no lie that Hojean is highly versatile in his music and keeps the melodies and style unique with each new release.

The song starts off with a staccato beat and his smooth vocals.

All of his songs are easy to vibe with and because of the simple lyrics of this song, his voice and music production gets more emphasis.

The gist of the song is him saying he doesn’t need much from a relationship and singing “Slow, slow down |  You think you know what I want? | Well, baby I don’t really need it |  Hope you know it now (ah-ah ah-ah) |  Wow, oh wow |  I don’t need what you flaunt |  ‘Cause baby all I really wanna do is love you now” 

The title of the song comes from the chorus where he is essentially saying “you ain’t gotta write me a song” meaning the girl he’s with doesn’t have to do anything extra or surprising for him to be in love.

His vocals really shine in the third verse of the song. As the tempo increases, his singing matches the pace but maintains this lightness that carries you through. He sings in spoken word – not necessarily rap – yet maintains that cadence from the previous verses.

“Don’t you know I’ll take it easy, can’t, believe me, |  I can be there when you need me, they been sleeping on us | And I can’t keep up | Ain’t afraid of getting deeper for once |  And I promise you’re the one that I want |  Get together ’cause you know what I’m on |  And you ain’t even gotta write a song”

This verse highlights Hojean’s vocals as the melody crescendos and his pitch gets higher and higher. 

It’s a track that showcases Hojean’s voice while his previous tracks involve more lyricism or instrumentals. 

If you want a good reason to vibe or feel in the mood to vibe, this song is perfect just for that.

Hojean teased that he’ll be releasing his first EP soon, so we’ll get to see what else is in store from him.

Check out the music video:

Categories
Weekly Charts

Top Charts 8/23

#ArtistRecordLabel
1SKY FERREIRA“Don’t Forget” [Single]UMG
2FRANCIS OF DELIRIUMThe Funhouse [EP]Dalliance
3GHOSTKEEPERMultidimensional CultureVictory Pool
4MARBLEThe Shadow In MeSelf-Released
5POST ANIMALLove GibberishSelf-Released
6BLACK MIDIHellfireRough Trade
7HORSE JUMPER OF LOVENatural PartRun For Cover
8MAMALARKY“Mythical Bonds” [Single]Fire Talk
9PUPThe Unraveling Of PupTheBandRise/BMG
10CURLS, THESmothered & CoveredTruth Zone
11SHIVAS, THE“Doom Revolver” [Single]Suicide Squeeze
12WHEEL WORKERS, THEHarborSinkhole Texas
13BLYND BIRDSSongs To Sink Yachts ToSelf-Released
14GIRLPOOLForgivenessAnti-
15MOMMAHousehold NamePolyvinyl
16ACTION BRONSONCocodrillo TurboLoma Vista/Concord
17AESOP ROCK AND BLOCKHEADGarbologyRhymesayers
18BAKERS EDDYLove Boredom BicyclesIvy League
19BREANNAEpiphanySelf-Released
20CADENCE WEAPONParallel WorldMNRK
21CIV“Heaven On Earth” [Single]Self-Released
22COMMONA Beautiful Revolution Pt. 1 & 2Loma Vista/Concord
23DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
24DINO SMOKESThe IgnorantVSR
25DIZUltra.VioletSelf-Released
26FKA TWIGSCAPRISONGSYoung/Atlantic
27FLY ANAKINFrankLex
28IDK“Taco” [Single]Warner
29INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
30JPEGMAFIALP!EQT

Daytime Adds

#ArtistRecordLabel
1BLACK MIDIHellfireRough Trade
2MAMALARKY“Mythical Bonds” [Single]Fire Talk
3MARBLEThe Shadow In MeSelf-Released
4SKY FERREIRA“Don’t Forget” [Single]UMG
5GHOSTKEEPERMultidimensional CultureVictory Pool
6HORSE JUMPER OF LOVENatural PartRun For Cover
7MOMMAHousehold NamePolyvinyl
8
9
10
Categories
Weekly Charts

Afterhours Charts 8/23

#ArtistRecordLabel
1I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
2NAKED FLAMESMiracle in TransitDismiss Yourself
3AIRFLOWAIRFLOW [EP]Hype Pretension
4HVOBTOODifferent/PIAS
5KUEDOInfinite WindowBrainfeeder
62004“To You?” [Single]3260508 DK
7WHATEVER THE WEATHERWhatever The WeatherGhostly International
8MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
9PJ DUBS 04VARIOUS ARTISTSelf-Released
10FLOATING POINTS“Grammar” [Single]Ninja Tune
Categories
Weekly Charts

Underground Charts 8/23

#ArtistRecordLabel
1070 SHAKEYou Can’t Kill MeG.O.O.D./Def Jam
2THEY HATE CHANGEFinally, NewJagjaguwar/Secretly Group
3ACTION BRONSONCocodrillo TurboLoma Vista/Concord
4JPEGMAFIALP!EQT
5DENZEL CURRYMelt My Eyez See Your FutureLoma Vista/Concord
6QUELLE CHRISDEATHFAMEMello
7DIZUltra.VioletSelf-Released
8REDVEILlearn 2 swimSelf-Released
9ROBERT GLASPERBlack Radio IIILoma Vista/Concord
10FLY ANAKINFrankLex

Underground Adds

#ArtistRecordLabel
1RICO NASTYLas RuinasSugar Trap
2MIKE“get rich quick scheme” [Single]10k
3KHAKIKID“Shlumped Up” [Single]Self-Released
4MASTER HOLY“What do you want?” [Single]Self-Released
5YOUNG WABO“Bradley Beal” [Single]New College
Categories
Weekly Charts

Chainsaw Charts 8/23

#ArtistRecordLabel
1PLAGUE YEARSAll Will Suffer [EP]MNRK Heavy
2VOLCANDRABorder World [EP]Prosthetic
3ITHACAThey Fear UsHassle
4HALO EFFECT, THEDays Of The LostNuclear Blast
5PHOBOPHILIC“Survive In Obscurity” [Single]Blood Harvest
6SCARS OF ATROPHYNations Divide [EP]Self-Released
7SERPENT CHURCHQuake of Our EchosSelf-Released
8IMMORTAL GUARDIAN“Echoes” [Single]M-Theory
9CHAMBERCarved In Stone [EP]Pure Noise
10GUILLOTINE ADBorn To FallM-Theory

Chainsaw Adds

ArtistRecordLabel
1THE GOD AWFUL TRUTHThe God Awful Truth/Under The Pier Split [EP]Darktrail
2UNDER THE PIERThe God Awful Truth/Under The Pier Split [EP]Darktrail
3ALGEBRA“Kleptomaniac” [Single]Unspeakable Axe
4MISCREANCE“Incubo” [Single]Unspeakable Axe
Categories
Miscellaneous Music Education

How Does Eastern Music Differ from Western Music?

Although in the modern day, Eastern culture has had a lot of influences on Western music and Western culture has had a lot of influence on Eastern music I wanted to a brief break down of the unique differences between the two.

The main difference even an untrained ear can pinpoint is the instruments used.

For example in Eastern music, the most common traditional instruments in many cultures are lutes. The Middle East has a lute called the Oud. India uses the Sitar. China has a lute called the pipa. The list goes on. 

Essentially they have instruments that create these entrancing tunes as well as more complex melodies in general. There are many overlapping rhythms and are at the forefront of traditional Eastern music. They use 7-tone and 5-tone systems that rely more on the manipulation of melodies instead of using set chords.

On the other hand, the West has more instruments that are found in orchestras such as string instruments, guitars, woodwind instruments, and percussion instruments such as saxophones and flutes, and bagpipes. 

Western music in general puts harmonies at the forefront. They have more complex harmonies and have something called a 12-tone equal temperament. In simple terms, the series of eight notes are organized equally instead of in an odd fashion.

One way to put it is, that Western music is oriented around written music. It can be written down and repeated in an orderly structure. Eastern music is oriented around oral music. It can’t necessarily be captured in notes and is more dynamic and improvisation.

While you can categorize Western music, at its core, Eastern music is not necessarily a genre or category. 

As you move from one country to another, their entire way of composing and creating music is different. The instruments they use change based on culture and the way they arrange their rhythms and melodies vary as well.

Don’t want to get too historical here, but because the West has this shared ‘European’ culture it’s easy to say that most Western music sounds similar.

This can’t be said about Eastern music because of how diverse each continent and subcontinent is. South African music is far different from North Eastern Asian music. 

That’s one of the most fascinating things I love about music. 

How each culture has its own music and how music can tell so much about the country’s culture and history.

If you hadn’t had the chance to listen to some Eastern music, I truly recommend it. 

Even what we consider ‘pop’ music sounds far different in Japan or Lebanon or Bollywood.

Categories
Classic Album Review

A Lil’ Love for Broadcast’s “Work and Non Work”

If you’re looking for a compilation of tunes to mix with the rain, then Broadcast’s “Work and Non Work” is the perfect selection for you. Released on June 9, 1997 under Warp Records, this is the first LP Broadcast released in their career.

Broadcast is made up of Trish Keenan, the vocalist, Roj Stevens, the keyboardist, James Cargill, the bassist, Tim Felton, the guitarist and Steve Perkins, the drummer. Keenan passed away in 2011, but Broadcast’s numerous recordings are still being released posthumously. 

To Work or Not to Work

To start out, “The Book Lovers” teleports you into a dusty and musty infinite row of books. Covers and spines all cracked and dry from years without love and attention. Keenan’s wispy vocals fade in and out above the perfect synthesis of strings and keys that escalate into a comforting presence.

As a book lover myself, this track is one of my all time favorites. I love the ethereal and calm presence it exudes into my ears. When the song feels just about over, the beat returns to take us away into the night and ends the song perfectly. 

In “Living Room”, Stevens’ keys mix again with the guitar of Cargill, which creates electric trills of beauty. Before we even approach Keenan’s beautiful vocals in this track, the instrumentals all take over the beginning section.

I find this track to be almost danceable and relaxing enough to be perfect for a rainy evening. 

The last song I want to explore is “We’ve Got Time”. This spacey and timeless track is infused with the essence of a UFO. It flies around and around bringing mystery and sleek beauty to the indietronica genre.

Keenan’s vocals are especially lovely, and make the dreamy tunes spring to life through hope, futurism and wonder. 

Fading out of the Job

This entire compilation is wonderful. The tracks I didn’t mention above deserve the same amount of love. There really isn’t anything on the LP that I won’t be able to enjoy.

For me, Broadcast is a band that constantly blows me away with their techniques and synchronicity with each other. 

I can tell the whole band loved music and exploring the depths of their emotions together, and it is really unfortunate that Keenan has already passed away. I am just happy that we get to explore Broadcast’s music at all.