Categories
Movie Review

“The Rocky Horror Picture Show” – A Review

CONTENT WARNING: This review, film and/or soundtrack contains themes of sexual expression, violence, assault and conspiracy.

Around this time of year, hundreds of movie theatres across the country host midnight screenings of cult classic, “The Rocky Horror Picture Show.”  While I have yet to actually go to one of these events, I have seen the movie numerous times.  I love the film and feel like it is rightfully a cult classic.  

Background

I did a little background research and discovered that it was actually written when Richard O’Brien was an unemployed actor trying to keep busy.  He wrote the story combining classic science fiction and low-budget horror films into a musical amalgamation.  The story came to stage in 1973 and later to screen as an independent film in 1975.  The film served as the breakout role for Tim Curry who played Dr. Frank-N-Furter.  Some of the original stage cast was also retained, such as Richard O’Brien who played Riff-Raff and Patricia Quinn who played Magenta.  

One thing that has been noted, unfortunately, was the conditions that the actors were in, especially for the pool scene at the end. A subset of the characters are all wearing lingerie with heavy makeup on and are swimming around in a pool on a stage, trying to indicate an orgy. As it turns out, the water was cold and the set bathrooms, or really anywhere else, was also quite cold. Susan Sarandon as noted that she caught pneumonia after the filming of this particular scene.

Additionally, the character of Rocky has another singer dubbed over his voice. This person is Trevor White, who’s contribution to the film was left uncredited.

Plot

This movie was a testament to sexual and gender fluidity.  This movie, however, also contains a fair amount of assault, abuse and violence.  Additonally, there are allusions to conspiracy and incest.  

The story is told from the perspective of a criminologist studying a mysterious case.  It is of a newly engaged couple, very prim and proper, stumbling into a world they never knew existed.  Brad Majors and Janet Weiss, just hours after getting engaged, are caught in the middle of nowhere in the rain with a flat tire.  They walk a few miles back to a castle where their lives will be changed forever.  

There, they experience sexual awakenings and gender expression far beyond their comprehension.  The other side of this would be that they also had to endure sexual assault and witness murder and abuse. In the castle, they meet sexually charged Riff-Raff and Magenta as well as Columbia and Dr. Frank-N-Furter, their master.  

Brad and Janet, despite the oddities before them, request to use a phone to call for assistance but are refused.  Instead they are stripped of their clothes, led to bear witness to the birth of a “perfect man” whose sole purpose is to satiate the sexual desires of Dr. Frank-N-Futer, and ultimately they are both seduced and used as playthings in the Doctor’s lifestyle of garters, heels, and corsets.  

As it turns out, the odd characters of Dr. Frank-N-Furter, Riff-Raff, Magenta and Columbia are all aliens from the planet Transsexual in the galaxy called Transylvania.  They were on Earth to satiate Dr. Frank-N-Furter’s curiosity about humanity and his quest to create the perfect man.  Only Riff-Raff and Magenta, who we discover are siblings despite the sporadic lustful contact throughout the film, are the only ones who ultimately return to their home.  Their reasoning being that Frank-N-Furter’s lifestyle is too extreme, even for them.  To me, this seems like a reflection of what the fear of free sexuality and fluidity might have led to without the shackles of the cis/het expectations of society.  

Brad, Janet and one Dr. Scott are left behind in the rubble, traumatized.  It is left up in the air what actually happens to them but it is definitely seen that their lives would never be the same again.  

Music

The music in this film has been noted down in musical history.  There are many songs that are now known as classics, especially in some Halloween playlists.  Some of the most noteworthy would be “Time Warp,” “Sweet Transvestite,” “Hot-Patootie – Bless My Soul” and “Touch-A, Touch-A, Touch Me.”

The style of the music in this film is very 50s rock n’ roll.  Many of the songs start off with a simple guitar lick with some distortion slapped on.  Keyboards can be noted in many of the songs as well as a well defined saxophone solo from the character of Eddie, played by Meat Loaf.  

Richard O’Brien was a fan of Steve Reeves movies and wanted to incorporate some of that into this film, which explains the 50s style of music.  The ensemble really seem to have taken the idea and ran with it well as they have a large variety of voices chiming in for the choruses.  

I want to say that this film isn’t for everyone.  It is a cult classic for a reason.  There’s nudity and violence and many disturbing themes, but if reading this review has you intrigued, then I think that you’ll really enjoy this film.  I have to say that I love the personal expression, the interpersonal challenges and the inevitable karmic consequences.  I think it is a great movie to watch if you’re in the mood for something a little out of the ordinary.  

— dj dragonfly

Categories
Miscellaneous

SCarowinds 2025 – An Honest Review

** Image license **

Those who have lived in or near Charlotte, NC know that every fall, popular rollercoaster park Carowinds does their annual nighttime scare program.  There’s haunted houses, performances, decorations and monsters everywhere, at least normally. I have personally been going almost every year, if not every year, since I moved to North Carolina. This year, I have been severely disappointed.  

What Once Was

Let me explain.  In the past, the park would close around 5 p.m. and reopen around 6 p.m. with the scare actors out and ready to play.  The park wouldn’t close for the night until 1 a.m.  I could leave my house at 5, which was about 45 minutes away, and get there in time for opening, get through ticketing lines and be ready to have fun within an hour. There were three or so haunted houses and mazes along with different parts of the park acting almost like boroughs with different themes. There were very few “safe” places where you couldn’t be scared.  Additionally, there have been areas around the park with dancers and there was always a big performance in the front apex of the park where the Carolinas’ meet.  

What is Now

This year, everything was different.  To start, I am a season pass holder and that has always been enough to get me into the park for any of the events and enjoy all parts of it outside of line jumping etc. Apparently the system has changed this year.  My pass was still enough to get me in the front gate but not enough to let me experience any haunted houses, so I had to purchase a separate pass for that.  Additionally, there was a new attraction for “The Conjuring” which required a separate pass purchase, and it was definitely not cheap.  We opted not to pay for this attraction.

Next, we left my house at quarter after 6 p.m. to get to the park at the current opening time of 7 p.m.  We stopped to get gas and food which would conceivably add about half an hour to our trip.  All this taken into account, we should have arrived at the park by 7:30 p.m.  As I’m sure you can guess, that is not when we arrived.  We finally parked around 8:30 p.m. This wasn’t ideal, but not a huge deal as we did anticipate some traffic.

The next step was to get through the admission line which shouldn’t have taken longer than 20 minutes.  Boy were we sorely mistaken.  About an hour later, we finally made it into the park.  But that wasn’t the last line we had to stand in before we could finally go have fun.  We had to mosey our way to the front apex where the big performance normally would be to get our haunted house passes.  Luckily, this line wasn’t a long one and we were all squared away by 9:45 p.m.  

Now, I was admittedly pretty upset by this point.  My accompaniment had to help me regulate and try to see the bright side of everything and I appreciate their efforts but it wasn’t working.  We wandered about the park and had kinda decided to focus on the seasonal attractions instead of waiting in line for the rollercoasters since we could go on those any time.  

We went all the way around the circular park and only spotted about a dozen scare actors outside of performances total.  I was personally shocked.  There were no boroughs of Victorian ghosts or birdcages or pirate zombies or really any dolls and creepy clowns anywhere.  There were two actors with the chainsaws and two or three actors with sliders (metal knee and arm pads that allow actors to slide across asphalt that spark and make very loud noises). I was only spooked by one of these actors throughout the whole park.  As I stated before, there used to be countless of these actors, all with a variety of style and scare tactics.  There wasn’t really a safe place to be in the park where one wouldn’t have the looming threat of an actor with tattered clothing and heavy SFX makeup.  

We took a minute to look at a park map to see if there was something we were missing.  As it turned out, there were only four “scare zones” throughout the park and we had completely walked through them all without realizing.  There were also a couple new attractions that we had had a chance to sample.  We decided we wanted to try to catch some of the other new things we hadn’t seen yet.  

New Attractions

One of the new attractions was a “rave” area with a scheduled performance every hour or so.  This was called “DepRAVEd” and consisted of a large space with lots of fog machines and lights. There were several dancers with the focus being on one with a white wig whose style was pretty limited to a pop and locking routine.  All the dancers, with two exceptions, were exceptionally talented.  They seemed to me like they were just a group of people with a mild sense of rhythm that had been packed together in a dance studio and given a routine to learn.  It felt very unimpressive.

Another new attraction was a burlesque show called “The Bon Bons Burlesque Troupe” which was nothing like what I would have expected at SCarowinds.  This dance group was three ladies in pastel color-coordinated costumes consisting of corsets and ruffle shorts and fans.  Their performance spot was also located on the top of a drink kiosk.  They, again, weren’t exceptionally impressive.  Not only was the dance routine just kinda alright, but they weren’t scary.  They looked like they were trying to be little candies or something but in my experience at this event every year indicates that the whole point is to be scary.  

The last two attractions we were able to sample were actually pretty good.  The first was a stage performance in the theatre called “Wake the Dead” which was an interactive musical-like performance.  The actors all did an exceptional job with their vocals and the song choices were impeccable.  Each of the suspects in this stories murder mystery had a version of a popular song attributed to them. One had a version of “Cell Block Tango” from “Chicago” one had a version of “Tainted Love,” one had a version of “(I Can’t Get No) Satisfaction,” and lastly, one did a version of “Hot Patootie – Bless My Soul” from “The Rocky Horror Picture Show.” I think that this performance was likely the highlight of the evening for me. 

Last but not least, we did manage to make use of our wristbands and go through one of the haunted houses.  Sadly, that was all we had time for as the park closed promptly at 11:59 p.m.  This haunted house was a new creation inspired by a doll workshop.  The house was supposed to be a doll factory that has a gas leak and I was impressed with the set as well as the actors who did get me a couple times.  

One other area I found that was new was a Sinner’s Lounge near the Fury.  This space is supposed to have a speakeasy feel to it with fainting couches and fancy chairs as well as alcoholic beverages and a stage in the corner.  We stayed for about 15 minutes or so and didn’t see any indication of a performance but I could be wrong about that one.  I liked the idea behind this lounge but I think the execution could have been done better.  

I wish I had had the chance to explore the rest of the attractions but alas I only had about two hours to do everything I wanted to and there wasn’t exactly a lack of lines.  Overall, I had a very disappointing time this year and likely will not be returning until I receive indication that the park is returning to its past glory.  I feel this attraction has gone down so much in quality, especially in the scaring and talent departments.  I come to get spooked and hear my own heart pounding in my ears and I just didn’t get that.  I can note that the quality of the attraction has been on the downhill for the last couple years, but this has to be the most dramatic plunge in quality I have yet to experience.  If someone were to ask me if I thought paying the money for a regular entrance ticket and a haunted pass were worth it, I would have to give that a very hard no.  I hope this helps anyone who didn’t get a chance to go this year and felt they were missing anything. 

— dj dragonfly

Categories
Weekly Charts

Chainsaw Charts 10/28/25

Chainsaw Charts

ArtistRecordLabel
1DRAWN AND QUARTEREDLord Of Two HornsNuclear Winter
2GREYHAVENKeep It QuietSolid State
3STARFORCEBeyond the Eternal NightSelf-Released
4HOODED MENACELachrymose Monuments Of ObscurationSeason of Mist
5FLOATINGHesitating LightsTranscending Obscurity
6MITOCHONDRIONVitriseptomeProfound Lore
7CALLOUS DAOBOYS, THEI Don’t Want To See You In HeavenMNRK Heavy
8BAANNeumannSelf-Released
9HELMS DEEPChasing The Dragon Nameless Grave
10KILLING ME SOFTLYTo Forever Fall Through God’s Safety Net [EP]Northern Unrest

Chainsaw Adds

ArtistRecordLabel
1GREYHAVENKeep It QuietSolid State
2INTERCOURSEHow I Fell In Love With The Void Brutal Panda
3VILE APPARITIONMalignityMe Saco Un Ojo
Categories
Weekly Charts

Afterhours Charts 10/28/25

Underground Charts

ArtistRecordLabel
1INDIGO CYPRESSThe WitnessSelf-Released
2ONEOHTRIX POINT NEVERTranquilizerWarp
3NIGHT TAPESportals//polaritiesNettwerk
4DESTRATACDMUSIC013 [EP]Club Designs
5SYLVAN ESSO“WDID” [Single]Psychic Hotline
6BIZSwimSelf-Released
7WEVALCHOROPHOBIATechnicolour
8S-AMEIGNORANT BLISSSelf-Released
9KEWYOtoo much words in my headunlucky wind
10LYNYNIxonaSooper

Afterhours Adds

ArtistRecordLabel
1INDIGO CYPRESSThe WitnessSelf-Released
2ONEOHTRIX POINT NEVERTranquilizerWarp
Categories
Weekly Charts

Underground Charts 10/28/25

Underground Charts

ArtistRecordLabel
1AESOP ROCKBlack Hole SuperetteRhymesayers
2YAYA BEYDo It Afraiddrink sum wtr
3MANWOLVES, CRASHPREZ, CRASHWOLVESit all comes for me [EP]Manwolves
4VENNAMALIKCashmere Thoughts
5MURSLove & Rockets 3:16 (The Emancipation)Mello
6MCKINLEY DIXONMagic, Alive!City Slang
7DANNY BROWN“Copycats” feat. Underscores [Single]Warp
8ROC C AND ARIANO HomegrownUrbnet
9EVIDENCEUnlearning Vol. 2Rhymesayers
10MADISON MCFERRINSCORPIOMadMcFerrin

Underground Adds

ArtistRecordLabel
1CAUTIOUS CLAYThe Hours: NightFantasy/Concord
2MID CENTURY MODERNBiorhythmsMADK
3BILLY DEAN THOMASMXSelf-Released
4LEX LEOSISi’m a little sensitive [EP]Distorted Muse
5ELIAS RONNENFELTSpeak DaggersEscho
6LORD JAH-MONTE OGBON“So You Really Don’t Miss Me?” [Single]Lex
7SHUNGU“Stay Alive” [Single]Lex
8TOBI AND REAL BAD MAN“When I’m Home” [Single]Real Bad Man
Categories
Weekly Charts

Jazz Charts 10/28/25

Top Charts

ArtistRecordLabel
1RIN SEO COLLECTIVECity SuiteCellar
2CORTO.ALTO“32.Dip (108)” [Single]Marathon Artists
3STEVEN FEIFKEThe Role Of The Rhythm Section, Volume IILa Reserve/Bandstand Presents
4BIRDLAND BIG BANDStorybook: The Music Of Mark MillerBirdland
5DANA AND ALDENSpeedoConcord Jazz/Concord
6DANN ZINNTwo RoadsRidgeway
7HOT 8 BRASS BANDBig TubaTru Thoughts
8SASHA BERLINERFantomeOutside In
9SEAN MASONA Breath Of Fresh AirTaylor Christian
10TESSA SOUTERShadows And Silence: The Erik Satie ProjectNoanara

Top Adds

ArtistRecordLabel
1BRAD MEHLDAURide Into The SunNonesuch
2SF JAZZ COLLECTIVECollective ImagineryPost Bop
3ART HIRAHARAPeace UnknownPosi-Tone
4RAFIQ BHATIAEnvironmentsAnti-
Categories
Weekly Charts

Top Charts 10/28/25

Top Charts

ArtistRecordLabel
1NO JOYBuglandHand Drawn Dracula
2SASAMIBlood On The Silver ScreenDomino
3ACOPIABlush ResponseScenic Route
4FIND MY FRIENDSFind My Friends [EP]Bloody Knuckles
5JADE BIRDWho Wants To Talk About Love?Glassnote
6LIGHTHEADEDThinking, Dreaming, Scheming!Slumberland
7NATIVE SUNConcrete LanguageTODO
8SCOWLAre We All AngelsDead Oceans
9ANIMAL COLLECTIVE“Love On The Big Screen” [Single]Domino
10APRIL MARCH“Surfing Castafiore” [Single]Bong Load
11CLEOPATRICKFake MoonNowhere Special/Thirty Tigers
12DISCUSTo Relate ToSun-Rom
13FEEBLE LITTLE HORSE“This Is Real” [Single]Saddle Creek
14FOXWARREN2 (Two)Anti-
15MAMALARKYHex KeyEpitaph
16OZZY“Amber” [Single]Self-Released
17SEA LEMONDiving For A PrizeLuminelle
18SHE’S GREENChrysalis [EP]Photo Finish
19STEREOLABInstant Holograms On Metal FilmWarp/Duophonic
20SUBSONIC EYESingapore DreamingTopshelf
21BASSVICTIMForeverSelf-Released
22BUG CRUSHSomehow I Go In Circles All The Time [EP]Self-Released
23CAMERON STENGERLighterHearing Aid
24DEADGUYNear-Death Travel ServicesRelapse
25DOUBLE WISHDouble WishHit The North
26FLORRYSounds LikeDear Life
27GANSERAnimal Hospitalfelte
28GOOD FLYING BIRDSTalulah’s TapeCarpark
29GRAHAM HUNTTimeless World ForeverRun For Cover
30HEDONISTScapulimancySouthern Lord

Top Adds

ArtistRecordLabel
1HALLOWEENShadow HouseFuneral Party
2DEAR BOYCelebratorLast Gang
3BATS, THECorner Coming UpFlying Nun
Categories
Playlists

A Halloween Playlist

Halloween: Costumes, candy, spooky movies and fun music.  

I love Halloween.  No contest, Halloween is my favorite holiday.  As such, I always make a huge deal about it every year.  I usually have several costumes ready for any eventuality, eat way too much candy, make all kinds of fun treats and snacks and, of course, I make a bomb playlist for my annual Halloween bash.  

When I was in the process of making the set I wanted to play on the radio this past weekend, I decided that one hour was not nearly enough time for me to showcase the kind of fun party playlist I can make.  So, here is a shortened version of the playlist I plan to have at the bash this year.  Content Warning: some of these songs contain explicit themes or language.  

https://open.spotify.com/playlist/2p4LnVLJPKU46LLejtr4tM?si=13b8752fe74b40f5

Obviously, there are some staples that have to be in a Halloween playlist; (“Thriller,” “Highway to Hell,” “This Is Halloween” etc.)  I have decided not to include those in this particular playlist.  Most everyone knows these songs and I feel the need to present some more unique, but still popular options.  

In my usual playlist, I would probably have included a lot of Alice in Chains, Foster the People and The Offspring.  For this particular playlist, I have decided to just add some relatively less known songs or covers of popular songs.  I really just wanted to provide people with more options than just “Ghostbusters,” although that is a classic.  

This playlist should have a little something that everyone can enjoy.  I have a lot of indie songs, yes, but I also have some grunge songs, pop songs, even a song that is supposed to be a Halloween song in the style of a Christmas song (“It’s Halloween!”)

I hope everyone has a wonderful Halloween and Halloweekend and enjoys the playlist.

— dj dragonfly

Categories
Miscellaneous

Book Review: “Serenade to the Big Bird” is an Unfinished Tragedy

Have you ever heard the saying, “the cameraman never dies?” The phrase is a viral internet meme that Reddit popularized in 2020. 

The joke references survivorship bias, a logical error in studies where statisticians only collect data on entities who ‘survive’ their trials, while ignoring those who do not. But for internet-users who enjoy videos of daring stunts and perilous expeditions, “the cameraman never dies” is a comforting mantra to repeat as their favorite YouTubers barely finesse death on camera.

By nature, war memoirs are very similar. Only someone who survives a war can publish an account about it, no?

Background

“Serenade to the Big Bird” is an unfinished WWII memoir written by American author Bert Stiles through 1943 through 1944. He was a B-17 copilot, serving in the 401st Bomb Squadron, 91st Bomb Group for the U.S. Airforce. 

On November 26, 1944, he shot down a Luftwaffe Fw 190s before his plane careened into the ground in Hanover, Germany.

I had skimmed past this fact written on page nine. When I finished “Serenade to the Big Bird,” flipping to find more, a chill raced down my spine when I realized that there wouldn’t be.

At twenty-one, Stiles dropped out of college to work odd jobs and hitchhike across New York. At twenty-three, he was flying across England with a fleet of elite fighter pilots on the way to drop bombs atop Berlin. Strictly speaking, “Serenade to the Big Bird” is a chronological series of journal entries that cover those eight months of Stile’s military career. 

But if I were to say what “Serenade to the Big Bird” is about, I would say this is a story about a great author who was never supposed to die a soldier. 

The Book

With the theatrics of a writer and the honesty of an everyman, he records everything from his eccentric fleet mates and child-like infatuations to the sweaty boiling hell of a bomber plane’s cockpit from 30,000 feet above the ground. His account provides a shockingly grounded and relatable anti-war perspective of WWII. Stiles feels like he could have been saying as much, sitting right next to me scribbling poetry in a PHI class at NC State.

Above it all, however, “Serenade to the Big Bird” stands out among the rest because of Stile’s compassion. German, American, British or French–Stiles has a rare empathy for everyone, including the enemy. You wouldn’t normally associate that with a soldier, let alone a bomber pilot.

Instead of glorifying the atrocities of war or letting them send him into a nihilistic spiral, Stiles is painfully hopeful, right until the very end. 

On page 216, Stiles writes in the final three paragraphs:

“In the end it is only people that count, all the people in the whole world. Any land is beautiful to someone. Any land is worth fighting for to someone. So it isn’t the land. It is the people.”

Conclusion

His memoir is only 216 pages. It’s barely even a novel. Yet, I found myself amazed by the depths of just a single life lost to time seventy-five years ago. 

If you have an hour or two, check out “Serenade to the Big Bird.” Get to know Stiles–he was a nice guy. He would’ve gotten to know you too.

–Killian Le

Categories
Classic Album Review

Classic Album Review: Odelay by Beck

A favorite artist of mine since I was a middle school child, I’ve always found comfort in Beck’s diverse genre-bends in the 1990’s. I still greatly enjoy his work to this day, but he is far more hit-or-miss lately, with an unfortunate emphasis on the misses.

Despite how I view his music now, his seminal 1996 record “Odelay” fully shows his true potential in the “anti-???” genre of his time. Now, the actual term he was scooped up into, against his liking, would be the slacker generation and the anti-folk movement, but I put question marks in what I define him as because Beck is certainly no slacker.

Having been near-homeless despite working constantly many times in the 1980’s and early 1990’s, and because Beck himself appears to be anti-label of most kinds. He hated the slacker label and always adhered to the opposite of what would result in immediate success.

Something is nuts with this album. Either in the mind of its maker or in its concept itself. We start with the aggressive yet jingly “Devil’s Haircut” and in an instant get taken into “Hotwax,” a rap rock song using only acoustic guitars and harmonica. Later, “The New Pollution” goes into alternate reality bubblegum pop, which is backed by smooth alto sax and a demented sound of isolation.

The album on paper is all over the place but becomes cohesive in the hands of Beck and producers The Dust Brothers (one might be familiar with their work making Fight Club’s soundtrack and Beastie Boys sophomore record) through its experimentation in weirdness.

“Novacane” is a perfect example of Beck being his anti-anything self: live performances featured him in a fancy button-up suit paired with a old school harmonica, the song itself has a minute plus long outro of pure noise, and the song itself speaks of nothing whilst sounding important.

Many of Beck’s lyrics follow this ironic style, as he famously used in what remains his only true mainstream success through Loser in 1994. Songs like “Where’s It’s At” or “High Five (Rock the Catskills)” are catchy, although ear-splitting, jams thanks to dance-inducing beats, clever sampling, and high frequency tones. What on Earth could “I’ve got two turntables and a microphone” mean? Nothing. That’s why the song is awesome. The rule of cool strikes again.

Nonsense lyricism might be the basis for the record but Beck’s musical prowess in sampling and skills in the genre switch-up show he has depth. Combined with the talented Dust Brothers, Beck traverses a vast landscape of samples with his own original instrumentation in ways few artists have attempted to replicate. The very concept of rock music utilizing samples is an under explored genre in my opinion.

Diving deeper, the album’s closer “Ramshackle” (if you don’t count the hidden track of bleep bloops at the end, labeled as “Computer Rock” on streaming platforms) is its only track to contain heavy lyrics. Previous songs may be filled with ironic or post-ironic (maybe even post-post-ironic) nonsense but cracks show into who Beck is and his experiences. “Jackass,” “Sissyneck,” and “Lord Only Knows” reflect on his time going from menial job to a new, uniquely soul sucking other.

“Ramshackle” continues this theme but in more detail. A more clear picture is presented here, of people falling out of his life forever and a feeling of no guidance for what comes next. But, as the chorus picks up, unity is described. Unity that we all face the unknown. We all face the uncertain, terrifying world and keep moving forward. We will lose the world we stand on, but will push on. We might even succeed.

“Odelay” is a fantastic rock, hip-hop, folk- or really, whatever you want to call it- record. It was nominated at the 1997 Grammy awards for Album of the year and ended up winning Best Alternative Music Performance as well as Best Male Rock Vocal Performance for the single “Where It’s At.”

Favorite tracks:
1. “Ramshackle”
2. “Where It’s At”
3. “Novacane”
4. “High Five (Rock the Catskills)”