Categories
Miscellaneous

The Unlikely Sample That Defined a Scene

One of the things that has interested me most in hip-hop is the different regional scenes that spring up in different areas of the country. One of the most unique and influential is definitely the Houston scene. Many artists make up this scene such as UGK or Geto Boys but no one defined it as much as the legendary DJ Screw.

DJ Screw’s signature style was to slow down and chop up different hip-hop records which which was called Chopped & Screwed. This sound gave the songs more of a funky and distorted sound to them and would be a huge hit in Houston. Screw would remix many songs from different rap artists and would even have his own group of rappers he remixed most often called the Screwed Up Click.

Now whats most interesting about this local scene is some of the songs that helped pioneer it. The one song that is the main star for Houston rap is “June 27th“. This song was a 35 minute long freestyle that ever since it dropped has had almost mythical status. The song was actually created in Screw’s living room for the special occasion of rapper D-Mo’s birthday who is on the song along with Big Moe, Yungstar, Big Pokey, and a few more.

Now some of the verses are good and iconic but what really made the song was the signature Chopped & Screwed beat. Now the origins of the beat are very interesting and it first starts with Kriss Kross.

Kriss Kross in 1996 was trying to ditch their “kid rapper” image they had gained with their massive hit “Jump” and with that they released the album “Young, Rich, and Dangerous” which would spawn the single ” Tonite’s Tha Night” which was a small hit. The B-side of this single was a song called “Da Streets Ain’t Right” which would make almost no impact at all. This song would have been forgotten except the instrumental is what Screw would slow down to use for the beat of “June 27th”.

Now this sample is pretty interesting in itself but what is more interesting is what Jermaine Dupri who produced the Kriss Kross songs chose to sample for “Da Streets ain’t Right”. Dupri decided that for the bassline he would sample New Wave/Pop group The Romantics on one of their hits “Talking In Your Sleep“.

Now Screw definitely didn’t know he was sampling The Romantics but when I found this out I thought it was the wildest thing because that means in a way the sound that defines Houston hip-hop and the Chopped & Screwed sound was a New Wave sample that seems like it is the furthest possible thing from the world of Houston rap.

Screw tragically passed in July of 2000 at only 29. But since his passing June 27th would go on to be a staple freestyle beat and has been remixed hundreds of times most notably Drake used the beat on his mixtape “So Far Gone” on the song “November 18th“. The date June 27th has become somewhat of an unofficial Houston holiday and a day to celebrate Screws life.

Categories
Weekly Charts

Underground Charts 5/24

#ArtistRecordLabel
1FLY ANAKINFrankLex
2ILLISMFamily Over EverythingThe CRWN
3INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
4LITTLE SIMZSometimes I Might Be IntrovertAGE 101
5MILAN RINGI’m Feeling HopefulAstral People/PIAS
6BREANNAEpiphanySelf-Released
7EVIDENCEUnlearning Vol. 1Rhymesayers
8JPEGMAFIALP!EQT
9JYROSCOPE AND MONTANA MACKSHappy Medium [EP]Self-Released
10LAVA LA RUE“For You” [Single]Marathon Artists
Categories
Weekly Charts

Afterhours Charts 5/24

#ArtistRecordLabel
1ALICE GLASSPREY//IVEating Glass
2ADULTBecoming UndoneDais
3KEDR LIVANSKIYLiminal Soul2MR
4MAGDALENA BAYMercurial WorldLuminelle
5PENDANTHarpSaddle Creek
6ROSS FROM FRIENDSTreadBrainfeeder
7SEVDALIZARaving Dahlia [EP]Twisted Elegance
8ARCAKiCK iiiiiXL
9MACHINEDRUMPsyconia [EP]Ninja Tune
10JULESDelta Ajax [EP]Happy Life

Afterhours Adds

#ArtistRecordLabel
1KAPSTAAD“Aula” [Single]Filter Label
2BARRY CAN’T SWIM“Fiorucci Made Me Hardcore” [Single]Technicolour
3HORISONE“Distorted Reality” [Single]Alula Tunes
4ELOY HOOSE, BOECLÉ“Vibe Check” [Single]Municipal
Categories
Weekly Charts

Chainsaw Charts 5/24

#ArtistRecordLabel
1ABRAHAMDébris de Mondes PerdusPelagic
2ALUSTRIUMA Monument To SilenceUnique Leader
3ANATOMY OF HABITEven If It Takes A LifetimeSelf-Released
4ANTI RITUALExpel The LeechesIndisciplinarian
5ASTRAGALPonte VedraSelf-Released
6AT THE GATESThe Nightmare Of BeingCentury Media
7BEFORE AND APACEThe DenisovanSelf-Released
8BLACK WOUNDUnending LabyrinthDry Cough
9BLOODY KEEPBloody Horror [EP]Grime Stone
10BOOK OF BLACK EARTHThe Cold TestamentProsthetic

Chainsaw Adds

#ArtistRecordLabel
1CASTRATORDefiled in OblivionDark Descent
2GRAVE INFESTATIONPersecution of the LivingInvictus Productions
3FALSE GODSNeurotopiaSeeing Red
4MOTIONLESS IN WHITE“Slaughterhouse” [Single]Roadrunner
5FRONTIEREROxidizedSelf-Released
Categories
New Album Review

New Album Review: “Behold! I Make All Things New” by Jozef van Wissem

ALBUM: “Behold! I Make All Things New” by Jozef van Wissem

RELEASE YEAR: 2022

LABEL: Incunabulum

RATING: 7/10

BEST TRACKS: “What Hearts Must Bleed, What Tears Must Fall”, “The Adornment”,  “A New Earth”

FCC: None

Jozef van Wissem, I have found, is an interesting character. He composes soundtracks for films, collaborates with directors, and he makes beautiful lute tunes, all while looking like a thrasher pilgrim. 

Behold! I Make All Things New” has a play time of 51 minutes and 41 seconds, and every single moment of it is delicious. 

In the past van Wissem has worked with film director, Jim Jarmusch to create a few soundtracks and album projects. This album, however, is a solo project filled with the plucks, strums, and chimes that could only be made by van Wissem’s delicate fingers.

To start out, the opening of this album is a little darker than it ends, which I love. A transition from dark to light, especially in instrumental albums, allows me to “take shotgun” on the musical journey with the artist. 

The jump from the first track into my favorite track of the album, “What Hearts Must Bleed, What Tears Must Fall”, creates that feeling of transitioning from dark to light. The slow opening of the album creeps and eventually pounces into strong, high notes filled with positivity and light. I know this track is lengthy (13 minutes and 41 seconds), but the gaps of silence between some of the sections give my ears a moment to reflect and soak in the entirety of the song.

More instruments create more layers as the album crawls onward. Unfortunately, I found the middle section of the album to be my least favorite section. The third and fifth tracks slip by and are forgettable, but with “A New Earth” van Wissem regains my attention with faster strikes against his instrument. This track elevates itself from the rest of the album with how short, fast and upbeat it is. 

A lot of what I appreciate about this album is how well everything fits together. I know I lose myself in the middle section, but I can put this album on and completely immerse myself in everything that is happening. 

Another piece of this album that I enjoy is the background drone sounds in “Your Flesh Will Rise In Glory On The Day Of The Future Resurrection”. The whirring of the continuous reverb in the background of this track sits me down at such a strange place. I can’t really place myself in the world when I listen to this track. I do wish he utilized that background noise throughout more of the album in different styles, because I think it helped bring out the power of his normal plucking. 

Through the strengths and weaknesses of “Behold! I Make All Things New”, I gained access to a new appreciation for instrumental artists and some good songs to sit and think to. This album also helps me to know where solo instrumentalists can exist in the music industry today. They have their niche carved out for them, but more artists like van Wissem need to reach out and grab the attention of their genre listeners.

Keep eatin’

-DJ chef

Categories
Local Music

Local Artists for the Summer

When I attended Hopscotch in September of last year, I attended a few day parties to try and learn more about the local music scene since I was a fan of some bigger local artists like Wednesday and Indigo de Souza. I got to hear a lot of great artists, so over the year I’ve made an effort to listen to more North Carolina artists and attend more local shows. Now that it’s the summer I have more time to search for local artists, so here’s what I’m going to be listening to this summer from North Carolina artists. 

First is an artist I’ve been listening to for a while, Melaina Kol, an exciting new independent artist out of Youngsville, North Carolina. The person behind Melaina Kol is Logan Hornyak who first broke onto the indie scene when he released his album Black Bile in 2018. His latest album, “AMOSAT,” was released in November of 2021 and I have not stopped listening since. 

The music is infectious and dives into the genres of indietronica, bedroom pop and indie folk. The album opens with the beautiful track “Mi” which transcends you and immediately hooks you into the album. The opening track is followed by my favorite song on the album, “Little Trees” which reminds me of something off earlier Animal Collective albums like Strawberry Jam. I could imagine listening to this album in a field on a warm sunny day as the songs wash over me. 

The next album I’ve been listening to a lot is MJ Lenderman’s new album “Boat Songs.” The opening track is one of my favorite songs and it’s perfect for a summer drive, as is the rest of the album. “Hangover Game” is a driving tune, and gives listeners a taste for the listening journey they are about to embark on. This fun alt-country, slacker rock and slowcore album will have you laughing at some of the silly lyrics and dissecting the more serious themes on the album like Lenderman’s chase for fulfillment and happiness. The fuzz on the guitars and vocals make the songs feel comforting, like a warm hug. 

Another great band I’ve been listening to is Hiding Places from Asheville, NC. While they only have three songs out right now, the band has amazing potential and I can’t wait to see what they release in the future. Their songs are relatable and have great production which adds an interesting atmosphere to the tracks. My favorite song of theirs is “Heartbreak Skatepark.” The track is a perfect indie rock tune, the end has a great build up that draws you into the story of the lead singer’s heartbreak.
The last artist I’ve been listening to a lot and will be listening to throughout the summer is BEX, also from Asheville, NC. The Asheville-based singer’s new EP, “Move It Or Lose It” is filled with catchy indie rock songs, dreamy guitars and vocals and driving bass lines. If you’re a fan of the indie rock outlet Forth Wanderers, you might like BEX.

– Eilee

Categories
Miscellaneous

“Survivor” and it’s Score

As of January of 2021, I am a fan of the reality TV show/ game show “Survivor.” I’ve watched about ⅔ of the 42 seasons and can’t seem to pry myself away from the forums, podcasts, and communities where fans discuss the abundance of content that CBS has provided in the form of “Survivor.”

There is a subset of “Survivor” fans who are really into the music that is used to score the episodes. In fact, there are communities of people who work really hard to source the music from the episodes, as the score isn’t uploaded anywhere and thus people have to edit out the voices of people talking over the music. 

A few months ago, I discovered the subreddit r/survivormusic. On this subreddit, people create, share, and consolidate the aforementioned score edits. Among this community, there is somewhat of a legend, a YouTube user by the name of survivorfan191. This user is known for having the best score edits in the community, but one fateful day several months ago, copyright struck down these videos and subsequently user survivorfan191 seemed to disappear. 

For a while, there was distress and disarray in the “Survivor” music community. Where had this user gone? Why were all of their videos suddenly gone? How else were they supposed to track down the edits survivorfan191 had created?

Then, around a month ago, they began reuploading past videos and even uploading content from the newest season of “Survivor.” Order had finally been restored to the “Survivor” music community, that survivor191 is carrying on their back.

I love these edits, they’re great study music and remind me of my favorite show. As all good music does, the score tells a story; I am eternally grateful to Russ Landau (the composer of the show’s theme song), the other talented musicians involved in the creation of the score of “Survivor”, and to survivorfan191 (along with other “Survivor” score editors) for allowing me and other fans to enjoy this music.

Until next time,

Caitlin

Categories
Miscellaneous

Book Review – “Neuromancer” by William Gibson

Author Bio

William Gibson is a Canadian Science Fiction author with a crazy talent to prophesize the internet’s future. Not actually, but he came pretty close with “Neuromancer”. 

Gibson’s writing style includes short, descriptive sentences that are able to gather the best angles to view and perceive action through writing. Gibson also is able to make characters that feel fictional and realistic through the way he humanizes them in his stories. 

In “Neuromancer”, William Gibson created new meanings for tech-y words like “matrix” and “cyberspace”. We constantly use these words today, but Gibson was able to create the context and story that allows us to visualize what matrices and cyberspaces are. 

Synopsis (Spoiler Free)

This book starts out with a bang. Case, the main character and lowlife hacker, is given one more shot to make it big with a huge data heist. His nervous system is crippled and most of his organs are failing in the first few pages of the book, but a mysterious employer, Armitage, gives him a chance with this heist. 

Case partners with Molly Millions to prepare for this data heist against Lady 3Jane, the most recent clone from the Tessier-Ashpool company. As Case and Molly explore each other’s backgrounds, they do some data digging on their employer, which involves them with an Artificial Intelligence, Wintermute. 

Racing through the build-up to the big heist, we are able to learn about Case’s losses and mental issues along with the problems Molly and Armitage face. I found that Molly and Armitage are really good support characters to Case, as they each exemplify parts of himself that he needs to fix. In comparing Molly to Case, it is the guilt and love in Case’s past he needs to work through, and in Armitage’s comparison, it is the trust and support of people Case needs to learn from. 

The heist, like many heist books or movies does not go off without a few hitches. Case is able to come to terms with his prior issues through the people he met like Molly. Gibson creates a labyrinth of action sequences that leaves us muddled, confused, yet satisfied up to the final pages of the book. 

Review

I am a big Sci-Fi nerd, so learning about the influences “Neuromancer” had on Sci-Fi writing cultures made me interested in picking this book up. I am extremely happy that I did so. 

The foundations of shows and movies I love have roots in this book, and for that reason alone it makes “Neuromancer” a must read book. But also, this book is a fantastic piece of literature. 

The way Gibson describes technology and the endless expanse of Sprawl (basically a visual internet) without ever seeing anything like it before astounds me. Reading absolutely free thinking people’s crazy fantasies where anything can happen helps open my eyes to the possibilities I can influence around myself. 

I can’t wait to read the two follow-up books that make this into a trilogy. I need to read more of Gibson’s style because of how rapid and free it feels, so please check out his book from a library (or buy it form a local bookstore).

Keep eatin’

-DJ chef

Categories
Playlists

Early Summer Playlist

This playlist has an all-over feel to it but in a way captures the early feeling of summer to me perfectly- everything is finally green again, the evenings are perfectly warm, and life slows down to a blissful pace. 

Popeye Had Spinach by Lime Cordiale 

Even the cover art has a summer feel to it- Popeye Had Spinach is melodic with a catchy chorus and a rather relaxing vibe to it. 

Fishing For Fishies by King Gizzard & The Lizard Wizard

The song’s title is pretty comical and the entire song stays true to it. King Gizzard & The Lizard Wizard truly stray away from fishing, sympathizing for the fish itself. As funny as it is, it fits perfectly for summer with it’s simple but catchy guitar and even more snappy chorus. 

Ain’t No Thang by Outkast

Outkast portrays the perfect balance between street cool societal standing with an intoxicating beat while still keeping a smooth, idle feel. The most notable lyric from the entire track: “Ain’t no thang but a chicken wing.” 

Lucy (feat. Odie) by Still Woozy 

A song I often revisit when the weather starts getting slightly warmer- something about Still Woozy’s smooth, silky voice that encapsulates the feeling of the mellow warmth of summer. 

Personal Lies by Djo

Simple guitar chords layered with Djo’s melodic singing start this song off in a way that makes it hard not to love, along with a surprise guitar solo halfway through the song. Sorry. Maybe not so surprising anymore, but still exceptional. 

Driving South by Goth Babe & Blood Cultures 

One of my favorite artists collaborates with Blood Cultures for a song that is light and laid-back- even Goth Babe agrees in this song that summer seems to keep him sane. I couldn’t agree more. 


If this playlist intrigues you, be sure to check it out on Spotify.

Written by Audrey Nelson 

Categories
Miscellaneous

Film Review: “Only Lovers Left Alive”

The romantic and gothic world of vampires and music fanatics are combined in this Jim Jarmusch film. What is not to love about a combination between music, love, and blood? Just think about the rituals that are cast with that combination. 

The director, Jim Jarmusch, helped create the soundtrack for this movie with his band SQÜRL and Jozef van Wissem. He also recruited Tilda Swinton to play Eve, and he recruited Tom Hiddleston to play Adam. Jarmusch creates films that focus on people and the relationships they incur in the world, and “Only Lovers Left Alive” does not stray from his film focus. 

Synopsis (If you are not into spoilers, then maybe don’t continue reading)

In “Only Lovers Left Alive” two extremely intelligent vampires, Adam and Eve, fall deeper and deeper in love as the film progresses. We get to watch two beautiful beings come to the realization all they need in their worlds is each other. 

Adam lives in Detroit, and Eve lives in Tangier. Both are connected to their respective city’s natural life, culture, and especially musical culture. Adam is depressed. He pays a “zombie” (human) to make a wooden bullet and plays with a loaded gun.

Somehow Adam’s depression isn’t the main tension in the film. Jarmusch is able to propel off Adam’s oddly short suicidal character arc and latch Adam and Eve together again. Through a ridiculously complicated FaceTime, Eve decides to visit Adam in Detroit (which is gorgeous in this film). 

The two lovers are together again. Nothing can go wrong, right? Well, Eve’s sister, Eva, eventually shows up on the doorstep and begins to destroy Adam’s image in Detroit. I personally love this part because we get to see the music scene in more detail, which of course is abstract and dark. 

With Adam’s image ruined, he returns with Eve to Tangier where the two can start again and tap into the roots of music, culture, and nature together. That’s it. That is the film. 

While that was a brief rundown, there is a lot more within the scenes, shots and sounds of the film I want to dig deeper into.

The Cinematography

First, the empty abandoned streets of Detroit (I don’t understand why these vampires are enamored with Jack White) are incredibly gorgeous. The film shots are filled with flickering lamp posts surrounded by vegetation that is left to run free and dark, decrepit mansions which are abandoned and forgotten. I do not understand how I fell in love with a city I have never seen before. I would love to roam the streets Jarmusch creates. They leave so many adventures untold. 

Adam’s lair in Detroit is also a thing of beauty. The haphazard decorations and walls filled with amps, guitars, lutes, violins, and anything a musician would ever need occupy every inch of space. He might have a cluttered home, but every bit of it is loved.

Tangier’s beauty is different. The slow undulations of the streets let the characters roam about with a bit more luxury and light compared to the dark corners of Detroit. I feel more at home in Adam’s Detroit, but that is probably because the film spent more time there. 

The Sounds of the Film

Another reason I fell for this film is the way Jarmusch blends music and film. He brings in his own band and a close friend to this movie to hand select the perfect musical accompaniment I have heard in a while. 

SQÜRL’s rough sounding guitars and bass help create the atmosphere needed to appreciate the places and things Adam and Eve experience. Also, Jozef van Wissem is able to create songs which allow you to love the gaps of silence. 

Final Thoughts

I could write another thousand words about this film, but it won’t be able to let anyone experience it the way they should. If you decide to watch this movie, then appreciate it in its entirety. I am not sure there is a more perfect vampire film that exists than “Only Lovers Left Alive”. 

Keep eatin’ 

-DJ chef