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Band/Artist Profile Music News and Interviews

Her’s – A Band That Could Have Been

The UK indie-rock band, Her’s, was made up of two musicians Audun Laading and Stephen Fitzpatrick. Stephen was the lead singer and guitarist while Audun played the bass and sang background vocals. 

They debuted with their first single “Dorothy” in 2016 and eventually in 2018 they released their debut album, “Invitation to Her’s”

You may have heard their song “What Once Was”.

It’s a song that I get emotional listening to know the tragedy that hit the band. The song is about the passing of a family member with the lyrics. “My friends put on their bravest faces | Their tails between their legs, something is out of place”

The fact that these lyrics apply to the band themselves and were written by them without knowing what was coming in the future is what hurts me, as a fan, the most.  

With the releases of their singles and eventually a compilation album titled “Songs of Her’s”, the band grew a strong following and decided It was time to tour the States with their debut album. 

It was during their U.S tour that disaster struck. 

They had finished playing in Phoenix, Arizona – the third to last stop on the tour – and were on the highway driving up to California when their car got hit by a drunk driver.

The drunk truck driver was in the wrong lane and drove straight into them, causing both cars to go up in flames. Both members of Her’s along with their manager who was driving their car passed away. March 27, 2019.

Though it’s a little past the three-year anniversary of their passing, I thought it was important to highlight their work as artists and continue sharing their music with a new audience. 

While their discography is short, you can hear their passion in each song. 

The three songs I would recommend as an introduction to the band are “What Once Was”, “Speed Racer” and “Cool With You”. 

All three of these songs are dream-pop and indie rock. “Speed Racer” sounds like it’s straight out of the 50s with the rock and roll sound but still maintains that distinct indie sound. “Cool With You” is more lo-fi and has a heavier bass to it that’s perfect for daydreaming. “What Once Was” is a bittersweet bedroom-pop track that balances the syncopation of the bass with electric guitar chords and drums.

They have a total of 23 songs, so if you want to become a Her’s fan it’s not difficult to get consumed. 

If they had made it to 2022, I have no doubt they would have been one of the most popular indie bands of the decade.

You can check out Her’s discography on Spotify or YouTube.

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Weekly Charts

Underground Charts 6/14

#ArtistRecordLabel
1FLY ANAKINFrankLex
2AUDREY NUNAa liquid breakfast DELUXEArista
3EVIDENCEUnlearning Vol. 1Rhymesayers
4HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
5JPEGMAFIALP!EQT
6SAMM HENSHAWUntidy SoulDorm Seven/AWAL
7ANUSHKAYemayaTru Thoughts
8DIZUltra.VioletSelf-Released
9ILLISMFamily Over EverythingThe CRWN
10INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
Categories
Weekly Charts

Chainsaw Charts 6/14

#ArtistRecordLabel
1LORNA SHOREAnd I Return To Nothingness [EP]Century Media
2DYING WISHFragments of a Bitter MemorySharptone
3ARCHSPIREBleed The FutureSeason Of Mist
4KREATOR“Strongest Of The Strong” [Single]Nuclear Blast
5DECAPITATEDCancer CultureNuclear Blast
6RUNESPELLSentinels Of TimeIron Bonehead
7MUNCIPAL WASTE“High Speed Steel” [Single]Nuclear Blast
8ZEAL AND ARDORZeal & ArdorMVKA
9BEGRIME EXEMIOUSRotting In The AftermathDark Descent
10FIT FOR AN AUTOPSYOh What The Future HoldsNuclear Blast

Chainsaw Adds

#ArtistRecordLabel
1GULCH“2019 Promo” [Single]Creator Destructor
2CRYPTOPSYDivine CouncilEVP
3LIVING WRECKAGE“Endless War” [Single]M-Theory
4QUIESCENT MANTIS“Shake The Cage” [Single]Wave Transform
Categories
Weekly Charts

Afterhours Charts 6/14

#ArtistRecordLabel
1PHFPurest HellDanger Collective
2TIMKOVBIATCH“ALERTNESS” [Single]Self-Released
3COL LAWTONJordi LOVE Groove [EP]Salted
4CLAUDIA BOUVETTEThe Paradise ClubBonsound
5NIKITCH AND KUNA MAZEBack And ForthTru Thoughts
6JUNGLE“Good Times” b/w “Problemz” [Single]Caiola/AWAL
7JUST WONDERING“idk, maybe” [Single]Lower Third/PIAS
8FINN AND I JORDAN“All About Love” b/w “Big B” [Single]Local Action
9FLUMEPalacesFuture Classic
10POLICAMadnessMemphis Industries

Afterhours Adds

#ArtistRecordLabel
1PHFPurest HellDanger Collective
2TIMKOVBIATCH“ALERTNESS” [Single]Self-Released
3JUNGLE“Good Times” b/w “Problemz” [Single]Caiola/AWAL
4FINN AND I JORDAN“All About Love” b/w “Big B” [Single]Local Action
5CLAUDIA BOUVETTEThe Paradise ClubBonsound
6JUST WONDERING“idk, maybe” [Single]Lower Third/PIAS
7NIKITCH AND KUNA MAZEBack And ForthTru Thoughts
Categories
Weekly Charts

Top Charts 6/14

#ArtistRecordLabel
1FLY ANAKINFrankLex
2VEROUnsoothing InteriorPNKSLM
3AUDREY NUNAa liquid breakfast DELUXEArista
4EVIDENCEUnlearning Vol. 1Rhymesayers
5HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
6JPEGMAFIALP!EQT
7THE CURLSSmothered and CoveredTruth Zone
8LAVA LA RUE“For You” [Single]Marathon Artists
9MCKINLEY DIXONFor My Mama And Anyone Who Look Like HerSelf-Released
10PUPThe Unraveling Of PupTheBandRise/BMG
11SAM HENSHAW“Untidy Soul” [Single]Merlin
12ANUSHKAYemayaTru Thoughts
13DIZUltra.VioletSelf-Released
14ILLISMFamily Over EverythingThe CRWN
15INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
16JYROSCOPE AND MONTANA MACKSHappy Medium [EP]Self-Released
17LITTLE SIMZSometimes I Might Be IntrovertAGE 101
18TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
19VINCE STAPLESRamona Park Broke My HeartBlacksmith/Motown
20BREANNAEpiphanySelf-Released
21FKA TWIGSCAPRISONGSYoung/Atlantic
22FLYING LOTUS“Black Gold / Between Memories” [Single]Warp
23GENESIS OWUSU“Waiting On Ya” (Jono Ma Remix) [Single]House Anxiety/Ourness
24GIRLPOOLForgivenessAnti-
25GREENTEA PENG“Your Mind” [Single]AMF/EMI
26MILAN RINGI’m Feeling HopefulAstral People/PIAS
27MOONCHILDStarfruitTru Thoughts
28NEWMAN“FAMINE” [Single]Ten Steps Ahead
29REDVEILlearn 2 swimSelf-Released
30ROBERT GLASPERBlack Radio IIILoma Vista/Concord
Categories
Music News and Interviews

Hojean “Pose For Me” Song Review

We’re back with another banger by Hojean.

When it comes to Hojean’s music I never know what to expect. The beat is always fresh and comes out of the left-field while still keeping that same R&B traditional Hojean flair to it.

I have to say it, “Pose For Me” might be one of my new favorite songs of Hojean’s. It starts off with this retro 80s-funk groove and has disco-pop undertones to it combined with Hojean’s soft vocals.

The best part of the song has to be its chorus, it’s a vibe unlike any other with an infectious, almost beach-y, tune from a synth that makes you feel like you’re floating in the clouds. Levitating.

After hearing this song at least ten times while writing this post, it’s hard to tell what music component of this track I enjoy the best. Whether it’s the verses, the chorus, or the bridge each part is innovative and adds a new element to the song that catches the listener by surprise.

“Pose For Me” is a song you can enjoy without the obligation to pay attention to the song. It’s one you can simply listen to for the vibes.

For this track, Hojean keeps the lyrics simple. There’s a lot of rhyming that’s almost poetic yet it has that satisfying bounce to it. The harmonizing of the background vocals allows this song to be danceable and utterly relaxing at the same time. I can’t say it’s revolutionary, however, I’ve never heard a musician try to combine such different genres of music into one strong song as Hojean has with “Pose For Me.”

The lyrics of this song are a lot different compared to Hojean’s past singles. While he primarily writes about love, this song is very introspective. He writes about the joy of dressing up for no reason and posing in a mirror just for fun.

With the lyrics, “Runnin’ out of my mind | In and out of my head | These thoughts won’t leave and | I don’t wanna stay here | In another party with no one near so | Maybe I should go home | And dance with my reflection alone,” he writes about feeling out of place and anxious thoughts that he might never be able to change.

Seeing this side of Hojean is quite interesting and is a refreshing perspective from his past music. I love when artists show different aspects of their personalities and add depth to their work.

I personally would love to see more songs like Pose For Me from Hojean in the future. Bringing more of himself into his music and showing a new side of himself.

Just in time for the summer, Hojean might have written the best song to listen to while lazing around in the pool.

Perhaps the song of the summer, dare I say?

Check out the lyric video for “Pose For Me” on YouTube.

Categories
Miscellaneous

“How to Survive a Plague” – A Look at Activism during the AIDS and HIV Epidemic

How to Survive a Plague” is a documentary that shines a blindingly direct spotlight on the activism during the AIDS and HIV epidemic from the late 1980’s until the late 1990’s period. This film is not a happy one, but the director, David France, created a documentary that has given a clear perspective of the AIDS and HIV virus from the eyes of the groups ACT UP (AIDS Coalition to Unleash Power) and TAG (Treatment Action Group). 

David France has a rocky relationship within the film community and other social spheres because of his ignorance and greed when he stole the story of Marsha P. Johnson from creator Tourmaline, as stated in their Instagram post. I absolutely do not support what France has done with his Marsha P. Johnson documentary, and any person that decides they have the right to steal art should have everything they create be critically examined for plagiarism.

That being said, I think France has still made an extremely powerful documentary in “How to Survive a Plague”. France’s boyfriend died from AIDS in 1991, as mentioned in this IndieWire article, and I think that assists in validating his voice for this documentary. This film does accurately report on the lives of ACT UP and TAG members by primarily using archival footage and exclusive interviews done in 2012.

There are a few notable people highlighted in this documentary like Larry Kramer, Anthony Fauci, and Jim Eigo. More important members of both activist groups play key roles in the history of this film. 

HISTORY

To appreciate and understand the impact of this film, some history is required before watching. I will be pulling some timeline information from the HIV government website and this timeline from PEPFAR. 

The HIV and AIDS epidemic first started getting attention from the media and communities in 1981, so the beginning of this documentary really starts in the middle of the epidemic, which makes it difficult to follow at some points. 

The HIV virus was almost immediately linked to the LGBTQ+ community, which caused the immediate and further ostracization of these community members. It wasn’t until 1989 that AIDS cases reached 100,000 reported infections as stated by this CDC article. After that, the numbers grew even faster. 

“ACT UP, or AIDS Coalition to Unleash Power, was founded in NYC in 1987 as a political action group in response to the AIDS crisis. The group’s first action, in spring 1987, was a march on Wall St. to protest the high cost and lack of availability of HIV treatment.” 

This quote is directly from ACT UP’s website.

ACT UP successfully started the campaign of getting more attention and action to the epidemic. The documentary goes into great detail about theirs and TAG’s foundation, so I won’t go into detail about it here. 

In October of 1995, the CDC reported 500,000 cases of AIDS in the United States, and from 1990 to 1995 there were just under 1,000,000 AIDS related deaths in the world, which you can see in this graph.

My little history report does not go into nearly enough detail about the atrocities committed by those in power who prevented and stalled research, funding and support for this epidemic. The documentary, however, does do this. 

THE DOCUMENTARY

The acquired film and interviews that David France used are synthesized in a way to emphasize the emotions and stories that are weaved together. One of my favorite techniques utilized in the documentary is how well peoples’ faces are highlighted. You can see their betrayal, anguish and hunger for life all in their eyes through the framing done by cinematographers.

“How to Survive a Plague” overwhelmingly succeeds in showing the impact of raising concerns and actively participating in the world around us. The collected films show people on their deathbeds participating in research and activism because they want to live. Not only do they want to live, but they want other people with their afflictions to live. 

France did an alright job collecting clips from the voices in the community, but he still leaves out many voices that deserved to be heard. A CDC report from October 6, 1986 states that Black and Latinx communities were disproportionately contracting AIDS and HIV in comparison to white people. I would have loved to have seen interviews or footage from these community members rather than solely the leaders focused upon in this film. 

One last thing I want to note about this film is how well it uses the death toll from the virus throughout the film. We see the numbers start around 100,000 deaths, and then they grow. 

These statistics are like bookmarks in time. Each growth correlates to the inaction of those in charge, and the flattening of the curve shows the success of ACT UP and TAG.

CONCLUSIONS

As I stated in the beginning of this review, this film is not easy to watch, but I highly recommend seeing it once. The HIV and AIDS epidemic that swept through the world (and still affects millions of lives today as you can see on this graph) is still not talked about enough today. 

The inaction from the US government and governments around the world has robbed the LGBTQ+ community of strong leaders and activists that could have supported the new, younger generations today. Millions of young people could have been supported by a strong community, but were instead left with a fragile support system that still continues to struggle under oppression from those against the LGBTQ+ community. 

Just remember, “Silence = Death”.

-DJ chef

Categories
Miscellaneous

Best Way to Consume Music?

In the past half of the year, I have been to my fair share of concerts whether they were being streamed online or I was standing in the crowd experiencing them in real-time. Of course, during that same period, I’ve streamed more than enough hours of music from hundreds of different artists.

Listening to music is something I constantly have on in the background no matter if I’m doing homework, driving, or painting. The real question though is, what is the best way to experience music as a concept. Live in its natural form or streaming it prerecorded?

Music creates an ambiance and sets the tone for any outing or event, in restaurants or on public speakers it allows silence to be filled.

Recently, I was thinking of going to Lollapalooza and the question of if I wanted to spend the money to experience these artists live or sit in the comfort of my living room and watch their live stream on YouTube for free was racking my brain.

Starting off with live music, there is just so much that can be added to that experience besides seeing the artist performing live. Being surrounded by fans of that artist and being able to shout the lyrics along with the artists themselves can feel surreal. You notice that they sing a line differently or play a random electric guitar solo just because they feel like it. It’s something you can never have the opportunity of experiencing outside of that moment and each live performance by an artist will be unique.

There is that adrenaline that rushes through you in excitement, but it’s an experience that can only be felt in that moment. After the performance or concert is over, you’re left sitting there watching scrolling through videos and pictures trying to attain that feeling once again. Reminiscing about how you were hearing their music in real-time right in front of you and exhibiting the artists as humans.

On the other hand, streaming music is a different experience on its own. You can listen to the same song for hours on repeat and retain that freshness of it if you’re in the mood to do so. Any song is within your reach and you don’t have to go out of your way by plane or car to listen to that music.

While the upside is being able to listen to quite literally any song, you don’t get to experience the realistic quality of that instrument playing. Each time you listen would be 100% identical and you won’t hear any fumbling of chords or changes in song pitch or any variations that make music listening to an experience.

Regardless, it’s all a matter of preference and access. Go stream some music or hop in your car to hear an artist play live.

In the end, live your life and experience what you want the way you want to.

Categories
Music News and Interviews Playlists

The girl in red Phenomenon

If you’re anything like me you’ve spent hours scrolling on your phone aimlessly, especially during the pandemic. Being stuck in quarantine caused a lot of introspection and for many people, it led to self-discovery.

The ‘girl in red’ Phenomenon, like most things I encounter lately, was something I noticed arise on TikTok in the early days of the pandemic. Hundreds of comments under videos asking the video creators if they listen to girl in red.

Essentially this was a covert of asking the original posters if they were “wlw” or women-loving-women. TikTok like all social media has its own language developed by users on the app and this was just another addition to the dictionary of Gen Z slang. 

Marie Ulven, or girl in red, is a Norwegian queer indie-pop artist who more often than not writes music about falling in love with girls. Some of her most popular songs are titled “I wanna be your girlfriend”, “we fell in love in October” and “girls.” The internet took to using Girl in Red’s name to develop a way of identifying each other, and in turn, building a community. 

Like most discourse on the internet, this use of the phrase “Do you listen to girl in red?” was sort of led astray with users of TikTok flooding the comments under any video of a person who might appear sapphic, even if they had never openly discussed their sexuality. But of course, that was unavoidable with the lack of boundaries TikTok has created.

Regardless, the girl in red phenomenon isn’t really a new phenomenon as coded language has been used in the LGBTQ+ community since the 1900s and possibly even earlier. Phrases like “friend of Dorothy” or “friend Mrs. King” and even a slang language called Polari, created by gay men in the 1700s UK when being homosexual was Illegal, were used up till the 1960s.

It must have been a surreal moment for girl in red to become such an iconic figure for the Gen Z sapphic community just from writing music about her own experiences.

Music is a huge part of Gen Z culture and because music can play a role in defining your identity as well, what music you listen to might give more insight into your identity without having to be explicit about it. The artists you listen to often let other people know what type of people you surround yourself with or what kind of subcultures you take part in and that’s pretty cool if you think about it.

The real question is…do you listen to girl in red?

Well if you don’t there’s a playlist with music from Girl in Red and other queer artists in honor of Pride month.

Categories
Band/Artist Profile

What Makes The Mountain Goats Special?

I’m currently working my way through listening to the entirety of The Mountain Goats’ album discography. Why? There are several reasons. 

My dear friend (and former WKNC DJ, Deethony Jaythony) is a big fan of The Mountain Goats, as so is one of my favorite writers, John Green. They both speak so highly of The Mountain Goats, I’ve been a casual fan for a while and I’ve been needing something to keep my mind occupied on these long summer days.

The Mountain Goats are a California created but currently Durham-based band that have been making music since the mid 90s. John Darnielle, the band’s creator and front-man, is the life blood of The Mountain Goats and has, at times, been the only member.

“Love Love Love” from their 2005 album “The Sunset Tree” was my first introduction to The Mountain Goats back in 2019, and it’s been one of my favorite songs since. 

Since then, I had collected casual interest in some of their bigger songs like “No Children,” “This Year,” and “Going to Georgia.”

Throughout this project of listening to their discography, I’ve wondered: what is it that keeps their dedicated fanbase so hooked?

It could be several things, like John Darnielle’s crafty lyricism, or their genre-spanning sound or the continuity of themes and tropes throughout their discography.

But 11 albums in, I’ve found the quality of their music that keeps me hooked. John Darnielle’s ability to intertwine love and anger so closely; The Mountain Goats have written some of the most romantic songs and some of the most fury-inducing songs I’ve ever listened to.

The man who wrote “I am drowning / There is no sign of land / You are coming down with me / Hand in unlovable hand / And I hope you die / I hope we both die” in “No Children” also wrote “I loved you before I even ever knew what love was like” in “Hair Match.”

Darnielle illustrates the tender moments of love so wonderfully: “You felt shelter somewhere in me / I find great comfort in you / And I keep you safe from harm / You hold me in your arms” he writes in “Riches and Wonders.”

He also taps into a primal anger at times. In “Foreign Object” he sings “Sink my teeth into your scalp, take a nice big bite / Save nothing for the cameras, play the angles all night / One of these days my legs will both snap like twigs / If you can’t beat ’em make ’em bleed like pigs.” 

The Mountain Goats are a beast of their own kind, and I look forward to listening to the rest of their (rather lengthy) discography and finding where the hard exterior gives way to the tenderness.