Categories
Weekly Charts

Afterhours Charts 7/9/24

Afterhours Charts

#ArtistRecordLabel
1BASSVICTIMBasspunkSelf-Released
2ABADDONLiarGeometric Lullaby
3KILL ALTERSSuffocating XpansionDEATHBYSHEEP
4THE PEPPERWOOD ENSEMBLE AND ATPtrain of thought.Self-Released
5CAR CRASH AND SIRENVARIOUS ARTISTSLost Frog
6HAKUSHI HASEGAWA“Gone” feat. KID FRESINO [Single]Brainfeeder
7FAX GANG AND PARANNOULScattersunTopshelf
8KISS CARE AND PARFan Club [EP]Poclanos
9MUEHHisSelf-Released
10ABADDONPerfect FakeGeometric Lullaby
Categories
Weekly Charts

Chainsaw Charts 7/9/24

Chainsaw Charts

#ArtistRecordLabel
1CRYPTOPSYAs Gomorrah BurnsNuclear Blast
2KNOCKED LOOSEYou Won’t Go Before You’re Supposed ToPure Noise
3ULCERATECutting The Throat Of GodDebemur Morti
4ADVERSARIALSolitude with the Eternal​.​.​.Dark Descent
5APE VERMINAndromedas ColossusSelf-Released
6FALLINGWITHSCISSORSThe Death and Birth of an Angel [EP]Self-Released
7FINAL RESTING PLACEPrelude To Extinction [EP]DAZE
8NIMBIFERDer böse GeistVendetta
9REPLICANTInfinite MortalityTranscending Obscurity
10SAIDANmerch community Visual Kill: The Blossoming of Psychotic DepravitySelf-Released
Categories
Weekly Charts

Jazz Charts 7/9/24

Jazz Charts

#ArtistRecordLabel
1AUDREY POWNEFrom The FireBBE
2KAMASI WASHINGTONFearless MovementYoung
3SHELLY BERGAlegriaArtistShare
4AROOJ AFTABNight ReignVerve
5SARAH HANAHANAmong GiantsBlue Engine
6JONATHAN BARBERIn MotionVision Ahead
7GERALD CANNONLive At Dizzy’s Club: The Music Of Elvin & McCoyWoodneck
8BADBADNOTGOODMid Spiral: Order [EP]XL
9PAULA MAYAMar Da Minha TerraYellow House
10KEN PEPLOWSKILive At MezzrowCellar

/h

Categories
Weekly Charts

Top Charts 7/9/24

Top Charts

#ArtistRecordLabel
1SPRINTSBlack Box Sessions [EP]City Slang
2GLITTERERRationaleAnti-
3MANNEQUIN PUSSYI Got HeavenEpitaph
4MEAN JEANSBlastedFat Wreck Chords
5ERICK THE ARCHITECTI’ve Never Been Here BeforeIDOL
6OMNISouvenirSub Pop
7PSYMON SPINEHead Body ConnectorNorthern Spy
8ROSIE TUCKERUtopia Now!Sentimental
9SLEATER-KINNEYLittle RopeLoma Vista/Concord
10SWEET PILLStarchild [EP]Hopeless
11YUNGATITAShoelace & A KnotSelf-Released
12BLONDSHELL“Docket” feat. Bully [Single]Partisan
13CHUCK STRANGERSA Forsaken Lover’s PleaLex
14GOTTS STREET PARKOn The InsideBlue Flowers/PIAS
15HOTLINE TNTProtocolThird Man
16MINT FIELDAprender A SerFelte
17OFFICE DOGSpielNew West/Flying Nun
18SEAFOOD SAMStanding On Giant Shouldersdrink sum wtr
19SOFTCULTHeaven [EP]Easy Life
20ADRIANNE LENKERBright Future4AD
21BRISTLERCascades At Play [EP]Mint 400
22CHERRY GLAZERRSugarSecretly Canadian
23CZARFACECzartificial IntelligenceSilver Age/Virgin
24DARKSOFTGrayscaleSpirit Goth
25DEAD POET SOCIETYFISSIONSpinefarm
26GIRL AND GIRLCall A DoctorSub Pop
27H31RHeadSpaceBig Dada
28HANA VURomanticismGhostly International/Secretly Group
29KYLE MARTUCCILate Night ThaiTooch
30MEAT COMPUTERSlept On The Floor Still Dreamt About Youlabels r 4 soup

Top Adds

#ArtistRecordLabel
1RAIN ON FRIDAYS“Cry It Out” [Single]Self-Released
2MILLYYour Own BecomingDangerbird
3ROSE HOTELA Pawn SurrenderStrolling Bones
4CONFLICT AT SERENITY POOLSLemon Fiction [EP]Self-Released
5DOUBLE WISHUniverse Sometimes [EP]Hit The North
Categories
Blog

Bringing You Fresh Tunes by Locals Only!

Coming Soon to a Venue Near You

We here at WKNC have been searching far and wide for music venues to partner with. But at the end of the day, sometimes the best partnerships come from those you already know. That’s why we’re collaborating with Neptunes in Raleigh to bring you a new monthly event called Locals Only!

Woody

Album cover for "Sardine King", an EP by Woody.
Album cover for “Sardine King,” an EP by Woody.

Much like the hit cowboy toy of the same name, the Charlotte-based band Woody brings you comfort and some good ol’ fashioned fun through their songs. In particular, songs like “Neon Lights” and “World Book Reader” off of their “Sardine King” EP recreate the carefree nature of childhood without sacrificing an interesting sound in the often oversaturated indie rock landscape.

I find it very difficult to believe that you won’t want to groove along during their live performance, though I suppose you could say that about both of the other two bands attending this show too.

Long Relief

Album cover for the "No Growth" EP by Long Relief.
Album cover for the “No Growth” EP by Long Relief.

Where Woody sits in a more soothing, soft-spoken tone, Long Relief cranks up the dial on their latest EP, “No Growth.” Lyrically, their music spends more time lamenting the woes of contemporary society for young adults, especially regarding our economic prospects and mental health struggles.

Sonically, Long Relief brings a very comforting-yet-engaging alt rock palette to their music that I hope they continue — or even ramp up — with their new music, some of which they may even be playing at this show.

Good Deal

Album cover for "Probably Not", and EP by Good Deal.
Album cover for “Probably Not,” an EP by Good Deal.

This show will also have something in store for those of you interested in a more folk and country-inspired sound. Good Deal brings some cohesive storytelling to songs like “Dirty Plates,” which I personally enjoy in music, while complementing lyrics with an organized arrangement of twangy guitars and soft drumming.

In Essence

The concert starts at 8pm on July 11th, and I must say that I’m really excited for this show — and I hope you are too, of course.

We hope to see you there!

– DJ Southpaw

Categories
Classic Album Review

Classic Album Review: Nemo’s “In Stereo”

Background

The underground rock scene of the late 90’s and the early 2000’s has always been a charming era to me. Bands like Hum, Bowery Electric, Southpacific and many more brought the space rock genre back to life in many ways. Whether it be combining the genre with midwest emo, post-rock or shoegaze, the result almost always ended up sounding great.

This “space rock revival” scene captured the glory of outer space and the joy of humanity’s monumental achievement in exploration. Bands attempted to match the feeling of the temporally appropriate film, “2001: A Space Odyssey” with its grandiose and horizon-widening perspective. This narrative was pushed to the absolute limit with the album “In Stereo” by Nemo.

“In Stereo”

Darrell Simpson, Patrick McGuire and Todd Harapiak made up the band Nemo, which released its only work as a band, “In Stereo,” on June 8, 1999. The album consists of 8 songs, totalling 66 minutes in length, with the last song, “Space Suit,” taking up almost half of that runtime.

“In Stereo” combines space rock, shoegaze and metal in an extremely satisfying fashion. This album feels like you are strapped to the side of a rocket engine as it propels into deep space. The album has some very artful additions to it that make it feel all the more atmospheric. Some examples are the beeping electronics throughout the album, which resemble spaceship modules, and the playful reverb on some brighter guitar parts that sound like satelite dishes sending out signals to space. Also, in “Bleary-Eyed Me,” the distortion on the vocals resembles the radio between mission control and the team onboard the spacecraft.

Songs

Not only are the band members geniuses at nailing the atmosphere, but they do a pretty good job of making some solid, earwormy riffs. For example, “King Valley 55” sounds like the combination of Blur’s more poppier side, and Have A Nice Life’s cathartically heavy instruments. “Bedhead” is a groovy, jumpy song that sounds like if Spiritualized listened to Primus. “Hyperdrive” feels like it is a child of the 2020’s emo/shoegaze revival scene twenty years before it was supposed to happen.

“Space Suit,” the closing track, is my favorite song on the album. Starting with mountains of reverb, the song slowly builds into a masterpiece of density, with one of the most gut-wrenching guitar tones I’ve ever heard. After continuing on for six minutes, the riff dissolves into a heavy, intoxicating drone, with more off-kilter guitars leading. I would like to imagine this as a spacecraft losing contact with the rest of humanity and slowly inching into deep space. The drone fades out after about fifteen minutes, and we are left with silence for the remaining runtime. Whether or not the silence at the end is intentional, no one knows. I like to think this represents all contact with the Earth being lost, the craft succumbing to the silence and blackness of space.

Conclusion

Nemo’s “In Stereo” shows not only the wonders of space travel with its depth-defying highs, heavy and glorius riffs and soaring vocals, but also the horror of having your back face humanity’s reality, facing a universe that no human has explored as deep as you will.

Categories
Classic Album Review

Album Review: “Top Ten most Epic fish of all time” by Sintel

Hello internet, and welcome to my album review of “Top Ten most Epic fish of all time” by Sintel! It’s a pretty unique album, with its silly gimmick belying some genuinely beautiful fish in it. That out of the way, let’s dive right in!

Categories
Concert Review Festival Coverage Miscellaneous Music News and Interviews

Outlaw Music Festival 2024: Cheers to the Old Gods and the New.

We’re witnessing the musical changing of the guard and it could not be a more excitingly bittersweet time to love music.

The 2024 line-up for the Outlaw Music Festival was nothing short of legendary rolling into Raleigh’s Coastal Credit Union Music Park at Walnut Creek; Celisse, Alisson Krause & Robert Plant, Bob Dylan and Willie Nelson all taking the stage.

But as best laid plans are apt to do, the line up fell through.

The danger, you see, is in relying on octo- and nonagenarians for your entertainment is the general precarity of old age.

Friday, June 21st Willie Nelson’s team released a statement announcing the country singer’s departure from four of the ensuing tour dates due to medical concerns.

In his place, son Lukas Nelson and the Nelson Family Band stepped in with an abridged tribute set.

But it wasn’t necessarily a bad thing to let the younger Nelson take the stage in his father’s wake.

If anything, it reaffirmed what we already knew about Willie’s songs — they’re timeless country-western staples for a reason.

And more importantly, Lukas Nelson is far too talented to stay in his father’s shadow.

Freed from the albatross of an elderly father, Nelson’s voice quite literally soared through the shortened tribute set – simply put, he sounded like his father for a new age.

Waffling between original compositions and Willie-standards, Nelson was able to effortlessly bridge the divide between new fans and old, bouncing between the soulful growl present on Promise of The Real track “Find Yourself” to his father’s signature warble on songs like “Blue Eyes Crying In the Rain.”

Speaking of soul, I would be remiss not to mention one of the freshest faces amongst the lineup: Celisse.

The Oakland born singer and guitarist easily won over unsure and unfamiliar audiences with more than just sweet talk and charm, she won them over with her sound.

Bombastic in every sense of the word, her belt and her shred equally silenced the normally rowdy “lawnies” of Coastal Credit Union – her cover of Bill Withers’ “Use Me” met with earthshaking applause and shouts.

For a woman who has been making music for well over a decade, touring as supporting acts for some of the biggest acts in folk and easy listening rock both old and new – Brandi Carlisle and Joni Mitchell, to name a few – I have a sneaking suspicion that Outlaw Music Festival is only the beginning of her just desserts.

So yes, Bob Dylan and Robert Plant were once-in-a-lifetime, bucket list artists to see, but perhaps more importantly, I walked away with not just hope, but a feverish excitement to see what the next wave of Americana, Soul and whatever-the-hell-else-you-want-to-call-it will be.

Long story short, it is sad to see the old god’s fade away, but my god, I cannot wait to see the nebulous eruptions of the new.

– Bodhi

Categories
Band/Artist Profile Concert Review Miscellaneous Music News and Interviews

Justin Timberlake and the Terrible, Horrible, No Good, Very Bad Week

Oh, Justin Timberlake.

It’s been a rough year or so hasn’t it, bud?

From Brittany’s slightly dubious tell all to an ill-fated romp in the Hamptons, he’s has had a tough go of it as of late.

And my, what a sight to see.

Celebrity implosions, especially of such long standing figures, are always a spectacle – but I’ve yet to see one that reeks of desperation quite like Timberlake’s.

From the hallowed halls of the Mickey Mouse Club to Gen X thirst trap World Tours, Timberlake has a knack for keeping himself in the spotlight.

For better or worse, the common man has a half-baked notion of what — or rather, who — he is.

But there’s something that feels different about this latest scandal.

Perhaps it’s because I had the pleasure of seeing him at PNC Arena a week before his DUI.

Or maybe it’s the comical coverage of the incident — considering the pouty celebrity mugshot, perp walk and the beautifully oblivious cop making the arrest.

Either way you spin it, there’s something distinctly and pitifully funny about Timberlake’s snafu.

Rockstars and rappers go through their own legal issues and brushes with the law, but when it happens to a pop star, people pay attention.

Even more so to someone of Timberlake’s caliber.

For people 35 and over, he’s been a tried and true standard for a large part of American pop-culture.

From childhood to adulthood, he’s been a prominent spotlight feature, and he’s desperately grasping at the edge of the stage as he’s being played out.

As far as the soundscape of popular culture goes, he’s by and far left behind.

His stage show proves it to, sadly: asses really only left seats for old standards like “Sexy Back,” “Suit and Tie” and “Cry Me A River” — even more so for the throwback reliant DJ opener.

Not to besmirch the opening band, but there’s something wrong with your act if more people are amped for a DJ playing the dancehall classics of yesterday than your set.

Consistently, he’s released albums every four to five years since 2002. Yet, his sound hardly changes.

Since he’s left NSYNC, the only evolution I can truly see is a semi-annual media scandal of either infidelity or inebriation.

When your entire career is based upon the affection of young girls, what happens when those girls grow up?

What happens when you grow up?

Somewhere within the pandering, paltry pastiche of the “Forget Tomorrow” world tour and the relatively tame release “Everything I Thought I Was,” you’ll find the answer.

It was a good show, don’t get me wrong.

Justin Timberlake is an entertainer first and foremost, to which he most certainly delivered.

But as the times catch up with the now 43-year old, fading pop star, the whirling dervish of past and present controversy seems to loom large over him.

From Britney to Janet, inebriation, infidelity and unknown world tours, perhaps Timberlake should take to the mirror himself and truly reckon with his next steps.

Because let’s be fair, humoring an aging audience in flights of fantasy feels like a desperate cash-grab preying on the hardwired need of women past a certain age to feel relevant — to feel important.

In a world where artists are more accessible than ever, feeling more real than ever, the thin line between artifice and artistry has never been more apparent.

And artists who are unwilling to step beyond their predestined imagery are not only doing their audiences a disservice, they are doing one to themselves.

The official “Mirrors” music video from Justin Timberlake’s official YouTube Vevo page.

-Bodhi

Categories
Concert Review

Quasi Comes to Motorco

Quasi burst onto stage amidst a flurry of bird sounds, with bandmates and former spouses Sam Coomes and Janet Weiss taking places behind their respective instruments, huge grins on their faces.