Since 2004, the Double Barrel Benefit has since served as the station’s primary fund raising event. As a department of a state university, NCSU Student Media consistently faces budgeting concerns (read: small budgets, which are made smaller each year). Similar fund raising efforts are absolutely integral to any non-commercial radio station, especially those that have very little in the way of guaranteed annual funding. Is that a shameless appeal? Not really, just part of the framework of the event.
What better way to secure some operating funds than to expose and promote local music? It’s unarguable that the Triangle area (conveniently covered in full by WKNC’s 25,000 watt transmitter atop D.H. Hill Library) is brimming with musical talent. WKNC has been a gracious actor within the local music scene for years, and helping local musicians reach their target audience (and beyond) is a major part of what we’re all about.
This year, local music fans who are generous (and indeed lucky) enough to attend the Double Barrel Benefit will receive something more than just two nights of great music and the knowledge that they helped the station keep the lights on for another year. All eight acts supplied a previously unreleased track to an eight-song compilation album; seven of the eight tracks were engineered and mixed right on the N.C. State campus. Kitchen Mastering, one of the South’s premier mastering facilities was responsible for the fantastic mastering work, and Triangle Duplication, located right in Raleigh, NC, provided duplication services; a free copy of this compilation is included in the $10 ticket price (buy a two night pass, get two compilations).
This year, Double Barrel Benefit 8 will take place on Friday and Saturday, February 4 and 5, at Kings in downtown Raleigh. Friday, February 4, will feature Cassis Orange, Luego, Bright Young Things and The Old Ceremony.
Cassis Orange
(Nicole Kligerman, WKNC Local Music Director)
Cassis Orange has got to be one of my favorite bands to come out of the Triangle in the past year. The poppy sweet sound is addictive, and I’m so happy about all the love this band has been receiving after the release of their Cassis Orange EP. I’m even happier about their inclusion in our Double Barrel lineup for this year.
Cassis Orange is the project of Autumn Ehinger and friends, and it’s actually the name of a popular Japanese cocktail drink. Japan is quite a large source of Autumn’s inspiration for song writing as her songs are, directly or indirectly, about the time she lived in Tokyo teaching English.
When trying to describe the music of Cassis Orange, I am reminded of a trip to the candy shop or being surrounded by color on a sunny day. The music is full of lo-fi pop sounds coming from Autumn’s Casio keyboard and lyrics about love and the like. The video for “Listen Heartbeat” was even filmed with a Locopop making its way around Cameron Village. The songs have the perfect sound for any happy time, and Friday night’s DBB8 is sure to be just that.
Luego
(Adam Kincaid, host of The Local Beat)
To say Luego is a super-group is a bit of an understatement. Fronted by talented young troubadour Patrick Phelan, this band features an ever rotating cast of a who’s-who of the Triangle Music Scene, all friends and contemporaries of the ever expanding congregation under the tutelage of Jeff Crawford. The likes of Peter Holsapple, William Moose, Mark Connor, Cameron Lee, Charles Cleaver, Rob DiMauro, Will Goodyear, Stuart Robinson, Brett Harris, Nick Jaeger, Caitlin Cary, James Wallace, and Dale Baker can all claim ties to Luego in one way or another. And yet despite this massive accumulation of local music demi-gods, it is Phelan who shines through with his vibrant stage presence and catchy lyrics layered on top of craftily set lo-fi blues rock that gets your feet moving while speaking to your heart. The latest release, Ocho, was put out just a mere eight months following the debut release of Taped Together Stories setting a prolific trend that we hope can continue.
Bright Young Things
(Tommy Anderson, WKNC General Manager)
There are several ways one could take the now-infamous tongue-in-cheek description of the BYT as “the Beatles on a bad day,” but the fact remains that there is only one way to take their live show. Energetic, creative, playful, yet still down to earth, Raleigh’s Bright Young Things weave their way right into the audience’s consciousness. (“I feel like I’ve known this band my whole life, and I’ve been a fan the whole damn time.”)
Lead guitarist Cameron Lee’s searing guitar licks slide right in next to Matt Damron’s crooned hooks; smooth and in-step keys along with the driving, bolstering rhythm section round out this attractive and impossible to forget outfit. The BYT are unassuming, polite, and darn catchy.
The Old Ceremony
(Adam Kincaid)
Django Haskins formed The Old Ceremony back in 2004 as a “mini-orchestra” of sorts with the aspiration of creating music that could not be composed by typical rock bands. What resulted was one of the catchiest and most sought after North Carolina groups in recent memory. After the release of their self titled debut full length the band struck a chord in the heart of music critics with their most successful output in 2007’s Our One Mistake, which was listed as one of the top 100 albums of that year by Paste Magazine. Without hitting a slump the band has dropped two more sophisticated masterpieces, Walk On Thin Air and Tender Age, while continually building upon the legacy that their live shows have garnered. Behind Haskins on stage, Mark Simonsen, Daniel Hall, Gabriel Pelli, and Matt Brandau fill out the fitting pieces into an intimate yet high energy show that has yet to repeat a set-list or let an audience down. The Old Ceremony is certainly a legend in the making.
