Categories
Band/Artist Profile Concert Preview

Concert Preview: Deeper/Godcaster

As we near the halfway point of the fall semester, — some of us walking, some of us lumbering like wounded animals — the necessity for distraction and/or stimulation abounds.

For me personally, the monotony of the daily grind (waking up at 7 a.m., riding the Wolfline, walking to class, rinse and repeat) compounds in a strong desire to Go To Shows.

Photo by Evgeniy Smersh on Unsplash

The biggest challenge for the average show-goer (aside from a litany of counfounding variables surrounding money, transportation and our ongoing(?) public health crisis) is knowing when and where shows are happening.

As somebody who has missed several shows already this year, I’m choosing to use my platform for the public good.

This upcoming Saturday (September 30), rock bands Godcaster and Deeper are playing live at Durham’s Pinhook at 7:00 p.m.

Where will you find yourself this weekend?

Godcaster

Godcaster is an art rock sextet based in Brooklyn, New York.

As part of their ongoing “Like a Heartache in Your Head” American tour, they’ll be making a stop in Durham this Saturday.

How can one best describe the sound of Godcaster? The band has breadth, spanning a wide range of sounds and sensations across their discography.

Cover for “Long Haired Locusts” by Godcaster

Comparable to Black Midi, Godcaster delivers tracks ranging from saccharine sweetness to guttural fervor, pivoting between energies with dizzying abruptness.

While some Godcaster songs inspire visions of sprawling meadows and fawns drinking from babbling brooks, others pass by in a whirlwind of dionysian frenzy.

Deeper

Hailing from Chicago, Illinois, Deeper is an idyllic post-punk band sounding straight out of the garage.

My first encounter with the band came back in 2020 with their album “Auto-Pain.”

Cover for “Auto-Pain” by Deeper

Oscillating between the realms of indie rock and post-punk, “Auto-Pain” is a great place to start exploring the band’s discography.

Charmingly youthful and upbeat, Deeper’s music paints a vast mural of pleasing rhythms and beats that fill the chest like bees in a hive.

Final Thoughts

I’ll be dragging my baby brother to this gig on Saturday (so expect a concert review in these next few weeks) as part of my plan to help him speed run his “pretentious music boy” phase.

Whether or not this is possible remains to be seen.

But I’m excited for the opportunity to share this experience with him and to, for just a couple hours, fill my brain with jilting guitar instead of academic journals.

Keep an eye out for more concert previews, which I will be hopefully releasing in a more timely manner than this one.

Categories
Classic Album Review

The Connells- “Ring”

The Connells, a North Carolina band that originated in 1984, didn’t achieve overwhelming success in the United States. Their primary fanbase came from Europe following the release of their hit single, “‘74-’75”, off their fifth studio album, “Ring” (History of the Connells).

The band is made up of Mike Ayers (guitar), David Connell (bass), brother Mike Connell (guitar and vocals), Robb Ladd (drums), Doug MacMillan (vocals) and Steve Potak (keys). 

The Connells’ sound is a great blend of pop-y rock, cheesy lyrics, fun melodies and good vibes. In their album, “Ring”, released in 1993 under TVT Records, this album was their breakout album with songs like “‘74-’75” and “Slackjawed”. 

Ring

Let’s get into a few of the tracks on this album. First up, “Slackjawed”, it opens the whole album with Mike Connells’ vocals and a slow, cheer-y guitar melody. The vocals are reminiscent of someone longing for a better experience in love. There’s a lot of yearning in the guitar riffs too, which adds to the catchy nature of this track. It’s a simple love ballad but The Connells do a good job of crafting a distinct sound with their vocals and lyrics.

Doin’ You” is another of my favorites from this album. George Huntley, a guest on this album, is on the vocals for this track. It has some funky lyrics and more over-the-top cliches like “doin’ you is like doin’ time” but it’s really attractive and fun to admire. 

Next up in my list of favorites is “New Boy”, which I think is the most unique lyrically on the whole album. This is another Mike Connell vocal track, so his soft voice carries us through emotions like regret and confusion. The two feelings meddle and mix with each other, creating a weird submission to invisible guilts. 

NC Is Home:

The Connells started releasing more music recently in the past couple years after a long hiatus with their newest album “Steadman’s Wake”. I have yet to experience this album, but after my dive into the sounds that made The Connells who they are today, I will be checking it out very soon. 

It’s great to see bands that started in this state, continue making music their way without giving into ideals that are already prevalent everywhere. The Connells could have made their music conform to usual pop-rock ideals of the 80’s and 90’s, but they kept to their sound and found their audiences through brute force and great perseverance.

Categories
Weekly Charts

Top Charts 9/26/23

Top Charts

#ArtistRecordLabel
1BEN FOLDSWhat Matters MostNew West
2YVES TUMORPraise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)Warp
312 RODSIf We Stayed AliveAmerican Dreams/Husky Pants
4BEING DEADWhen Horses Would RunBayonet
5PALEHOUNDEye On The BatPolyvinyl
6MANNEQUIN PUSSY“I Got Heaven” [Single]Epitaph
7PARIS TEXASMid AirParis Texas/The Orchard
8SUDAN ARCHIVES“Selfish Soul” (ODESZA Remix) [Single]Stones Throw/Foreign Family Collective/Ninja Tune
9YES YES A THOUSAND TIMES YESSupertinyinfinitedansReally Rad
10BIG THIEF“Vampire Empire” [Single]4AD
11HAVIAH MIGHTYCrying CrystalsMighty Gang
12KARI FAUXREAL B*TCHES DON’T DIEDrink Sum Wtr
13MICK JENKINSThe PatienceBMG
14PANCHIKOFailed At Math(s)Self-Released
15WOMBOSlab [EP]Fire Talk
16ALTERNATE LIFE FORCEA.L.F. – The Initial Transmissions [EP]Self-Released
17ARIESMARICAEverything After The Debut Is Gay [EP]Self-Released
18BILLY WOODS AND KENNY SEGALMapsBackwoodz Studioz/Fat Possum
19BRITTAN ASHFORDTrotterMisra
20CASTLE CHAMPNo We GoSelf-Released
21CORVAIRBound To BePaper Walls
22DEAR DERRICK“Love” [Single]Only Popcorn/9 To 5
23FLAMINGOSIS, EHIOROBOBliss StationSelf-Released
24FLOATING POINTS“Someone Close” [Single]Ninja Tune
25FLY ANAKINSkinemaxxx (Side B)Lex
26JEFF ROSENSTOCKHELLMODEPolyvinyl
27JIMMY EDGARLIQUIDS HEAVENInnovative Leisure
28K-RIZOne Way TicketBirthday Cake
29KAMAUULacuna & The House Of MirrorsAtlantic
30KILL BILL: THE RAPPERFullmetal KaijuEXOCIETY

Top Charts

#ArtistRecordLabel
1RATBOYSThe WindowTopshelf
2CHERRY GLAZERR“Sugar” [Single]Secretly Canadian
3CITIZEN“When I Let You Down” [Single]Run For Cover
4ANGEL DUSTBrand New SoulPop Wig
5CAT VALLEYBingo Queen [EP]Self-Released
6UCHE YARA“www she hot” [Single]Goldendays FM
7BAR ITALIA“My Little Tony” [Single]Matador
8SLAUGHTER BEACH DOGCrying, Laughing, Waving, SmilingLame-O
9TRUTH CLUB“Uh Oh” [Single]Double Double Whammy
10FROST CHILDREN“Lethal” [Single]True Panther
Categories
DJ Highlights

WKNC Named Finalist for Multiple National Awards

WKNC 88.1 FM HD-1/HD-2 has earned three nominations in College Broadcasters, Inc.’s National Student Production Awards, which were announced Aug. 22.

Rosie Rose, who graduated in August 2022 with a degree in communication media, is a finalist for Best DJ. Rose hosted “The Riot Hours” as Rainbow Riot. Rose was previously honored in the DJ personality category of the College Media Association Film and Audio Festival, earning first place in 2021 and second place in 2022.

Rose Kelley, a third-year student studying political science and the station’s content manager, is a finalist for Best Podcast for the “Lincoln and Liberty Too!” episode of the U.S. political history podcast “In the West Wing.” The episode explores the chaotic presidential election of 1860 in which Republican Abraham Lincoln defeated Southern Democrat John C. Breckinridge, Democrat Stephen A. Douglas and Constitutional Union candidate John Bell.

The third nomination is for Video Promo for Katie Quesinberry, a third-year student studying chemical engineering who worked as one of WKNC’s video content creators. The “WKNC Presents Double Barrel Benefit 19” promo was filmed using stop-monition animation, a package of cut-out stars from Target and a Scrabble tile set.

Winners will be announced at College Broadcasters, Inc.’s National Student Electronic Media Convention in Orlando on Oct. 21.

WKNC is also a finalist in the video/audio category of College Media Association’s Pinnacle awards, announced Sept. 6.

Carter Norfleet, a third-year student studying English-creative writing and one of WKNC’s video content creators, is a finalist for Best Short (sub-3 minute) Video for Entertainment, for “A Day with Art.” All finalists are in the Division I category for schools with an undergraduate enrollment of 10,000 or more.

KONDE Brown, a fourth-year student studying communication and the station’s 2022-2023 production manager, is a finalist for Best Audio Promo/PSA with Maddy Moore, a fourth-year student in textile technology. The promo is for Moore’s “The Doghouse” DJ shift, which currently airs Fridays at 11 a.m. on WKNC 88.1 FM HD-1.

The third Pinnacle nomination is for Best Audio Talk/Entertainment Program for the “On Island.” episode of “On Black.” The program, which airs every other Saturday at 11 a.m. on WKNC 88.1 FM HD-1 and is available as a podcast, is hosted by Alexis Grant, a third-year student studying material science engineering, Jeanine Ikekhua, a fourth-year student studying communication and international studies, and Hamsata Mazou, a third-year student studying business administration. In the “On Island” episode the hosts discuss how they would structure their own island, including who would be allowed in and what rules would be established.

WKNC was previously named a finalist for best radio station by College Media Association in this year’s Pinnacle awards.

Student newspaper Technician was also named a finalist for best editorial in the reporting category, for the Oct. 22 editorial “NC State’s lack of transparency surrounding campus tragedies harms us all.”

Winners will be announced at the College Media Association’s National College Media Convention in Atlanta on Oct. 31.

Along with the National Student Production Awards and Pinnacle Awards, NC State is a finalist for at least one award in the College Media Business and Advertising Managers annual contest. While no specifics were given, the award(s) will be presented Oct. 14 at the organization’s annual convention in Minneapolis.

Categories
Weekly Charts

Underground Charts 9/26/23

Underground Charts

#ArtistRecordLabel
1DANGER MOUSE AND JEMINIBorn AgainLex
2MICK JENKINSThe PatienceBMG
3DJ UNKNOWNPrisoners Of GravityUrbnet
4FLY ANAKINSkinemaxxx (Side B)Lex
5TEEZO TOUCHDOWNHow Do You Sleep At Night?RCA
6TOMMY RICHMANThe Rush [EP]Pulse/Concord
7MOKA ONLYIn And Of ItselfUrbnet
8K-RIZOne Way TicketBirthday Cake
9MCKINLEY DIXONBeloved! Paradise! Jazz!?City Slang
10EARL HONDOSouthernplayalistic [EP]Self-Released

Underground Adds

#ArtistRecordLabel
1K-RIZOne Way TicketBirthday Cake
2KIPP STONE66689 BLVDClosed Sessions
3ILLA JNo TrafficBBE
4MOKA ONLYIn And Of Itself (Instrumentals)Urbnet
5AESOP ROCK“Mindful Solutionism” [Single]Rhymesayers
6HEADKRACK (FT. METHOD MAN, KOOL KEITH AMD FLY DEFF)Buck WildCo-sign
7THE STRANGERSThe StrangersCo-Sign
Categories
Weekly Charts

Chainsaw Charts 9/26/23

Chainsaw Charts

#ArtistRecordLabel
1CRYPTOPSYAs Gomorrah BurnsNuclear Blast
2RINGWORMSeeing Through FireNuclear Blast
3XORCIST“Coterie Of The Depraved” [Single]Prosthetic
4CREAKDepth PerceptionProsthetic
5TILL THE DIRTOutside The SprialNuclear Blast
6ENTIERROThe Gates Of HellSelf-Released
7OWDWYR“Lagos” [Single]Self-Released
8ASTRALBORNEAcross The AeonsProsthetic
9SUBSUN“Doomsday Clock” [Single]Self-Released
10TERROR GARDEN“The Party’s Over” [Single]Self-Released

Chainsaw Adds

#ArtistRecordLabel
1OUTERGODSThe Kingdom Built Upon The Wreckage Of HeavenProsthetic
2WAYFARER“To Enter My House Justified” [Single]Century Media
3VITRIOLIC RESPONSEThe Dissidents/Vitriolic Response [EP]Self-Released
4BARONESSStoneAbraxan Hymns
Categories
Weekly Charts

Afterhours Charts 9/26/23

Afterhours Charts

#ArtistRecordLabel
1GALACTIC HOLEPiracies MenuSelf-Released
2DJ SABRINA THE TEENAGE DJDestinySelf-Released
3HARDCORE WILL NEVER DIE AND NEITHER WILL YOUVARIOUS ARTISTS909 Worldwide
4TRSHCKDBLEve’s DelightSelf-Released
5CASINOMoonsideAngel
6APOLLO BITRATEyou in amethyst spheresRetrac
7ALEPHSepulchreVision
8THE BOBFATHERDance Into The RevolutionX3: CIA Galaxy Raid OperationsSelf-Released
9FPELVVARIOUS ARTISTSFPE
10BLANK BANSHEE4DSelf-Released

Afterhours Charts

#ArtistRecordLabel
1TRSHCKDBLEve’s DelightSelf-Released
Categories
Concert Review

Sunny Day Real Estate Concert Review

Out  of all the days of Hopscotch, Day Three was shaping up to be my personal favorite. As a huge emo fan, I couldn’t believe that I was about to see one of my favorite emo bands of all time, Sunny Day Real Estate.

Sunny Day, for those who aren’t in the know, is one of the 90’s premier midwest emo – post hardcore – indie rock acts, and they’re absolutely incredible. Records such as “Diary”, “The Rising Tide”, “LP2”, and my personal favorite, “How To Be Something On”, have been etched into my subconscious, an inevitable result of years and years of enjoyment.

I was ready to see this band I loved so dearly, fully prepared to be shouting the lyrics of every song you know and love dearly right at the faces of the band. As I walked down to Moore Square, only one thing soured me – the dour weather. 

The grey skies loomed over the stage, and I was worried. Would the band I was so ecstatic to see delay, or even worse, cancel their set over this inclement weather? Luckily, as the band took the stage amid a slight drizzle, my fears were assuaged. Come rain or shine, they would play.

Eventually, the light drizzle developed into a full blown downpour, but I didn’t mind one bit. The band, to my surprise, chose not to open with a track from their most popular album, “Diary”, but instead chose to open with the opening track from “How To Be Something On”, which made me beyond overjoyed. The fact that raindrops were constantly obscuring my vision meant nothing to me, as I was in the throes of geeking out over the songs they played, like “48” and “Song About an Angel”.

The apex point for me, however, was in the middle of the set. The downpour was now almost like a monsoon, and every inch of my body was soaked. However, every part of me wasn’t focused on this, and was focused on the music. When the band announced that they were to play my favorite song of theirs, and one of my favorite emo songs of all time, “Guitar and Video Games”, I jumped up and down in pure joy. Nothing could take this moment away from me.

This year’s Hopscotch was my first large-scale outdoor concert experience, and I think it was probably one of the best experiences I could have had. Even though these types of concerts are exposed, and as such vulnerable to the elements, it really doesn’t matter at all when you get to see bands you love so much live. This was just one show out of a myriad of many, but it’s safe to say it was my favorite of the three days.

– Written By DJ Fives

Categories
Blog Music Education

Short Dip into Japanese Hardcore Punk

Okay, hello, hi. How are we doin’? I’ve been doing a little digging around in my free time this past week to find some cool bands and sounds for my future DJ sets here at WKNC, and I stumbled upon a little bit of treasure for myself. 

I’ve taken a dive into the Japanese Hardcore punk scene. With a little bit of background research “sponsored” by Google translate, Wikipedia and Discogs, we can explore some of the limited (on my end) originations of this genre and see some of the directions it has spread until today’s time.

History Time:

Wikipedia says Japanese Hardcore started in the 1980’s to protest social reforms that were occuring at the time in Japan. With these musical protests came what is regarded as the first band on the Japanese Hardcore scene: SS.

Unfortunately, SS does not have any of their music released onto streaming services like Spotify or Bandcamp, but you can take a listen to this YouTube recording to get a taste of their sound. They have a similar style to renowned punk bands like Bad Brains and Black Flag’s earlier vibes.

SS’s sound was a perfect platform for the explosion of noises that have taken off from this point on in Japan. 

Recent Times:

One of my favorite websites I like to use for exploring genres is Every Noise at Once (shoutout to the previous GM of WKNC for teaching me about it). I was able to find tons of new, classic and stale sounds from Japanese Hardcore music here.

One of the drawbacks is that it only lists artists and bands that can be found on Spotify, so I had to do a little more research through Bandcamp (great article covering neat bands from this genre) and YouTube to discover the unique sounds that I knew were out there. 

Here a few of my favorites and links to their work:

Sicilian Blood – I loved their flashy play style, the quick vocals, rapid-fire drums and the noise level. They’ve got a mix of English curse words and Japanese lyrics, so anyone listening can have a fun time thrashing.

Sekiri – This band’s name translated to English is “dysentery”; they’re an all female group who formed in 1983 and disbanded in 1995 by 14 to 15 year olds according to Discogs. Who has more punk spirit than the youth? Sekiri’s got mellow, husky vocals, loud drums and a quiet but efficient guitar. I love listening to their track “4649, but I’m excited to explore their limited discography in depth. 

One more band I got for y’all is THE CONTINENTAL KIDS. I’ve really only listened to a few of their tracks (because I haven’t been able to find more of their content) and it’s got the energy that I was looking for. In “BANZAI ATTACK” the band unleashes a barrage of noise with some classic metal influenced guitar riffs, throaty and evil vocals and some fast paced drums which add to the nostalgic feel THE CONTINENTAL KIDS produces. 

Conclusions:

I really enjoyed perusing this genre of music and I can’t wait to create a future set out of the artists and bands I’ve taken a liking to. I hope some of this has been informative or even an interesting perspective on this genre. There’s tons more of these sounds and variations out there.

As a treat, if you made it this far, here’s a cool “Holy Diver” cover of Dio’s legendary track.

Categories
Music Education

What is Ska? A Genre Field Guide

When I finally sat down to watch the 2023 Universal Pictures film “Renfield,” I did so with an open mind.

It may not be surprising, but I tend to be the kind of person who takes films too seriously.

I think the fact that I refer to movies as “films” is evidence enough that I need to spend more time outdoors and less time analyzing the microexpressions of dewy-eyed male actors.

So going into “Renfield,” I tried to manage my expectations. I’d already heard that the film wasn’t anything groundbreaking — I mean, how could it be? — but that it was, at face value, an extremely fun watch.

And it was.

The shlocky cartoon violence and Mortal Kombat-style body horror was beautifully camp when paired with the MCR-sad-kitten-guyliner realness of Nicholas Hoult.

But what I couldn’t have possibly prepared myself for was the integration of ska — a genre I barely understood — into the film’s plotline.

So, What’s Ska?

Ska’s origins can be traced back to the 1950s in Jamaica, born of an early form of American-inspired rhythm and blues.

Jamaica’s first indigenous urban pop style, ska developed from the “shuffling rhythm” of American blues singer Rosco Gordon and different aspects of Caribbean folk music.

Due to Jamaica’s largely orally-transferred musical history, the identity of the so-called “author” of the ska genre remains contested.

Photo by Juan Di Nella on Unsplash

However, Jamaican guitarist and composer Ernest Ranglin is often named as the “godfather of ska” and a major player in the development of reggae.

The Skatalites

Following Jamaica’s 1962 indepencence from British rule, ska enjoyed a sort of renaissance.

Photo by Bill Fairs on Unsplash

Don Drummond, Roland Alphonso, Dizzy Johnny Moore, Tommy McCook, Lester Sterling, Jackie Mittoo, Lloyd Brevette, Jah Jerry and Lloyd Knibbs joined together to become the Skatalites in 1963, strengthening the foundation of the genre by making several seminal recordings for leading producers and offering support to prominent singers.

Among these individuals, Don Drummond distinguished himself as a prominent pioneer of the genre until his confinement in 1966.

What Does it Sound Like?

Unlike other genres, ska’s sound comes from very specific characteristics.

Ska music typically has a fast tempo, a 4/4 timescale, prominent horns and strongly accented offbeat guitar chords (also known as a “skank”).

Photo by Ana Grave on Unsplash

Typical ska bands feature guitars, bass, drums, saxophone, trumpet, trombone and vocals with melodic tradeoffs between singers and the horn section.

As ska developed further as a genre and pervaded into the musical conciousnesses of other worldly regions, it underwent several “waves” and branched off into fusion genres, such as ska punk.

Final Thoughts

Though often the subject of comedic derision (and normal derision), ska is a deeply influential and important genre, especially in relation to the punk subculture.

However, its influence remains largely obfuscated in discourse. While this article specifically offers a (very brief) overview of the ska genre’s origins and aspects of its style, I encourage anyone interested to delve deeper into the complex relationship between ska and its ethos and the punk rock subculture.

Understanding the intersectionality of these two spheres (which, perhaps, are not as distinct from one another as one may think) adds important context to the racial, social and cultural dynamics that shape, and have shaped, music subculture as we understand it today.

Additional Reading

  • Kauppila, Paul. “‘FROM MEMPHIS TO KINGSTON’: AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA.” Social and Economic Studies, vol. 55, no. 1/2, 2006, pp. 75–91. JSTOR, http://www.jstor.org/stable/27866458. Accessed 22 Sept. 2023.
  • Hutton, Clinton, and Garth White. “The Social and Aesthetic Roots and Identity Of Ska.” Caribbean Quarterly, vol. 53, no. 4, 2007, pp. 81–95. JSTOR, http://www.jstor.org/stable/40655000. Accessed 22 Sept. 2023.