Categories
Weekly Charts

Jazz Charts 3/12/24

Jazz Charts

#ArtistRecordLabel
1JUN IIDAEvergreenOA2
2YUSEF LATEEFEastern SoundsCraft
3NUBYA GARCIA“Fortify” [Single]Concord Jazz
4JULIAN LAGESpeak To MeBlue Note
5CHRIS ROTTMAYERBeingShifting Paradigm
6WOLFF, CLARK, AND DORSEYA Letter To Bill EvansJazz Avenue 1
7NEW JAZZ UNDERGROUND“Harlem to Havana”: Afro​-​Cuban Modernism VOL​.​1Self-Released
8BRIAN SCARBOROUGHWe Need The WindOutside In
9MARY HALVORSONCloudwardNonesuch
10OBED CALVAIRE150 Million Gold FrancsSFJAZZ Collective
Categories
Weekly Charts

Chainsaw Charts 3/12/24

#ArtistRecordLabel
1ILLUMISHADEAnother Side Of YouNapalm
2AMIENSUS“Vermillion Fog Of War” [Single]M-Theory
3ESHTADUR“Fire Above Mountain Below” [Single]Self-Released
4DOMINATION CAMPAIGN“The Iron Beast” [Single]Prosthetic
5PLAGUEMACEReptilian WarlordsNapalm
6FREYAFight As OneUpstate
7FUTURE STATICLiminalityWild Thing
8RECEIVERWhispers of LoreGatesOfHell
9OUTERGODSThe Kingdom Built Upon The Wreckage Of HeavenProsthetic
10WAYFARERAmerican Gothic (Bonus Track Version)Profound Lore
Categories
Weekly Charts

Afterhours Charts 3/12/24

Afterhours Charts

#ArtistRecordLabel
1ANGELS GUN CLUBIndustry ChildrenAngels Gun Club
2ROXY RADCLYFFEThe Median’s ArkNext Year’s Snow
3DJ SLORGLDORFI Wanna Be Ur Girlfriend!!lua!!
4JUNGLE FATIGUE VOL. 3VARIOUS ARTISTSJungle Fatigue
5PERREOTEK VOL. 3VARIOUS ARTISTSAngels Gun Club
6BODY AND DIS FIG, THEOrchards of a Futile HeavenThrill Jockey
7NABIHAH IQBALDREAMER (Remixes) [EP]Ninja Tune
8FAT DOG“All The Same” (Mandy, Indiana Remix) [Single]Domino
9WRECKED LIGHTSHIPAntipositionPeak Oil
10MUGEN COMPILATION VOL. 5VARIOUS ARTISTSLost Frog
Categories
Miscellaneous

“Dune: Part Two” Sounds of the Desert and Fremen Jihad

If y’all haven’t noticed, the second part of Denis Villeneuve’s “Dune” movies has been in theaters for over a week. The absolutely epic nature of “Dune” continues in its second movie and relies heavily on a soundtrack again written and composed by Hans Zimmer, one of Hollywood’s premiere sound designers for blockbuster films like “Interstellar”, “Kung Fu Panda 4” and Christopher Nolan’s “Batman” trilogy. 

I can be a very picky person when it comes to book adaptations. Especially for books that are impossible to adapt to a screen perfectly. “Dune” is definitely one of those books. However, the music and cinematography bring the world of Arrakis to life. This is the strong point of the two Villeneuve “Dune” films for me. They are absolutely some of the most beautiful representations of Arrakis imaginable.

Dune: Part Two” opens with soft sounds and a slowly waking planet and people. Zimmer captured this extremely well with tracks like “Beginnings Are Such Delicate Times”. We slowly traverse the golden path of Paul Atreides becoming the Lisan al Gaib, the prophet and messiah of the Fremen people of Dune. 

Zimmer’s soundtrack builds as the tension in the story begins to weave towards war. In “Dune: Part Two” there’s abundant imagery and scenes of the Harkonnen clan on their cold, black sunned planet, Giedi Prime, that Zimmer again captures well with “Harkonnen Arena”. It’s music drowning in fear, violence and greed. I love the way it makes the pasty, bald-headed Harkonnens more treacherous just with some epic music. 

The scenes on Giedi Prime are also unique and beautiful too. They are absolutely some of my favorite interpretations from the source material (though I do wish they made Baron and Feyd Harkonnen even nastier like the books). The black and white coliseum scene is the most goosebump inducing gladiator fight scene I’ve seen in a film to date. 

In the second half of the film, the music’s rise in tempo with the imminent war helps quicken the heart beat more. There’s a ton of plot points in the book I wish I saw represented in this section of the movie (like Paul and Chani’s child that gets killed and young Alia running around talking at a few months old), but adaptations can’t be perfect. It’d take years to get through a perfect adaptation of “Dune”. I’m satisfied with what I was able to witness in theater, but still longing for perfection even when I know it won’t arrive.

Categories
Band/Artist Profile Classic Album Review

High-Functioning Flesh: The Industrial Duo You Didn’t Know You Needed

Darkness meets drum machine with Los Angeles electro-punk duo High-Functioning Flesh.

With a sound somewhere between DEVO, Molchat Doma and Portion Control, High-Functioning Flesh is an industrial hall essential.

Much like the word “flesh,” the band’s music is carnal, tactile and vivid.

And as per usual, I found them entirely by accident.

Expanses of “The Flesh”

Often abbreviated to HFF, the band emerged in Los Angeles after Susan Subtract and Gregory Vand attended a Youth Code show.

The band’s debut album, “A Unity of Miseries – A Misery of Unities” came out on DKA Records in 2014. The album struck a chord in the industry with its evocative style inspired by sci-fi, body horror and archetypal punk angst

According to the band, their work “seeks to revive us all from our spectacle-induced coma,” presenting a sobering sound to rend the veil of capitalist monotony.

Cover for “A Unity of Miseries – A Misery of Unities” by High-Functioning Flesh

HFF cites Cabaret Voltaire and Portion Control as major stylistic influences, though the duo certainly brings their own qualities to the craft through elaborate instrumentation and production effects.

“A Unity of Miseries – A Misery of Unities” is a dynamic album, highly tactile and hypnotically raucous through its sprawls of synth, drum and fried vocals. Its industrial quality is heavy-handed and walloping like metal slamming against metal.

HFF’s sophomore album, “Definite Structures,” came out in May 2016 through Dais Records. The album reflects the progression of the band’s electro-industrial style, leaning into further experimentation with sound layering and auditory effects. The album is a kaleidoscope, evoking the brutalist edge of Skinny Puppy.

Cover for “Definite Structures” by High-Functioning Flesh

Following this release, the band dropped the single “Human Remains” through the same label. The single features two tracks, “Human Remains” and “Heightened State.”

For this release, the band turned to mellower vocals with less distortion, leaning back into the style explored with their first album.

HFF’s most recent release, “Culture Cut,” came out in 2017. A blind comparison of “Culture Cut” against “Human Remains” would almost suggest the existence of two bands.

Cover for “Culture Cut” by High-Functioning Flesh

“Culture Cut” clearly draws more from the same inspirations as “Definite Structures.”

According to Dais Records, each new release highlights the band’s evoltion “from a handful of lo-fi flashback demos to aggressively realized synth-punk dance floor anthems.”

And Dais Records is wholly correct. The music of High-Functioning Flesh belongs on the dancefloor for leather and PVC-clad youths to gyrate to.

Song Highlights

Categories
Miscellaneous Playlists

Reel-to-Reel Presents: Hello, I’m…Johnny Knoxville?

How can you immediately spot someone who’s jumped a dirt bike off a homemade ramp? Play the Minutemen’s “Corona” in a crowd. 

Fronted by Johnny Knoxville and supported by a motley crew of Chris Pontius, Steve-O, Ryan Dunn, Jason “Wee Man” Acuña, Dave England, Preston Lacey, Ehren McGhehey, and formerly Bam Margera, among others, “Jackass” started with humble DIY roots on MTV and blossomed into a seven-film franchise, give or take a few. 

Categories
Classic Album Review

Rei Harakami’s “Lust,” Makes For Addictive Listening

The only time Spotify has ever recommended anything worthwhile is when the first track of Rei Harakami’s “Lust,” began playing on autoplay while I was sitting in a coffee shop studying. Instantly, I was transported. 

With simplistic sounds, Harakami captured a whole mood within his last album. It sounds like laying in a field of flowing grass in early June. The sun is hot, but not too hot, glossing over your skin. You’re in the middle of a big cityscape, possibly central park, listening to the sounds of happy kids playing and shrieking in the background while your eyes are closed, soaking it all in. You walk home the long way, feeling a soft wind against your skin. Maybe you stop and get ice cream from a truck, a chocolate drumstick like when you were little. The sky is bright blue and you feel at peace.

I immediately added the album to my library and it’s been on repeat ever since.

Rei Harakami got his start making music for student films. He preferred the simple sounds of electronic devices over computer-generated sounds, creating the entirety of lust with a Roland SC-88 synthesizer. These intentional, repetitive sounds contribute a lot to the magic of “Lust,” creating sounds that are almost meditative.

“Lust,” was Harakami’s last album, and perhaps his most masterful. My favorite tracks from the record include “come here go there,” “joy,” and “owari no kisetsu.” 

Harakami recorded the vocals for “owari no kisetsu” himself. Translated to “season of endings,” the song is a melancholic portrait of leaving something that no longer serves you. “The dawn burns through the horizon,” Harakami sings, “and leaves me with a feeling of salvation.”

These lyrics, to me, perfectly capture why “Lust,” is so addictive to listen to. Harakami has created something that feels like a new day and a new beginning. 

If you’re a fan of electronic music and soothing sounds, I’d highly recommend giving this album a spin.

Categories
Music Education

A Brief History of Lobit Music

Everyone loves a good intentionally low-quality effect for nostalgia reasons. The sensation ranges from posting movie screenshots run through VHS filters to pressing modern albums onto vinyl to those people on Twitter who post pictures of anime on CRTs. In more recent years, this phenomenon has created a trend of lobit music, made to replicate an era where YouTube uploads were low quality and waiting for your music to download took forever. 

The term for the effect applied to music is called bitcrushing, and it’s a pretty simple filter to put on your music. Combined with Gen Z having nostalgia for 360p YouTube videos and now being old enough to put out music, it makes sense why there’s been a surge of it recently. 

That said, it’s also existed for as long as people have been able to do it, leading into this brief history of one effect.

Categories
New Album Review

Creepy Clowns Crawl out of the Dark in “Spell Piercings”

Last year I wrote a short article about Gonemage, Garry Brents’ crypto-death and nu-metal project that he is lovingly devoted to. I absolutely love this person’s work, and thankfully he’s released a new album, “Spell Piercings”. 

“Spell Piercings” was released February 23, 2024, and has a total playtime of thirty-eight minutes and forty-eight seconds. It is the twelfth release by Brents under the Gonemage moniker. He has other projects like Memorrhage and Cara Neir

Onto the album… “Spell Piercings”

To start us off and put us in the optimal headspace for this strange album, we must acknowledge the story and theme set up by Gonemage on their Bandcamp page:

“It’s 1999. Somebody someone from nondescript suburbia opens a dusty, old toy box tucked away in a crawlspace underneath a bedroom closet. Out comes a purple clown doll, animated with clacking footsteps, smiling, and singing indecipherable words. Stone, ice, and chains suddenly emerge out of purple smoke emitting from the doll, warping all surroundings into a dungeon. All nearby inhabitants become subject to the clown’s morbid sense of amusement and games of magic and mischief”

From Gonemage’s Bandcamp

Brents must have a deep appreciation of the inner-machinations of creepy clown dolls. I don’t love clowns, but I’m also not terrified of them either. This, though, is horrific. I applaud Brents’ fun creepy theme as it definitely helped me assimilate parts of myself with the sound. 

Crawlspace

The first song on the album is a rollercoaster. It’s a long descending staircase into a musty basement that is just a portal to another equally horrific dimension of terror and surrounding fear. Claustrophobia sets in. The walls are touching you, scraping you and you’re stuck with nowhere to go but further down into this album’s abyss.

Bouncing Scroll

I really loved the first bits of this track up until the chorus. Then it kinda drags me along, unwillingly, into more drawn out mediocre vocals. The instruments are epic though. I do love the variation and complexity Brents continues to use in all of his projects. 

Screambled

Another track on this album I found to be close to perfect for my ears. The first and the last minute are amazing. Absolute terror and fear crawl through the closed pores on my skin. The goosebumps are spreading like a plague. But that minute in the middle of the track is numbing, and not the good numbing. The “boring, what am I doing here listening to this too many thoughts in my head” numbing. 

Sliced in Chamber

The main issue I keep finding with this release is the variability within the tracks themselves to keep me focused and loving the entirety of the song. I do like this track, but it gets old the more you listen to it. That might be my decreasing fascination with songs that tell stories or have a narrative. The tink tink tink sounds in the last twenty seconds are gold.

C U

As one of my favorite tracks on this release, there are still a few shortcomings. At first I didn’t love the movie sound byte used in this track, but the more I listen to it, the more it grows on me. Foreboding music throughout and an amazing set of lyrics represented as “(indecipherable words and sounds from the clown doll)” (From Bandcamp). This is a long heavy track which keeps me entertained. 

Tattered Cloak

Addicting guitar rhythms and interesting vocals still don’t help me adore this song. I cannot pinpoint the exact reasons “Tattered Cloak” doesn’t do it for me, but it doesn’t completely repulse me either. 

Cave of Trials

The introduction is full of whiny vocals and that just completely ruined my chances of loving this song. It does have fun, campy lyrics sung in a strange manner:

“Soda pop soda pop wonder drug

Soda pop soda pop fresh syrup

Soda pop soda pop wonder drug

Amoeba amoeba soup

Slime jelly”

From Gonemage’s Bandcamp
Spell Piercings

The longest track on this album would have had to a ton to make up for the shortcomings and perceived time wasted in some of the other tracks, and it absolutely does. I adore this song. It’s got the abominable clown doll creeping through my skull at this moment. At seven minutes long, I never expected to be sucked into a track like this, especially on the last song of the album. I find this track to be a step up from everything on “Celestial Innovation” too (which is easily my favorite release under the Gonemage projects).

Leaving the Clown’s Grip

Alright, this album has tons of good and beautiful innovations in it. Brents is a phenomenal collaborator with his fellow Texas musician community to create his work (you can see collaborators for “Spell Piercings” on the Bandcamp page). There are a few things I didn’t love in this album too, but I think this release shows how much fun Brents is having creating music. I can’t wait to see and hear more music that Garry Brents releases in the future, and while this album won’t be getting tons of replay ability for me, it still should be fun to revisit every now and again.

Categories
Weekly Charts

Top Charts 3/5/24

Top Charts

#ArtistRecordLabel
1GOTTS STREET PARKOn The InsideBlue Flowers/PIAS
2GLITTERERRationaleAnti-
3H31RHeadSpaceBig Dada
4ATMOSPHERESo Many Other Realities Exist SimultaneouslyRhymesayers
5DANNY BROWNQuarantaWarp
6EDO. GWe Do GoodRed Line
7OFFICE DOGSpielNew West/Flying Nun
8YUNGATITAShoelace & A KnotSelf-Released
9AESOP ROCKIntegrated Tech SolutionsRhymesayers
10ALTERNATE LIFE FORCEA.L.F. – The Initial Transmissions [EP]Self-Released
11BABEBEEA PROPHECY [EP]Epitaph
12BLACK MILKEverybody Good?Mass Appeal
13BUTCHER BROWNSolar MusicConcord Jazz/Concord
14CZARFACECzartificial IntelligenceSilver Age/Virgin
15DJ UNKNOWNPrisoners Of GravityUrbnet
16GABRIEL TEODROSFrom The Ashes Of Our HomesSelf-Released
17GATTIE THA KINGPortrait Of A King 4Linked Up Empire
18KIPP STONE66689 BLVDClosed Sessions
19MICK JENKINSThe PatienceBMG
20PARIS TEXASMid AirParis Texas/The Orchard
21SUDAN ARCHIVES“Selfish Soul” (ODESZA Remix) [Single]Stones Throw/Foreign Family Collective/Ninja Tune
22TOUSSAINT MORRISONThe Very Best Of Ricky & JaneUrban Home Companion
23HOTLINE TNTCartwheelThird Man
24KILLER MIKEMichael (Deluxe)Loma Vista/Concord
25LAVA LA RUE“Renegade” [Single]Dirty Hit
26LEN BOWENNTHN4GRNTDBLK.SUN.SND
27OL’ GORILLA BONES X THE DIRTY SAMPLERevenge Vol. 2Hand’Solo
28OMNISouvenirSub Pop
29TEETHETeethe + Tag/LuckyWinspear
30WEDNESDAYRat Saw GodDead Oceans/Secretly Group

Top Adds

#ArtistRecordLabel
1MANNEQUIN PUSSYI Got HeavenEpitaph
2GULFERThird WindTopshelf
3YARD ACTWhere’s My Utopia?Island/UMG
4AYLEEN VALENTINE“Ask Nicely” [Single]Giant
5INFINITY SONG“Slow Burn” [Single]Roc Nation
6BEEN STELLARBEEN STELLAR [EP]So Young
7ATOMIC TOM“Let Me Show You How It’s Done” [Single]Self-Released
8MYRA KEYESFlower In The BrickSelf-Released
9GEN AND THE DEGENERATESANTI-FUN PropagandaMarshall