Categories
Music News and Interviews

Off the Record: Lady Moon and the Eclipse

Off the Record: Lady Moon and the Eclipse 

Lady Moon and (most of) the Eclipse call in for a phone interview! Listen up to hear how the group’s strategy for booking shows as well as Lady Moon’s advice for how to receive the energy being given off by the Universe.

Categories
Weekly Charts

Chainsaw Charts 8/2

# Artist Record Label

1 THY ART IS MURDER Human Target Nuclear Blast
2 AND HELL FOLLOWED WITH “Empty & Hollow” [Single] Hollowed
3 CARNIFEX World War X Nuclear Blast
4 AURAS Binary Garden Entertainment One
5 OSIAH “Ascension” [Single] Unique Leader
6 SIGNS OF THE SWARM “Malevolent Enslavement” [Single] Unique Leader
7 BRAND OF SACRIFICE God Hand Unique Leader
8 KNOCKED LOOSE “…And Still I Wander South” [Single] Pure Noise
9 JUDICIARY Surface Noise Closed Casket Activities
10 HE IS LEGEND White Bat Spinefarm

Categories
Miscellaneous

What is Grime?

Grime is a variation of hip-hop that was born in the UK and is inspired by the Garage scene of the 90s (much like the Underground scene of the 90s in the U.S), Dancehall, Jungle (a type of electronic music), and Reggae. It developed from the inability of artists to be fully accepted into any of the various music scenes from which it was inspired. Characterized by fast, syncopated breakbeats, jagged electric sound, and lyrics of which revolve around the grime and grit of urban life, Grime changed the rap game forever.

It rose from the Underground into the light around the mid-2000s, after being featured on pirate radio stations (radio stations that broadcasted from ships in the 60s because of censorship) and essentially engulfing the Underground Scene.

Rappers like Skepta, Dizzee Rascal and Wiley have been a big part of the Grime movement. To you, these names may not ring a bell but in places like London, these names are as iconic as A$AP Rocky.

Grime has furthermore filtered itself into fashion. London Fashion Week this year was filled with streetwear. Though this has a lot to do with Hip-Hop’s influence in pop culture in general, a lot of it is specifically due to Grime influence. Brands specifically are beginning to embed streetwear with a y2k influence which can all be thanks to Grime.

America definitely needs to hop on the Grind bandwagon because though Grime is technically hip-hop, it is also technically electronic music, meaning raves. Imagine raving to rap music? Sounds sick right?

Check out Skepta’s new single and hear the Grime influence:

https://www.youtube.com/watch?v=pwJXDrBik4I

Lul Bulma

Categories
Playlists

TOP 10 SONGS TO LISTEN TO WHILE YOU POO

TOP 10 SONGS TO LISTEN TO WHILE YOU POO

Everybody does it.  Though we often don’t openly talk about it, each of us has cumulatively spent days of our lives sitting on the pooper, thinking or listening to God knows what.  With that being said, there is an almost completely untapped market of music made specifically to listen to while their listeners are subjected to regular movements.  We haven’t gotten to a point where highly specific shite tunes are widely available, but we still have your trusty blogger Cliff here to deliver a personalized playlist of my favorite crap tracks.  This is the TOP 10 SONGS TO LISTEN TO WHILE YOU POO.

 

10. California Dreamin’- The Mamas and the Papas

 

I don’t know about you, but there is seldom a time where I am squatting down to let loose where I find myself in a particularly clean or aesthetically pleasing environment.  Because of this, it’s hard to resist throwing on this counter-culture folk classic. As I sit trapped in my self-inflicted linoleum prison my head begins to peruse thoughts of a mild-aired utopia.  All the leaves are brown, baby. 

 

9. Seeing Red- Minor Threat 

 

Though I must admit that I’m not the most amiable person in the world, my own worst enemy is me, especially when I’m undertaking a nice #2.  And I when I mentally face-off with myself in the toilet bowl-arena, I need the one-two punch of speed and power to slap myself into the correct BM mindset.  Ian MacKaye’s screams provide the perfect burst of energy to accelerate out of those unfortunate ruts. 

 

8. Dazed and Confused- Led Zeppelin 

 

Don’t ever let anyone tell you you’re being dramatic about your poos (my girlfriend does to me all the time), your expulsion of organic waste is the most natural heroism of all time: an epic written in the dirt beneath our feet.  It’s hard to choose a particular Zeppelin song to snap into my greasy bathroom tape player, but this wailing classic off their debut transforms my bashfully off-white bowl into a golden throne from which I sip from a goblet while straining the blood vessels in my forehead.  This heavily distorted dissent into fiery blues-rock gifts an otherwise banal task with the dignity that it has always deserved. 

 

7. Informer- Snow

 

The barrier between the abstract enjoyment of music and material improvements from groovy tracks is much less tangible than you would expect.  What could this possibly mean, Cliff? Well, the undeniably perfect mid 90s classic, Informer, is so funky that it helps me finish my duty. Snow’s beautifully crafted beat massages my colon via soundwaves, and the lyrics are so good that my body completely relaxes whenever I let those golden words into my ears.  Thank you, Snow. 

6. London Dungeon- The Misfits 

 

You can probably tell that these songs are chosen to reflect something I am feeling in my head and that I view them as reliable extensions of whatever I am feeling. As mentioned in the California Dreamin’ segment (see number 10), I often feel trapped by architecture that is understandably designed to keep the stank from leaking out.  However, more often than not I decide to revel in my discomfort rather than finding release in escapism. For that reason, the Misfit’s London Dungeon, a song literally about being in a dungeon, really resonates with me. If you were to break down my door mid-project and conducted a vibe check, there’s a good chance you would find a wave of brooding anger lingering within me. 

 

5. Crosseyed and Painless- Talking Heads 

 

Despite whatever I may be wearing, whatever fad I’m committing myself to, or whatever I may be currently spending the majority of my time doing, at the end of the day I cannot escape the vulnerability of simply being human.  Unsurprisingly, this existential dread of being within a soft body surrounded my hardened testaments to human progress is particularly exacerbated in the necessarily immaculate reality of a bathroom’s interior. So, when I sit there within my mech of pipes and tile questioning why I must inherently remain a pinnacle of weakness while pushing out evidence of my body’s inefficiency, David Byrne’s nervous yelps of modern fear give me at least a partial feeling of solidarity.  The (angular) rattling echoes my anxieties of an alienating society and empowers my disgust with its throbbing isolation. As a result, I have few qualms about dropping my deuce within it. 

 

4. Honey Bucket- The Melvins 

 

I won’t lie to you, my trust readers who have made it to number 4 on a listicle about my poo-poo playlist, I don’t like metal.  It’s a pretty deflating predisposition when ruminating on songs to help squeeze out a big one; metal is the perfect engine to keep you regular! By no means do I want to dispute the inescapable law of nature that states heavy music is objectively wonderful for a poor sap whose clenching mechanisms have been exhausted.  But I don’t like metal. I’m sorry, I really can’t stand the stuff. As such, I become incredibly distracted whenever it fills my ears which sit atop my cocoa seat. But Honey Bucket by the Melvins is the perfect compromise for me. It’s heavy without being obsessed with its heaviness and therefore I have effectively eliminated all distractions.  From here, I let the heaviness overtake me as I become significantly lighter. 

 

3. I Love You- Vanilla Ice 

 

Of course, how could I complete a list hinging on my relaxation and subsequent internal evacuations without putting in a little R&B?  As I scroll through my library of records, thumb lightly pressed over each of the titles as if to tease every one of them with the privilege of being of my restroom royalty, one record stands out.  You guessed it: 1990’s To the Extreme by Vanilla Ice, specifically the last track: I Love You. The song is the perfect tempo through which I can focus in on internal stasis, a plane of existence which allows unadulterated self-cleansing.  The beat centers around a crisp, reverbed splash which is incredibly reminiscent of a mass entering a toilet bowl’s sea. Ice croons about love in such a down-to-earth manner that I can’t help but turn to myself and say “I love you” in a burst of confidence which is required for a successful trip to the john.  And don’t even get me started on the sax solo. 

 

2. Day of the Lords- Joy Division 

 

Time to get real, folks.  I’m not perfect. I know this whole list builds the illusion that I’m perfectly prepared to live an incredibly clean and regular life; a life where surroundings which breed a colonic flow-state have been so ingrained in my head that it’s virtually automatic.  But, as much as I hate to say it, this is the real world. More often than not I don’t have a perfect trip, and I leave feeling incredibly frustrated and confused. What did I do wrong? Do I need to change my diet? I bet the normal people don’t have these issues.  In times like these, I look back to my days of constant discomfort: high school. When embracing these nihilistic anthems of self-hatred as a means of relinquishing the responsibility of my fecal health, I become a martyr. And no band empowers self-pitying more than Joy Division.  When I leave my bathroom in silence and lay down in a pool of my tears after a catastrophic failure, I become Ian Curtis. 

 

1. Rollin’ (Air Raid Vehicle)- Limp Bizkit 

 

The beauty of a pooping playlist is its utter lack of pretension. Sure, the concept itself is pretty funny on a surface level, but it does provide a legitimate opportunity to judge music on the utmost visceral level.  In most circumstances, there won’t be another soul joining you in your journey to the bottom of the potty, and in most circumstances, you won’t want to associate the experience to closely with any part of your identity. The only reason why you would put something on a playlist like this is that you enjoy it independent of how you think your friends or peers would react.  For this reason, Limp Bizkit will always remain my kings of the chocolate log kingdom. Their music is foul, trashy, offensive. But it’s fun to listen to, and as such makes me feel my most powerful when my jaw and various other muscles clench daily.  

– Cliff Jenkins

Categories
Weekly Charts

Afterhours Charts 8/1

# Artist Record Label

1 SAMPS, THE Breakfast Gloriette
2 CHROME SPARKS Be On Fire [EP] Counter
3 GEOTIC Traversa Ghostly
4 KAYTRANADA Nothin Like U/Chances [EP] RCA
5 YVES TUMOR Safe In The Hands Of Love Warp
6 HURLEE Beating For You [EP] Apparel
7 DEVATA DAUN Pye Luis [EP] Pytch
8 COWGIRL CLUE Icebreaker Vada Vada
9 GEORGE CLANTON Slide 100% Electronica
10 SATIN SHEETS St. Francis 100% Electronica

Categories
Weekly Charts

Daytime Charts 7/30

# Artist Record Label

1 NATHAN BAJAR Playroom In Real Life
2 METZ Automat Sub Pop
3 MANNEQUIN PUSSY Patience Epitaph
4 JULIA SHAPIRO Perfect Version Hardly Art
5 DUMB Club Nites Mint
6 (SANDY) ALEX G House Of Sugar [Advance Tracks] Domino
7 JAY SOM Anak Ko [Advance Tracks] Polyvinyl
8 PIP BLOM Boat Heavenly/PIAS
9 BLESSED Salt Pirates Blend
10 HATCHIE Keepsake Double Double Whammy
11 GOTOBEDS, THE Debt Begins At 30 Sub Pop
12 TEEN BODY Dreamo Broken Circles
13 FRENCH VANILLA How Am I Not Myself? Danger Collective
14 PALEHOUND Black Friday Polyvinyl
15 GREYS Age Hasn’t Spoiled You Carpark
16 NOTS 3 (Three) Goner
17 PINHEADS, THE Is This Real Farmer & The Owl
18 IBIBIO SOUND MACHINE Doko Mien Merge
19 TRUTH CLUB Not An Exit Tiny Engines
20 B BOYS Dudu Captured Tracks
21 SACRED PAWS Run Around The Sun Merge
22 DID YOU DIE Royal Unicorn Blew Rose
23 GAUCHE A People’s History Of Gauche Merge
24 REPTALIENS Valis Captured Tracks
25 COUGHY Ocean Hug Joyful Noise
26 SASAMI Sasami Domino
27 SLOW PULP Big Day [EP] Self-Released
28 GRINGO STAR Controlled Burn Baby Robot
29 HELADO NEGRO This Is How You Smile RVNG Intl.
30 BLACK MIDI Schlagenheim Rough Trade/Beggars

Top Adds

1 FLORIST Emily Alone Double Double Whammy
2 B BOYS Dudu Captured Tracks
3 STONEFIELD Bent Flightless/ATO
4 PENELOPE ISLES Until The Tide Creeps In Bella Union/PIAS
5 STRANGE RANGER Remembering The Rockets Tiny Engines
6 MAUNO Really Well Tin Angel
7 GOOD RIDDANCE Thoughts and Prayers Fat Wreck Chords
8 BLACK BELT EAGLE SCOUT At The Party With My Brown Friends [Advance Tracks] Saddle Creek
9 EMPATH “Roses That Cry” [Single] Get Better
10 DUDE YORK Falling Hardly Art

Categories
New Album Review

Album Review: Crumb – Jinx

Image result for crumb jinx

  

Best Songs: Ghostride, The Letter

FCC Clean

First off, I have to give credit where credit is due. Crumb has had an unbelievable stretch of success, especially since the band has remained unsigned since its inception. While attending Tufts University in Boston, the band came to fruition in 2016. The members were learning various programs of study including computer and cognitive science, psychology, and music. Coming from varying personal musical backgrounds, the group was comprised of musicians who were into jazz, soul, and rock. Soon after coming together, Crumb was formed and they worked on songs that lead singer and guitarist Lily Ramani had written. 

In 2016, their first release was a self-titled single which contained three tracks. Their second was an EP titled Locket, which had four songs and was released the next year. Now, almost two years later, the group has released a full-length, double-sided album titled Jinx. It is important for me to inform you that their most popular song has 11 million streams on Spotify and the band’s music has created somewhat of a cult following among listeners who like to partake in getting trippy with hallucinogens. It makes for a surreal and euphoric journey…according to them. I am in no way urging you to take part in that experience!

With all that being said, I was not a fan of this release. Yeah, there are some favorable qualities and segments to some of the songs, but they are few and far between and not enough to pique my interest.

I was first introduced to the group during my DJ days two semesters ago when I played a track from their EP. I wasn’t really into it then but I felt it was a good filler and it sounded like a song that some people would gravitate to. 

To me, Jinx sounds just plain lazy and unorganized. It’s almost as if not a lot of thought went into it but I’m pretty sure that’s the point of it. They try to arrange unconventionally and hats off to that, but the rhythm section sounds like joke riffing – as if the guitarist was fooling around with some funny lick and wanted to show his companions something amusing. 

It’s just an unmemorable piece of work in my not-so-important opinion. Crumb is dead set on taking the listener to a specific place in their consciousness but I’m not liking the destination I find myself in. 

I did like the guitars in Ghostride. The parts were unorthodox but seemed to flow better than the rest of the songs. The chorus was very rich with a multitude of tones containing high, yet subtle vocals. I also took to The Letter. It had a spooky sounding guitar tandem that frolicked about in minor. The bass traced the steps of the guitars eloquently and added a solid backbone to the track. 

Well folks, I hope you don’t find this review too offensive, though this was more of a look into the history of the band rather than a full-on review. After all, this is just MY opinion. I’m sure I would get tarred and feathered among the multitude of fans this band has worked hard to acquire. Though I’m shaming this release, I do urge you to take a listen to it. Objectively speaking, it has potential and could be considered a masterpiece to some since it seems to be out of the ordinary. Any band that self-releases something and has built success deserves a listen.

– Justin Capoccia

Categories
Classic Album Review

CLASSIC REVIEW: SCRATCH ACID- Berserker

CLASSIC REVIEW: SCRATCH ACID- Berserker 

 Mary Had a Little Drug Problem, For Crying Out Loud, This Is Bliss

I may be going out on a limb here when making the grand proclamation that music is a particularly potent form of communicating emotion, an expulsion of abstract human experience into material and social reality.  These emotions aren’t necessarily the basic happy, sad, mad, etc., but are more closely reminiscent of attitudes that reflect an environment which the musician can interpret and which is relevant to their audience.  For example, the first wave of the British Invasion was centered around teenage angst and generally pubescent themes, which spoke to a world of youth who were incredibly frustrated and confused. Punk was a fit of anger at systemic injustice, whether this is political or highly personal; and bands like the Smiths or The Cure tackled robust melodrama.  Of course, these are just a few examples in an infinite pool of artists and movements, which are by no means rigidly separated in their capacity to feel and create. I bring up this fundamental requirement of music, though, to emphasize both the genius and eccentricity of Scratch Acid. As stated above, the relationship between music and its audience demands communication, however abstract. It implies a shared connection between the two.  With this in mind, it makes sense that Scratch Acid has simultaneously remained critically important while missing from the canon of classic American acts. And what’s the feeling that they so effectively make digestible for their audience? Pure discomfort: the sensation akin to the shell of your skin being constantly irritated by the red goop moving beneath it. They sing of constant anxiety which permeates every facet of a being whose existence is an inherent offense.  With their EP, Berserker, Scratch Acid melds young noise experimentation with punk’s insistence on efficacy. Rather than using noise to experiment with everything that could be made, Scratch Acid limits themselves to only what is necessary to explore a life filled with a pressing, constant discomfort. I don’t want to act as if I understand Scratch Acid, or that the pain I have felt in my life has been particularly bad by any means. I have a really difficult time listening to Scratch Acid.  Rather, I want to emphasize that their goal as musicians is to deliver a message which is drastically different from most any other band.  

Scratch Acid was formed in the Austin, Texas of 1982.  They consisted of Steve Anderson (vocals), David Sims (guitar), Brett Bradford (guitar), David Yow (bass), and Rey Washam (drums).  Before recording their first album, Anderson was kicked out while Yow took over mouth duties. There is little information out there about the band’s career (beyond their status as a precursor to noise legends Jesus Lizard) other than their notoriety for highly chaotic performances.  Thrashing loosely on a stage clad in aggravatingly unassuming street clothes, Scratch Acid forwarded a movement focused on transferring the spirit of punk’s alternative bluntness into a new direction. Noise experimentation replaced disciplined hardcore, and punk’s natural decadence became a pragmatic nihilism.  Through lyrical subject matter centering around unstable emotional fits and sludged bursts of screeching feedback, the band affirmed libertine attitudes of romantic validity while also remaining grounded in harsh, modern realities. Their 1987 EP Berserker is caustic mayhem which is as brief as it is intense. It stands at only 16 minutes long with pounding headaches of songs which thud against the front of the head in agonizing marches. Yow’s voice is frighteningly clear in a disturbing showcase of guttural pain; Scratch Acid does not sacrifice recording quality for aestheticism.  Berserker’s quarter-hour is determined to massage every crevice of an incredibly detailed offense. 

“Mary Had a Little Drug Problem” is, I guess, the poppiest song off the EP.  Yes, it does feature compressed chunks of dissonance bouncing between Yow’s strained and extended syllables, but the song ultimately falls into a semi-accessible groove.  It’s with the second track, “For Crying Out Loud” that Scratch Acid fully employ their talent of sonically describing discomfort. A grimy and uneven chord progression disorients a listener who is, at the same time, bombarded with a drum solo interspersed with unnaturally long bleats held by Yow. He sounds as if he’s writing on glass as his voice slithers unbroken over his band’s succinct bedlam.  “Moron’s Moron” finds no natural center in its tottering bassline which Yow stumbles over in a quasi-spoken word delivery. “Skin Drips” adopts a rockabilly uneasiness which mocks the camp of The Cramps with deeply disturbing imagery and commotion, while “This is Bliss” contrives descending guitar and bass riffs with a meandering shred of Yow’s throat. It often sounds incredibly unpleasant. Getting through this EP might be the longest 16 minutes of your life. But Scratch Acid know what they’re doing.  It’s a construction relying on complex, often unspoken truths about the disgusting reality of everyday life.

Scratch Acid was always destined to provide a link between alternativism and exploration of more nuanced emotions.  By shifting focus from simple anger and alienation to more abstract concepts of constant disgust or suffering, the band validated and manifested the human experience in ways unique to only them.  Berserker is most representative of their work.

 -Cliff Jenkins

Categories
New Album Review

Album Review: Mexico City Blondes – Blush

Image result for mexico city blondes blush

Best Tracks: Out To Dry, Addio, Yellow Sunshine, Crimson, Planet Caravan 

FCC Clean

Finally! Something that strives for something different outside the realm of “conventional” Indy. This smooth release from Mexico City Blondes will make you feel like you’re on the beach maxin’ and relaxin’ or in a James Bond film during the opening credits…I say that in a good way. 

Though I’m not quite sure when Mexico City Blondes was formed, it looks to be around 2014 when their first single dropped. The Santa Barbara, California band has been teasing listeners up to this point, releasing four singles and one EP until they dropped Blush this year. The genre is labeled dance/electronica but I’m just not buying that. Yes, there are a few tracks that feature keys primarily but their rhythm section is filled with actual instruments, especially for their live set in which three local Santa Barbara session players fill the void. The drums are amazing as well. It resembles a rock feel, sprinkled with drumline extravaganzas. I don’t know who handled the recordings but I’m sure Scott Pritchet does the tracks justice in a live setting.

Working on their own terms, the band formed when singer Allie Thompson responded to a Craigslist ad by guitarist Greg Doscher. With Thompson being constrained creatively in her last band and with Doscher coming from an old school rock background, the tandem set off to create something different. Apparently, both had similar influences and you can hear the cohesion on their releases.

Out To Dry, Blush’s opening track introduces itself with an intriguing opening that seems to resonate the feel of an early ‘90s hip hop beat. That energy stays consistent but with the emergence of smooth, clean palm-muted guitar lines, along with some fast and spontaneous rim taps from the drummer. 

Some songs feature sweet bass lines and a few funky guitar swells and chords that kind of hide in the background. When some of the instruments are used sparingly, it creates a wonderful dynamic in which everything serves its purpose. Be sure to check out Thick As Thieves and Yellow Sunshine to see these attributes in action. 

Crimson is a dope blend of acoustics, electrics, and keys which progress into a blissful state of ambi”a”nce. If you’re ever feeling melancholy during a rainstorm, be sure to blast this track! Or maybe you’ve got that dopamine kicking and you want to hear it. Well, that’s cool too! 

If you’re looking for something with good beats and flow that is packaged in experimental rock while also employing a euphoric listening experience, out this hitter in your library. Maybe you’ll get lucky and hear some singles during rock hours here at WKNC!

-Justin 

Categories
Weekly Charts

Afterhours Charts 7/27

# Artist Record Label
1 LONE Ambivert Tools Volume Three [EP] R&S
2 TOURIST Everyday Monday
3 18 CARAT AFFAIR Spent Passions 2 Self-Released
4 KEDR LIVANSKIY Your Need 2MR
5 KAYTRANADA Nothin Like U/Chances [EP] RCA
6 SAMPS, THE Breakfast Gloriette
7 CHERRY GLAZERR “Daddi ( Reggie Watts Remix)” [Single] Secretly Canadian
8 GEOTIC Traversa Ghostly
9 SWEELY Nice Archive Traxx, Vol. 1 Lobster Theremin
10 DEATON CHRIS ANTHONY “1999 She” [Single] Self-Released