Categories
Weekly Charts

Chainsaw Charts 10/21

ArtistRecordLabel
1DEFTONESOhmsWarner
2ALPHA WOLFA Quiet Place To DieSharp Tone
3CRANIAL CONTAMINATION“Hive Mind” [Single]RealityFade 
4SIX FEET UNDER Nightmares Of The DecomposedMetal Blade
5JUSTICE FOR THE DAMNEDPain Is PowerSelf-Released
6FIT FOR A KING The Path Solid State 
7NAPALM DEATHThroes Of Joy In The Jaws Of DefeatismCentury Media
8SKELETAL REMAINSThe Entombment Of ChaosCentury Media
9NECROTMortalTankcrimes
10PIG DESTROYER The Octagonal Stairway [EP]Relapse 
Categories
Music News and Interviews

Edward “Eddie” Lodewijk Van Halen

January 26, 1955 – October 6, 2020

The Colossus of Rhodes was one of the Seven Wonders of the Ancient World. It was a huge statue, measuring 108 feet tall, erected on the Greek island of Rhodes in 280 BC. The actual location of the original statue is disputed today, but one of the opinions on the matter is that the statue straddled the opening to the harbor of Rhodes, a foot on each side. 

I grew up listening to Van Halen with my parents. I have told the story, many times, of riding to kindergarten with my dad, and asking him to play “Little Dreamer,” my favorite at the time. Hearing Eddie play at that young age, helped bring a familiarity to all music that I would hear from then on. The sound of screaming solos and chugging riffs has always been an inviting and welcoming sound to me. In the era in which Eddie played, there were great guitarists. But he turned it up! And turned Rock on its head!

Eddie was born in Amsterdam, Netherlands. His family moved to California and in 1972, he and his brother Alex, founded Van Halen with original bassist Mark Stone and singer David Lee Roth. He may not have invented the “tap style” technique of guitar playing, but he sure did perfect it! More than that, though, he was the perfect expression of one’s instrument becoming an extension of one’s self. With a perpetual grin, Eddie did amazing things, both in the studio and on the stage. 

1974 – 1985: Eddie, Alex, David, and Michael Anthony (bass) delivered raw emotion and talent on Van Halen’s first 5 records, all of which have since been certified multi-platinum – Van Halen, Van Halen II, Women and Children First, Fair Warning, and Diver Down. The sixth record, 1984, was far more commercial than the previous records, but Eddie kept on with the kick ass riffs. 

In 1985 Roth went solo and The Red Rocker, Sammy Hagar, stepped in to vocals and as a second guitarist. The band became even more successful, producing four U.S. number-one, multi-platinum records – 5150 in 1986, OU812 in 1988, For Unlawful Carnal Knowledge in 1991, and Balance in 1995. Eddie introduced keyboards on the 1984 album, and carried that through this era as well. These records had a more pop-rock sound, but Eddie kept dealing out the killer guitars. 

1996, Hager leaves the band and Gary Cherone (Extreme) takes vocals for Van Halen III in 1998. He leaves the band in 1999. 

2003, Hagar rejoins for a worldwide tour in 2004, and leaves again in 2005. 

2006, Roth rejoins and Wolfgang Van Halen (Eddies son) takes over on bass. 

2012 sees the release of A Different Kind of Truth and, you guessed it, Eddie kept delivering the guitar mastery. 

The Colossus of Rhodes is the perfect imagery to me, when imagining Eddie within the larger guitar community. He stood like a Colossus with one foot in Rock-n-roll and the other in what would come to be known as Metal. He stood in welcome of travelers journeying to this new form of energy. He was the bridge between the old and the new. There are giants in the land of guitarists. There are metal-gods and titans that traverse here, too. But Eddie was a Colossus that changed the art of shredding forever. With a grin and a swagger, this Colossus stands forever. Rest In Rock, sir. 

Stay Metal,

THE SAW

Categories
New Album Review

Lugalan by Jrusalam Album Review

Soul. It is what defines an artist. Staying true to yourself by making music that resonates with matters that reside within you and in the minds of your audience is the difference between a true Carolina artist and those who do it solely for glory. If there’s one thing our North Carolinian artists have plenty of, it’s soul, and Jrusalam’s 3rd album, Lugalan, is covered in hot buttery soul. Lugalan is not just about witty lyricism and the love for local hip-hop, rather, it’s a story about how growing up in Carolina and finding your family can inspire you to express your most personal thoughts. For Jru, this album is a rare blend of catharsis and high-spirited energy.

Produced by King Leaf, Jrusalam’s gritty vocals over hard-hitting lyrics draws you into the mind of a man who embraces his past to explore himself spiritually, is confident enough to be vulnerable, and is clever enough to give his punchlines a unique twist of humor. Not to mention, the beats sound fresh, often with dark melodies under fat 808 basslines and well polished drums. Although the production is sweet, King Leaf is not afraid to stray away from his hip-hop foundations to let Jrusalam lay down vocal melodies. A few of my stand-out favorites off the new record include Hibachi, BM, Lady Luck, Free Luv and DN& (DNA). Hibachi is the macho introduction that pulls you into Lugalan. From aggressive ad-libs to daring mantras like “my dearly are departed, they’re the angels that I carry” the track is dark, honest, audacious and incredibly fun. Lady Luck’s sultry melodies lets Jrusalam share his interesting perspective on how the best things come and go at the moments you need them most. The visuals for Lady Luck go hard too, check ‘em out on YouTube. DN& is a song that everyone in the Carolina hip-hop scene can appreciate as it represents finding your family, whether that be a group of artists who inspire you *cough* the NC State Cypher *cough,* or finding your estranged relatives who also turn out to be musicians. DN& is my favorite off this record as I believe it is one of the more personal songs and displays Jrusalam’s prowess as a introspective lyricist. 

Following the theme of his first two albums, Lugalan represents the 3rd Amulet of the Starbody Handbook. This theme that exists throughout gives the album a layer of spiritualism and a desire to self-reflect that you don’t find too often in mainstream hip-hop. Lugalan speaks volumes not to just the integrity and growth of our local scene, but to the tortured and talented few who use music as an outlet to cope and a platform to share how they’ve overcome their life experiences. Picture a young 20-something, struggling to deal with the hardship of never having met a side of his family, having his god-brother die in a car accident and recently getting out of a relationship, still pushing his avid desire to make it as a musician. Taking all your frustrations and laying it down on tape. Now that’s Carolina.

Jrusalam puts together an album that is cohesive and speaks to the heart of Carolina hip-hop. The motivation for this album is far different than Jrusalam’s first two records. Lugalan is a celebration of family. Don’t believe me? Take it from Jrusalam himself. “It represents finally finding my family, and not just that, but they are artists just like me, and we connected and made a whole vibe for it. I got to speak my heart and achieve a sound I had only dreamed about. It’s something for the family more than anything, vibes my brother might like to hear up in heaven.”

-Romir

Categories
New Album Review

Album Review: Agüita by Gabriel Garzón-Montano

ALBUM: Agüita by Gabriel Garzón-Montano

RELEASE YEAR: 2020

LABEL: Jagjaguwar Records

BEST TRACKS: “With A Smile”, “Muñeca”, “Fields”, “Someone”, “Bloom”

FCC: N/A

A glance at Gabriel Garzón-Montano’s biography may shed light on why his style is so eclectic: growing up in Brooklyn as the child of French and Colombian immigrants, he was exposed to a variety of different tastes. Nowhere is his multifaceted identity more apparent than on his latest project, Agüita.

To someone not listening closely, Agüita may sound like a compilation album – that is, the aesthetics found in GGM’s latest effort are so distinct that one may think they are a product of multiple artists. Specifically, there are three characters sharing the spotlight: the “wistful impressionist” who is fascinated by sonic textures and classical voice leading, the “leading man” who seduces us with R&B and neo-soul performances, and the “Latinx hitmaker” who exudes swagger with a reggaeton flair.

In the course of 42 minutes, these three have a lot to say. The first track, “Tombs”, finds our wistful impressionist musing about the comfort we find in failing relationships. “Fields”, with its beautiful string arrangements and otherworldly vocal harmonies, is perhaps the instrumental highlight of the album. “Muñeca”, “Mira My Look”, and “Agüita” establish our Latinx hitmaker as an artist capable of going toe to toe with the baddest of bunnies, and “Bloom”, which features only an acoustic guitar and string embellishments, reminds us that GGM is no stranger to balladry. “Someone” finds the debonair leading man in top form as he croons about an old flame.

The combination of these personalities are a testament to GGM’s refusal to be put in a neat little box, where fans and critics alike can categorize him. Ironically, he has been called “anti-genre” since his debut in 2014. Instead of shying away from this label, he has fully embraced it on Agüita. As a result, Gabriel Garzón-Montano is truly in a lane of his own.

– DJ Mango

Categories
Non-Music News

Goodbye Tumblr, and Hello WordPress!


Ahh, today is the day that we must say goodbye. Our long, long thread of blogs on Tumblr are no more! We are now on the lovely WordPress! We have updated WKNC’s website and, y’all, it is so cool. WKNC said: “Glow up!!!!” 
 
We transitioned to our new website, which is still wknc.org, on October 1st and we love our new little baby!! The blogs can now be viewed on the website, and the home screen gives you some sneak peaks of our most recent blogs and content! Our podcasts can also be found here, too! How convenient! 
 
Now, let’s take a walk down memory lane, WKNC first started on Tumblr in January 2014.We have been on Tumblr for a little over 6 years! We have so much content on different bands/artists, albums (new and old), concert and festival reviews, interviews, and short stories on Tumblr that have made our days when we needed them most. All of those blogs will be on WKNC’s new website! YAY!! You can spend hours upon hours just reading the amazing content that. Our DJ’s and staff have created! 
 
The Saw (and her Butcher Shop) has destroyed us in her Meat Grinder and hung us up in the Meat Locker so we had no choice!! We had to switch over, the pain was tremendous in the Butcher Shop!! But we have plenty of room over here at WordPress so we are safe… for now. She might find us, oh no!!
 
But until then, Tumblr, we love you and WKNC just wants you to know: it’s not you, it’s us. We had to flex on ‘em real quick. Ya feel? So, go on over to our new website and check out all that we have to offer! We got WKNC’s history, HD-1/HD-2 schedule, our playlist so you never miss the name of your favorite songs, our podcasts, our blogs, and many many more!! 
 
Happy scrolling  🙂
 
-THE SAW 
 
-On behalf of WKNC 
Categories
Miscellaneous

Top Choice: Nardwuar Interviews

Written By Miranda Owen

Nardwuar is a YouTube personality known for his podcasts, radio show, and interviews of celebrities and musicians. He interviews a huge variety of people including many genres of artists and the interviews are always entertaining to watch. In this article I’ve highlighted my very favorite Nardwuar interviews with a little description of why I enjoy them. 

Nardwuar vs. CHAI 

I discussed my love for Japanese girl-band CHAI in my article on Japanese musicians, so I was excited to see this interview. The girls of CHAI showed up in cute matching outfits and dished on Peach Kelli Pop, their favorite foods to eat on tour, and their favorite musicians including the Beastie Boys and N.E.R.D. The band has a high energy sure to serve as a pick me up when you watch. 

Nardwuar vs. Eric Andre 

Not technically an interview of a musician, but this list wouldn’t be complete without it. Both Eric Andre and Nardwuar have bizarre personas and are experienced in leading interviews (if you’ve ever seen Eric Andre’s show, you’ll know what I mean). The two duke it out in a contest of weirdness that’s entertaining, if not edging on uncomfortable, to watch. 

Nardwuar vs. Kendrick Lamar 

This interview is now almost a decade old and shows young Kendrick Lamar being shocked at all the research Nardwuar has done about him. Kendrick’s reactions are insanely funny, but the interview also gives fans glimpses of his childhood and early career. 

Nardwuar vs. Rich Brian 

I love this interview because not only is Brian Imanuel/Rich Brian my favorite Indonesian artist, he’s one of the best and most talented members of the label 88rising. This interview is great because fans get a deeper understanding of the artist’s upbringing and life in Indonesia. Watching this interview made me love Rich Brian even more. 

Nardwuar vs. Soccer Mommy

A wholesome interview featuring the best girl, Sophie from Soccer Mommy. This interview is one of the cutest of Nardwuar’s recent ones and I love learning more about Soccer Mommy and front-woman Sophie Allison.

-Miranda

Categories
Miscellaneous

Book Review: Patti Smith’s “Just Kids”

This book came to me at a very special time in my life, and I will never forget the impact it had on me. When I was 15, I stumbled upon a small bookstore in Asheville. I told the owner about the books I had previously been interested in, (“The Outsiders” and “Palo Alto”) looking for a good reading recommendation and he put “Just Kids” in my hands. Little did I know this book would get me through some of the hardest times of my teen years, provide endless inspiration, and make me fall in love with 70s rock.

“Just Kids” is a memoir written by one of the most notable female rockstars of all time, Patti Smith. It is an exquisite testimony to her talent as a poet, songwriter, and artist. The main focus of the memoir is her relationship with Robert Mapplethorpe, the renowned photographer known for his risque black & whites that explored sexuality in never foreseen ways. As another goodie, photographs from their time together are sprinkled throughout the book that give a lovely glimpse into their life.

Having to give up her baby after an unplanned pregnancy at 18, Smith moves to New York looking to immerse herself in the arts and get a new start. There she meets Mapplethorpe, a bohemian wanderer in search of the same thing. They enter a life together, exploring what it means to be young, poor, and in love. The novel continually references the icons she meets along the way, including Jimi Hendrix, Janis Joplin, and the members of Blue Öyster Cult.

It is a poetic novel that tells of the joy and pain of being a starving artist, growing apart, and exploring one’s true identity. Mapplethorpe’s struggle with accepting his sexuality and Patti’s desire to see the world drives them apart and brings them back together over the course of decades. Though their relationship ebbs and flows, their connection is one that transcends distance.

I’m usually not an autobiography kind of person, but I HIGHLY recommend reading “Just Kids.” It is truly one of the best books I’ve ever read, and I promise you won’t regret it.

– DJ Butter

Categories
New Album Review

Album Review: “Other Here Comes the Cowboy Demos”

Album: “Other Here Comes the Cowboy Demos” (Continuation of “Here Comes the Cowboy” and “Here Comes the Cowboy Demos)”

Artist: Mac DeMarco

Release Date: October 9th, 2020

If one demo album of Mac DeMarco’s “Here Comes the Cowboy” wasn’t enough, the lovable gap-toothed singer released another one merely days ago. Mac truly blessed us with the hidden tracks that didn’t quite make the cut for “Here Comes the Cowboy” OR the “Here Comes the Cowboy Demos.” Unlike his original demo album, this version includes songs that aren’t featured at all on HCTC.

“Other Here Comes the Cowboy Demos” is mostly made up of instrumentals that slightly mimic the sounds of his first release. Mac’s signature acoustic guitar and synth sounds are heavy throughout. Only a couple of songs have actual lyrics to them, but it’s interesting to get a glimpse into Mac’s creative process as he was recording HCTC. Personally, I love it when artists release their previously unheard music. It’s fascinating to connect the scrapped versions of songs to their final form and compare them.

While it’s fun to hear unreleased music from artists that we love, you can see why Mac chose the tracks he did for the finished version. Many of the songs on this demo don’t exactly fit in with the rancher-on-the-prairie vibe of HCTC. Though they have considerable merit, Mac’s decision to keep them separate was a good one.

Favorite Songs:

  • Out of My Head
  • Velvet Johnny
  • Powers Back On
  • Very Spooky

Rating: 9/10

Take a listen!

– DJ butter

Categories
Playlists

Friday Favorites

Hey everyone! Libra season is in full effect (along with midterms) and with that said, here is a playlist of songs that got me through the past week.

  1. Guilty by Lady Wray: Lady Wray, f.k.a Nicole Wray, has reinvented herself as a seasoned soul veteran, and “Guilty” is a testament to just that. Check out my spotlight on her right here!
  2. With A Smile by Gabriel Garzón-Montano: A highlight from GGM’s new album Agüita, one of my most anticipated releases of the past few months. I especially love the outro’s use of acoustic guitar, harp, and vocal harmonies. Look out for my review on the full album!
  3. Ronnie Drake (feat. SZA) by Isaiah Rashad: Rashad’s debut, Cilvia Demo, proved that he could hold his own against his TDE labelmates like Kendrick and ScHoolboy Q. “Ronnie Drake” serves as the perfect example of why. Check out my review of the album here!
  4. Interlude (That’s Love) by Chance the Rapper: Chance’s Acid Rap is the mixtape that got me into hip-hop music. “Interlude (That’s Love)” is a lovely ballad about love that features Chano’s one-of-a-kind storytelling – be sure to check out my review of Acid Rap here!
  5. ‘96 Neve Campell (feat. Cam & China) by clipping.: Just in time for spooky season, the title of this track is a reference to Neve Campbell’s “final girl” character in the 1996 film Scream. With their verses, Cam and China prove that a masked killer is no match for them.
  6. Holden by Mista Lyrical: Representing Greensboro, “Holden” chronicles Mista Lyrical’s adolescence in the city’s south side. Check it out!
  7. feel away (feat. James Blake & Mount Kimbie) by slowthai: Tyron dedicated this new track to his late brother who died at a young age. The song is accompanied with an incredible video – check it out here!
  8. RASCAL (feat. Young Thug) by RMR: RMR appeared on the scene back in February of this year with his debut single “RASCAL”, a country/rap cover of the Rascal Flatt’s “Bless the Broken Road”. This remix features a poignant verse from Thugger that compliments RMR’s auto-tune crooning.
Categories
Classic Album Review

Classic Review: Nonagon Infinity by King Gizzard and the Lizard Wizard

ALBUM: Nonagon Infinity by King Gizzard and the Lizard Wizard

RELEASE YEAR: 2016

LABEL: Flightless Records

BEST TRACKS: “Gamma Knife”, “Invisible Face”, “Wah Wah”

FCC: N/A

A perpetual motion machine is one that could, hypothetically, do work indefinitely without an energy source. According to the laws of thermodynamics, such a machine is physically impossible; however, King Gizzard and the Lizard Wizard have no interest in following the rules.

With nine tracks that transition seamlessly into each other, the sextet from Australia have created the world’s first “infinitely looping album”. Though “Robot Stop” and “Road Train” could be considered bookends of the album, Nonagon Infinity has no definitive start nor end point. Instead, Stu and the crew present us with a prog/psych rock epic that is more like a never-ending jam session than a traditional LP. In that 40 minutes, the band explores dizzying tempo changes, atypical time signatures, and even microtonality.

Though Nonagon Infinity is best experienced in its entirety, its individual tracks can still be enjoyed on their own. “Robot Stop” introduces the refrain of “Nonagon Infinity opens the door” that repeats throughout the album, and “Road Train” serves as an on-ramp of sorts to restart it. Other highlights include “Gamma Knife”, a blistering affair in 3/4 time, and “Invisible Face”, which offers a brief reprieve from Nonagon’s auditory onslaught with its jazz sensibilities. My favorite track is “Wah Wah”, which puts a Gizzard spin on 5/4 time.

Nonagon Infinity is an album that quite literally doesn’t know when to quit. It’s 40-minute runtime is merely a suggestion as its nine tracks loop into each other to form a perfect nonagon. Even if you aren’t a fan of rock music, this one is definitely worth checking out!

-DJ Mango